Jump to content

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ
ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ
ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱒᱐᱑᱗ ᱨᱮ
ᱵᱤᱵᱚᱨᱚᱱ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢᱜᱽᱭᱟᱱᱟᱛᱷᱮᱥᱤᱜᱟᱱ
ᱵᱟᱭᱱᱟ
  • ᱤᱥᱟᱭᱜᱽᱱᱟᱱᱤ
  • ᱢᱮᱥᱴᱨᱳ
ᱡᱟᱱᱟᱢ᱓ ᱡᱩᱱ ᱑᱙᱔᱓ (1943-06-03) (᱘᱓ ᱥᱮᱨᱢᱟ) [lower-alpha ᱑]
ᱯᱟᱱᱱᱟᱭᱯᱩᱨᱟᱢ, ᱢᱟᱫᱽᱨᱟᱥ ᱯᱨᱮᱥᱤᱰᱮᱱᱥᱤ, ᱵᱨᱤᱴᱤᱥ ᱥᱤᱧᱚᱛ
ᱡᱮᱱᱨᱮᱥ
  • ᱯᱷᱤᱞᱢ ᱥᱠᱳᱨ
  • ᱣᱟᱨᱞᱰ ᱢᱤᱣᱡᱤᱠ
  • ᱠᱞᱟᱥᱤᱠᱟᱞ
  • ᱳᱨᱮᱴᱳᱨᱤᱭᱳ
  • ᱯᱷᱳᱠ
  • ᱨᱚᱠ
  • ᱡᱮᱡᱽ
ᱚᱠᱩᱯᱮᱥᱚᱱ
  • ᱠᱚᱢᱯᱳᱡᱚᱨ
  • ᱮᱨᱮᱱᱡᱟᱨ
  • ᱠᱚᱱᱰᱟᱠᱴᱚᱨ
  • ᱳᱨᱠᱮᱥᱴᱨᱮᱴᱚᱨ
  • ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱟᱞᱤᱥᱴ
  • ᱥᱮᱨᱮᱧ ᱚᱱᱚᱞᱤᱭᱟᱹ
  • ᱯᱞᱮᱵᱮᱠ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ
  • ᱯᱷᱤᱞᱢ ᱯᱨᱚᱰᱤᱭᱩᱥᱚᱨ
ᱵᱟᱡᱽᱱᱟ
  • ᱟᱲᱟᱝ (ᱯᱞᱮᱵᱮᱠ ᱥᱤᱝᱜᱤᱝ)
  • ᱜᱤᱴᱟᱨ
  • ᱠᱤᱵᱳᱨᱰ
  • ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ
  • ᱛᱤᱨᱤᱭᱳ
  • ᱥᱤᱱᱛᱷᱮᱥᱟᱭᱡᱟᱨ
  • ᱚᱨᱜᱟᱱ
  • ᱯᱤᱭᱟᱱᱳ
  • ᱵᱷᱟᱭᱳᱞᱤᱱ
  • ᱥᱮᱞᱳ
  • ᱢᱨᱤᱫᱟᱝᱜᱟᱢ
  • ᱛᱚᱵᱽᱞᱟ
  • ᱜᱷᱚᱴᱚᱢ
  • ᱰᱨᱚᱢᱥ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ᱑᱙᱗᱖–ᱱᱤᱛᱚᱜ
ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱ ᱠᱟᱹᱢᱤᱦᱚᱨᱟᱠᱚ
  • ᱥᱟᱞᱤᱞ ᱪᱚᱣᱫᱷᱩᱨᱤ
  • ᱡᱤ. ᱠᱮ. ᱵᱷᱮᱱᱠᱟᱴᱮᱥ
  • ᱮᱢ. ᱮᱥ. ᱵᱤᱥᱣᱟᱱᱟᱛᱷᱟᱱ
  • ᱡᱚᱱ ᱤᱥᱠᱚᱴ
  • ᱭᱩᱵᱷᱟᱱ ᱥᱚᱝᱠᱚᱨ ᱨᱟᱡᱟ (ᱦᱚᱯᱚᱱ)
  • ᱡᱤ. ᱫᱮᱵᱽᱨᱟᱡᱟᱱ
  • ᱵᱷᱤ. ᱫᱟᱠᱥᱤᱱᱟᱢᱩᱨᱛᱷᱤ
ᱣᱮᱵᱽᱥᱟᱭᱤᱴilaiyaraajalive.com Edit this at Wikidata
ᱨᱟᱡᱽᱭᱚᱥᱚᱵᱷᱟ ᱨᱮᱱ ᱥᱚᱦᱮᱫ
ᱵᱟᱭᱴᱷᱮᱨ ᱟᱠᱟᱱᱤᱡ
Assumed office
᱗ ᱡᱩᱞᱟᱭ ᱒᱐᱒᱒
ᱵᱟᱪᱷᱚᱱᱤᱭᱟᱹᱨᱟᱢ ᱱᱟᱛᱷ ᱠᱳᱵᱤᱱᱫᱽ
ᱵᱟᱪᱷᱱᱟᱣ ᱮᱞᱟᱠᱟᱧᱩᱛᱩᱢ ᱟᱠᱟᱱ (ᱟᱨᱴᱥ)
ᱯᱟᱨᱥᱚᱱᱟᱞ ᱵᱤᱵᱚᱨᱚᱱ
ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫᱡᱤᱵᱷᱟ ᱨᱟᱡᱟᱭᱭᱟ
ᱦᱚᱯᱚᱱᱠᱟᱨᱛᱷᱤᱠ ᱨᱟᱡᱟ
ᱵᱷᱟᱵᱷᱟᱛᱷᱟᱨᱤᱱᱤ
ᱭᱩᱵᱷᱟᱱ ᱥᱚᱝᱠᱚᱨ ᱨᱟᱡᱟ

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ (ᱡᱟᱱᱟᱢ ᱜᱽᱭᱟᱱᱟᱛᱷᱮᱥᱤᱜᱟᱱ)[᱑] ᱫᱚ ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ, ᱠᱚᱢᱯᱳᱡᱚᱨ, ᱮᱨᱮᱱᱡᱟᱨ, ᱠᱚᱱᱰᱟᱠᱴᱚᱨ, ᱳᱨᱠᱮᱥᱴᱨᱮᱴᱚᱨ, ᱢᱟᱞᱴᱤ-ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱟᱞᱤᱥᱴ, ᱥᱮᱨᱮᱧ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱨ ᱯᱞᱮᱵᱮᱠ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱤᱱᱮᱢᱟ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱠᱟᱱᱟᱭ, ᱵᱟᱹᱲᱛᱤ ᱠᱟᱛᱮ ᱛᱟᱢᱤᱞ ᱥᱟᱶᱛᱮ ᱛᱮᱞᱩᱜᱩ, ᱢᱟᱞᱟᱭᱟᱞᱟᱢ, ᱠᱚᱱᱱᱚᱰ ᱟᱨ ᱦᱤᱱᱫᱤ ᱯᱷᱤᱞᱢ ᱨᱮ ᱾ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱧᱩᱛᱩᱢᱟᱱ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ ᱠᱟᱱ, ᱯᱩᱱ ᱜᱮᱞ ᱟᱨᱮ ᱥᱮᱨᱢᱟ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱕᱐᱐᱐ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱥᱮᱨᱮᱧ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱫᱟ, ᱟᱨᱮ ᱜᱚᱴᱟᱝ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱑᱐᱐᱐ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱯᱷᱤᱪᱚᱨ ᱯᱷᱤᱞᱢ ᱠᱚᱨᱮ ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱮ ᱮᱢ ᱟᱠᱟᱫᱟ,[᱒] ᱟᱨ ᱒᱐,᱐᱐᱐ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱠᱚᱱᱥᱟᱨᱴ ᱨᱮ ᱥᱮᱨᱮᱧ ᱟᱠᱟᱫᱟ ᱾[᱓] ᱩᱱᱤ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱦᱟᱨᱢᱳᱱᱤ ᱟᱨ ᱤᱥᱴᱨᱤᱝ ᱮᱨᱮᱱᱡᱢᱮᱱᱴ ᱵᱮᱵᱷᱟᱨ ᱠᱚᱜ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔] ᱩᱱᱤ ᱫᱚ "ᱤᱥᱟᱭᱜᱽᱱᱟᱱᱤ" (ᱥᱮᱨᱮᱧ ᱨᱮᱱ ᱜᱩᱨᱩ) ᱢᱮᱱᱛᱮ ᱠᱚ ᱦᱚᱦᱚ ᱟᱭᱟ ᱟᱨ ᱡᱟᱣᱜᱮ "ᱢᱮᱥᱴᱨᱳ" ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱛᱟᱭᱟ, ᱱᱚᱶᱟ ᱧᱩᱛᱩᱢ ᱫᱚ ᱞᱚᱱᱰᱚᱱ ᱨᱮᱱᱟᱜ ᱨᱚᱭᱮᱞ ᱯᱷᱤᱞᱦᱟᱨᱢᱳᱱᱤᱠ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱦᱚᱛᱮᱛᱮ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾[᱕]

᱑᱙᱘᱖ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱵᱤᱠᱨᱟᱢ ᱯᱷᱤᱞᱢ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱢᱯᱤᱭᱩᱴᱟᱨ ᱥᱟᱶ ᱢᱤᱫ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱨᱮᱠᱚᱨᱰ ᱟᱠᱟᱫ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾[᱖] ᱒᱐᱑᱓ ᱥᱟᱞᱮ ᱨᱮ, ᱡᱚᱠᱷᱚᱱ CNN-IBN ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱤᱱᱮᱢᱟ ᱨᱮᱱᱟᱜ ᱑᱐᱐ ᱥᱮᱨᱢᱟ ᱯᱩᱨᱟᱹᱣ ᱨᱮᱱᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱛᱮ ᱢᱤᱫ ᱯᱳᱞ ᱮ ᱥᱟᱯᱲᱟᱣ ᱞᱮᱫᱟ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱔᱙% ᱵᱷᱳᱴ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱫᱤᱥᱚᱢ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱮᱱᱟᱭ ᱾[᱗] ᱒᱐᱒᱕ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱞᱚᱱᱰᱚᱱ ᱨᱮ ᱢᱤᱫ ᱯᱩᱨᱟᱹ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱥᱤᱢᱯᱷᱳᱱᱤ ᱠᱚᱢᱯᱳᱡᱽ, ᱨᱮᱠᱚᱨᱰ, ᱟᱨ ᱞᱟᱭᱤᱵᱽ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱟᱠᱟᱫ ᱯᱩᱭᱞᱩ ᱮᱥᱤᱭᱟᱱ, ᱥᱟᱶᱛᱮ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾[᱑][᱒] ᱩᱱᱤ ᱫᱚ ᱛᱷᱤᱨᱩᱵᱷᱟᱥᱟᱠᱟᱢ ᱤᱱ ᱥᱤᱢᱯᱷᱳᱱᱤ (᱒᱐᱐᱖) - ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱳᱨᱮᱴᱳᱨᱤᱭᱳ ᱦᱚᱸᱭ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱨ ᱳᱨᱠᱮᱥᱴᱨᱮᱴ ᱟᱠᱟᱫᱟ ᱾[᱘]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱡᱟᱜ ᱜᱚᱴᱟ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱭᱢᱟ ᱥᱤᱨᱯᱷᱟᱹ ᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ ᱒᱐᱑᱒ ᱥᱟᱞᱮ ᱨᱮ, ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱴᱚᱴᱷᱟ ᱨᱮ ᱟᱡᱟᱜ ᱱᱟᱣᱟ ᱟᱨ ᱮᱠᱥᱯᱮᱨᱤᱢᱮᱱᱴᱟᱞ ᱠᱟᱹᱢᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱫ, ᱩᱱᱤ ᱫᱚ ᱥᱚᱝᱜᱤᱛ ᱱᱟᱴᱚᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱥᱤᱨᱯᱷᱟᱹ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱟᱨᱯᱷᱚᱨᱢᱤᱝ ᱟᱨᱴᱥ ᱨᱮᱱᱟᱜ ᱴᱚᱴᱷᱟ ᱨᱮ ᱦᱚᱲ ᱠᱚ ᱮᱢᱟᱠᱚ ᱠᱟᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱢᱟᱱᱚᱛ ᱠᱟᱱᱟ ᱾ ᱒᱐᱑᱐ ᱥᱟᱞᱮ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱯᱚᱫᱽᱢᱚ ᱵᱷᱩᱥᱚᱱ, ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱛᱮᱥᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱵᱷᱤᱞᱤᱭᱟᱱ ᱢᱟᱱᱚᱛ, ᱟᱨ ᱒᱐᱑᱘ ᱥᱟᱞᱮ ᱨᱮ ᱯᱚᱫᱽᱢᱚ ᱵᱷᱤᱵᱷᱩᱥᱚᱱ, ᱥᱤᱧᱚᱛ ᱥᱚᱨᱠᱟᱨ ᱦᱚᱛᱮᱛᱮ ᱫᱚᱥᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱵᱷᱤᱞᱤᱭᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱡᱩᱞᱟᱭ ᱒᱐᱒᱒ ᱠᱷᱚᱱ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱪᱮᱛᱟᱱ ᱚᱲᱟᱜ ᱨᱟᱡᱽᱭᱚᱥᱚᱵᱷᱟ ᱨᱮ ᱢᱤᱫ ᱧᱩᱛᱩᱢ ᱟᱠᱟᱱ ᱥᱚᱦᱮᱫ ᱠᱟᱱᱟᱭ ᱾[᱙][᱒]

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱓ ᱡᱩᱱ ᱑᱙᱔᱓ ᱥᱟᱞᱮ ᱨᱮ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱨᱮᱱᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱛᱷᱮᱱᱤ ᱦᱚᱱᱚᱛ ᱨᱮᱱᱟᱜ ᱯᱟᱱᱱᱟᱭᱯᱩᱨᱟᱢ ᱨᱮ ᱢᱤᱫ ᱫᱚᱞᱤᱛ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮ ᱜᱽᱭᱟᱱᱟᱛᱷᱮᱥᱤᱜᱟᱱ ᱧᱩᱛᱩᱢ ᱛᱮᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾[lower-alpha ᱑][᱑][᱑᱐][᱑᱑] ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱮᱢ. ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱥᱟᱨᱦᱟᱣᱮ ᱞᱟᱹᱜᱤᱫ ᱒ ᱡᱩᱱ ᱨᱮ ᱟᱡᱟᱜ ᱡᱟᱱᱟᱢ ᱢᱟᱦᱟᱭ ᱢᱟᱱᱟᱣᱟ, ᱡᱟᱦᱟᱸᱭᱟᱜ ᱡᱟᱱᱟᱢ ᱢᱟᱦᱟ ᱦᱚᱸ ᱓ ᱡᱩᱱ ᱨᱮ ᱯᱟᱲᱟᱣᱜᱼᱟ ᱾ ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱜᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ "ᱤᱥᱟᱭᱜᱽᱱᱟᱱᱤ" ᱧᱩᱛᱩᱢ ᱮ ᱮᱢᱟᱫᱮ ᱛᱟᱦᱮᱸᱫ ᱾[᱑᱒][lower-alpha ᱑]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱢᱤᱫ ᱟᱹᱛᱩ ᱴᱚᱴᱷᱟ ᱨᱮᱭ ᱦᱟᱨᱟ ᱵᱩᱨᱩ ᱞᱮᱱᱟ ᱟᱨ ᱟᱡᱟᱜ ᱦᱟᱨᱟᱜ ᱚᱠᱛᱚ ᱨᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱛᱟᱢᱤᱞ ᱯᱷᱳᱠ ᱢᱤᱣᱡᱤᱠ ᱥᱟᱶ ᱡᱚᱯᱚᱲᱟᱣ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱓] ᱑᱔ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱟᱡᱤᱡ ᱢᱟᱨᱟᱝ ᱵᱚᱭᱦᱟ ᱯᱟᱵᱷᱟᱞᱟᱨ ᱵᱷᱟᱨᱚᱫᱷᱟᱨᱟᱡᱟᱱ ᱟᱜ ᱟᱹᱭᱩᱨ ᱛᱮ "ᱯᱟᱵᱷᱟᱞᱟᱨ ᱵᱽᱨᱟᱫᱟᱨᱥ" ᱧᱩᱛᱩᱢᱟᱱ ᱢᱤᱫ ᱫᱟᱬᱟᱱ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱜᱩᱴ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱮᱱᱟ, ᱟᱨ ᱛᱟᱭᱚᱢ ᱜᱮᱞ ᱥᱮᱨᱢᱟ ᱜᱚᱴᱟ ᱮᱛᱚᱢ ᱥᱤᱧᱚᱛ ᱨᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟᱭ ᱾[᱑᱔] ᱜᱩᱴ ᱥᱟᱶ ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱮ ᱚᱞ ᱞᱮᱫᱟ, ᱥᱤᱧᱚᱛ ᱨᱮᱱᱤᱡ ᱯᱩᱭᱞᱩ ᱢᱟᱨᱟᱝ ᱢᱚᱱᱛᱨᱤ ᱡᱚᱵᱟᱦᱚᱨᱞᱟᱞ ᱱᱮᱦᱨᱩ ᱞᱟᱹᱜᱤᱫ ᱛᱟᱢᱤᱞ ᱚᱱᱚᱬᱦᱤᱭᱟᱹ ᱠᱟᱱᱱᱟᱫᱟᱥᱟᱱ ᱦᱚᱛᱮᱛᱮ ᱚᱞ ᱟᱠᱟᱱ ᱢᱤᱫ ᱫᱩᱠᱷᱟᱱ ᱚᱱᱚᱬᱦᱮ ᱨᱮᱱᱟᱜ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱮᱰᱟᱯᱴᱮᱥᱚᱱ ᱾[᱑᱕][᱑᱖] ᱮᱛᱚᱦᱚᱵ ᱥᱮᱨᱢᱟ ᱠᱚᱨᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱤᱡ ᱵᱚᱭᱦᱟ ᱯᱟᱵᱷᱟᱞᱟᱨ ᱵᱷᱟᱨᱚᱫᱟᱨᱟᱡᱟᱱ ᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱚᱨᱮ ᱴᱤᱭᱩᱱ ᱮ ᱮᱢᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱚᱢᱤᱣᱱᱤᱥᱴ ᱯᱟᱨᱴᱤ ᱨᱮᱱ ᱥᱚᱦᱮᱫ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱗]

ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱥᱮᱨᱮᱧ ᱪᱮᱫᱚᱜ ᱞᱟᱹᱜᱤᱫ ᱵᱚᱭᱦᱟ ᱵᱷᱟᱥᱠᱚᱨ ᱥᱟᱶ ᱢᱟᱫᱽᱨᱟᱥ (ᱱᱤᱛᱚᱜᱟᱜ ᱪᱮᱱᱱᱟᱭ) ᱮ ᱪᱟᱞᱟᱣ ᱮᱱᱟ ᱾ ᱩᱱᱠᱤᱱ ᱴᱷᱮᱱ ᱮᱠᱮᱱ ᱔᱐᱐ ᱴᱟᱠᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱡ ᱟᱭᱳ ᱚᱲᱟᱜ ᱨᱮᱱᱟᱜ ᱨᱮᱰᱤᱭᱳ ᱟᱹᱠᱷᱨᱤᱧ ᱠᱟᱛᱮ ᱧᱟᱢ ᱞᱮᱫᱟᱭ ᱾ ᱩᱱᱠᱤᱱ ᱫᱚ ᱥᱚᱦᱚᱨ ᱨᱮ ᱚᱠᱚᱭ ᱦᱚᱸ ᱵᱟᱝ ᱠᱤᱱ ᱵᱟᱰᱟᱭ ᱠᱚ ᱛᱟᱦᱮᱸᱫ ᱟᱨ ᱜᱟᱞᱤ ᱠᱚᱨᱮ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱨᱮᱧ ᱠᱟᱛᱮ ᱡᱟᱦᱟᱸ ᱯᱩᱭᱥᱟᱹ ᱠᱤᱱ ᱧᱟᱢᱟ, ᱚᱱᱟ ᱛᱮ ᱵᱟᱧᱪᱟᱣ ᱛᱟᱦᱮᱸᱱ ᱨᱮᱱᱟᱜ ᱯᱟᱹᱛᱭᱟᱹᱣ ᱛᱟᱦᱮᱸ ᱠᱟᱱ ᱛᱟᱹᱠᱤᱱᱟ ᱾[᱑᱗]

ᱢᱟᱫᱽᱨᱟᱥ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱢᱟᱥᱴᱟᱨ ᱫᱷᱟᱱᱨᱟᱡᱽ ᱨᱮᱱ ᱯᱟᱹᱴᱷᱩᱣᱟᱹ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱᱤ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱥᱮᱪᱮᱫ ᱮ ᱮᱢᱟᱫᱮᱭᱟ ᱾[᱑᱗] ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱞᱚᱱᱰᱚᱱ, ᱤᱝᱞᱮᱱᱰ ᱨᱮ ᱴᱨᱤᱱᱤᱴᱤ ᱠᱚᱞᱮᱡᱽ ᱚᱯᱷ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱢᱤᱫ ᱵᱤᱱᱤᱰ ᱮᱢ ᱠᱟᱛᱮ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱜᱤᱴᱟᱨ ᱨᱮ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱯᱟᱹᱴᱷᱩᱣᱟᱹ ᱟᱨ ᱥᱚᱱᱟ ᱢᱮᱰᱟᱞᱤᱥᱴ ᱞᱮᱠᱟᱛᱮᱭ ᱩᱰᱩᱠ ᱮᱱᱟ ᱾[᱒] ᱩᱱᱤ ᱫᱚ ᱴᱤ. ᱵᱷᱤ. ᱜᱳᱯᱟᱞᱟᱠᱨᱤᱥᱱᱟᱱ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱢᱤᱣᱡᱤᱠ ᱦᱚᱸᱭ ᱪᱮᱫ ᱞᱮᱫᱟ ᱾[᱑᱔][᱑᱘][᱑᱙]

ᱧᱩᱛᱩᱢ ᱵᱚᱫᱚᱞ ᱠᱚ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱤᱥᱠᱩᱞ ᱮ ᱮᱛᱚᱦᱚᱵ ᱠᱮᱫᱟ, ᱟᱡ ᱵᱟᱵᱟ, ᱰᱮᱱᱤᱭᱮᱞ ᱨᱟᱢᱟᱥᱟᱢᱤ[᱒᱐] ᱟᱡᱟᱜ ᱧᱩᱛᱩᱢ ᱜᱽᱭᱟᱱᱟᱛᱷᱮᱥᱤᱜᱟᱱ ᱠᱷᱚᱱ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ ᱰᱮᱱᱤᱭᱮᱞ ᱨᱟᱥᱟᱯᱯᱟ ᱮ ᱫᱚᱦᱚ ᱠᱮᱫᱟ, ᱟᱨ ᱟᱡᱟᱜ ᱟᱹᱛᱩ ᱨᱮᱱ ᱦᱚᱲ ᱫᱚ ᱩᱱᱤ "ᱨᱟᱥᱟᱭᱭᱟ" ᱢᱮᱱᱛᱮ ᱠᱚ ᱦᱚᱦᱚ ᱟᱭ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱒᱑][᱒᱒]

ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱥ ᱪᱮᱫᱚᱜ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱯᱟᱹᱴᱷᱩᱣᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱫᱷᱟᱱᱨᱟᱡᱽ ᱢᱟᱥᱴᱟᱨ ᱴᱷᱮᱱ ᱮ ᱥᱮᱞᱮᱫ ᱮᱱᱟ, ᱢᱟᱥᱴᱟᱨ ᱫᱚ ᱟᱡᱟᱜ ᱧᱩᱛᱩᱢ "ᱨᱟᱥᱟᱭᱭᱟ" ᱠᱷᱚᱱ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ "ᱨᱟᱡᱟ" ᱮ ᱫᱚᱦᱚ ᱠᱮᱫᱟ ᱾[᱒᱓] ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱯᱷᱤᱞᱢ ᱟᱱᱱᱟᱠᱤᱞᱤ (᱑᱙᱗᱖) ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ ᱨᱮ, ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱢ ᱯᱨᱚᱰᱤᱭᱩᱥᱚᱨ ᱯᱟᱧᱪᱩ ᱚᱨᱩᱱᱟᱪᱚᱞᱟᱢ ᱫᱚ "ᱨᱟᱡᱟ" ᱧᱩᱛᱩᱢ ᱢᱟᱬᱟᱝ ᱨᱮ "ᱤᱞᱟᱭᱭᱟ" (ᱛᱟᱢᱤᱞ ᱛᱮ ᱢᱮᱱᱮᱛ ᱫᱚ 'ᱦᱩᱰᱤᱧ') ᱮ ᱞᱟᱜᱟᱣ ᱠᱮᱫᱟ, ᱟᱨ ᱟᱡᱟᱜ ᱧᱩᱛᱩᱢ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ "ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ" ᱮ ᱫᱚᱦᱚ ᱠᱮᱫᱟ, ᱪᱮᱫᱟᱜ ᱥᱮ ᱑᱙᱗᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱨᱮ ᱚᱱᱠᱟᱱ ᱥᱟᱯᱷᱤᱠᱥ ᱥᱟᱶ ᱟᱨᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱢᱤᱣᱡᱤᱠ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱮ. ᱮᱢ. ᱨᱟᱡᱟ ᱾[᱒᱔]

ᱠᱟᱹᱢᱤᱦᱚᱨᱟ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱮᱥᱚᱱ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱟᱨ ᱳᱨᱠᱮᱥᱴᱨᱮᱴᱚᱨ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

᱑᱙᱗᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱢᱤᱫ ᱵᱮᱱᱰ-ᱯᱷᱚᱨ-ᱦᱟᱭᱟᱨ ᱨᱮ ᱜᱤᱴᱟᱨ ᱮ ᱨᱩᱭᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱟᱨ ᱯᱚᱪᱷᱤᱢ ᱵᱟᱝᱞᱟ ᱨᱮᱱ ᱥᱟᱞᱤᱞ ᱪᱚᱣᱫᱷᱩᱨᱤ ᱞᱮᱠᱟᱱ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱟᱨ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱥᱮᱥᱚᱱ ᱜᱤᱴᱟᱨᱤᱥᱴ, ᱠᱤᱵᱳᱨᱰᱤᱥᱴ, ᱟᱨ ᱚᱨᱜᱟᱱᱤᱥᱴ ᱞᱮᱠᱟᱛᱮᱭ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾[᱒᱕][᱒᱖][᱒᱗][᱒᱘] ᱪᱚᱣᱫᱷᱩᱨᱤ ᱢᱤᱫ ᱫᱷᱟᱣ ᱮ ᱢᱮᱱ ᱞᱮᱫᱟ ᱡᱮ "[ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ] ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱮ ᱵᱮᱱᱟᱣᱜᱼᱟ" ᱾[᱒᱙] "ᱢᱟᱫᱽᱨᱟᱥ ᱨᱮ ᱟᱞᱮᱨᱮᱱ ᱢᱩᱬᱩᱛ ᱜᱤᱴᱟᱨᱤᱥᱴ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱟᱱᱟᱭ", ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱾[᱓᱐] ᱠᱚᱱᱱᱚᱰ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱡᱤ. ᱠᱮ. ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱨᱮᱱ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱟᱥᱤᱥᱴᱮᱱᱴ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱦᱟᱞ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱫᱚ ᱒᱐᱐ ᱯᱷᱤᱞᱢ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮᱭ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ, ᱵᱟᱹᱲᱛᱤ ᱠᱟᱛᱮ ᱠᱚᱱᱱᱚᱰ ᱥᱤᱱᱮᱢᱟ ᱨᱮ ᱾[᱓᱑] ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱨᱮᱱ ᱟᱥᱤᱥᱴᱮᱱᱴ ᱞᱮᱠᱟᱛᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱦᱚᱛᱮᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱮᱞᱳᱰᱤᱠ ᱟᱣᱩᱴᱞᱟᱭᱤᱱᱥ ᱮ ᱳᱨᱠᱮᱥᱴᱨᱮᱴᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱟᱨ ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱟᱜ ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜ ᱛᱮ ᱠᱚᱢᱯᱳᱡᱤᱝ ᱵᱟᱵᱚᱛ ᱮ ᱪᱮᱫᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱱᱚᱶᱟ ᱚᱠᱛᱚ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱡᱟᱜ ᱱᱤᱡᱮᱨᱟᱜ ᱤᱥᱠᱳᱨ ᱦᱚᱸᱭ ᱚᱞ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱾ ᱟᱡᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱟᱸᱡᱚᱢ ᱞᱟᱹᱜᱤᱫ, ᱩᱱᱤ ᱫᱚ ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱨᱤᱱ ᱥᱮᱥᱚᱱ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱᱥ ᱠᱚ ᱟᱠᱚᱣᱟᱜ ᱨᱩᱠᱷᱤᱭᱟᱹ ᱚᱠᱛᱚ ᱨᱮ ᱟᱡᱟᱜ ᱤᱥᱠᱳᱨ ᱠᱷᱚᱱ ᱠᱤᱪᱷᱩ ᱦᱟᱹᱴᱤᱧ ᱨᱩᱭ ᱞᱟᱹᱜᱤᱫ ᱮ ᱢᱮᱛᱟᱠᱚ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱓᱒]

ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱠᱚᱢᱯᱳᱡᱚᱨ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
TFPC ᱯᱨᱮᱥ ᱢᱤᱴ ᱨᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ

ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱮᱛᱚᱦᱚᱵ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱥᱮᱱᱥᱤᱵᱤᱞᱤᱴᱤ ᱫᱚ ᱚᱱᱟ ᱫᱤᱱ ᱠᱚᱨᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱱ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱵᱷᱮᱜᱟᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱡᱩᱫᱤᱦᱚᱸ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱟᱭᱢᱟ ᱚᱠᱛᱚ ᱪᱮᱫᱚᱜ ᱨᱮᱭ ᱠᱷᱮᱢᱟᱣ ᱞᱮᱫᱟ, ᱩᱱᱤ "ᱯᱷᱤᱞᱢ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱣᱡᱤᱠ ᱪᱮᱫ ᱞᱮᱠᱟ ᱵᱮᱱᱟᱣᱜ ᱠᱟᱱᱟ ᱚᱱᱟ ᱵᱟᱭ ᱵᱩᱡᱷᱟᱹᱣ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾" ᱢᱮᱱᱠᱷᱟᱱ, ᱑᱙᱗᱕ ᱥᱟᱞᱮ ᱨᱮ ᱡᱚᱠᱷᱚᱱ ᱯᱷᱤᱞᱢ ᱯᱨᱚᱰᱤᱭᱩᱥᱚᱨ ᱯᱟᱧᱪᱩ ᱚᱨᱩᱱᱟᱪᱚᱞᱟᱢ ᱫᱚ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱢᱤᱫᱴᱟᱹᱝ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱥᱮᱨᱮᱧ ᱟᱸᱡᱚᱢ ᱛᱮᱭ ᱟᱹᱰᱤ ᱠᱩᱥᱤ ᱞᱮᱱᱟ, ᱩᱱᱤ ᱫᱚ ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱢ ᱟᱱᱱᱟᱠᱤᱞᱤ (᱑᱙᱗᱖) ᱞᱟᱹᱜᱤᱫ ᱥᱮᱨᱮᱧ ᱟᱨ ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱟᱹᱜᱤᱫ ᱮ ᱢᱮᱛᱟᱫᱮᱭᱟ ᱾[᱓᱓] ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱞᱟᱹᱜᱤᱫ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱱᱟᱦᱟᱜ ᱧᱩᱛᱩᱢᱟᱱ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱳᱨᱠᱮᱥᱴᱨᱮᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱴᱮᱠᱱᱤᱠ ᱠᱚ ᱛᱟᱢᱤᱞ ᱯᱷᱳᱠ ᱚᱱᱚᱬᱦᱮ ᱟᱨ ᱯᱷᱳᱠ ᱥᱮᱨᱮᱧ ᱢᱮᱞᱳᱰᱤᱥ ᱨᱮᱭ ᱞᱟᱜᱟᱣ ᱠᱮᱫᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮᱱᱟᱜ ᱚᱨᱡᱚ ᱞᱮᱠᱟᱛᱮ ᱣᱮᱥᱴᱟᱨᱱ ᱟᱨ ᱛᱟᱢᱤᱞ ᱤᱰᱤᱭᱚᱢᱥ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱢᱮᱥᱟᱞ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱪᱮᱫ ᱞᱮᱠᱟ ᱠᱚ ᱟᱛᱟᱝ ᱫᱟᱨᱟᱢᱟ ᱚᱱᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱛᱷᱚᱲᱟᱭ ᱵᱚᱛᱚᱨᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ, ᱩᱱᱤ ᱢᱚᱱᱮᱭᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱮ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮᱱ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱠᱚ ᱩᱱᱤ ᱵᱟᱝ ᱠᱚ ᱠᱩᱥᱤᱭᱟᱭᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱡᱚᱠᱷᱚᱱ ᱑᱙᱗᱖ ᱨᱮ ᱟᱱᱱᱟᱠᱤᱞᱤ ᱨᱤᱞᱤᱡᱽ ᱞᱮᱱᱟ, ᱢᱤᱣᱡᱤᱠ ᱫᱚ ᱟᱹᱰᱤ ᱦᱤᱴ ᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱛᱟᱭᱚᱢ ᱛᱮᱱᱟᱜ ᱑᱒ ᱯᱷᱤᱞᱢ ᱠᱚ ᱞᱟᱹᱜᱤᱫ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱡᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱠᱚ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱪᱮᱛᱟᱱ ᱨᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ, ᱡᱚᱠᱷᱚᱱ ᱯᱷᱤᱞᱢ ᱠᱚᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱱᱟᱣᱟ ᱣᱮᱵᱷ (wave) ᱦᱤᱡᱩᱜ ᱮᱦᱚᱵ ᱮᱱᱟ, ᱩᱱᱠᱩ ᱫᱚ ᱚᱱᱠᱟᱱ ᱢᱤᱣᱡᱤᱠ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱮᱱᱟᱣ ᱠᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱩᱱᱤ ᱮᱠᱥᱯᱞᱳᱨ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱷᱚᱡᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱓᱔][᱓᱕][᱓᱖]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱠᱚᱨᱮ ᱛᱟᱢᱤᱞ ᱯᱷᱳᱠ ᱢᱤᱣᱡᱤᱠ ᱵᱮᱵᱷᱟᱨ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱨᱮ ᱱᱟᱣᱟ ᱡᱤᱭᱚᱱ ᱮ ᱮᱢ ᱠᱮᱫᱟ ᱾[᱓᱗] ᱑᱙᱘᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱟ ᱥᱮᱫ ᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱮᱛᱚᱢ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱠᱚᱨᱮ ᱢᱤᱫ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱟᱨ ᱢᱤᱣᱡᱤᱠ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱹᱲᱛᱤ ᱢᱟᱱᱚᱛ ᱮ ᱧᱟᱢ ᱮᱦᱚᱵ ᱠᱮᱫᱟ ᱾[᱓᱘] ᱩᱱᱤ ᱫᱚ ᱠᱟᱱᱱᱟᱫᱟᱥᱟᱱ, ᱵᱷᱟᱞᱤ, ᱵᱷᱟᱭᱨᱟᱢᱩᱛᱷᱩ, ᱳ. ᱮᱱ. ᱵᱷᱤ. ᱠᱩᱨᱩᱯ, ᱥᱨᱤᱠᱩᱢᱟᱨᱟᱱ ᱛᱷᱟᱢᱯᱤ, ᱵᱷᱮᱛᱩᱨᱤ, ᱟᱪᱟᱨᱭᱟ ᱟᱛᱨᱮᱭᱟ, ᱥᱤᱨᱤᱵᱷᱮᱱᱱᱮᱞᱟ ᱥᱤᱛᱷᱟᱨᱟᱢᱟ ᱥᱟᱥᱛᱨᱤ, ᱪᱤ. ᱩᱫᱟᱭᱟᱥᱟᱝᱠᱟᱨ ᱟᱨ ᱜᱩᱞᱡᱟᱨ ᱞᱮᱠᱟᱱ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱚᱱᱚᱬᱦᱤᱭᱟᱹ ᱟᱨ ᱥᱮᱨᱮᱧ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱠᱚ ᱥᱟᱶᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟ ᱾ ᱟᱡᱟᱜ ᱵᱟᱹᱲᱛᱤ ᱜᱟᱱ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱠᱚᱫᱚ ᱮᱥ. ᱯᱤ. ᱵᱟᱞᱟᱥᱩᱵᱽᱨᱟᱢᱟᱱᱭᱟᱢ, ᱮᱥ. ᱡᱟᱱᱟᱠᱤ ᱟᱨ ᱠᱮ. ᱮᱥ. ᱪᱤᱛᱨᱟ ᱠᱚ ᱥᱮᱨᱮᱧ ᱟᱠᱟᱫᱟ ᱾[᱓᱙]

ᱵᱟᱝ-ᱥᱤᱱᱮᱢᱟᱴᱤᱠ ᱟᱣᱩᱴᱯᱩᱴ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
ᱱᱟᱫᱤᱜᱟᱨ ᱥᱟᱝᱜᱟᱢ ᱯᱨᱚᱴᱮᱥᱴ ᱨᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱨ ᱵᱤᱠᱨᱟᱢ

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱯᱩᱭᱞᱩ ᱵᱟᱨᱭᱟ ᱵᱟᱝ-ᱯᱷᱤᱞᱢ ᱮᱞᱵᱚᱢ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱟᱨ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱨᱮᱱᱟᱜ ᱢᱮᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱮᱠᱥᱯᱞᱳᱨᱮᱥᱚᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱯᱩᱭᱞᱩ ᱟᱜ, ᱦᱟᱣᱩ ᱴᱩ ᱱᱮᱢ ᱤᱴ? (᱑᱙᱘᱖), ᱫᱚ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱢᱟᱥᱴᱟᱨ ᱛᱭᱟᱜᱟᱨᱟᱡᱟ ᱟᱨ ᱡᱮ. ᱮᱥ. ᱵᱟᱪ ᱞᱟᱹᱜᱤᱫ ᱰᱮᱰᱤᱠᱮᱴ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱯᱷᱚᱨᱢ ᱟᱨ ᱨᱟᱜᱽ ᱠᱚ ᱥᱟᱶᱛᱮ ᱵᱟᱪ ᱯᱟᱨᱴᱤᱴᱟᱥ, ᱯᱷᱤᱣᱜᱽᱥ ᱟᱨ ᱵᱟᱨᱳᱠ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱴᱮᱠᱥᱪᱟᱨᱥ ᱨᱮᱱᱟᱜ ᱢᱮᱥᱟᱞ ᱢᱮᱱᱟᱜᱼᱟ ᱾[᱔᱐] ᱫᱚᱥᱟᱨ ᱟᱜ, ᱱᱟᱛᱷᱤᱝ ᱵᱟᱴ ᱣᱤᱸᱰ (᱑᱙᱘᱘), ᱫᱚ ᱛᱤᱨᱤᱭᱳ ᱚᱨᱚᱝᱤᱡ ᱦᱚᱨᱤᱯᱨᱚᱥᱟᱫᱽ ᱪᱚᱣᱨᱟᱥᱤᱭᱟ ᱟᱨ ᱢᱤᱫ ᱕᱐-ᱯᱤᱥ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱦᱚᱛᱮᱛᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱱᱟ ᱟᱨ ᱴᱟᱭᱴᱟᱞ ᱨᱮ ᱥᱟᱡᱮᱥᱴ ᱟᱠᱟᱱ ᱠᱚᱱᱥᱮᱯᱪᱩᱣᱟᱞ ᱮᱯᱨᱳᱪ ᱮ ᱦᱟᱛᱟᱣᱟ—ᱡᱮ ᱢᱤᱣᱡᱤᱠ ᱫᱚ "ᱦᱚᱭ ᱨᱮᱱᱟᱜ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱨᱩᱯ ᱥᱟᱶ ᱢᱤᱞᱟᱹᱣᱜ ᱢᱤᱫ ᱥᱟᱪᱟᱨᱦᱮᱭᱟᱱ ᱜᱷᱚᱴᱚᱱ" ᱠᱟᱱᱟ ᱾[᱔᱑]

ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱥᱮᱴ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱠᱨᱤᱛᱤᱥ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱤᱞೆᱠᱴᱨᱤᱠ ᱢᱮᱱᱰᱳᱞᱤᱱᱤᱥᱴ ᱭᱩ. ᱥᱨᱤᱱᱤᱵᱷᱟᱥ ᱦᱚᱛᱮᱛᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟᱥ ᱠᱞᱟᱥᱤᱠᱟᱞᱥ ᱚᱱ ᱫᱟ ᱢᱮᱱᱰᱳᱞᱤᱱ (᱑᱙᱙᱔) ᱮᱞᱵᱚᱢ ᱞᱟᱹᱜᱤᱫ ᱨᱮᱠᱚᱨᱰ ᱞᱮᱱᱟ ᱾ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱫᱷᱚᱨᱚᱢ/ᱵᱷᱚᱠᱛᱤ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱮᱞᱵᱚᱢ ᱠᱚ ᱦᱚᱸᱭ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱫᱟ ᱾ ᱟᱡᱟᱜ ᱜᱩᱨᱩ ᱨᱟᱢᱟᱱᱟ ᱜᱤᱛᱟᱢ (᱒᱐᱐᱔) ᱫᱚ ᱦᱤᱱᱫᱩ ᱢᱤᱥᱴᱤᱠ ᱨᱟᱢᱟᱱᱟ ᱢᱟᱦᱟᱨᱥᱤ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱩᱫᱽᱜᱟᱹᱣ ᱟᱠᱟᱱ ᱯᱨᱟᱨᱛᱷᱟᱱᱟ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱟᱭᱠᱟᱞ ᱠᱟᱱᱟ, ᱟᱨ ᱟᱡᱟᱜ ᱛᱷᱤᱨᱩᱵᱷᱟᱥᱟᱠᱟᱢ: ᱮ ᱠᱨᱚᱥᱳᱵᱷᱟᱨ (᱒᱐᱐᱕) ᱫᱚ ᱢᱟᱨᱮ ᱛᱟᱢᱤᱞ ᱚᱱᱚᱬᱦᱮ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱳᱨᱮᱴᱳᱨᱤᱭᱳ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱢᱮᱨᱤᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱤᱥᱴᱤᱯᱷᱮᱱ ᱥᱣᱟᱨᱴᱡᱽ ᱦᱚᱛᱮᱛᱮ ᱤᱝᱞᱤᱥ ᱛᱮ ᱛᱷᱚᱲᱟ ᱜᱟᱱ ᱴᱨᱟᱱᱥᱠᱨᱟᱭᱤᱵᱽ ᱟᱠᱟᱱᱟ ᱟᱨ ᱵᱩᱰᱟᱯᱮᱥᱴ ᱥᱤᱢᱯᱷᱳᱱᱤ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱦᱚᱛᱮᱛᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱟᱠᱟᱱᱟ ᱾[᱔᱒][᱔᱓] ᱟᱡᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱣᱟ ᱨᱤᱞᱤᱡᱽ ᱫᱚ ᱢᱤᱫ ᱣᱟᱨᱞᱰ ᱢᱤᱣᱡᱤᱠ-ᱳᱨᱤᱭᱮᱱᱴᱮᱰ ᱮᱞᱵᱚᱢ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮᱱᱟᱜ ᱧᱩᱛᱩᱢ ᱫᱚ ᱫᱟ ᱢᱤᱣᱡᱤᱠ ᱢᱮᱥᱤᱭᱟ (᱒᱐᱐᱖) ᱾[᱔᱔] ᱒᱐᱒᱕ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱞᱚᱱᱰᱚᱱ ᱨᱮ ᱢᱤᱫ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱥᱤᱢᱯᱷᱳᱱᱤ ᱰᱮᱵᱽᱭᱩ ᱟᱠᱟᱫ ᱯᱩᱭᱞᱩ ᱮᱥᱤᱭᱟᱱ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾[᱔᱕] ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱤᱝᱞᱤᱥ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱥᱤᱢᱯᱷᱳᱱᱤ “ᱵᱷᱮᱞᱤᱭᱮᱱᱴ” ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱨᱚᱭᱮᱞ ᱥᱠᱚᱴᱤᱥ ᱱᱮᱥᱱᱟᱞ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱦᱚᱛᱮᱛᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱱᱟ ᱾[᱔᱖]

ᱢᱮ ᱒᱐᱒᱐ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱵᱷᱩᱢᱤ ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫ ᱥᱮᱨᱮᱧ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱳᱵᱷᱤᱰ-᱑᱙ ᱯᱮᱱᱰᱮᱢᱤᱠ ᱚᱠᱛᱚ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱦᱚᱲ ᱠᱚ ᱢᱟᱱᱚᱛ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔᱗] ᱥᱮᱨᱮᱧ ᱫᱚ ᱮᱥ. ᱯᱤ. ᱵᱟᱞᱟᱥᱩᱵᱽᱨᱟᱢᱟᱱᱭᱟᱢ ᱮ ᱥᱮᱨᱮᱧ ᱞᱮᱫᱟ ᱟᱨ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱵᱷᱤᱰᱤᱭᱳ ᱫᱚ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱡᱟᱜ ᱭᱩᱴᱤᱭᱩᱵᱽ ᱪᱮᱱᱮᱞ ᱨᱮ ᱓᱐ ᱢᱮ ᱒᱐᱒᱐ ᱨᱮ ᱛᱟᱢᱤᱞ ᱟᱨ ᱦᱤᱱᱫᱤ ᱛᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾[᱔᱘][᱔᱙]

᱒᱐᱒᱐ ᱨᱮ ᱟᱡᱟᱜ ᱡᱟᱱᱟᱢ ᱢᱟᱦᱟ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱡᱟᱜ 'ᱤᱥᱟᱭ ᱳᱴᱤᱴᱤ' ᱮᱯ ᱞᱚᱸᱪ ᱨᱮᱱᱟᱜ ᱮ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱮᱯ ᱨᱮ ᱮᱠᱮᱱ ᱟᱡᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱚ ᱵᱮᱜᱚᱨ ᱦᱚᱸ ᱟᱨᱦᱚᱸ ᱟᱭᱢᱟ ᱡᱤᱱᱤᱥ ᱛᱟᱦᱮᱸᱱᱟ, ᱡᱮᱞᱮᱠᱟ ᱡᱚᱛᱚ ᱥᱮᱨᱮᱧ ᱪᱮᱫ ᱞᱮᱠᱟ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ, ᱯᱨᱚᱰᱤᱭᱩᱥ ᱞᱮᱱᱟ, ᱟᱨ ᱰᱮᱞᱤᱵᱷᱟᱨ ᱞᱮᱱᱟ ᱚᱱᱟ ᱨᱮᱱᱟᱜ ᱵᱤᱦᱟᱭᱤᱱᱰ-ᱫᱟ-ᱥᱤᱱᱥ ᱴᱨᱤᱵᱷᱤᱭᱟ, ᱥᱟᱶᱛᱮ ᱮᱴᱟᱜ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱠᱚ ᱥᱟᱶ ᱠᱚᱞᱟᱵᱚᱨᱮᱥᱚᱱ ᱠᱚ ᱾[᱕᱐]

᱑᱙᱘᱑ ᱨᱮᱱᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱟᱢ ᱞᱚᱠᱥᱢᱚᱱ ᱠᱷᱚᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱥᱮᱨᱮᱧ 'ᱱᱟᱱᱛᱷᱟᱱ ᱩᱝᱜᱟᱯᱯᱟᱱᱰᱟ' ᱫᱚ ᱒᱐᱑᱒ ᱥᱟᱢᱟᱨ ᱚᱞᱤᱢᱯᱤᱠᱥ ᱨᱮᱱᱟᱜ ᱩᱰᱷᱟᱹᱣ ᱥᱟᱹᱜᱩᱱ ᱟᱠᱷᱲᱟ ᱞᱟᱹᱜᱤᱫ ᱯᱞᱮᱞᱤᱥᱴ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱟᱹᱴᱤᱧ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱕᱑][᱕᱒]

ᱟᱡᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱯᱟᱭᱩᱢ ᱯᱩᱞᱤ ᱴᱟᱭᱴᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱟᱨ ᱤᱞᱟᱢᱟᱭ ᱤᱛᱷᱳ ᱫᱚ ᱟᱥᱤᱢ ᱟᱦᱞᱩᱣᱟᱞᱤᱭᱟ ᱟᱜ ᱒᱐᱑᱒ ᱠᱮᱱᱥ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱥᱴᱤᱵᱷᱟᱞ ᱮᱱᱴᱨᱤ, ᱢᱤᱥ ᱞᱟᱵᱷᱞᱤ ᱨᱮᱱᱟᱜ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱨᱮᱱᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱕᱓] ᱫᱟ ᱞᱟᱵᱷᱵᱟᱨᱰᱥ (᱒᱐᱒᱐) ᱫᱚ ᱟᱱᱟᱱᱫᱷᱟ ᱠᱩᱢᱢᱤ (᱑᱙᱘᱓) ᱢᱩᱵᱷᱤ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ "ᱳᱨᱩ ᱠᱤᱞᱤ" ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱮᱠᱥᱚᱱ ᱟᱡᱟᱜ ᱚᱯᱷᱤᱥᱤᱭᱟᱞ ᱴᱨᱮᱞᱟᱨ ᱨᱮ ᱵᱮᱠᱜᱨᱟᱶᱰ ᱢᱤᱣᱡᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱫᱟ ᱾[᱕᱔]

ᱫᱟ ᱵᱽᱞᱮᱠ ᱟᱭᱰ ᱯᱤᱥ ᱫᱚ ᱮᱞᱤᱯᱷᱟᱝᱠ (᱒᱐᱐᱓) ᱨᱮ "ᱫᱟ ᱮᱞᱤᱯᱷᱟᱝᱠ ᱛᱷᱤᱢ" ᱥᱮᱨᱮᱧ ᱞᱟᱹᱜᱤᱫ ᱥᱨᱤ ᱨᱟᱜᱷᱟᱵᱷᱮᱱᱫᱽᱨᱟ (᱑᱙᱘᱕) ᱠᱷᱚᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ "ᱩᱱᱟᱠᱠᱩᱢ ᱮᱱᱱᱟᱠᱩᱢ" ᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱫᱟ ᱾[᱕᱕]

ᱵᱷᱟᱡᱷᱠᱟᱭ (᱑᱙᱔᱙ ᱯᱷᱤᱞᱢ) ᱠᱷᱚᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱥᱮᱨᱮᱧ "ᱢᱮᱞᱞᱟ ᱢᱮᱞᱞᱟ ᱮᱱᱱᱟᱭᱛᱷᱳᱴᱴᱩ" ᱫᱚ ᱨᱮᱵᱤᱴ ᱢᱮᱠ ᱦᱚᱛᱮᱛᱮ ᱥᱮᱢᱯᱚᱭ ᱥᱮᱨᱮᱧ ᱨᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱱᱟ ᱾[᱕᱖] ᱧᱩᱛᱩᱢᱟᱱ ᱟᱢᱮᱨᱤᱠᱟᱱ ᱨᱮᱯᱟᱨ ᱢᱤᱠ ᱢᱤᱞ ᱫᱚ ᱤᱱᱰᱤᱭᱟᱱ ᱵᱟᱣᱩᱱᱥ ᱞᱟᱹᱜᱤᱫ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱢᱤᱫᱴᱟᱹᱝ ᱦᱤᱴ ᱥᱮᱨᱮᱧ ᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱫᱟ ᱾

ᱟᱞᱴᱟᱨᱱᱮᱴᱤᱵᱷ ᱟᱨᱴᱤᱥᱴ ᱮᱢ.ᱟᱭᱤ.ᱮ. ᱫᱚ ᱠᱟᱞᱟ (᱒᱐᱐᱗) ᱮᱞᱵᱚᱢ ᱨᱮ ᱟᱡᱟᱜ ᱥᱮᱨᱮᱧ "ᱵᱮᱢᱵᱳ ᱵᱮᱝᱜᱟ" ᱞᱟᱹᱜᱤᱫ ᱛᱷᱟᱞᱟᱯᱟᱛᱷᱤ (᱑᱙᱙᱑) ᱯᱷᱤᱞᱢ ᱠᱷᱚᱱ "ᱠᱟᱴᱩᱠᱩᱭᱤᱞᱩ" ᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱫᱟ ᱾[᱕᱗]

ᱟᱞᱯᱷᱟᱱᱴ ᱫᱚ ᱟᱡᱟᱜ ᱥᱮᱨᱮᱧ ᱮᱱ ᱤᱱᱰᱤᱭᱟᱱ ᱰᱨᱤᱢ ᱞᱟᱹᱜᱤᱫ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱫᱟ ᱾[᱕᱘] ᱜᱳᱱᱡᱟᱥᱩᱯᱷᱤ ᱫᱚ ᱥᱟᱫᱽᱢᱟ ᱢᱩᱵᱷᱤ ᱠᱷᱚᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ "ᱭᱮ ᱦᱟᱣᱟ ᱭᱮ ᱯᱷᱤᱡᱟ" ᱮ ᱥᱮᱢᱯᱚᱞ ᱞᱮᱫᱟ ᱾[᱕᱙]

ᱞᱟᱭᱤᱵᱽ ᱯᱟᱨᱯᱷᱚᱨᱢᱟᱱᱥ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
᱙᱑ ᱟᱱᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱠᱚᱱᱥᱟᱨᱴᱥ ᱟᱨ ᱠᱚᱱᱯᱷᱟᱨᱮᱱᱥ ᱨᱮᱱᱟᱜ ᱩᱰᱷᱟᱹᱣ ᱥᱟᱹᱜᱩᱱ ᱨᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱹᱰᱤ ᱠᱚᱢ ᱜᱮ ᱟᱡᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱞᱟᱭᱤᱵᱽ ᱮ ᱯᱟᱨᱯᱷᱚᱨᱢᱟ ᱾ ᱟᱡᱟᱜ ᱰᱮᱵᱽᱭᱩ ᱛᱟᱭᱚᱢ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱢᱟᱨᱟᱝ ᱞᱟᱭᱤᱵᱽ ᱯᱟᱨᱯᱷᱚᱨᱢᱟᱱᱥ ᱫᱚ ᱑᱖ ᱚᱠᱴᱚᱵᱚᱨ ᱒᱐᱐᱕ ᱨᱮ ᱪᱮᱱᱱᱟᱭ, ᱥᱤᱧᱚᱛ ᱨᱮ ᱡᱚᱵᱟᱦᱚᱨᱞᱟᱞ ᱱᱮᱦᱨᱩ ᱤᱱᱰᱳᱨ ᱤᱥᱴᱮᱰᱤᱭᱟᱢ ᱨᱮ ᱦᱩᱭ ᱞᱮᱱ ᱯᱩᱱ ᱴᱟᱲᱟᱝ ᱨᱮᱱᱟᱜ ᱠᱚᱱᱥᱟᱨᱴ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱖᱐] ᱩᱱᱤ ᱫᱚ ᱒᱐᱐᱔ ᱨᱮ ᱤᱴᱟᱞᱤ ᱨᱮ ᱴᱤᱭᱟᱴᱨᱳ ᱠᱚᱢᱩᱱᱟᱞᱮ ᱰᱤ ᱢᱳᱰᱮᱱᱟ ᱨᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱮᱸᱡᱮᱞᱤᱠᱟ, ᱯᱷᱮᱥᱴᱤᱵᱷᱟᱞ ᱤᱱᱴᱟᱨᱱᱟᱡᱤᱭᱳᱱᱟᱞᱮ ᱰᱤ ᱢᱩᱥᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱑᱔ ᱟᱱᱟᱜ ᱮᱰᱤᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱯᱲᱟᱣ ᱞᱮᱱ ᱢᱤᱫ ᱤᱵᱷᱮᱱᱴ-ᱠᱚᱱᱥᱟᱨᱴ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ L'Altro Suono ᱯᱷᱮᱥᱴᱤᱵᱷᱟᱞ ᱥᱟᱶ ᱢᱮᱥᱟ ᱠᱟᱛᱮ ᱯᱨᱚᱰᱤᱭᱩᱥ ᱞᱮᱱᱟ ᱾[᱖᱑]

ᱤᱛᱷᱩ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ("ᱱᱚᱶᱟ ᱫᱚ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱠᱟᱱᱟᱭ") ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫ ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ ᱨᱮᱴᱨᱳᱥᱯᱮᱠᱴᱤᱵᱷ ᱯᱨᱚᱰᱤᱭᱩᱥ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟ ᱚᱞ ᱟᱠᱟᱱᱟ ᱾[᱖᱒] ᱩᱱᱤ ᱫᱚ ᱢᱩᱪᱟᱹᱫ ᱫᱷᱟᱣ ᱫᱷᱳᱱᱤ ᱯᱷᱤᱞᱢ ᱨᱮᱱᱟᱜ ᱚᱰᱤᱭᱳ ᱨᱤᱞᱤᱡᱽ ᱟᱠᱷᱲᱟ ᱨᱮ ᱞᱟᱭᱤᱵᱽ ᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ ᱟᱨ ᱚᱱᱟ ᱢᱟᱬᱟᱝ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱡᱟᱭᱟ ᱴᱤᱵᱷᱤ ᱦᱚᱛᱮᱛᱮ ᱥᱟᱯᱲᱟᱣ ᱟᱨ ᱴᱮᱞᱤᱠᱟᱥᱴ ᱟᱠᱟᱱ ᱮᱱᱨᱮᱱᱰᱨᱩᱢ ᱨᱟᱡᱟ ("ᱮᱵᱷᱟᱨᱞᱟᱥᱴᱤᱝ ᱨᱟᱡᱟ") ᱧᱩᱛᱩᱢᱟᱱ ᱢᱤᱫ ᱯᱨᱚᱜᱨᱟᱢ ᱨᱮ ᱒᱘ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱒᱐᱑᱑ ᱨᱮ ᱡᱚᱵᱟᱦᱚᱨᱞᱟᱞ ᱱᱮᱦᱨᱩ ᱤᱱᱰᱳᱨ ᱤᱥᱴᱮᱰᱤᱭᱟᱢ, ᱪᱮᱱᱱᱟᱭ ᱨᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ ᱾

᱕ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱒ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱦᱟᱝᱜᱮᱨᱤᱭᱟᱱ ᱱᱮᱥᱱᱟᱞ ᱯᱷᱤᱞᱦᱟᱨᱢᱳᱱᱤᱠ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱥᱟᱶ ᱪᱮᱱᱱᱟᱭ ᱨᱮ ᱢᱤᱫ ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱨᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ; ᱱᱚᱶᱟ ᱤᱵᱷᱮᱱᱴ ᱚᱠᱛᱚ ᱨᱮ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱱᱤᱛᱷᱟᱱᱮ ᱮᱱ ᱯᱳᱱᱵᱷᱟᱥᱟᱱᱛᱷᱟᱢ ᱟᱨ ᱭᱮᱛᱳ ᱵᱷᱮᱞᱞᱤᱯᱳᱭᱤᱱᱫᱷᱤ ᱢᱟᱱᱟᱥᱩ ᱨᱮᱱᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱞᱚᱸᱪ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾[᱖᱓] ᱒᱓ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱒ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱵᱮᱝᱜᱟᱞᱩᱨᱩ ᱨᱮ ᱱᱮᱥᱱᱟᱞ ᱦᱟᱭ ᱤᱥᱠᱩᱞ ᱜᱽᱨᱟᱣᱩᱱᱰᱥ ᱨᱮ ᱞᱟᱭᱤᱵᱽ ᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ ᱾

᱑᱖ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱒᱐᱑᱓ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱴᱳᱨᱳᱱᱴᱳ, ᱠᱟᱱᱟᱰᱟ ᱨᱮᱱᱟᱜ ᱨᱳᱡᱟᱨᱥ ᱥᱮᱱᱴᱟᱨ ᱨᱮ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱠᱟᱛᱮ ᱠᱚᱧᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱮᱯᱤᱭᱟᱨᱮᱱᱥ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱾[᱖᱔] ᱴᱳᱨᱳᱱᱴᱳ ᱠᱚᱱᱥᱟᱨᱴ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮ ᱵᱤᱡᱚᱭ ᱴᱤᱵᱷᱤ ᱞᱟᱹᱜᱤᱫ ᱴᱨᱤᱱᱤᱴᱤ ᱤᱵᱷᱮᱱᱴᱥ ᱦᱚᱛᱮᱛᱮ ᱯᱨᱚᱢᱳᱴ ᱞᱮᱱᱟ ᱟᱨ ᱥᱮᱱᱰᱤ ᱚᱰᱤᱭᱳ ᱵᱷᱤᱡᱩᱣᱟᱞ ᱮᱥᱮᱵᱷᱤ ᱯᱨᱚᱰᱚᱠᱥᱟᱱᱥ ᱥᱟᱶ ᱯᱤᱮ+ ᱦᱚᱛᱮᱛᱮ ᱯᱨᱚᱰᱤᱭᱩᱥ ᱞᱮᱱᱟ ᱾ ᱴᱳᱨᱳᱱᱴᱳ ᱨᱮ ᱟᱡᱟᱜ ᱥᱳ ᱛᱟᱭᱚᱢ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱒᱓ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱒᱐᱑᱓ ᱨᱮ ᱯᱨᱩᱰᱮᱱᱥᱤᱭᱟᱞ ᱥᱮᱱᱴᱟᱨ ᱱᱤᱣᱟᱨᱠ, ᱱᱤᱣ ᱡᱟᱨᱥᱤ ᱟᱨ ᱑ ᱢᱟᱨᱪ ᱒᱐۱۳ ᱨᱮ ᱮᱪᱯᱤ ᱯᱮᱵᱷᱤᱞᱤᱭᱚᱱ ᱮᱴ ᱥᱟᱱ ᱡᱳᱥᱮ ᱨᱮ ᱦᱚᱸᱭ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱞᱮᱫᱟ ᱾ ᱟᱡᱟᱜ ᱠᱚᱧᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱴᱩᱨ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱫᱚ ᱒᱔ ᱚᱜᱚᱥᱴ ᱒᱐᱑᱓ ᱨᱮ ᱞᱚᱱᱰᱚᱱ ᱨᱮᱱᱟᱜ ᱫᱟ ᱳ᱒ ᱮᱨᱮᱱᱟ ᱨᱮ ᱠᱚᱢᱚᱞ ᱦᱟᱥᱚᱱ ᱟᱨ ᱟᱡ ᱨᱤᱱ ᱦᱚᱯᱚᱱ ᱭᱩᱵᱷᱟᱱ ᱥᱚᱝᱠᱚᱨ ᱨᱟᱡᱟ ᱟᱨ ᱠᱟᱨᱛᱷᱤᱠ ᱨᱟᱡᱟ ᱥᱟᱶ ᱢᱤᱫ ᱞᱟᱭᱤᱵᱽ ᱯᱟᱨᱯᱷᱚᱨᱢᱟᱱᱥ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱾[᱖᱕]

ᱢᱤᱣᱡᱤᱠᱟᱞ ᱥᱴᱟᱭᱤᱞ ᱟᱨ ᱥᱮᱱᱥᱤᱵᱤᱞᱤᱴᱤ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
"ᱮᱠᱮᱱ ᱯᱷᱤᱞᱢ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱜᱮ ᱤᱧ ᱥᱟᱶ ᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱡᱚᱠᱷᱚᱱ ᱚᱵᱚᱥᱛᱟ ᱟᱨ ᱠᱟᱹᱦᱱᱤ ᱞᱟᱹᱭᱚᱜᱼᱟ ᱾ ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ, ᱮᱠᱮᱱ ᱤᱧ ᱟᱨ ᱤᱧᱟᱜ ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ ᱾ ᱤᱧ ᱮᱠᱮᱱ ᱚᱵᱚᱥᱛᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱤᱧ ᱦᱩᱫᱤᱥᱟ ᱟᱨ ᱤᱧᱟᱜ ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ ᱤᱧ ᱡᱚᱴᱮᱫᱟ ᱟᱨ ᱢᱤᱣᱡᱤᱠ ᱟᱡ ᱛᱮᱜᱮ ᱚᱰᱚᱠᱚᱜᱼᱟ ᱾ ᱡᱩᱫᱤ ᱦᱚᱲ ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱮᱴᱟᱜ ᱫᱩᱱᱤᱭᱟᱹ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣᱟ, ᱛᱚᱵᱮ ᱚᱱᱠᱟ ᱜᱮ ᱦᱩᱭᱩᱜ ᱢᱟ ᱾ ᱤᱧ ᱞᱟᱹᱜᱤᱫ, ᱱᱚᱶᱟ ᱫᱚ ᱚᱱᱠᱟᱱᱟᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱤᱧ ᱵᱟᱹᱧ ᱵᱩᱡᱷᱟᱹᱣ ᱚᱪᱚ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾"

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱡᱟᱜ ᱠᱨᱤᱭᱮᱴᱤᱵᱷ (creative) ᱯᱨᱚᱥᱮᱥ (process) ᱵᱟᱵᱚᱛ[᱖᱖]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ, ᱢᱤᱫ ᱫᱷᱟᱣ ᱮᱭᱟᱭ ᱜᱮᱞ ᱢᱚᱬᱮ ᱥᱮᱨᱢᱟ ᱯᱩᱨᱟᱹᱣᱮᱱ ᱛᱟᱭᱚᱢ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱩᱭᱦᱟᱹᱨ ᱠᱟᱛᱮ, ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱟᱡᱟᱜ "ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱟᱹᱭᱠᱟᱹᱣ ᱟᱨ ᱥᱮᱪᱮᱫ" ᱜᱮ ᱚᱱᱟ ᱡᱷᱟᱨᱱᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱚᱰᱚᱠ ᱟᱠᱟᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱡᱟᱦᱟᱸ ᱛᱤᱥ ᱮ ᱟᱹᱭᱠᱟᱹᱣᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱮ ᱟᱡᱟᱜ ᱠᱤᱪᱷᱩ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱫᱚ ᱚᱱᱟ ᱠᱚ ᱠᱷᱚᱱ ᱪᱮᱛᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱡᱮᱞᱮᱠᱟ "ᱢᱟᱨᱮ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱩᱨᱩᱢᱩᱴᱩ ᱨᱮᱱᱟᱜ ᱨᱤᱯᱷᱞᱮᱠᱥᱚᱱ — ᱤᱧᱟᱜ, ᱥᱮ ᱮᱴᱟᱜ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱮᱠᱥᱯᱳᱱᱮᱱᱴᱥ ᱠᱚᱣᱟᱜ ᱾" ᱡᱚᱠᱷᱚᱱ ᱠᱩᱞᱤ ᱮᱱᱟᱭ ᱡᱮ ᱪᱮᱫ ᱱᱚᱶᱟ ᱫᱚ ᱮᱞᱠᱷᱟ ᱡᱤᱱᱤᱭᱟᱥ ᱥᱨᱤᱱᱤᱵᱷᱟᱥᱟ ᱨᱟᱢᱟᱱᱩᱡᱟᱱ ᱞᱮᱠᱟ ᱢᱤᱥᱴᱤᱠᱟᱞ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱮ ᱢᱮᱱᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱠᱩᱠᱢᱩ ᱨᱮ ᱢᱤᱫ ᱫᱮᱵᱤ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱮᱞᱠᱷᱟ ᱯᱷᱚᱨᱢᱩᱞᱟᱭ ᱧᱟᱢᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱨᱟᱢᱟᱱᱩᱡᱟᱱ ᱞᱮᱠᱟ ᱵᱟᱝ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱤᱫ ᱥᱩᱯᱟᱨᱱᱮᱪᱩᱨᱟᱞ ᱫᱟᱲᱮ ᱟᱡ ᱮ ᱟᱹᱭᱩᱨᱮ ᱠᱟᱱᱟ ᱢᱮᱱᱛᱮᱭ ᱟᱹᱭᱠᱟᱹᱣᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱩᱱᱤ ᱫᱚ ᱡᱟᱣᱜᱮ ᱢᱤᱫ ᱠᱞᱮᱨᱤᱴᱤ ᱨᱮᱱᱟᱜ ᱚᱠᱛᱚᱭ ᱟᱹᱭᱠᱟᱹᱣᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱚᱠᱷᱚᱱ ᱢᱤᱫ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱟᱡᱟᱜ ᱢᱚᱱᱮ ᱨᱮ ᱦᱤᱡᱩᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ — "ᱱᱚᱶᱟ ᱫᱚ ᱚᱱᱠᱟ ᱟᱹᱭᱠᱟᱹᱣᱜᱼᱟ ᱡᱮ ᱡᱚᱠᱷᱚᱱ ᱚᱱᱠᱟ ᱦᱩᱭᱩᱜᱼᱟ, ᱤᱧ ᱜᱮ ᱥᱟᱵᱽᱡᱮᱠᱴ ᱟᱨ ᱟᱨᱴ ᱨᱮᱱᱟᱜ ᱚᱵᱽᱡᱮᱠᱴ ᱠᱟᱹᱱᱟᱹᱧ ᱢᱤᱫ ᱥᱟᱶᱛᱮ," ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱾[᱖᱗] ᱮᱱᱦᱚᱸ, ᱩᱱᱤ ᱫᱚ ᱢᱤᱣᱡᱤᱠ ᱫᱚ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱥᱯᱤᱨᱤᱪᱩᱣᱟᱞ ᱥᱤᱠᱤᱝ ᱞᱮᱠᱟᱛᱮᱭ ᱢᱟᱱᱟᱣᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱦᱚᱲ ᱫᱚ ᱟᱡᱟᱜ "ᱵᱷᱤᱛᱨᱤ ᱢᱮᱫ ᱞᱮᱛᱟᱲ ᱡᱷᱤᱡ" ᱫᱚᱦᱚ ᱨᱮᱱᱟᱜ ᱞᱟᱹᱠᱛᱤ ᱢᱮᱱᱟᱜᱼᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱚᱱᱟ ᱥᱟᱶᱛᱮ ᱟᱹᱰᱤ ᱡᱳᱨ ᱠᱟᱹᱢᱤ ᱦᱚᱸ ᱞᱟᱹᱠᱛᱤᱭᱟ, "ᱤᱧᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱨᱢᱟ ᱠᱚᱨᱮ, ᱤᱧ ᱫᱚ ᱧᱤᱫᱟᱹ ᱑᱑ ᱵᱟᱡᱮ ᱫᱷᱟᱹᱵᱤᱡ ᱤᱥᱴᱩᱰᱤᱭᱳ ᱨᱮᱧ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱚᱲᱟᱜ ᱦᱮᱡ ᱠᱟᱛᱮ, ᱩᱢ ᱠᱟᱛᱮ ᱟᱨ ᱫᱟᱠᱟ ᱡᱚᱢ ᱠᱟᱛᱮ, ᱟᱨ ᱧᱤᱫᱟᱹ ᱒ ᱵᱟᱡᱮ ᱫᱷᱟᱹᱵᱤᱡ ᱢᱤᱣᱡᱤᱠ ᱤᱧ ᱚᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱤᱧ ᱫᱚ ᱔ ᱵᱟᱡᱮ ᱧ ᱵᱮᱨᱮᱫᱚᱜ ᱛᱟᱦᱮᱸᱫ, ᱤᱧᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱤᱧ ᱫᱩᱲᱩᱵᱚᱜ ᱛᱟᱦᱮᱸᱫ ᱟᱨ ᱴᱷᱤᱠ ᱥᱮᱛᱟᱜ ᱗ ᱵᱟᱡᱮ ᱤᱥᱴᱩᱰᱤᱭᱳ ᱨᱮᱧ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱢᱤᱣᱡᱤᱠ ᱜᱮ ᱤᱧ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱛᱚᱣᱟᱜ ᱠᱟᱱᱟ ᱾ ᱪᱮᱫ ᱟᱢᱮᱢ ᱵᱟᱰᱟᱭᱟ ᱯᱤᱭᱟᱱᱳ ᱨᱮ C ᱢᱮᱡᱚᱨ ᱠᱚᱨᱰ ᱵᱩᱡᱷᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱤᱧ ᱒᱗ ᱥᱮᱨᱢᱟ ᱞᱟᱜᱟᱣ ᱞᱮᱱᱟ", ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱾[᱑᱗]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱡᱟᱜ ᱤᱥᱴᱩᱰᱤᱭᱳ ᱟᱨ ᱠᱚᱱᱥᱟᱨᱴ ᱵᱟᱱᱟᱨ ᱨᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱜᱮ ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ ᱮ ᱵᱮᱵᱷᱟᱨᱟ ᱾ ᱟᱡᱟᱜ ᱜᱚᱴᱟ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱱᱚᱶᱟ ᱛᱮᱜᱮ ᱤᱥᱠᱳᱨ ᱟᱠᱟᱫᱟ ᱾ ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱦᱩᱰᱤᱧ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱡᱤᱡ ᱵᱚᱭᱦᱟ ᱫᱚ ᱛᱤᱥ ᱦᱚᱸ ᱚᱱᱟ ᱵᱟᱭ ᱡᱚᱴᱮᱫ ᱚᱪᱚ ᱟᱭ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱪᱮᱫᱟᱜ ᱥᱮ ᱩᱱᱤ ᱢᱚᱱᱮᱭᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱮ ᱩᱱᱤ ᱚᱱᱟᱭ ᱵᱟᱹᱲᱤᱡᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱡᱚᱠᱷᱚᱱ ᱜᱮ ᱟᱡᱤᱡ ᱵᱚᱭᱦᱟ ᱵᱟᱭ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱫ, ᱩᱱ ᱚᱠᱛᱚ ᱚᱱᱟ ᱛᱮᱭ ᱨᱩᱭᱮᱫ ᱛᱟᱦᱮᱸᱫ, "ᱚᱱᱠᱟ ᱛᱮᱜᱮ ᱤᱧ ᱪᱮᱫ ᱞᱮᱠᱟ ᱨᱩᱭᱟ ᱚᱱᱟᱧ ᱪᱮᱫ ᱮᱱᱟ," ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ, "ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ ᱫᱚᱭ ᱵᱟᱰᱟᱭᱟ ᱡᱮ ᱚᱱᱟ ᱫᱚ ᱤᱧ ᱞᱟᱹᱜᱤᱫ ᱜᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱤᱧᱮ ᱢᱮᱛᱟᱹᱧᱟ ᱡᱮ ᱟᱨᱦᱚᱸ ᱢᱤᱣᱡᱤᱠ ᱵᱮᱱᱟᱣ ᱨᱮᱱᱟᱜ ᱢᱮᱱᱟᱜᱼᱟ ᱾"[᱖᱖] ᱦᱟᱨᱢᱳᱱᱤᱭᱟᱢ ᱫᱚ ᱘᱕ ᱴᱟᱠᱟ ᱛᱮ ᱠᱤᱨᱤᱧ ᱞᱮᱱᱟ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾[᱖᱓]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱥᱴᱟᱭᱤᱞ ᱫᱚ ᱢᱤᱫ ᱳᱨᱠᱮᱥᱴᱨᱮᱥᱚᱱ ᱛᱮ ᱪᱤᱱᱦᱟᱹᱣᱚᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱳᱠ ᱢᱤᱣᱡᱤᱠ ᱟᱨ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱤᱱᱛᱷᱮᱥᱤᱥ ᱠᱟᱱᱟ, ᱥᱟᱶᱛᱮ ᱴᱨᱮᱰᱤᱥᱚᱱᱟᱞ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱥ ᱟᱨ ᱢᱳᱰᱥ ᱾ ᱩᱱᱤ ᱫᱚ ᱤᱞᱮᱠᱴᱨᱚᱱᱤᱠ ᱢᱤᱣᱡᱤᱠ ᱴᱮᱠᱱᱚᱞᱚᱡᱤᱭ ᱵᱮᱵᱷᱟᱨᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱱᱛᱷᱮᱥᱟᱭᱡᱟᱨ, ᱤᱞᱮᱠᱴᱨᱤᱠ ᱜᱤᱴᱟᱨ ᱟᱨ ᱠᱤᱵᱳᱨᱰ, ᱰᱨᱚᱢ ᱢᱮᱥᱤᱱ, ᱨᱤᱫᱚᱢ ᱵᱚᱠᱥ ᱟᱨ ᱢᱤᱰᱤ (MIDI) ᱫᱚ ᱢᱟᱨᱟᱝ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱥᱟᱶᱮ ᱢᱮᱥᱟᱭᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱵᱤᱱᱟ, ᱵᱷᱮᱱᱩ, ᱱᱟᱫᱟᱥᱣᱟᱨᱟᱢ, ᱰᱷᱳᱞᱟᱠ, ᱢᱨᱤᱫᱟᱝᱜᱟᱢ ᱟᱨ ᱛᱚᱵᱽᱞᱟ ᱞᱮᱠᱟᱱ ᱴᱨᱮᱰᱤᱥᱚᱱᱟᱞ ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱥ ᱥᱟᱶᱛᱮ ᱥᱮᱠᱥᱳᱯᱷᱳᱱ ᱟᱨ ᱛᱤᱨᱤᱭᱳ ᱞᱮᱠᱟᱱ ᱣᱮᱥᱴᱟᱨᱱ ᱞᱤᱰ ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱥ ᱥᱮᱞᱮᱫ ᱛᱟᱦᱮᱸᱱᱟ ᱾[᱓᱘] ᱡᱚᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱪᱮᱫ ᱠᱟᱱᱟ ᱚᱱᱟ ᱵᱩᱡᱷᱟᱹᱣ ᱚᱪᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱩᱞᱤ ᱮᱱᱟᱭ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱢᱮᱱ ᱞᱮᱫᱟᱭ, "ᱤᱧ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱡᱟᱦᱟᱸᱱᱟᱜ ᱤᱧ ᱵᱩᱡᱷᱟᱹᱣ ᱚᱪᱚ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ? ᱡᱚᱛᱚ ᱦᱚᱲᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱫᱚ ᱟᱠᱚᱣᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱟᱹᱭᱠᱟᱹᱣ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱤᱧ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱣᱡᱤᱠ ᱫᱚ ᱚᱱᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱟᱹᱱᱢᱤᱭᱟᱜ ᱨᱤᱫᱟᱹᱭ ᱮ ᱡᱚᱲᱟᱣᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱚᱱᱠᱟᱱᱟᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱟᱢ ᱵᱟᱝ ᱵᱟᱰᱟᱭ ᱞᱮᱵᱷᱮᱞ ᱛᱮᱭ ᱤᱫᱤ ᱢᱮᱭᱟ ᱾"[᱑᱗]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱔᱖-ᱟᱱᱟᱜ ᱥᱤᱧᱚᱛ ᱡᱮᱜᱮᱛᱟᱹᱨᱤ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱥᱴᱤᱵᱷᱟᱞ (IFFI-2015), ᱯᱟᱱᱟᱡᱤ, ᱜᱳᱣᱟ ᱨᱮᱱᱟᱜ ᱩᱰᱷᱟᱹᱣ ᱥᱟᱹᱜᱩᱱ ᱨᱮ ᱥᱮᱱᱴᱮᱱᱟᱨᱤ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱛᱟᱭᱚᱢ ᱨᱚᱲᱮᱫ ᱚᱠᱛᱚ ᱨᱮ

ᱟᱭᱢᱟ ᱫᱷᱟᱣ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱮᱢ. ᱮᱥ. ᱵᱤᱥᱣᱟᱱᱟᱛᱷᱟᱱ ᱟᱜ ᱟᱡᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱪᱮᱛᱟᱱ ᱨᱮ ᱢᱟᱨᱟᱝ ᱚᱨᱥᱚᱝ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱨᱦᱟᱣ ᱮ ᱮᱢᱟᱠᱟᱫᱮᱭᱟ ᱾[᱓᱐] "ᱤᱧ ᱫᱚ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱮᱢ.ᱮᱥ. ᱵᱤᱥᱣᱟᱱᱟᱛᱷᱟᱱ ᱦᱚᱛᱮᱛᱮ ᱟᱹᱜᱩ ᱟᱠᱟᱱ ᱢᱟᱨᱟᱝ ᱴᱮᱠᱱᱤᱠ ᱠᱚ ᱟᱹᱰᱤ ᱥᱩᱨ ᱠᱷᱚᱱ ᱧᱮᱞ ᱟᱨ ᱟᱸᱡᱚᱢ ᱠᱟᱛᱮ ᱜᱮ ᱢᱤᱫ ᱢᱤᱣᱡᱤᱠ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱤᱧ ᱵᱮᱱᱟᱣ ᱫᱟᱲᱮᱭᱟᱫᱟ", ᱩᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱾ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱯᱩᱭᱞᱩ ᱫᱷᱟᱣ ᱮᱢ.ᱮᱥ.ᱵᱷᱤ. ᱞᱟᱹᱜᱤᱫ ᱟᱵᱷᱟᱞᱩᱠᱮᱱᱫᱽᱨᱩ ᱳᱨ ᱢᱟᱱᱟᱢ ᱯᱷᱤᱞᱢ ᱨᱮ ᱢᱟᱞᱟᱨ ᱮᱛᱷᱩ ᱠᱟᱱᱠᱟᱞ ᱛᱷᱟᱱ ᱥᱮᱨᱮᱧ ᱞᱟᱹᱜᱤᱫ ᱚᱨᱜᱟᱱ ᱮ ᱨᱩ ᱞᱮᱫᱟ ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱠᱤᱪᱷᱩ ᱯᱷᱤᱞᱢ ᱞᱟᱹᱜᱤᱫ ᱵᱮᱠᱜᱨᱟᱶᱰ ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱽ ᱨᱮᱭ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾[᱖᱘] ᱮᱢ.ᱮᱥ. ᱵᱤᱥᱣᱟᱱᱟᱛᱷᱟᱱ ᱥᱟᱶᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱱᱚᱣᱥᱟᱫᱽ, ᱨᱳᱥᱟᱱ, ᱢᱟᱫᱟᱱ ᱢᱳᱦᱟᱱ, ᱟᱨ ᱡᱤ.ᱠᱮ. ᱵᱷᱮᱱᱠᱟᱴᱮᱥ ᱥᱟᱶᱛᱮ ᱟᱨᱦᱚᱸ ᱟᱭᱢᱟ ᱦᱚᱲ ᱠᱚ "ᱜᱽᱨᱮᱴ ᱢᱟᱥᱴᱟᱨᱥ" ᱢᱮᱱᱛᱮᱭ ᱦᱚᱦᱚ ᱟᱠᱟᱫ ᱠᱚᱣᱟ ᱾[᱑᱗] ᱞᱚᱛᱟ ᱢᱚᱝᱜᱮᱥᱠᱚᱨ ᱟᱨ ᱮᱥ. ᱡᱟᱱᱟᱠᱤ ᱫᱚ ᱚᱱᱠᱟᱱ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱠᱤᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱭ ᱥᱟᱶ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱞᱮᱛᱟᱲ ᱜᱮ ᱮᱠᱥᱯᱮᱨᱤᱢᱮᱱᱴ ᱮ ᱠᱚᱨᱟᱣᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾[᱓᱐]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ "ᱤᱥᱟᱭᱜᱽᱱᱟᱱᱤ" (ᱥᱮᱨᱮᱧ ᱨᱮᱱ ᱜᱩᱨᱩ) ᱧᱩᱛᱩᱢ ᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱟᱞᱟᱭᱜᱽᱱᱟᱨ ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱮ ᱮᱢᱟᱫᱮ ᱛᱟᱦᱮᱸᱫ ᱾ ᱩᱱᱤ ᱫᱚ ᱡᱟᱣᱜᱮ "ᱢᱮᱥᱴᱨᱳ" ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱛᱟᱭᱟ, ᱱᱚᱶᱟ ᱧᱩᱛᱩᱢ ᱫᱚ ᱞᱚᱱᱰᱚᱱ ᱨᱮᱱᱟᱜ ᱨᱚᱭᱮᱞ ᱯᱷᱤᱞᱦᱟᱨᱢᱳᱱᱤᱠ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱦᱚᱛᱮᱛᱮ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾[᱕] ᱩᱱᱤ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱦᱟᱨᱢᱳᱱᱤ ᱟᱨ ᱤᱥᱴᱨᱤᱝ ᱮᱨᱮᱱᱡᱢᱮᱱᱴ ᱵᱮᱵᱷᱟᱨ ᱠᱚᱜ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔] ᱱᱚᱶᱟ ᱫᱚ ᱩᱱᱤ ᱯᱷᱤᱞᱢ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱲᱟᱝ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱠᱤᱥᱟᱹᱬ ᱴᱮᱯᱮᱥᱴᱨᱤ ᱵᱮᱱᱟᱣ ᱨᱮᱱᱟᱜ ᱫᱟᱣ ᱮ ᱮᱢᱟᱫᱮᱭᱟ, ᱟᱨ ᱟᱡᱟᱜ ᱛᱷᱤᱢ ᱟᱨ ᱵᱮᱠᱜᱨᱟᱶᱰ ᱤᱥᱠᱳᱨ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱧᱮᱧᱮᱞᱤᱭᱟᱹ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱢᱟᱱᱚᱛ ᱟᱨ ᱥᱟᱨᱦᱟᱣ ᱮ ᱧᱟᱢ ᱠᱮᱫᱟ ᱾[᱖᱙] ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱮᱠᱥᱯᱨᱮᱥᱤᱵᱷ ᱫᱟᱲᱮ ᱨᱮᱱᱟᱜ ᱨᱮᱸᱡᱽ ᱫᱚ ᱟᱡᱟᱜ ᱮᱨᱮᱱᱡᱤᱝ, ᱨᱮᱠᱚᱨᱰᱤᱝ ᱴᱮᱠᱱᱤᱠ ᱨᱮᱱᱟᱜ ᱢᱮᱛᱷᱳᱰᱤᱠᱟᱞ ᱮᱯᱨᱳᱪ, ᱟᱨ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱥᱴᱟᱭᱤᱞ ᱠᱷᱚᱱ ᱟᱭᱰᱤᱭᱟ ᱦᱟᱛᱟᱣ ᱠᱷᱟᱹᱛᱤᱨ ᱵᱟᱹᱲᱛᱤ ᱞᱮᱱᱟ ᱾[᱔]

ᱢᱤᱣᱡᱤᱠᱳᱞᱳᱡᱤᱥᱴ ᱯᱚᱞ ᱜᱽᱨᱤᱱ ᱞᱮᱠᱟᱛᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ "ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱢᱤᱣᱡᱤᱠ ᱥᱴᱟᱭᱤᱞ ᱨᱮᱱᱟᱜ ᱜᱟᱹᱦᱤᱨ ᱵᱩᱡᱷᱟᱹᱣ ᱫᱚ ᱩᱱᱤ ᱢᱤᱫᱴᱟᱹᱝ, ᱢᱮᱱᱮᱛ-ᱟᱱ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱥᱴᱮᱴᱢᱮᱱᱴ ᱨᱮ ᱟᱹᱰᱤ ᱵᱷᱮᱜᱟᱨ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱤᱰᱤᱭᱚᱢᱥ ᱢᱮᱥᱟ ᱠᱟᱛᱮ ᱥᱤᱱᱠᱨᱮᱴᱤᱠ ᱢᱤᱣᱡᱤᱠ ᱯᱤᱥ ᱵᱮᱱᱟᱣ ᱨᱮᱱᱟᱜ ᱫᱟᱣ ᱮ ᱮᱢᱟᱫᱮᱭᱟ" ᱾[᱓᱘] ᱱᱚᱶᱟ ᱵᱷᱮᱨᱟᱭᱴᱤ ᱟᱨ ᱟᱡᱟᱜ ᱣᱮᱥᱴᱟᱨᱱ, ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱳᱠ ᱟᱨ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱮᱞᱤᱢᱮᱱᱴᱥ ᱨᱮᱱᱟᱜ ᱢᱮᱥᱟᱞ ᱠᱷᱟᱹᱛᱤᱨ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱟᱹᱛᱩ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱨᱤᱫᱚᱢᱤᱠ ᱯᱷᱳᱠ ᱜᱩᱱ ᱠᱷᱟᱹᱛᱤᱨ, ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱠᱩᱥᱤᱭᱟᱜ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱨᱱᱟᱴᱚᱠ ᱨᱟᱜᱽ ᱵᱮᱵᱷᱟᱨ ᱠᱷᱟᱹᱛᱤᱨ, ᱟᱨ ᱥᱚᱦᱚᱨ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱢᱚᱰᱟᱨᱱ, ᱣᱮᱥᱴᱟᱨᱱ-ᱢᱤᱣᱡᱤᱠ ᱥᱟᱣᱩᱱᱰ ᱠᱷᱟᱹᱛᱤᱨ ᱠᱩᱥᱤᱭᱟᱜ ᱠᱟᱱᱟ ᱠᱚ ᱾[᱗᱐] ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱵᱷᱤᱡᱩᱣᱟᱞᱟᱭᱡᱮᱥᱟᱱ ᱥᱮᱱᱥ ᱫᱚ ᱡᱟᱣᱜᱮ ᱢᱩᱵᱷᱤ ᱨᱮᱱᱟᱜ ᱠᱟᱹᱦᱱᱤ ᱥᱟᱶ ᱢᱮᱞᱟᱣᱜᱼᱟ ᱟᱨ ᱧᱮᱧᱮᱞᱤᱭᱟᱹ ᱠᱚ ᱟᱡᱟᱜ ᱢᱤᱣᱡᱤᱠᱟᱞ ᱤᱥᱠᱳᱨ ᱛᱟᱞᱟ ᱛᱮ ᱟᱹᱭᱠᱟᱹᱣ ᱵᱩᱡᱷᱟᱹᱣ ᱨᱮ ᱜᱚᱲᱚᱭ ᱮᱢᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱱᱮᱨᱮᱥᱟᱱ ᱥᱟᱶ ᱢᱤᱣᱡᱤᱠ ᱢᱮᱥᱟ ᱨᱮᱱᱟᱜ ᱱᱚᱶᱟ ᱟᱨᱴ ᱮ ᱢᱟᱥᱴᱟᱨ ᱟᱠᱟᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱹᱰᱤ ᱠᱚᱢ ᱦᱚᱲ ᱜᱮ ᱟᱹᱰᱤ ᱫᱤᱱ ᱫᱷᱟᱹᱵᱤᱡ ᱟᱠᱚ ᱥᱟᱶ ᱠᱚ ᱟᱰᱟᱯᱴ ᱫᱟᱲᱮᱭᱟᱠᱟᱫᱟ ᱾[᱗᱑] ᱡᱩᱫᱤᱦᱚᱸ ᱩᱱᱤ ᱫᱚ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱᱟᱞ ᱴᱮᱠᱱᱤᱠ ᱮ ᱵᱮᱵᱷᱟᱨᱟ, ᱩᱱᱤ ᱫᱚ ᱡᱟᱣᱜᱮ ᱯᱷᱤᱞᱢ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱵᱮᱥᱤᱠ ᱢᱮᱞᱳᱰᱤᱠ ᱟᱭᱰᱤᱭᱟ ᱫᱚ ᱟᱹᱰᱤ ᱤᱥᱯᱚᱱᱴᱮᱱᱤᱭᱟᱥ ᱞᱮᱠᱟᱛᱮᱭ ᱵᱮᱱᱟᱣᱟ ᱾[᱑᱓][᱓᱘]

ᱢᱟᱱᱚᱛ ᱟᱨ ᱞᱤᱜᱮᱥᱤ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱢᱩᱬᱩᱛ: ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱦᱚᱛᱮᱛᱮ ᱧᱟᱢ ᱟᱠᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱟᱨ ᱱᱳᱢᱤᱱᱮᱥᱚᱱ ᱠᱚᱨᱮᱱᱟᱜ ᱛᱟᱹᱞᱠᱟᱹ

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱤᱥᱚᱢ ᱜᱚᱢᱠᱮ ᱨᱟᱢ ᱱᱟᱛᱷ ᱠᱳᱵᱤᱱᱫᱽ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱯᱚᱫᱽᱢᱚ ᱵᱷᱤᱵᱷᱩᱥᱚᱱ ᱮ ᱦᱟᱛᱟᱣᱮᱫᱟ

᱒᱐᱑᱐ ᱥᱟᱞᱮ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱛᱮᱥᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱵᱷᱤᱞᱤᱭᱟᱱ ᱢᱟᱱᱚᱛ ᱯᱚᱫᱽᱢᱚ ᱵᱷᱩᱥᱚᱱ ᱟᱨ ᱒᱐᱑᱘ ᱥᱟᱞᱮ ᱨᱮ ᱥᱤᱧᱚᱛ ᱥᱚᱨᱠᱟᱨ ᱦᱚᱛᱮᱛᱮ ᱫᱚᱥᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱵᱷᱤᱞᱤᱭᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱯᱚᱫᱽᱢᱚ ᱵᱷᱤᱵᱷᱩᱥᱚᱱ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱗᱒][᱗᱓] ᱖ ᱡᱩᱞᱟᱭ ᱒᱐᱒᱒ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱤᱡ ᱫᱤᱥᱚᱢ ᱜᱚᱢᱠᱮ, ᱨᱟᱢ ᱱᱟᱛᱷ ᱠᱳᱵᱤᱱᱫᱽ ᱦᱚᱛᱮᱛᱮ ᱨᱟᱡᱽᱭᱚᱥᱚᱵᱷᱟ ᱨᱮ ᱥᱚᱸᱥᱚᱫᱽ ᱥᱚᱦᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱧᱩᱛᱩᱢ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱗᱔] ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱒᱒ ᱨᱮ, ᱢᱟᱨᱟᱝ ᱢᱚᱱᱛᱨᱤ ᱱᱚᱨᱮᱱᱫᱽᱨᱚ ᱢᱳᱫᱤ ᱫᱚ ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱨᱮᱱᱟᱜ ᱰᱤᱱᱰᱤᱜᱩᱞ ᱨᱮ ᱜᱟᱱᱫᱷᱤᱜᱽᱨᱟᱢ ᱨᱩᱨᱟᱞ ᱤᱱᱥᱴᱤᱴᱤᱭᱩᱴ ᱨᱮᱱᱟᱜ ᱓᱖ ᱟᱱᱟᱜ ᱠᱚᱱᱵᱷᱳᱠᱮᱥᱚᱱ ᱟᱠᱷᱲᱟ ᱚᱠᱛᱚ ᱨᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱢᱤᱫ ᱢᱟᱱᱚᱛ ᱰᱚᱠᱴᱚᱨᱮᱴ ᱮ ᱮᱢᱟᱫᱮᱭᱟ ᱾[᱗᱕]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱢ ᱥᱤᱨᱯᱷᱟᱹ ᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ—ᱯᱮᱭᱟ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱢᱤᱣᱡᱤᱠ ᱰᱟᱭᱨᱮᱠᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱟᱨ ᱵᱟᱨᱭᱟ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱵᱮᱠᱜᱨᱟᱶᱰ ᱤᱥᱠᱳᱨ ᱞᱟᱹᱜᱤᱫ ᱾[᱒][᱗᱖] ᱒᱐᱑᱒ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱥᱚᱝᱜᱤᱛ ᱱᱟᱴᱚᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱥᱤᱨᱯᱷᱟᱹ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱣᱡᱤᱠ ᱨᱮᱱᱟᱜ ᱴᱚᱴᱷᱟ ᱨᱮ ᱟᱡᱟᱜ ᱱᱟᱣᱟ ᱟᱨ ᱮᱠᱥᱯᱮᱨᱤᱢᱮᱱᱴᱟᱞ ᱠᱟᱹᱢᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱨᱴᱤᱥᱴ ᱠᱚ ᱮᱢᱟᱠᱚ ᱠᱟᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱢᱟᱱᱚᱛ ᱠᱟᱱᱟ ᱾[᱗᱗] ᱩᱱᱤ ᱫᱚ ᱴᱨᱤᱱᱤᱴᱤ ᱠᱚᱞᱮᱡᱽ ᱚᱯᱷ ᱢᱤᱣᱡᱤᱠ, ᱞᱚᱱᱰᱚᱱ ᱠᱷᱚᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱜᱤᱴᱟᱨ ᱨᱮ ᱥᱚᱱᱟ ᱢᱮᱰᱟᱞᱤᱥᱴ ᱠᱟᱱᱟᱭ ᱾[᱒] ᱒᱐᱑᱓ ᱥᱟᱞᱮ ᱨᱮ, ᱡᱚᱠᱷᱚᱱ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱱᱤᱭᱩᱡᱽ ᱪᱮᱱᱮᱞ CNN-IBN ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱤᱱᱮᱢᱟ ᱨᱮᱱᱟᱜ ᱑᱐᱐ ᱥᱮᱨᱢᱟ ᱯᱩᱨᱟᱹᱣ ᱨᱮᱱᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱛᱮ ᱢᱤᱫ ᱯᱳᱞ ᱮ ᱥᱟᱯᱲᱟᱣ ᱞᱮᱫᱟ, ᱩᱱᱤ ᱫᱚ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱔᱙% ᱵᱷᱳᱴ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱫᱤᱥᱚᱢ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱮᱱᱟᱭ; ᱮ. ᱟᱨ. ᱨᱚᱦᱢᱟᱱ ᱫᱚ ᱒᱙% ᱵᱷᱳᱴ ᱥᱟᱶ ᱫᱚᱥᱟᱨ ᱴᱷᱟᱶ ᱨᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱗]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱫᱩᱱᱤᱭᱟᱹ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱧᱩᱛᱩᱢᱟᱱ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ ᱠᱟᱱᱟᱭ ᱾[᱗᱘] ᱩᱱᱤ ᱫᱚ ᱘,᱖᱐᱐ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱥᱮᱨᱮᱧ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱫᱟ, ᱟᱨᱮ ᱜᱚᱴᱟᱝ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱑,᱕᱒᱓ ᱜᱟᱱ ᱢᱩᱵᱷᱤ ᱠᱚᱨᱮ ᱯᱷᱤᱞᱢ ᱤᱥᱠᱳᱨ ᱮ ᱮᱢ ᱟᱠᱟᱫᱟ,[᱒] ᱟᱨ ᱒᱐,᱐᱐᱐ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱠᱚᱱᱥᱟᱨᱴ ᱨᱮ ᱥᱮᱨᱮᱧ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱮᱠᱮᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱠᱟᱱᱟᱭ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱮᱠᱮᱱ ᱮᱥᱮᱱᱰᱤᱝ ᱱᱳᱴᱥ ᱨᱮ ᱢᱤᱫ ᱥᱮᱨᱮᱧ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱠᱟᱫᱟ ᱾[᱗᱙][᱘᱐][᱘᱑] ᱩᱱᱤ ᱫᱚ ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱠ ᱨᱮ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱢᱤᱣᱡᱤᱠ ᱦᱟᱨᱢᱳᱱᱤ ᱟᱨ ᱤᱥᱴᱨᱤᱝ ᱮᱨᱮᱱᱡᱢᱮᱱᱴ ᱵᱮᱵᱷᱟᱨ ᱠᱚᱜ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔] ᱩᱱᱤ ᱫᱚ ᱑᱙᱘᱔ ᱨᱮᱱᱟᱜ ᱢᱟᱞᱟᱭᱟᱞᱟᱢ ᱯᱷᱤᱞᱢ ᱢᱟᱭ ᱰᱤᱭᱟᱨ ᱠᱩᱴᱴᱤᱪᱟᱛᱷᱟᱱ ᱞᱟᱹᱜᱤᱫ ᱤᱥᱠᱳᱨ ᱟᱨ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱯᱩᱭᱞᱩ ᱤᱥᱴᱮᱨᱤᱭᱳᱥᱠᱳᱯᱤᱠ 3D ᱯᱷᱤᱞᱢ ᱠᱟᱱᱟ ᱾[᱘᱒] ᱑᱙᱘᱖ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱵᱤᱠᱨᱟᱢ (᱑᱙᱘᱖ ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱢ) ᱯᱷᱤᱞᱢ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱢᱯᱤᱭᱩᱴᱟᱨ ᱥᱟᱶ ᱢᱤᱫ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱨᱮᱠᱚᱨᱰ ᱟᱠᱟᱫ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾[᱖] ᱩᱱᱤ ᱫᱚ ᱱᱟᱭᱟᱠᱟᱱ (᱑᱙᱘᱗) ᱢᱩᱵᱷᱤ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱴᱟᱭᱤᱢ ᱢᱮᱜᱟᱡᱤᱱ ᱦᱚᱛᱮᱛᱮ ᱡᱚᱛᱚ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱑᱐᱐ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱢᱩᱵᱷᱤ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱞᱮᱠᱟᱛᱮ ᱴᱷᱟᱶ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱘᱓] ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱟᱨ. ᱠᱮ. ᱥᱮᱞᱵᱷᱟᱢᱟᱱᱤ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱪᱮᱢᱵᱟᱨᱩᱛᱷᱤ (᱑᱙᱙᱒) ᱞᱟᱹᱜᱤᱫ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱮᱠᱮᱱ ᱔᱕ ᱢᱤᱱᱤᱴ ᱨᱮ ᱟᱨᱮ ᱜᱚᱴᱟᱝ ᱥᱮᱨᱮᱧ ᱮ ᱠᱚᱢᱯᱳᱡᱽ ᱞᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱨᱮᱠᱚᱨᱰ ᱠᱟᱱᱟ ᱾[᱘᱔] ᱟᱠᱴᱚᱨ ᱨᱟᱡᱽᱱᱤᱠᱟᱸᱛ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱵᱤᱱᱟᱹ ᱡᱟᱹᱯᱤᱫ ᱛᱮ ᱢᱤᱫ ᱫᱤᱱ ᱨᱮ ᱯᱮᱭᱟ ᱯᱷᱤᱞᱢ ᱨᱮᱱᱟᱜ ᱨᱤ-ᱨᱮᱠᱚᱨᱰᱤᱝ ᱮ ᱯᱩᱨᱟᱹᱣᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱡᱚᱠᱷᱚᱱ ᱱᱮᱛᱟᱨᱟᱜ ᱡᱩᱜᱽ ᱨᱮᱱ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱚ ᱫᱚ ᱢᱤᱫᱴᱟᱹᱝ ᱯᱷᱤᱞᱢ ᱞᱟᱹᱜᱤᱫ ᱓᱐ ᱫᱤᱱ ᱠᱚ ᱦᱟᱛᱟᱣᱟ ᱾[᱘᱕]

᱙ ᱢᱟᱨᱪ ᱒᱐᱒᱕ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱞᱚᱱᱰᱚᱱ ᱨᱮ ᱢᱤᱫ ᱯᱩᱨᱟᱹ ᱣᱮᱥᱴᱟᱨᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱥᱤᱢᱯᱷᱳᱱᱤ ᱠᱚᱢᱯᱳᱡᱽ, ᱨᱮᱠᱚᱨᱰ, ᱟᱨ ᱞᱟᱭᱤᱵᱽ ᱯᱟᱨᱯᱷᱚᱨᱢ ᱟᱠᱟᱫ ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ, ᱥᱟᱶᱛᱮ ᱮᱥᱤᱭᱟᱱ, ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱾[᱒][᱑] ᱩᱱᱤ ᱫᱚ ᱯᱩᱨᱟᱹ ᱥᱤᱢᱯᱷᱳᱱᱤ ᱓᱔ ᱫᱤᱱ ᱨᱮᱭ ᱚᱞ ᱞᱮᱫᱟ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾[᱒][᱘᱖][᱘᱗] ᱩᱱᱤ ᱫᱚ ᱛᱷᱤᱨᱩᱵᱷᱟᱥᱟᱠᱟᱢ ᱤᱱ ᱥᱤᱢᱯᱷᱳᱱᱤ (᱒᱐᱐᱖), ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱳᱨᱮᱴᱳᱨᱤᱭᱳ ᱦᱚᱸᱭ ᱠᱚᱢᱯᱳᱡᱽ ᱟᱨ ᱳᱨᱠᱮᱥᱴᱨᱮᱴ ᱟᱠᱟᱫᱟ ᱾[᱘] ᱟᱭᱢᱟ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱥᱟᱶᱛᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱮᱛᱚᱢ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱞᱟᱠᱪᱟᱨᱤᱭᱟᱹ ᱞᱮᱱᱰᱥᱠᱮᱯ ᱨᱮ ᱢᱤᱫ ᱜᱟᱹᱦᱤᱨ ᱚᱨᱥᱚᱝ ᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱾[᱑]

ᱤᱱᱰᱤᱭᱟᱱ ᱯᱟᱨᱯᱷᱚᱨᱢᱤᱝ ᱨᱟᱭᱤᱴ ᱥᱳᱥᱟᱭᱴᱤ ᱨᱮᱱ ᱵᱳᱨᱰ ᱢᱮᱢᱵᱟᱨ ᱟᱪᱤᱞ ᱯᱷᱳᱨᱞᱟᱨ ᱫᱚ ᱒᱐᱑᱗ ᱥᱟᱞᱮ ᱨᱮᱭ ᱢᱮᱱ ᱞᱮᱫᱟ, "ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱯᱟᱨᱚᱢᱮᱱ ᱔᱐ ᱥᱮᱨᱢᱟ ᱨᱮ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱱ ᱥᱴᱮᱞᱟᱨ ᱵᱚᱰᱤ ᱚᱯᱷ ᱣᱟᱨᱠ ᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ, ᱚᱱᱟ ᱫᱚ ᱩᱱᱤ ᱫᱩᱱᱤᱭᱟᱹ ᱨᱮᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱠᱤᱥᱟᱹᱬ ᱑᱐ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱚ ᱢᱩᱫᱽ ᱨᱮ ᱴᱷᱟᱶ ᱮ ᱮᱢᱟᱭ ᱞᱟᱹᱠᱛᱤ ᱠᱟᱱᱟ, ᱮᱱᱰᱨᱤᱣ ᱞᱚᱭᱮᱰ ᱣᱮᱵᱟᱨ ($᱑.᱒ ᱵᱤᱞᱤᱭᱚᱱ) ᱟᱨ ᱢᱤᱠ ᱡᱮᱜᱟᱨ (over $᱓᱐᱐ ᱢᱤᱞᱤᱭᱚᱱ) ᱛᱟᱞᱟ ᱨᱮ ᱠᱩᱴᱷᱮᱛᱟᱹᱨᱤ ᱾"[᱘᱘]

ᱵᱽᱨᱤᱴᱤᱥ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱮᱱᱰᱤ ᱵᱷᱳᱴᱮᱞ ᱫᱚ ᱢᱤᱫ ᱚᱱᱚᱞ ᱨᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱵᱟᱵᱚᱛ ᱮ ᱚᱞ ᱞᱮᱫᱟ, "ᱟᱢ ᱡᱟᱦᱟᱸ ᱜᱮ "ᱡᱮᱱᱨᱮ" ᱨᱮᱱᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱮᱢ ᱠᱩᱥᱤᱭᱟᱜ/ᱫᱩᱞᱟᱹᱲᱟᱜ/ᱯᱨᱚᱢᱳᱴᱟᱜ/ᱨᱩᱠᱷᱤᱭᱟᱹᱭᱟᱜ/ᱯᱚᱞᱤᱴᱤᱥᱟᱭᱤᱡᱟᱜ/ᱳᱵᱷᱟᱨ-ᱤᱱᱴᱮᱞᱮᱠᱪᱩᱣᱟᱞᱟᱭᱤᱡᱟᱜ/ᱟᱹᱲᱤᱥᱟᱜ/ᱰᱤᱯᱷᱮᱱᱰᱟᱜ ᱥᱮ ᱨᱟᱹᱥᱠᱟᱹᱭᱟᱜ ᱞᱮᱠᱟᱢ ᱧᱮᱞᱚᱜ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱚᱱᱟᱭ ᱠᱚᱨᱟᱣ ᱟᱠᱟᱫᱟ ᱾"[᱓᱐] ᱠᱚᱨᱱᱟᱴᱚᱠ ᱵᱷᱳᱠᱟᱞᱤᱥᱴ ᱴᱤ. ᱮᱢ. ᱠᱨᱤᱥᱱᱟ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱮᱴᱟᱜ ᱚᱠᱚᱭ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱦᱚᱸ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱞᱮᱠᱟ ᱢᱤᱣᱡᱤᱠ ᱵᱩᱡᱷᱟᱹᱣ ᱨᱮᱱᱟᱜ ᱵᱽᱨᱚᱰ ᱨᱮᱸᱡᱽ ᱵᱟᱠᱚ ᱩᱫᱩᱜ ᱟᱠᱟᱫᱟ, ᱟᱨ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱛᱮ ᱩᱱᱤ ᱟᱡ ᱥᱟᱶ ᱮ ᱟᱰᱟᱯᱴᱟ ᱟᱨ ᱢᱤᱣᱡᱤᱠ ᱮ ᱵᱮᱱᱟᱣᱟ ᱚᱱᱟ ᱫᱚ "ᱟᱱᱯᱷᱮᱫᱚᱢᱮᱵᱟᱞ" ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ "ᱮᱵᱽᱥᱳᱞᱩᱴ ᱢᱟᱥᱴᱟᱨ" ᱮ ᱵᱮᱱᱟᱣᱮᱭᱟ ᱾[᱘᱙] ᱡᱤ. ᱠᱮ. ᱵᱷᱮᱱᱠᱟᱴᱮᱥ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱨᱮᱱ ᱮᱛᱚᱦᱚᱵ ᱢᱮᱱᱴᱚᱨ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱩᱱᱤᱭᱟᱜ ᱥᱟᱠᱥᱮᱥ ᱵᱟᱵᱚᱛ ᱮ ᱢᱮᱱ ᱞᱮᱫᱟ: "ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱠᱨᱤᱭᱮᱥᱟᱱᱥ ᱛᱮ ᱵᱟᱭ ᱦᱟᱦᱟᱲᱟᱜᱼᱟ ᱾ ᱚᱱᱟ ᱜᱮ ᱟᱡᱟᱜ ᱥᱟᱠᱥᱮᱥ ᱨᱮᱱᱟᱜ ᱩᱠᱩ ᱠᱟᱛᱷᱟ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱥᱮᱨᱮᱧ ᱫᱚ ᱮᱠᱮᱱ ᱟᱨᱢᱤᱫ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱥᱮᱨᱮᱧ ᱛᱮᱜᱮ ᱞᱟᱛᱟᱨᱚᱜᱼᱟ ᱾"[᱑᱗]

᱑᱙᱙᱑ ᱨᱮᱱᱟᱜ ᱯᱷᱤᱞᱢ ᱛᱷᱟᱞᱟᱯᱟᱛᱷᱤ ᱞᱟᱹᱜᱤᱫ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱫᱚ ᱫᱟ ᱜᱟᱨᱰᱤᱭᱟᱱ ᱟᱜ ᱑᱐᱐ ᱮᱞᱵᱚᱢ ᱴᱩ ᱦᱤᱭᱟᱨ ᱵᱤᱯᱷᱳᱨ ᱭᱩ ᱰᱟᱭ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾[᱙᱐] ᱒᱐᱐᱓ ᱥᱟᱞᱮ ᱨᱮ, ᱵᱤᱵᱤᱥᱤ ᱦᱚᱛᱮᱛᱮ ᱑᱖᱕ ᱫᱤᱥᱚᱢ ᱨᱤᱱ ᱢᱚᱬᱮ ᱞᱟᱠᱷ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱦᱚᱲ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱦᱩᱭ ᱞᱮᱱ ᱢᱤᱫ ᱡᱮᱜᱮᱛᱟᱹᱨᱤ ᱯᱳᱞ ᱞᱮᱠᱟᱛᱮ, ᱛᱷᱟᱞᱟᱯᱟᱛᱷᱤ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ "ᱨᱟᱠᱠᱟᱢᱢᱟ ᱠᱟᱭᱭᱟ ᱛᱷᱟᱴᱴᱩ" ᱫᱚ ᱡᱚᱛᱚ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱴᱚᱯ ᱑᱐ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱧᱩᱛᱩᱢᱟᱱ ᱥᱮᱨᱮᱧ ᱨᱮ ᱯᱩᱱᱟᱜ ᱴᱷᱟᱶ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱙᱑] ᱥᱤᱱᱮᱢᱟᱴᱳᱜᱽᱨᱟᱯᱷᱚᱨ ᱥᱟᱱᱛᱳᱥ ᱥᱤᱵᱷᱟᱱ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱡᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱛᱷᱟᱞᱟᱯᱟᱛᱷᱤ ᱯᱷᱤᱞᱢ ᱨᱮᱱᱟᱜ ᱯᱩᱨᱟᱹ ᱥᱟᱣᱩᱱᱰᱴᱨᱮᱠ ᱞᱟᱹᱜᱤᱫ ᱮᱠᱮᱱ "ᱟᱫᱷᱟ ᱫᱤᱱ" ᱠᱷᱚᱱ ᱦᱚᱸ ᱠᱚᱢ ᱚᱠᱛᱚ ᱨᱮᱭ ᱠᱚᱢᱯᱳᱡᱽ ᱯᱩᱨᱟᱹᱣ ᱞᱮᱫᱟ ᱾[᱙᱒] ᱢᱩᱢᱵᱟᱭ ᱨᱮ ᱟᱨ.ᱰᱤ. ᱵᱚᱨᱢᱚᱱ ᱟᱜ ᱳᱨᱠᱮᱥᱴᱨᱟ ᱥᱟᱶ ᱛᱷᱟᱞᱟᱯᱟᱛᱷᱤ ᱢᱩᱵᱷᱤ ᱠᱷᱚᱱ "ᱥᱩᱱᱫᱚᱨᱤ" ᱥᱮᱨᱮᱧ ᱨᱮᱠᱚᱨᱰᱤᱝ ᱚᱠᱛᱚ ᱨᱮ, ᱡᱚᱠᱷᱚᱱ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱱᱳᱴᱥ ᱮ ᱮᱢ ᱠᱮᱫᱟ, ᱩᱱᱠᱩ ᱫᱚ ᱚᱱᱟ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱛᱮ ᱟᱹᱰᱤ ᱠᱚ ᱦᱟᱦᱟᱲᱟ ᱮᱱᱟ ᱟᱨ ᱡᱚᱛᱚ ᱢᱤᱣᱡᱤᱥᱤᱭᱟᱱ ᱠᱚ ᱢᱟᱱᱚᱛ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱤ ᱠᱚ ᱛᱷᱟᱭᱳ ᱠᱮᱫᱟ ᱟᱨ ᱛᱤᱸᱜᱩ ᱠᱟᱛᱮ ᱠᱚ ᱥᱟᱨᱦᱟᱣ ᱠᱮᱫᱮᱭᱟ ᱾[᱙᱓]

ᱱᱤᱡᱮᱨᱟᱜ ᱡᱤᱭᱚᱱ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱟᱡ ᱢᱤᱥᱮᱨᱟ ᱨᱮᱱ ᱦᱚᱯᱚᱱ ᱮᱨᱟ, ᱡᱤᱵᱷᱟ (ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱒᱐᱑᱑ ᱨᱮᱭ ᱜᱚᱡ ᱮᱱᱟ[᱙᱔]) ᱥᱟᱶᱮ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱥᱟᱶ ᱟᱡ ᱨᱤᱱ ᱯᱮᱭᱟ ᱜᱤᱫᱽᱨᱟᱹ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ—ᱠᱟᱨᱛᱷᱤᱠ ᱨᱟᱡᱟ, ᱵᱷᱟᱵᱷᱟᱛᱷᱟᱨᱤᱱᱤ ᱟᱨ ᱭᱩᱵᱷᱟᱱ ᱥᱚᱝᱠᱚᱨ ᱨᱟᱡᱟ—ᱡᱚᱛᱚ ᱜᱮ ᱯᱷᱤᱞᱢ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱟᱨ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱠᱟᱱᱟ ᱠᱚ ᱾[᱙᱕][᱙᱖] ᱡᱤᱵᱷᱟ ᱫᱚ ᱓᱑ ᱚᱠᱴᱚᱵᱚᱨ ᱒᱐᱑᱑ ᱨᱮᱭ ᱜᱚᱡ ᱮᱱᱟ ᱾[᱙᱗] ᱟᱡᱤᱡ ᱵᱚᱭᱦᱟ, ᱜᱟᱝᱜᱟᱭ ᱟᱢᱟᱨᱟᱱ, ᱦᱚᱸ ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮ ᱢᱤᱫ ᱢᱤᱣᱡᱤᱠ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱟᱨ ᱥᱮᱨᱮᱧ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱫᱚ ᱟᱢᱟᱨᱟᱱ ᱥᱟᱶ ᱑᱓ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱹᱵᱤᱡ ᱨᱟᱯᱟᱪᱟᱜ ᱨᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱒᱐᱒᱒ ᱫᱷᱟᱹᱵᱤᱡ, ᱡᱚᱠᱷᱚᱱ ᱩᱱᱠᱤᱱ ᱵᱟᱱᱟᱨ ᱠᱤᱱ ᱧᱟᱯᱟᱢ ᱮᱱᱟ ᱾[᱙᱘] ᱟᱡᱤᱡ ᱮᱠᱮᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱵᱷᱟᱵᱷᱟᱛᱷᱟᱨᱤᱱᱤ ᱫᱚ ᱒᱕ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱒᱐᱒᱔ ᱨᱮ ᱞᱤᱵᱷᱟᱨ ᱠᱮᱱᱥᱟᱨ ᱠᱷᱟᱹᱛᱤᱨ ᱮ ᱜᱚᱡ ᱮᱱᱟ ᱾[᱙᱙]

ᱡᱩᱫᱤᱦᱚᱸ ᱩᱱᱤ ᱫᱚ ᱤᱥᱟᱹᱭ ᱫᱷᱚᱨᱚᱢ ᱨᱮᱭ ᱡᱟᱱᱟᱢ ᱟᱨ ᱦᱟᱨᱟ ᱵᱩᱨᱩ ᱞᱮᱱᱟ[᱑᱐᱐], ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱦᱤᱱᱫᱩ ᱫᱷᱚᱨᱚᱢ ᱮ ᱟᱯᱱᱟᱨ ᱟᱠᱟᱫᱟ, ᱟᱨ ᱛᱟᱢᱤᱞ ᱦᱤᱱᱫᱩ ᱥᱟᱹᱫᱷᱩ ᱨᱟᱢᱟᱱᱟ ᱢᱟᱦᱟᱨᱥᱤ ᱫᱚ ᱟᱡᱤᱡ ᱥᱯᱤᱨᱤᱪᱩᱣᱟᱞ ᱜᱩᱨᱩ ᱞᱮᱠᱟᱛᱮᱭ ᱢᱟᱱᱟᱣᱮᱭᱟ ᱾[᱑᱗]

ᱟᱹᱱᱟᱹᱨᱤ ᱮᱴᱠᱮᱴᱚᱬᱮ ᱟᱨ ᱨᱟᱯᱟᱪᱟᱜ ᱠᱚ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ (ᱛᱟᱞᱟ ᱨᱮ) ᱠᱚᱢᱚᱞ ᱦᱟᱥᱚᱱ (ᱞᱮᱸᱜᱟ ᱨᱮ) ᱟᱨ ᱨᱟᱡᱽᱱᱤᱠᱟᱸᱛ (ᱡᱚᱡᱚᱢ ᱨᱮ) ᱥᱟᱶ ᱒᱐᱑᱘ ᱨᱮ ᱱᱟᱫᱤᱜᱟᱨ ᱥᱟᱝᱜᱟᱢ ᱯᱨᱚᱴᱮᱥᱴ ᱨᱮ

᱒᱐᱑᱗ ᱥᱟᱞᱮ ᱨᱮ, ᱠᱚᱯᱤᱨᱟᱭᱤᱴ ᱩᱞᱞᱚᱝᱜᱷᱚᱱ ᱨᱮᱱᱟᱜ ᱫᱟᱹᱵᱤ ᱠᱟᱛᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱠᱚ, ᱮᱥ. ᱯᱤ. ᱵᱟᱞᱟᱥᱩᱵᱽᱨᱟᱢᱟᱱᱭᱟᱢ, ᱟᱡᱤᱡ ᱦᱚᱯᱚᱱ ᱮᱥ. ᱯᱤ. ᱪᱚᱨᱚᱱ ᱟᱨ ᱪᱤᱛᱨᱟ ᱴᱷᱮᱱ ᱞᱤᱜᱟᱞ ᱱᱳᱴᱤᱥ ᱮ ᱵᱷᱮᱡᱟ ᱠᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱠᱩ ᱟᱡᱟᱜ ᱵᱤᱱᱟᱹ ᱯᱟᱨᱢᱤᱥᱚᱱ ᱛᱮ ᱟᱡᱟᱜ ᱠᱚᱢᱯᱳᱡᱤᱥᱚᱱ ᱠᱚ ᱥᱮᱨᱮᱧ ᱢᱟᱱᱟ ᱠᱮᱫ ᱠᱚᱣᱟᱭ, ᱟᱨ ᱪᱮᱛᱟᱵᱚᱱᱤᱭ ᱮᱢᱟᱫ ᱠᱚᱣᱟ ᱡᱮ ᱡᱩᱫᱤ ᱩᱱᱠᱩ ᱚᱱᱠᱟ ᱠᱚ ᱠᱚᱨᱟᱣᱟ ᱛᱚᱵᱮ ᱩᱱᱠᱩ ᱟᱹᱰᱤ ᱜᱟᱱ ᱨᱚᱭᱮᱞᱴᱤ ᱮᱢ ᱦᱩᱭᱩᱜ ᱛᱟᱠᱚᱣᱟ ᱟᱨ ᱟᱹᱱᱟᱹᱨᱤ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱥᱟᱢᱟᱝ ᱦᱩᱭᱩᱜ ᱛᱟᱠᱚᱣᱟ ᱾[᱑᱐᱑] ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱨᱤᱱᱤᱡ ᱵᱚᱭᱦᱟ ᱜᱟᱝᱜᱟᱭ ᱟᱢᱟᱨᱟᱱ ᱫᱚ ᱩᱱᱤᱭᱟᱜ ᱵᱤᱨᱩᱫᱷ ᱮ ᱠᱚᱨᱟᱣ ᱠᱮᱫᱟ, ᱢᱮᱱ ᱠᱮᱫᱟᱭ ᱡᱮ ᱮᱥ.ᱯᱤ.ᱵᱤ. ᱴᱷᱮᱱ ᱞᱤᱜᱟᱞ ᱱᱳᱴᱤᱥ ᱵᱷᱮᱡᱟ ᱫᱚ 'ᱵᱚᱠᱟ' ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟ ᱾[᱑᱐᱒]

᱒᱐᱑᱘ ᱥᱟᱞᱮ ᱨᱮ, ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮ ᱢᱤᱫ ᱴᱚᱠ ᱥᱳ ᱚᱠᱛᱚ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱡᱤᱥᱩ ᱢᱟᱥᱤ ᱟᱜ ᱨᱤᱡᱟᱨᱮᱠᱥᱟᱱ ᱨᱮ ᱤᱥᱟᱹᱭ ᱠᱚᱣᱟᱜ ᱯᱟᱹᱛᱭᱟᱹᱣ ᱨᱮᱱᱟᱜ ᱥᱟᱹᱨᱤ ᱪᱮᱛᱟᱱ ᱨᱮ ᱥᱚᱸᱫᱮᱦ ᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱟᱨ ᱫᱟᱹᱵᱤ ᱞᱮᱫᱟᱭ ᱡᱮ ᱨᱤᱡᱟᱨᱮᱠᱥᱟᱱ ᱫᱚ ᱮᱠᱮᱱ ᱦᱤᱱᱫᱩ ᱥᱟᱹᱫᱷᱩ ᱨᱟᱢᱟᱱᱟ ᱢᱟᱦᱟᱨᱥᱤ ᱟᱜ ᱜᱷᱚᱴᱚᱱ ᱨᱮᱜᱮ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ, "ᱤᱧ ᱞᱮᱛᱟᱲ ᱜᱮ ᱭᱩᱴᱤᱭᱩᱵᱽ ᱨᱮ ᱰᱚᱠᱩᱢᱮᱱᱴᱟᱨᱤ ᱤᱧ ᱧᱮᱞᱟ ᱾ ᱱᱚᱶᱟ ᱢᱮᱱᱚᱜᱼᱟ ᱡᱮ ᱡᱤᱥᱩ ᱫᱚ ᱵᱟᱭ ᱨᱤᱡᱟᱨᱮᱠᱴ ᱞᱮᱱᱟ ᱛᱟᱦᱮᱸᱫ"[᱑᱐᱓] ᱾ ᱵᱤᱨᱩᱫᱷ ᱨᱮ, ᱢᱤᱫ ᱤᱥᱟᱹᱭ ᱜᱩᱴ ᱫᱚ ᱛᱤᱨᱩᱪᱤᱨᱟᱯᱯᱟᱞᱞᱤ ᱨᱤᱱᱤᱡ ᱯᱩᱞᱤᱥ ᱠᱚᱢᱤᱥᱚᱱᱟᱨ ᱴᱷᱮᱱ ᱠᱚᱢᱯᱞᱮᱱ ᱮ ᱮᱢ ᱞᱮᱫᱟ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱵᱤᱨᱩᱫᱷ ᱨᱮ ᱯᱩᱞᱤᱥ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ, ᱥᱮ ᱩᱱᱤ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱤᱠᱟᱹ ᱠᱷᱚᱡᱽ ᱨᱮᱱᱟᱜ ᱫᱟᱹᱵᱤ ᱠᱟᱛᱮ, ᱤᱥᱟᱹᱭ ᱠᱚᱣᱟᱜ "ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱯᱟᱹᱛᱭᱟᱹᱣ" ᱪᱮᱛᱟᱱ ᱨᱮ ᱥᱚᱸᱫᱮᱦ ᱨᱟᱠᱟᱵ ᱞᱟᱹᱜᱤᱫ ᱾[᱑᱐᱔]

᱒᱐᱒᱒ ᱨᱮᱱᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱫ ᱨᱮ, ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮ ᱢᱤᱣᱡᱤᱠ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱠᱚᱣᱟᱜ ᱚᱵᱚᱥᱛᱟ ᱵᱟᱵᱚᱛ ᱨᱚᱲ ᱚᱠᱛᱚ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱢᱮᱱ ᱞᱮᱫᱟᱭ, "ᱛᱮᱦᱮᱧ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮ ᱚᱠᱚᱭ ᱠᱚᱢᱯᱳᱡᱚᱨ ᱦᱚᱸ ᱵᱟᱹᱱᱩᱜ ᱠᱚᱣᱟ; ᱮᱠᱮᱱ ᱯᱨᱚᱜᱨᱟᱢᱟᱨ ᱠᱚ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ ᱾"[᱑᱐᱕]

ᱮᱯᱨᱤᱞ ᱒᱐᱒᱒ ᱨᱮ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ "ᱟᱢᱵᱮᱫᱽᱠᱚᱨ ᱟᱨ ᱢᱳᱫᱤ—ᱨᱤᱯᱷᱚᱨᱢᱟᱨᱥ ᱟᱭᱰᱤᱭᱟᱥ" ᱧᱩᱛᱩᱢᱟᱱ ᱯᱚᱛᱚᱵ ᱨᱮ ᱢᱤᱫ ᱯᱷᱳᱨᱣᱟᱨᱰ ᱚᱞ ᱠᱟᱛᱮ ᱢᱤᱫ ᱨᱟᱯᱟᱪᱟᱜ ᱮ ᱮᱦᱚᱵ ᱠᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱢᱟᱨᱟᱝ ᱢᱚᱱᱛᱨᱤ ᱱᱚᱨᱮᱱᱫᱽᱨᱚ ᱢᱳᱫᱤ ᱮ ᱥᱟᱨᱦᱟᱣ ᱞᱮᱫᱮᱭᱟ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱧᱩᱛᱩᱢᱟᱱ ᱡᱟᱹᱛᱤ-ᱵᱤᱨᱩᱫᱷ ᱮᱠᱴᱤᱵᱷᱤᱥᱴ ᱵᱤ.ᱟᱨ. ᱟᱢᱵᱮᱫᱽᱠᱚᱨ ᱥᱟᱶᱮ ᱛᱩᱞᱟᱹᱡᱚᱠᱷᱟ ᱞᱮᱫᱮᱭᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱡᱟᱹᱛᱤ-ᱵᱤᱨᱩᱫᱷ ᱮᱠᱴᱤᱵᱷᱤᱥᱴ ᱟᱨ ᱨᱟᱡᱽᱟᱹᱨᱤᱭᱟᱹ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱠᱨᱤᱴᱤᱥᱟᱭᱤᱡᱽ ᱚᱪᱚ ᱞᱮᱱᱟᱭ ᱡᱟᱦᱟᱸᱭ ᱠᱚ ᱫᱟᱹᱵᱤ ᱞᱮᱫᱟ ᱡᱮ "ᱟᱢᱵᱮᱫᱽᱠᱚᱨ ᱫᱚ ᱞᱟᱛᱟᱨ ᱟᱨ ᱱᱟᱦᱟᱪᱟᱨ ᱚᱪᱚ ᱟᱠᱟᱱ ᱡᱟᱹᱛᱤ ᱠᱚᱣᱟᱜ ᱩᱛᱱᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ, ᱟᱨ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱛᱩᱞᱟᱹᱡᱚᱠᱷᱟ ᱫᱚ ᱟᱢᱵᱮᱫᱽᱠᱚᱨ ᱟᱜ ᱚᱯᱚᱢᱟᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ"[᱑᱐᱖] ᱾ ᱢᱳᱫᱤ ᱟᱜ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱡᱚᱱᱚᱛᱟ ᱯᱟᱨᱴᱤ ᱨᱤᱱ ᱥᱚᱯᱚᱴᱟᱨ ᱠᱚ ᱫᱚ, ᱢᱮᱱᱠᱷᱟᱱ, ᱟᱡᱟᱜ ᱨᱚᱲ ᱨᱮᱱᱟᱜ ᱯᱷᱨᱤᱰᱚᱢ ᱨᱮᱱᱟᱜ ᱦᱟᱹᱣᱟᱹᱞ ᱮᱢ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱛᱩᱞᱟᱹᱡᱚᱠᱷᱟ ᱠᱚ ᱰᱤᱯᱷᱮᱱᱰ ᱞᱮᱫᱟ ᱾[᱑᱐᱗]

ᱰᱤᱥᱠᱳᱜᱽᱨᱟᱯᱷᱤ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱢᱩᱬᱩᱛ: ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱰᱤᱥᱠᱳᱜᱽᱨᱟᱯᱷᱤ

ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱑᱙᱗᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱑᱙᱘᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱑᱙᱙᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱒᱐᱐᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱒᱐᱑᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱒᱐᱒᱐ ᱜᱮᱞᱟᱝ ᱥᱮᱨᱢᱟ ᱱᱟᱣᱟ / ᱵᱟᱝ-ᱯᱷᱤᱞᱢ

ᱱᱚᱶᱟ ᱦᱚᱸ ᱧᱮᱞ ᱢᱮ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
  • ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱦᱚᱛᱮᱛᱮ ᱨᱮᱠᱚᱨᱰ ᱟᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱠᱚᱨᱮᱱᱟᱜ ᱛᱟᱹᱞᱠᱟᱹ

ᱱᱳᱴᱥ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
  1. 1 2 3 ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱚᱯᱷᱤᱥᱤᱭᱟᱞ ᱡᱟᱱᱟᱢ ᱢᱟᱦᱟ ᱫᱚ ᱓ ᱡᱩᱱ ᱠᱟᱱᱟ ᱾ ᱪᱮᱫᱟᱜ ᱥᱮ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱨ ᱮᱢ. ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱵᱟᱱᱟᱨᱟᱜ ᱡᱟᱱᱟᱢ ᱢᱟᱦᱟ ᱜᱮ ᱢᱤᱫ ᱫᱤᱱ ᱨᱮ ᱓ ᱡᱩᱱ ᱨᱮ ᱯᱟᱲᱟᱣᱜᱼᱟ, ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ ᱒ ᱡᱩᱱ ᱨᱮ ᱢᱟᱱᱟᱣ ᱮ ᱮᱦᱚᱵ ᱠᱮᱫᱟ, যাতে ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚ ᱮᱠᱮᱱ ᱓ ᱡᱩᱱ ᱨᱮ ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱟᱜ ᱢᱟᱱᱟᱣ ᱫᱟᱲᱮᱭᱟᱜ ᱢᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱠᱟᱨᱩᱱᱟᱱᱤᱫᱷᱤ ᱟᱜ ᱢᱟᱱᱚᱛ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱨᱟᱣ ᱞᱮᱱᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱫᱚ "ᱤᱥᱟᱭᱜᱽᱱᱟᱱᱤ" ᱧᱩᱛᱩᱢ ᱮ ᱮᱢᱟᱫᱮ ᱛᱟᱦᱮᱸᱫ ᱾[᱑᱒]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
  1. 1 2 3 4 5 "Ilaiyaraaja debuts symphony 'Valiant' in London's Eventim Apollo Theatre; fans call it 'a surreal experience'". The Hindu. THE HINDU BUREAU. 10 March 2025. Archived from the original on 9 April 2025. Retrieved 3 June 2025.
  2. 1 2 3 4 5 6 7 8 9 "Rajya Sabha felicitates Ilaiyaraaja for composing English classical symphony 'Valiant'". The Hindu. THE HINDU BUREAU. 19 March 2025. Archived from the original on 10 April 2025. Retrieved 3 June 2025.
  3. ↑ "No point in classifying music, says Ilayaraja". The Hindu. 2005-06-19. Archived from the original on 17 January 2016. Retrieved 2022-09-15.
  4. 1 2 3 4 Venkatraman, S. 1995. "Film music: the new intercultural idiom of 20th century Indian music". pp. 107–112 in A. Euba and C.T. Kimberlin (eds.). Intercultural Music Vol. I. Bayreuth: Breitinger (p. 110).
  5. 1 2 "To Appreciate Ilaiyaraaja's Anti-Caste Politics, You Have To Listen To His Music". HuffPost India (in ᱟᱝᱜᱽᱨᱮᱡᱤ). 7 June 2020. Archived from the original on 6 April 2021. Retrieved 24 June 2020.
  6. 1 2 "10 Technologies brought in by Tamil Cinema". Behindwoods. 21 November 2016. Archived from the original on 11 September 2019. Retrieved 10 May 2020.
  7. 1 2 "NTR is the greatest Indian actor". The Times of India. 8 March 2013. Archived from the original on 31 March 2013. Retrieved 12 April 2013.
  8. 1 2 "CD Review: Ilaiyaraaja / Thiruvasagam | Finndian". Archived from the original on 30 April 2019. Retrieved 29 April 2019.
  9. ↑ "Music maestro Ilaiyaraaja nominated to the Rajya Sabha". The Newsminute. 6 July 2022. Archived from the original on 25 November 2022. Retrieved 25 November 2022.
  10. ↑ "Ilayaraja slams 'false rumours' after controversy over temple sanctum entry restrictions". Indian express. 17 December 2024. Retrieved 7 April 2025.
  11. ↑ "Casteist message in Ilaiyaraaja's name is fake, composer's lawyer clarifies". The News Minute (in ᱟᱝᱜᱽᱨᱮᱡᱤ). 21 May 2019. Archived from the original on 8 February 2021. Retrieved 4 January 2021.
  12. 1 2 "This is why June 2 became Ilaiyaraaja's birthday – The Times of India". The Times of India. 2 June 2020. Archived from the original on 3 June 2022. Retrieved 3 June 2022.
  13. 1 2 Mohan, A. 1994. Ilaiyaraja: composer as phenomenon in Tamil film culture. M.A. thesis, Wesleyan University (pp. 106–107).
  14. 1 2 Rajadhyaksha, Ashish; Willemen, Paul (10 July 2014). Encyclopedia of Indian Cinema (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Routledge. ISBN 978-1-135-94325-7. Archived from the original on 25 October 2023. Retrieved 22 October 2020.
  15. ↑ Rangarajan, M. ᱪᱷᱟᱸᱪ:Usurped The Hindu. 9 July 2004. Retrieved 19 November 2006.
  16. ↑ Ananthakrishnan, G.; Ramani, Srinivasan (4 June 2018). "Performance is an important component of a musical composition: Ilaiyaraaja". The Hindu (in Indian English). ISSN 0971-751X. Archived from the original on 9 November 2020. Retrieved 8 April 2020.
  17. 1 2 3 4 5 6 7 8 Ganesh, Deepa (6 June 2018). "There's India in Ilaiyaraja's music". The Hindu. Archived from the original on 7 June 2021. Retrieved 30 April 2021.
  18. ↑ Ramaswamy, Vijaya (25 August 2017). Historical Dictionary of the Tamils (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Rowman & Littlefield. p. 155. ISBN 978-1-5381-0686-0. Archived from the original on 25 October 2023. Retrieved 22 October 2020.
  19. ↑ "T V Gopalakrishnan gets Sangita Kalanidhi award". The Times of India (in ᱟᱝᱜᱽᱨᱮᱡᱤ). 21 July 2014. Archived from the original on 26 January 2021. Retrieved 8 April 2020.
  20. ↑ Sathiyam News (2023-01-14). திமுகவில் இணையும்.. தமிழக பாஜகவின் கங்கை அமரன் -அதிரடி அரசியல் திருப்பம்|Gangai Amaran | Nerukku Ner. Retrieved 2024-12-23 – via YouTube.
  21. ↑ Sathiyam News (2023-01-14). திமுகவில் இணையும்.. தமிழக பாஜகவின் கங்கை அமரன் -அதிரடி அரசியல் திருப்பம்|Gangai Amaran | Nerukku Ner. Retrieved 2025-01-27 – via YouTube.
  22. ↑ "திரை இசையில் திருப்பம் உண்டாக்கிய இளையராஜா கிராமிய இசைக்கு புத்துயிர் அளித்தார்". Maalai Malar. Archived from the original on 4 January 2015. Retrieved 1 April 2014.
  23. ↑ "About Raja".
  24. ↑ "Raja and his rule". Deccan Herald. 30 March 2013. Archived from the original on 28 May 2019. Retrieved 31 May 2017.
  25. ↑ Gautam, S. ᱪᱷᱟᱸᱪ:Usurped The Hindu. 13 November 2004. Retrieved 13 October 2006.
  26. ↑ Chennai, S. "Looking back: flawless harmony in his music". Archived ᱗ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱑᱒ at the Wayback Machine. The Hindu. 20 November 2005. Retrieved 15 November 2006.
  27. ↑ Choudhury, R. 2005. The films of Salil Chowdhury: Introduction Archived ᱑᱗ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱐᱖ at the Wayback Machine.. Retrieved 16 November 2006.
  28. ↑ Mujumdar, Neha (11 August 2012). "One of a kind". The Hindu. Archived from the original on 17 January 2016. Retrieved 11 August 2012.
  29. ↑ Mujumdar, Neha (11 August 2012). "One of a kind". The Hindu. Archived from the original on 17 January 2016. Retrieved 11 August 2012.
  30. 1 2 3 4 "Why many Ilaiyaraaja songs sound as if they emerged from a jam session with Salil Chowdhury". The Hindu. 31 March 2018. Archived from the original on 19 September 2020. Retrieved 22 September 2022.
  31. ↑ Vijayakar, R. "The prince in Mumbai". Archived ᱑ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱒᱐᱐᱘ at the Wayback Machine. Screen. 21 July 2006. Retrieved 6 February 2007.
  32. ↑ "Session musician and film orchestrator". www.tamilselvi.com. Retrieved 2024-06-15.
  33. ↑ "Let down by screenplay—Maayakkannaadi". The Hindu. Chennai, India. 20 April 2007. Archived from the original on 9 November 2012.
  34. ↑ Greene, P.D. 2001. "Authoring the Folk: the crafting of a rural popular music in south India". Journal of Intercultural Studies 22 (2): 161–172.
  35. ↑ Sivanarayanan, A. 2004. Translating Tamil poetry. World Literature Today 78(2): 56–58.
  36. ↑ "The Ilaiyaraaja interview: 'Why should filmmakers know about music creation?'". The Hindu. 4 June 2018. Archived from the original on 26 September 2022. Retrieved 2022-09-22.
  37. ↑ Baskaran, S.T. ᱪᱷᱟᱸᱪ:Usurped The Hindu. 6 January 2002. Retrieved 15 November 2006.
  38. 1 2 3 4 Greene, P.D. 1997. Film music: Southern area. Pp. 542–546 in B. Nettl, R.M. Stone, J. Porter and T. Rice (eds.). The Garland Encyclopedia of World Music. Volume V: South Asia—The Indian Subcontinent. New York: Garland Pub. (p. 544).
  39. ↑ "Long Live Ilayaraja!' Salim Kumar's case for immortal music..." onmanorma. Archived from the original on 15 December 2023. Retrieved 15 December 2023.
  40. ↑ Greene, P.D. 1997. Film music: Southern area. Pp. 542–546 in B. Nettl, R.M. Stone, J. Porter and T. Rice (eds.). The Garland Encyclopedia of World Music. Volume V: South Asia—The Indian Subcontinent. New York: Garland Pub. (pp. 544–545).
  41. ↑ Oriental Records. Undated. Nothing But Wind Archived ᱖ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱐᱖ at the Wayback Machine.. Retrieved 19 November 2006.
  42. ↑ Viswanathan, S. 2005. ᱪᱷᱟᱸᱪ:Usurped. Frontline 22 (15), 16–29 July. Retrieved 13 October 2006.
  43. ↑ Parthasarathy, D. 2004. ᱪᱷᱟᱸᱪ:Usurped. The Hindu, Friday, 26 November. Retrieved 1 March 2007.
  44. ↑ Soman, S. 2006. 'The Music Messiah' Archived ᱕ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱒᱐᱐᱗ at the Wayback Machine.. The Hindu, Saturday, 30 December. Retrieved 27 February 2007.
  45. ↑ Mullappilly, Sreejith (2025-03-09). "Ilaiyaraaja becomes first Asian to present western classical symphony in London". Cinema Express (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2026-04-11.
  46. ↑ Mercuri Live (2025-01-24). Ilaiyaraaja Symphony No. 1 - (Valiant) - BTS Video - Maestro Ilaiyaraaja - Mercuri. Retrieved 2025-02-03 – via YouTube.
  47. ↑ The Hindu Net Desk (30 May 2020). "Ilaiyaraaja and SPB join hands for 'Bharath Bhoomi'". The Hindu (in Indian English). ISSN 0971-751X. Archived from the original on 29 June 2020. Retrieved 2 June 2020.
  48. ↑ "A song of tribute: Ilayaraja's salute to COVID-19 warriors". Deccan Chronicle (in ᱟᱝᱜᱽᱨᱮᱡᱤ). 31 May 2020. Archived from the original on 14 August 2020. Retrieved 2 June 2020.
  49. ↑ "Maestro Ilaiyaraaja pays tribute to COVID-19 warriors, releases song sung by SPB". The New Indian Express. 30 May 2020. Archived from the original on 19 August 2020. Retrieved 2 June 2020.
  50. ↑ "Ilaiyaraaja to launch OTT app soon". The Hindu (in Indian English). 2 June 2020. ISSN 0971-751X. Archived from the original on 2 July 2020. Retrieved 30 June 2020.
  51. ↑ "Ilayaraja song for london Olympics". The Times of India. 2017-01-15. ISSN 0971-8257. Retrieved 2024-02-11.
  52. ↑ "Lesser-known Ilayaraja number at Olympics opener". The Hindu (in Indian English). 2012-06-20. ISSN 0971-751X. Archived from the original on 23 January 2022. Retrieved 2024-02-11.
  53. ↑ "Songs from Miss Lovely". sweetsoundtrack.com. Archived from the original on 2 June 2021. Retrieved 31 May 2021.
  54. ↑ "The Lovebirds (2020) – Official Trailer". 16 January 2020. Archived from the original on 2021-12-18 – via YouTube.ᱪᱷᱟᱸᱪ:Cbignore
  55. ↑ Mehar, R. 2007. Hip-hopping around the world Archived ᱑᱖ ᱢᱟᱨᱪ ᱒᱐᱐᱘ at the Wayback Machine.. The Hindu, 17 October. Retrieved 14 March 2008.
  56. ↑ "Sempoi by Rabbit Mac". WhoSampled. Archived from the original on 21 September 2022. Retrieved 2022-09-21.
  57. ↑ Christgau, Robert (2007-08-23). "Kala". Rolling Stone (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2024-05-17.
  58. ↑ "Alphant – An Indian Dream (Original Mix)". Archived from the original on 21 September 2022. Retrieved 2022-09-21.
  59. ↑ "GonjaSufi's 'Sheep' sample of Asha Bhosle and Suresh Wadkar's 'Yeh Hawa Yeh Fiza'". WhoSampled. Retrieved 18 May 2024.
  60. ↑ Rangarajan, M. ᱪᱷᱟᱸᱪ:Usurped The Hindu. 21 October 2005. Retrieved 13 October 2006.
  61. ↑ Van Ryssen, S. "Ilaiyaraaja's Musical Journey". Archived ᱒᱘ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱐᱗ at the Wayback Machine. Leonardo Digital Review. December 2005. Retrieved 7 March 2007.
  62. ↑ "Ithu Ilaiyaraja". Archived ᱑ ᱚᱠᱴᱚᱵᱚᱨ ᱒᱐᱐᱗ at the Wayback Machine. The Hindu. 1 July 2005. Retrieved 13 October 2006.
  63. 1 2 "Ilayaraja concert and Yeto Velli Poyindi music launch – idle brain". idlebrain.com. 2012-09-05. Archived from the original on 3 June 2023. Retrieved 2023-06-03.
  64. ↑ Trinity Events Archived ᱑ ᱢᱟᱨᱪ ᱒᱐᱑᱓ at the Wayback Machine. Retrieved 24 February 2013.
  65. ↑ "Ilaiyaraaja's live concert – Raja the Raja". Archived from the original on 13 December 2013. Retrieved 7 June 2021.
  66. 1 2 Ramamoorthy Preethi, Surendran Anusha (28 January 2019). "Ilaiyaraaja: Music is my religion". The Hindu. Archived from the original on 21 April 2022. Retrieved 2022-09-15.
  67. ↑ "Ilaiyaraaja, the maestro who hears unheard melodies". The Hindu. 2 June 2018. Archived from the original on 5 October 2022. Retrieved 2022-09-30.
  68. ↑ Kolappanand, B. (16 July 2015). "I owe it to MSV, says Ilayaraja". The Hindu. Archived from the original on 16 December 2024. Retrieved 3 June 2025.
  69. ↑ Venkatraman, S. 1995. "Film music: the new intercultural idiom of 20th century Indian music". pp. 107–112 in A. Euba and C.T. Kimberlin (eds.). Intercultural Music Vol. I. Bayreuth: Breitinger (p. 111).
  70. ↑ Greene, P.D. 1997. Film music: Southern area. Pp. 542–546 in B. Nettl, R.M. Stone, J. Porter and T. Rice (eds.). The Garland Encyclopedia of World Music. Volume V: South Asia—The Indian Subcontinent. New York: Garland Pub. (p. 545).
  71. ↑ S. Theodore Baskaran "Jnana To Gana: Consistent eclecticism has kept Tamil film music virile" Archived ᱑᱖ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱑᱐ at the Wayback Machine.. Outlookindia.com, 26 June 2006.
  72. ↑ "Ilaiyaraaja gets Padma Vibhushan". Behindwoods.com. 25 January 2018. Archived from the original on 26 January 2018. Retrieved 25 January 2018.
  73. ↑ "Award Shows Modi Govt Respects Tamil People a Lot: Ilayaraja on Getting Padma Vibhushan". news18.com. 25 January 2018. Archived from the original on 7 June 2021. Retrieved 7 June 2021.
  74. ↑ Bhandari, Shashwat (6 July 2022). "Celebrated athlete PT Usha, Philanthropist Veerendra Heggade among 4 nominated for Rajya Sabha". www.indiatvnews.com (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Archived from the original on 6 July 2022. Retrieved 2022-07-06.
  75. ↑ "PM Modi confers honorary doctorate to music maestro Ilaiyaraaja". 11 November 2022. Archived from the original on 24 November 2022. Retrieved 15 December 2023.
  76. ↑ Ministry of Information and Broadcasting, India. 2006. Directorate of Film Festivals at the Wayback Machine (archived ᱑᱘ ᱮᱯᱨᱤᱞ ᱒᱐᱐᱗). Archived from the original on 18 April 2007. Retrieved 22 November 2006.
  77. ↑ "Ilayaraja gets Sangeet Natak Akademi award". The Hindu. Press Trust of India. 24 December 2012. Archived from the original on 30 March 2013. Retrieved 12 April 2013.
  78. ↑ "Award Winning Composer ilayaraja's Film Soundtrack Released : Love and Love Only Film Score Available Ahead of Indian-Australian Film Debut—The Indian Telegraph". theindiantelegraph.com.au. 3 May 2016. Archived from the original on 7 May 2018. Retrieved 6 May 2018.
  79. ↑ "Ilayaraja performs for the first time in Houston". Hindustan Times. 13 March 2018. Archived from the original on 12 April 2018. Retrieved 12 April 2018.
  80. ↑ Baskaran, Sundararaj Theodore (1 January 2009). History through the lens: perspectives on South Indian cinema. Orient Blackswan. p. 82. ISBN 978-81-250-3520-6. Archived from the original on 7 January 2014. Retrieved 1 September 2013.
  81. ↑ Emmanuel Anthony Das (1 September 2010). The Bestconferred is Yet to Be. Pustak Mahal. p. 7. ISBN 978-81-223-1144-0. Archived from the original on 21 June 2013. Retrieved 1 July 2012.
  82. ↑ Chelangad, Saju (2 April 2018). "Jijo and his 3D dream that resulted in 'My Dear Kuttichathan". The Hindu. Archived from the original on 14 November 2018. Retrieved 21 September 2022.
  83. ↑ TIME Magazine. 2005. 23220, nayakan, 00.html All-TIME 100 Movies[dead link]ᱪᱷᱟᱸᱪ:Cbignore. Retrieved 13 October 2006.
  84. ↑ "'Ilaiyaraaja 75': A tribute to the music icon to be held on Feb 2 and 3 in Chennai". The News Minute. 8 January 2019. Archived from the original on 5 February 2019. Retrieved 27 April 2019.
  85. ↑ "Ilayaraja 75: AR Rahman, Kamal Haasan, Rajinikanth attend celebration of legendary composer's illustrious career". Firstpost. 5 February 2019. Archived from the original on 20 November 2020. Retrieved 9 November 2020.
  86. ↑ "Mr.Viji Manuel talks about Symphony by Isaignani Ilaiyaraaja". 19 October 2015. Archived from the original on 30 April 2021. Retrieved 20 October 2015 – via YouTube.
  87. ↑ "The Hindu : Ilayaraja's books". The Hindu.
  88. ↑ Forler, Achille (28 March 2017). "My songs, my royalties". The Hindu. Archived from the original on 27 March 2017. Retrieved 7 April 2018.
  89. ↑ "An Artiste of the Millennium: Ilaiyaraaja at 75". The Wire. 10 September 2018. Archived from the original on 15 September 2022. Retrieved 15 September 2022.
  90. ↑ "100 Best Albums Ever". The Guardian. Archived from the original on 13 August 2017. Retrieved 3 February 2010.{{cite web}}: CS1 maint: unfit URL (link)
  91. ↑ "THE WORLD'S TOP TEN". BBC World Service.com. Archived from the original on 30 March 2015. Retrieved 7 June 2021.
  92. ↑ Ramachandran 2014, p. 140.
  93. ↑ "The Raja still reigns supreme". The Hindu. 21 October 2005. Archived from the original on 31 August 2015. Retrieved 17 July 2015.
  94. ↑ "Illayaraja's wife dies of heart attack". The Times of India. November 2011.
  95. ↑ "Music from the past". The Hindu.com. Archived from the original on 7 November 2012. Retrieved 7 June 2021.
  96. ↑ Staff reporter. "Ilaiyaraja's daughter gets engaged". Archived ᱒᱙ ᱮᱯᱨᱤᱞ ᱒᱐᱐᱗ at the Wayback Machine. The Hindu. 5 August 2005. Retrieved 3 March 2007.
  97. ↑ "Music maestro Ilayaraja's wife passes away". The Hindu. Chennai, India. 1 November 2011. Archived from the original on 10 December 2011.
  98. ↑ "Musical brothers Ilaiyaraaja and Gangai Amaren reunite after 13 years". The Times of India. Archived from the original on 4 May 2022. Retrieved 4 May 2022.
  99. ↑ "Ilaiyaraaja's daughter and playback singer Bhavatharini dies of cancer". India Today (in ᱟᱝᱜᱽᱨᱮᱡᱤ). 25 January 2024. Archived from the original on 25 January 2024. Retrieved 2024-01-25.
  100. ↑ "Happy Birthday Ilayaraja: Assistant to maestro, here are some lesser known facts about Isai Gnani Ilayaraja's musical journey". The Times of India.
  101. ↑ "Illayaraja's legal notice to SPB: SP Balasubrahmanyam says he will obey the law". Hindustan Times. 20 March 2017. Archived from the original on 24 May 2017. Retrieved 31 May 2017.
  102. ↑ "Gangai Amaran slams brother Ilaiyaraaja, says legal notice to SPB is 'foolishness'". 20 March 2017. Archived from the original on 20 May 2022. Retrieved 4 May 2022.
  103. ↑ "Ilayaraja says no proof for Jesus' resurrection, sparks controversy". The Week.
  104. ↑ "Christ remark: Plaint filed against Ilayaraja". The Times of India. 29 March 2018. Archived from the original on 15 March 2022. Retrieved 22 September 2022.
  105. ↑ "Ilaiyaraaja: 'There are no composers today, only programmers'". The Hindu. 16 March 2022. Archived from the original on 22 September 2022. Retrieved 22 September 2022.
  106. ↑ "Elangovan's tirade against Ilaiyaraaja goes viral". The Hindu. 24 April 2022.
  107. ↑ "The sound of criticism: How Ilaiyaraaja's comparison of Ambedkar and Modi triggered a political row". Firstpost. 19 April 2022. Archived from the original on 22 September 2022. Retrieved 22 September 2022.

ᱵᱤᱵᱽᱞᱤᱭᱳᱜᱽᱨᱟᱯᱷᱤ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱟᱨᱦᱚᱸ ᱯᱟᱲᱦᱟᱣ ᱢᱮ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
  • Ethirajan, Anbarasan (6 June 2026). "Ilaiyaraaja: The Indian maestro still reshaping music 50 years on". BBC.
  • ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱾ ᱑᱙᱙᱘ ᱵᱷᱮᱴᱴᱟᱵᱷᱮᱞᱤ ᱛᱷᱟᱱᱤᱞ ᱠᱳᱴᱴᱤ ᱠᱤᱫᱟᱠᱠᱩᱛᱷᱩ (ᱴᱨᱟᱱᱥ.: ᱢᱟᱭ ᱤᱥᱯᱤᱨᱤᱪᱩᱣᱟᱞ ᱮᱠᱥᱯᱮᱨᱤᱭᱮᱱᱥᱮᱥ) (᱓ ᱟᱱᱟᱜ ᱮᱰᱤᱥᱚᱱ) ᱾ ᱪᱮᱱᱱᱟᱭ: ᱠᱟᱞᱟᱭᱜᱽᱱᱟᱱ ᱯᱟᱛᱷᱤᱯᱟᱜᱟᱢ ᱾ → ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱚᱱᱚᱬᱦᱮ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱟᱠᱟᱢ
  • ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱾ ᱑᱙᱙᱘ ᱵᱷᱟᱡᱷᱤᱛᱷᱩᱱᱟᱭ ᱾ ᱪᱮᱱᱱᱟᱭ: ᱥᱟᱨᱟᱞ ᱵᱷᱮᱞᱤᱭᱤᱰᱩ ᱾
  • ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱾ ᱑᱙᱙᱙ ᱥᱟᱝᱜᱤᱛᱷᱟ ᱠᱟᱱᱟᱵᱷᱩᱜᱟᱞ (ᱴᱨᱟᱱᱥ.: ᱢᱤᱣᱡᱤᱠᱟᱞ ᱰᱨᱤᱢᱥ) (᱒ ᱟᱱᱟᱜ ᱮᱰᱤᱥᱚᱱ) ᱾ ᱪᱮᱱᱱᱟᱭ: ᱠᱟᱞᱟᱭᱜᱽᱱᱟᱱ ᱯᱟᱛᱷᱤᱯᱟᱜᱟᱢ ᱾ → ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱤᱣᱨᱳᱯᱤᱭᱟᱱ ᱴᱩᱨ ᱟᱨ ᱮᱴᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱢᱤᱫ ᱚᱴᱳᱵᱟᱭᱳᱜᱽᱨᱟᱯᱷᱤ ᱾
  • ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱾ ᱒᱐᱐᱐ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟᱵᱷᱤᱱ ᱥᱤᱱᱛᱷᱟᱱᱟᱭᱜᱟᱞ (ᱴᱨᱟᱱᱥ.: ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ ᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱠᱚ) ᱾ ᱪᱮᱱᱱᱟᱭ: ᱛᱷᱤᱨᱩᱵᱷᱟᱥᱩ ᱯᱩᱛᱷᱟᱠᱟ ᱱᱤᱞᱟᱭᱟᱢ ᱾
  • ᱯᱨᱮᱢ-ᱨᱟᱢᱮᱥ ᱾ ᱑᱙᱙᱘ ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ: ᱤᱥᱟᱭᱭᱤᱱ ᱛᱷᱟᱛᱷᱩᱵᱷᱟᱢᱩᱢ ᱟᱞᱟᱜᱤᱭᱟᱞᱩᱢ (ᱴᱨᱟᱱᱥ.: ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ: ᱫᱟ ᱯᱷᱤᱞᱳᱥᱚᱯᱷᱤ ᱮᱱᱰ ᱮᱥᱛᱷᱮᱴᱤᱠᱥ ᱚᱯᱷ ᱢᱤᱣᱡᱤᱠ) ᱾ ᱪᱮᱱᱱᱟᱭ: ᱥᱮᱢᱵᱩᱞᱟᱢ ᱾
  • Srinivasan, Pavithra (20 September 2010). "Making Music, Raja-style". Rediff.com. Archived from the original on 26 January 2021. Retrieved 15 October 2010.

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ ᱠᱚ

[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
"https://sat.wikipedia.org/w/index.php?title=ᱤᱞᱟᱭᱭᱟᱨᱟᱡᱟ&oldid=196895" ᱠᱷᱚᱱ ᱧᱟᱢ ᱟᱹᱜᱩᱭ