ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ: ᱨᱮᱱᱟᱜ ᱫᱚᱦᱲᱟᱭᱮᱱ ᱛᱟᱞᱟᱨᱮᱭᱟᱜ ᱯᱷᱟᱨᱟᱠ ᱠᱚ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ
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Fagu Baskey (ᱨᱚᱲ | ᱮᱱᱮᱢ)
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Fagu Baskey (ᱨᱚᱲ | ᱮᱱᱮᱢ)
ᱫᱷᱟᱹᱲ ᱑᱑: ᱫᱷᱟᱹᱲ ᱑᱑:
[[File:Thanjavur, Brihadishwara Temple, dance (6851706080).jpg|thumb|upright=1.2<!--fmt for low img-->|Dancers at Thanjavur, [[Brihadeeswarar Temple|Brihadeshwara temple]] dedicated to [[Shiva]]. The temple has been a major center for Bharatanatyam since about 1000 CE.<ref>{{cite book|author=James G. Lochtefeld |title=The Illustrated Encyclopedia of Hinduism: A-M|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration |year=2002|publisher=The Rosen Publishing Group|isbn=978-0-8239-3179-8 |pages=[https://archive.org/details/illustratedencyc0000loch/page/n379 126]–127}}</ref>]]
[[File:Thanjavur, Brihadishwara Temple, dance (6851706080).jpg|thumb|upright=1.2<!--fmt for low img-->|Dancers at Thanjavur, [[Brihadeeswarar Temple|Brihadeshwara temple]] dedicated to [[Shiva]]. The temple has been a major center for Bharatanatyam since about 1000 CE.<ref>{{cite book|author=James G. Lochtefeld |title=The Illustrated Encyclopedia of Hinduism: A-M|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration |year=2002|publisher=The Rosen Publishing Group|isbn=978-0-8239-3179-8 |pages=[https://archive.org/details/illustratedencyc0000loch/page/n379 126]–127}}</ref>]]
ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱠᱚᱫᱚ ᱟᱹᱰᱤ ᱢᱟᱨᱮ ᱯᱩᱛᱷᱤ ᱱᱟᱴᱭᱚ ᱟᱥᱛᱨᱚ ᱨᱮ ᱧᱟᱢᱚᱜ-ᱟ ᱾ <ref name=":0"/><ref>{{cite book |author1=Eugenio Barba |author2=Nicola Savarese |title=A Dictionary of Theatre Anthropology: The Secret Art of the Performer |url=https://books.google.com/books?id=Ky6MAgAAQBAJ&pg=PA208-IA69|year=2011|publisher=Routledge |isbn=978-1-135-17634-1|page=208}}</ref><ref>{{cite book|author1=Peter Fletcher|author2=Laurence Picken |title=World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures|url=https://books.google.com/books?id=i2vDlcIyVjUC&pg=PA262 |year=2004|publisher=Oxford University Press |isbn=978-0-19-517507-3 |pages=262 }}</ref>
ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱠᱚᱫᱚ ᱟᱹᱰᱤ ᱢᱟᱨᱮ ᱯᱩᱛᱷᱤ ᱱᱟᱴᱭᱚ ᱟᱥᱛᱨᱚ ᱨᱮ ᱧᱟᱢᱚᱜ-ᱟ ᱾ <ref name=":0"/><ref>{{cite book |author1=Eugenio Barba |author2=Nicola Savarese |title=A Dictionary of Theatre Anthropology: The Secret Art of the Performer |url=https://books.google.com/books?id=Ky6MAgAAQBAJ&pg=PA208-IA69|year=2011|publisher=Routledge |isbn=978-1-135-17634-1|page=208}}</ref><ref>{{cite book|author1=Peter Fletcher|author2=Laurence Picken |title=World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures|url=https://books.google.com/books?id=i2vDlcIyVjUC&pg=PA262 |year=2004|publisher=Oxford University Press |isbn=978-0-19-517507-3 |pages=262 }}</ref>

[[ᱱᱟᱴᱭᱚ ᱥᱟᱥᱛᱨᱚ]] ᱫᱚ ᱥᱮᱫᱟᱭ ᱨᱮᱱᱤᱡ ᱟᱪᱮᱫ ᱵᱷᱟᱨᱚᱛ ᱢᱩᱱᱤ ᱮ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾ ᱱᱚᱶᱟ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ ᱯᱩᱭᱞᱩ ᱞᱮᱠᱷᱟ ᱫᱚ ᱒᱐᱐ ᱵᱤ ᱥᱤ ᱤ ᱠᱷᱚᱱᱟᱜ ᱒᱐᱐ ᱥᱤ ᱤ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱱᱟ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ-ᱟ ᱾ {{sfn|Natalia Lidova|2014}}{{sfn|Tarla Mehta|1995|pp=xxiv, 19–20}} ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱱᱟᱜ ᱵᱟᱹᱲᱛᱤ ᱯᱟᱲᱦᱟᱣ ᱟᱠᱟᱱ
ᱞᱮᱠᱷᱟ ᱨᱮᱫᱚ ᱖᱐᱐᱐ ᱜᱚᱴᱟᱝ ᱠᱷᱚᱫᱽ ᱟᱨ ᱓᱖ ᱜᱚᱴᱟᱝ ᱦᱟᱹᱴᱤᱧ ᱢᱮᱱᱟᱜ-ᱟ ᱾ {{sfn|Natalia Lidova|2014}}{{sfn|Emmie Te Nijenhuis|1974|pp=1–25}} ᱱᱚᱶᱟ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ
ᱠᱷᱚᱫᱽ ᱠᱚᱨᱮ ᱫᱚ ᱥᱤᱵᱚ ᱛᱟᱱᱰᱚᱵᱚ, ᱨᱚᱰᱚ ᱛᱷᱤᱭᱚᱨᱤ, ᱵᱷᱟᱵᱚ, ᱦᱚᱲᱢᱚ ᱦᱤᱞᱟᱹᱣ ᱴᱮᱠᱱᱤᱠ,ᱛᱤᱝᱜᱩᱱ ᱛᱚᱦᱚᱨ, ᱢᱩᱬ ᱮᱥᱴᱮᱯ ᱠᱚ ᱮᱢᱟᱱ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱱᱚᱶᱟ ᱡᱚᱛᱚ ᱢᱚᱜᱮ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱭᱟᱜ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱰᱮᱱᱥ ᱨᱮᱫᱚ ᱛᱟᱦᱮᱸᱱ ᱞᱟᱹᱠᱛᱤ ᱾ {{sfn|Natalia Lidova|2014}}{{sfn|Kapila Vatsyayan|2001}}


==ᱯᱷᱚᱴᱚ ᱜᱮᱞᱮᱨᱤ==
==ᱯᱷᱚᱴᱚ ᱜᱮᱞᱮᱨᱤ==

᱐᱘:᱕᱐, ᱓᱑ ᱡᱩᱞᱟᱭ ᱒᱐᱒᱐ ᱧᱮᱞᱟᱹᱨᱩ ᱞᱮᱠᱟᱛᱮ

ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱮᱱᱮᱡ

ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱟᱨ ᱢᱤᱫ ᱧᱤᱛᱩᱢ ᱥᱟᱫᱤᱨ ᱫᱚ ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱨᱮ ᱡᱟᱱᱟᱢ ᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱷᱟᱨᱚᱛᱤᱭᱟᱹ ᱥᱟᱥᱛᱨᱤᱭᱚ ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱛᱚᱦᱚᱨ ᱠᱟᱱᱟ ᱾ [᱑][᱒][᱓] ᱥᱮᱫᱟᱭ ᱠᱷᱚᱱᱟᱜ ᱜᱮ ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱮᱱᱮᱡ ᱫ ᱠᱩᱲᱤ ᱠᱚᱜᱮ ᱠᱚ ᱨᱮᱱᱮᱡ ᱟ ᱾ [᱔][᱕] ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱛᱟᱞᱟ ᱛᱮ ᱦᱤᱱᱫᱩ ᱫᱷᱚᱨᱚᱢ ᱨᱮᱭᱟᱜ ᱥᱚᱭᱵᱚ ᱵᱟᱫᱽ, ᱵᱚᱭᱥᱱᱚᱵᱚ ᱵᱟᱫᱽ ᱟᱨ ᱥᱚᱠᱛᱤ ᱵᱟᱫᱽ ᱮᱢᱟᱱ ᱠᱚ ᱥᱚᱫᱚᱨᱟ ᱾ [᱑][᱖][᱗] ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱢᱩᱬ ᱫᱚ ᱥᱚᱸᱥᱠᱨᱩᱛ ᱯᱟᱴᱷᱚᱠ ᱵᱷᱚᱨᱚᱛ ᱢᱩᱱᱤ ᱟᱜ ᱱᱟᱴᱭᱚ ᱥᱟᱥᱛᱨᱚ ᱠᱷᱚᱱᱟᱜ ᱧᱟᱢᱚᱜ-ᱟ ᱾ [᱖] ᱱᱚᱣᱟ ᱨᱮᱭᱟᱜ ᱚᱥᱛᱤᱛᱣᱚ ᱫᱚ ᱫᱚᱥᱟᱨ ᱥᱚᱫᱤ ᱨᱮᱭᱟᱝ ᱛᱟᱢᱤᱞ ᱢᱚᱦᱟᱠᱟᱵᱽᱭᱚ ᱥᱤᱞᱯᱚᱴᱴᱤᱠᱟᱨᱚᱢ ᱠᱷᱳᱱᱟᱜ ᱵᱟᱰᱟᱭᱚᱜ-ᱟ ᱾ ᱱᱚᱝᱠᱟ ᱪᱮ ᱖ ᱠᱷᱚᱱᱟᱜ ᱙ ᱥᱚᱫᱤ ᱨᱮᱭᱟᱜ ᱢᱩᱨᱛᱤ ᱞᱟᱹᱭᱟ ᱡᱮ ᱱᱚᱶᱟ ᱦᱚᱸ ᱦᱟᱡᱟᱨ ᱵᱚᱪᱷᱚᱨ ᱢᱟᱨᱮᱭᱟᱜ ᱮᱱᱮᱡ ᱠᱟᱱ ᱜᱮᱭᱟ ᱾ [᱕] ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱳᱟᱱᱜ ᱢᱟᱨᱮ ᱥᱟᱥᱛᱨᱤᱭᱚ ᱮᱱᱮᱡ ᱠᱟᱱᱟ ᱾ [᱘]

ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱮᱱᱮᱡ ᱫᱚ ᱱᱤᱡᱚᱨᱟᱜ ᱪᱮᱦᱨᱟ ᱨᱮᱭᱟᱜ ᱚᱝᱜᱚ ᱦᱤᱞᱹᱟᱣ ᱪᱮᱛᱟᱱ ᱨᱮ ᱡᱩᱨ ᱮ ᱮᱢᱟᱜ-ᱟ ᱾ ᱱᱚᱣᱟ ᱨᱮ ᱮᱱᱮᱡ ᱠᱚᱫᱚ ᱠᱟᱴᱟ ᱞᱟᱲᱟᱣ ᱥᱟᱶᱛᱮ ᱢᱮᱫ ᱟᱨ ᱛᱤ ᱠᱚ ᱦᱤᱞᱟᱹᱣᱟ ᱾ ᱮᱱᱮᱡᱤᱭᱟᱹ ᱥᱟᱶᱛᱮ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱡᱚᱲᱟᱣ ᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱾ ᱩᱱᱠᱩᱱ ᱫᱚ ᱜᱩᱨᱩ, ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱭᱟᱹ, ᱮᱢᱟᱱ ᱠᱚ ᱢᱮᱛᱟ ᱠᱚᱣᱟ ᱾ [᱑] ᱥᱮᱫᱟᱭ ᱠᱷᱚᱱᱟᱜ ᱜᱮ ᱱᱚᱣᱟ ᱮᱱᱮᱡ ᱵᱟᱵᱚᱫᱽ ᱫᱳ ᱦᱤᱱᱫᱩ ᱫᱷᱨᱚᱢ ᱨᱮᱭᱟᱜ ᱯᱩᱛᱷᱤ ᱢᱮᱱᱟᱜ ᱟᱫᱷᱭᱟᱛᱢᱤᱠ, ᱠᱤᱢᱵᱚᱫᱱᱤ ᱮᱢᱟᱱ ᱞᱮᱠᱮᱛᱮ ᱵᱤᱥᱲᱤ ᱠᱟᱛᱮ ᱢᱟᱱᱟᱜ-ᱟ ᱾ [᱔] ᱮᱴᱟᱜ ᱥᱟᱥᱛᱨᱤᱭᱚ ᱮᱱᱮᱡ ᱞᱮᱠᱟ ᱜᱮ ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱨᱮᱦᱚᱸ ᱯᱩᱨᱟᱹ ᱭᱩᱱᱤᱠ ᱮᱱᱮᱡ ᱟᱨ ᱜᱟᱭᱟᱱ ᱮᱱᱮᱡ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ ᱾ [᱔][᱙]

᱑᱙ ᱥᱚᱫᱤ ᱚᱝᱥᱟᱨ ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱫᱚ ᱢᱩᱱᱫᱤᱨ ᱨᱮᱭᱟᱜ ᱠᱟᱱᱟ ᱾ ᱑᱙᱑᱐ ᱥᱟᱞ ᱨᱮ ᱵᱽᱨᱤᱴᱤᱥ ᱥᱚᱨᱠᱟᱨ ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱪᱮᱛᱟᱱ ᱨᱮ ᱞᱚᱜᱟᱢ ᱮ ᱞᱟᱜᱟᱣ ᱞᱮᱜ-ᱟ ᱾ ᱵᱷᱟᱨᱚᱛᱤᱭᱟᱹ ᱠᱚ ᱱᱚᱣᱟ ᱟᱹᱰᱤ ᱡᱩᱨ ᱠᱚ ᱵᱤᱨᱩᱫᱷ ᱠᱮᱜ-ᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚ ᱒᱐ ᱥᱚᱫᱤ ᱨᱮ ᱱᱚᱣᱟ ᱮᱱᱮᱡ ᱫᱚ ᱢᱩᱱᱫᱤᱨ ᱵᱟᱦᱨᱮ ᱨᱮᱦᱚᱸ ᱠᱚ ᱯᱟᱥᱱᱟᱣ ᱠᱮᱜ-ᱟ ᱾ [᱑᱐] ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚ ᱫᱚ ᱱᱟᱦᱟᱜ ᱮᱱᱮᱡ ᱨᱮ ᱴᱮᱠᱱᱤᱠ ᱥᱚᱫᱚᱨ, ᱵᱟᱦᱨᱮ ᱫᱷᱚᱨᱢᱚ ᱵᱤᱪᱟᱹᱨ ᱪᱮᱛᱟᱱ ᱨᱮ ᱫᱚᱲᱚᱢ ᱟᱠᱟᱱ ᱢᱤᱫ ᱥᱩᱫᱷᱚ ᱮᱱᱮᱡ ᱠᱟᱱᱟ ᱾ [᱕]

ᱱᱟᱜᱟᱢ

Dancers at Thanjavur, Brihadeshwara temple dedicated to Shiva. The temple has been a major center for Bharatanatyam since about 1000 CE.[᱑᱑]

ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱠᱚᱫᱚ ᱟᱹᱰᱤ ᱢᱟᱨᱮ ᱯᱩᱛᱷᱤ ᱱᱟᱴᱭᱚ ᱟᱥᱛᱨᱚ ᱨᱮ ᱧᱟᱢᱚᱜ-ᱟ ᱾ [᱕][᱑᱒][᱑᱓]

ᱱᱟᱴᱭᱚ ᱥᱟᱥᱛᱨᱚ ᱫᱚ ᱥᱮᱫᱟᱭ ᱨᱮᱱᱤᱡ ᱟᱪᱮᱫ ᱵᱷᱟᱨᱚᱛ ᱢᱩᱱᱤ ᱮ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾ ᱱᱚᱶᱟ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ ᱯᱩᱭᱞᱩ ᱞᱮᱠᱷᱟ ᱫᱚ ᱒᱐᱐ ᱵᱤ ᱥᱤ ᱤ ᱠᱷᱚᱱᱟᱜ ᱒᱐᱐ ᱥᱤ ᱤ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱱᱟ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ-ᱟ ᱾ [᱑᱔][᱑᱕] ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱱᱟᱜ ᱵᱟᱹᱲᱛᱤ ᱯᱟᱲᱦᱟᱣ ᱟᱠᱟᱱ ᱞᱮᱠᱷᱟ ᱨᱮᱫᱚ ᱖᱐᱐᱐ ᱜᱚᱴᱟᱝ ᱠᱷᱚᱫᱽ ᱟᱨ ᱓᱖ ᱜᱚᱴᱟᱝ ᱦᱟᱹᱴᱤᱧ ᱢᱮᱱᱟᱜ-ᱟ ᱾ [᱑᱔][᱑᱖] ᱱᱚᱶᱟ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ ᱠᱷᱚᱫᱽ ᱠᱚᱨᱮ ᱫᱚ ᱥᱤᱵᱚ ᱛᱟᱱᱰᱚᱵᱚ, ᱨᱚᱰᱚ ᱛᱷᱤᱭᱚᱨᱤ, ᱵᱷᱟᱵᱚ, ᱦᱚᱲᱢᱚ ᱦᱤᱞᱟᱹᱣ ᱴᱮᱠᱱᱤᱠ,ᱛᱤᱝᱜᱩᱱ ᱛᱚᱦᱚᱨ, ᱢᱩᱬ ᱮᱥᱴᱮᱯ ᱠᱚ ᱮᱢᱟᱱ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱱᱚᱶᱟ ᱡᱚᱛᱚ ᱢᱚᱜᱮ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱭᱟᱜ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱰᱮᱱᱥ ᱨᱮᱫᱚ ᱛᱟᱦᱮᱸᱱ ᱞᱟᱹᱠᱛᱤ ᱾ [᱑᱔][᱑᱗]

ᱯᱷᱚᱴᱚ ᱜᱮᱞᱮᱨᱤ

ᱚᱝᱜᱚ ᱵᱷᱚᱝᱜᱤ ᱪᱤᱛᱟᱹᱨ


ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

  1. ᱑.᱐ ᱑.᱑ ᱑.᱒ Bharata-natyam Encyclopædia Britannica. 2007
  2. Williams 2004, pp. 83-84, the other major classical Indian dances are: Kathak, Kuchipudi, Odissi, Kathakali, Manipuri, Cchau, Satriya, Yaksagana and Bhagavata Mela.
  3. Banerjee, tProjesh (1983). Indian Ballet Dancing. New Jersey: Abhinav Publications. p. 43.
  4. ᱔.᱐ ᱔.᱑ ᱔.᱒ Peter J. Claus; Sarah Diamond; Margaret Ann Mills (2003). South Asian Folklore: An Encyclopedia. Routledge. p. 136. ISBN 978-0-415-93919-5.
  5. ᱕.᱐ ᱕.᱑ ᱕.᱒ ᱕.᱓ Khokar, Mohan (1984). Traditions of Indian Classical Dance. India: Clarion Books. pp. 73–76.
  6. ᱖.᱐ ᱖.᱑ Richard Schechner (2010). Between Theater and Anthropology. University of Pennsylvania Press. pp. 65–66. ISBN 0-8122-0092-6.
  7. T Balasaraswati (1976), Bharata Natyam, NCPA Quarterly Journal, Volume 4, Issue 4, pages 1-8
  8. Richard Schechner (2010). Between Theater and Anthropology. University of Pennsylvania Press. p. 65. ISBN 978-0812279290.
  9. Kavitha Jayakrishnan (2011), Dancing Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture, MA Thesis, Awarded by University of Waterloo, Canada, page 25
  10. Janet O'Shea (2007). At Home in the World: Bharata Natyam on the Global Stage. Wesleyan University Press. pp. 26–38, 55–57, 83–87. ISBN 978-0-8195-6837-3.
  11. James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: A-M. The Rosen Publishing Group. pp. 126–127. ISBN 978-0-8239-3179-8.
  12. Eugenio Barba; Nicola Savarese (2011). A Dictionary of Theatre Anthropology: The Secret Art of the Performer. Routledge. p. 208. ISBN 978-1-135-17634-1.
  13. Peter Fletcher; Laurence Picken (2004). World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures. Oxford University Press. p. 262. ISBN 978-0-19-517507-3.
  14. ᱑᱔.᱐ ᱑᱔.᱑ ᱑᱔.᱒ Natalia Lidova 2014.
  15. Tarla Mehta 1995, pp. xxiv, 19–20.
  16. Emmie Te Nijenhuis 1974, pp. 1–25.
  17. Kapila Vatsyayan 2001.