ᱵᱤᱵᱷᱚᱣᱟᱨᱤ ᱫᱮᱥᱯᱟᱱᱰᱮ
ᱵᱤᱵᱷᱚᱣᱟᱨᱤ ᱫᱮᱥᱯᱟᱱᱰᱮ ᱫᱚ ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟ. ᱮᱠᱴᱨᱮᱥ, ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱨ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱚᱨᱟᱴᱷᱤ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱟᱨ ᱢᱚᱨᱟᱴᱷᱤ ᱥᱤᱱᱮᱢᱟ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟᱭ ᱾
ᱠᱮᱨᱤᱭᱚᱨ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱨ ᱰᱤᱨᱮᱠᱴᱚᱨ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]ᱫᱮᱥᱯᱚᱸᱰᱮ ᱟᱡᱟᱜ ᱠᱮᱨᱤᱭᱚᱨ ᱫᱚ ᱠᱚᱞᱮᱡᱽ ᱰᱨᱟᱢᱟ ᱨᱮ ᱟᱠᱴᱤᱝ ᱟᱨ ᱚᱯᱷ-ᱥᱠᱨᱤᱱ ᱠᱟᱹᱢᱤ ᱠᱷᱚᱱ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫ-ᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱱᱮᱥᱱᱟᱞ ᱥᱠᱩᱞ ᱳᱯᱷ ᱰᱨᱟᱢᱟ, ᱫᱤᱞᱞᱤ ᱦᱚᱛᱮᱛᱮ ᱮᱱᱮᱡ ᱟᱠᱟᱱ ᱟᱭᱢᱟ ᱠᱳᱨᱥ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ ᱟᱨ ᱧᱩᱛᱩᱢᱟᱱ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱦᱚᱲ ᱥᱚᱛᱭᱚᱫᱮᱵᱽ ᱫᱩᱵᱮᱭ ᱟᱜ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ ᱾ ᱰᱨᱟᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱚᱞ ᱯᱟᱲᱦᱟᱣ ᱰᱤᱯᱟᱨᱴᱢᱮᱱᱴ ᱨᱮ ᱟᱥᱚᱠᱟᱭ ᱛᱮ ᱚᱯᱷ-ᱥᱠᱨᱤᱱ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱢᱟᱨᱟᱴᱷᱤ ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱭᱮᱞ ᱚᱜᱽᱱᱤᱦᱳᱛᱨᱟ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱸ ᱩᱱᱤ ᱰᱟᱭᱞᱳᱜᱽ ᱠᱚᱭ ᱚᱞ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱴᱟᱨ ᱯᱨᱚᱵᱷᱟᱦ ᱨᱮ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱱᱟ ᱾
ᱫᱮᱥᱯᱟᱱᱰᱤ ᱫᱚ ᱢᱤᱫ ᱤᱱᱫᱳ-ᱡᱚᱨᱢᱟᱱᱤ ᱜᱽᱨᱩᱯ "ᱜᱽᱨᱤᱯᱥ" ᱥᱟᱶᱛᱮ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱱᱮᱡ ᱠᱚᱭ ᱵᱮᱱᱟᱣ ᱮᱫᱟ ᱾[᱑] ᱟᱠᱴᱤᱝ ᱟᱨ ᱥᱠᱨᱤᱯᱴ ᱚᱞ ᱥᱟᱶᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱠᱚᱱᱱᱚᱰᱟ ᱯᱨᱤᱭᱚᱡᱮᱠᱴ ᱜᱚᱢᱢᱟ ᱵᱟᱱᱫᱟ ᱜᱚᱢᱢᱟ ᱦᱚᱸᱭ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱟᱠᱟᱫ-ᱟ ᱾[᱒]
ᱮᱠᱴᱤᱝ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]᱒᱐᱐᱔ ᱥᱟᱞ ᱨᱮ ᱥᱣᱟᱥ ᱯᱷᱤᱞᱢ ᱨᱮ ᱯᱩᱭᱞᱩ ᱫᱷᱟᱣ ᱮᱱᱮᱡ ᱮ ᱮᱢ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ ᱥᱢᱤᱛᱟ ᱛᱟᱞᱣᱟᱞᱠᱟᱨ ᱟᱜ ᱥᱟᱛᱪᱭᱟ ᱟᱛ ᱜᱷᱟᱨᱚᱛ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ । ᱱᱚᱶᱟ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱠᱮᱴᱮᱠᱤ ᱟᱜ ᱨᱳᱞ ᱮ ᱠᱷᱮᱞ ᱞᱮᱫ-ᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱗ ᱜᱚᱴᱟᱝ ᱠᱚᱞᱮᱡᱽ ᱥᱴᱩᱰᱮᱸᱴ ᱠᱚ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱠᱟᱱᱟᱭ ᱾ ᱰᱨ. ᱥᱟᱱᱛᱟᱲᱤ ᱟᱜ ᱰᱚᱠᱩᱢᱮᱱᱴᱟᱨᱤ ᱯᱷᱤᱞᱢ ᱨᱮ ᱦᱚᱸᱭ ᱠᱟ. ᱡᱚᱵᱚᱨ ᱯᱟᱴᱮᱞ ᱾
ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱦᱤᱱᱫᱤ ᱯᱷᱤᱞᱢ ᱨᱮ ᱮᱱᱮᱡ ᱞᱮᱫ-ᱟ ᱾ ᱒᱐᱐᱙ ᱥᱮᱨᱢᱟ ᱨᱮ ᱦᱚᱨᱤᱥᱪᱚᱸᱫᱽᱨᱚᱪᱤ ᱯᱷᱮᱠᱴᱨᱤ ᱯᱷᱤᱞᱢ ᱨᱮ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱤᱱᱮᱢᱟ ᱨᱤᱱᱤᱡ ᱵᱟᱵᱟ ᱫᱟᱫᱟ ᱥᱟᱦᱮᱵᱽ ᱯᱷᱚᱞᱠᱮ ᱟᱜ ᱦᱚᱯᱚᱱ ᱥᱚᱨᱚᱥᱣᱚᱛᱤ ᱯᱷᱚᱞᱠᱮ ᱟᱜ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱨᱳᱞ ᱨᱮ ᱠᱟ.ᱢᱤ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱢᱟᱨᱟᱝ ᱩᱭᱦᱟᱹᱨ ᱦᱩᱭ ᱞᱮᱱᱟ । ᱫᱮᱥᱯᱚᱸᱰᱮ ᱫᱚ ᱢᱤᱫ ᱜᱚᱲᱚ ᱥᱚᱦᱚᱫ ᱠᱩᱲᱤ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟᱭ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱡ ᱵᱟᱵᱟᱦᱟᱜ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱯᱷᱩᱞ ᱯᱷᱤᱪᱚᱨ ᱯᱷᱤᱞᱢ ᱨᱟᱡᱟ ᱦᱚᱨᱤᱥᱪᱚᱸᱫᱽᱨᱚ ᱛᱮᱭᱟᱨ ᱨᱮ ᱜᱚᱲᱚ ᱥᱚᱦᱚᱫ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱥᱟᱨᱚᱥᱣᱚᱛᱤ ᱨᱳᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱢᱤᱠᱟᱴᱟ ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱟᱠᱴᱨᱮᱥ ᱥᱤᱨᱯᱷᱟᱹ ᱦᱚᱸᱭ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ ᱒᱐᱑᱐ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱯᱷᱤᱞᱢ ᱱᱟᱴᱚᱨᱟᱝᱜᱽ ᱨᱮ ᱜᱩᱱᱚ ᱟᱜ ᱦᱚᱯᱚᱱ ᱫᱟᱨᱠᱟ ᱟᱜ ᱨᱳᱞ ᱮ ᱠᱷᱮᱞ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱟᱱᱚᱱᱫᱽ ᱭᱟᱫᱚᱵ ᱟᱜ ᱧᱩᱛᱩᱢᱟᱱ ᱚᱱᱚᱬᱦᱮ ᱚᱞ ᱠᱟᱛᱮ, ᱫᱣᱟᱨᱠᱟ ᱟᱜ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱢᱤᱫ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱛᱟᱢᱟᱥ ᱨᱮ ᱟᱡᱤᱡ ᱦᱚᱯᱚᱱ ᱟᱜ ᱥᱮᱞᱮᱫ ᱫᱚ ᱵᱟᱭ ᱵᱩᱡᱷᱟᱹᱣᱟ ᱾ ᱒᱐᱑᱑ ᱥᱟᱞᱮ ᱨᱮ, ᱫᱮᱥᱯᱚᱸᱰᱮ ᱢᱟᱨᱟᱝ ᱢᱚᱨᱟᱴᱷᱤ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱟᱨ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱟᱠᱴᱚᱨ ᱵᱟᱞ ᱜᱚᱸᱫᱷᱚᱨᱣᱟ ᱟᱜ ᱦᱚᱯᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱟᱨ ᱢᱤᱫ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱨᱳᱞ ᱮ ᱨᱩᱣᱟᱹᱲ ᱞᱮᱫᱼᱟ ᱾[᱓] ᱯᱷᱤᱞᱢ ᱨᱮ ᱟᱡᱟᱜ ᱨᱳᱞ ᱫᱚ ᱵᱟᱞ ᱜᱚᱸᱫᱷᱚᱨᱵᱚ ᱟᱜ ᱢᱩᱬᱩᱛ ᱨᱳᱞ ᱮ ᱥᱚᱫᱚᱨ ᱠᱮᱫᱼᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱨᱮ ᱠᱩᱲᱤ ᱨᱳᱞ ᱠᱚ ᱮᱱᱮᱡ ᱠᱮᱫᱼᱟ ᱡᱚᱠᱷᱚᱱ ᱠᱩᱲᱤ ᱠᱚ ᱵᱟᱝ ᱠᱚ ᱮᱱᱮᱡ ᱠᱮᱫᱼᱟ ᱾[᱔]
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]- ↑ Ainapure, Mrunmayi. "Coming to Grips with reality". Pune Mirror. Pune. Archived from the original on 18 February 2013. Retrieved 19 December 2012.
- ↑ Gokhale, Shanta (26 May 2011). "The real reel". The Times of India. Archived from the original on 7 January 2014. Retrieved 19 December 2012.
- ↑ Parande, Shweta (27 March 2010). "Atul Kulkarni's 'Natarang' is powerful". IBN Live. Archived from the original on 13 May 2010. Retrieved 29 November 2012.
- ↑ Gokhale, Shanta (26 May 2011). "The real reel". The Times of India. Archived from the original on 7 January 2014. Retrieved 19 December 2012.
ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]- ᱵᱤᱵᱷᱚᱣᱟᱨᱤ ᱫᱮᱥᱯᱟᱱᱰᱮ (ᱤᱱᱴᱚᱨᱱᱮᱴ ᱢᱩᱵᱷᱤ ᱰᱟᱴᱟᱵᱮᱥ ᱨᱮ)