ᱚᱫᱤᱛᱤ ᱯᱩᱦᱟᱝᱠᱚᱨ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ
ᱚᱫᱤᱛᱤ ᱯᱩᱦᱟᱝᱠᱚᱨ
᱒᱐᱑᱔ ᱨᱮ ᱚᱫᱤᱛᱤ ᱯᱩᱦᱟᱝᱠᱚᱨ
ᱠᱟᱹᱢᱤᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ2014–ᱱᱤᱛ

ᱚᱫᱤᱛᱤ ᱯᱩᱦᱟᱝᱠᱚᱨ ᱢᱤᱫ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ ᱢᱟᱨᱟᱴᱷᱤ ᱮᱠᱥᱚᱱ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱞᱟᱭ ᱵᱷᱟᱲᱤ ᱞᱟᱜᱤᱫ ᱨᱤᱛᱮᱥ ᱫᱮᱥᱢᱩᱠᱷ ᱥᱟᱶᱛᱮ ᱟᱡᱟᱜ ᱵᱮᱜᱽᱨᱟᱣᱩᱶᱰ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾[᱑][᱒] ᱳᱭᱮᱵ ᱥᱤᱨᱤᱡᱽ 'ᱥᱤ ᱮᱱᱰ ᱚᱥᱨᱟᱢ' (2020ᱼᱨᱮ ᱠᱷᱚᱱ ᱱᱤᱛ ᱦᱟᱹᱵᱤᱡ) ᱨᱮ ᱟᱡᱟᱜ ᱪᱩᱨᱤᱛ ᱞᱟᱹᱜᱤᱫ ᱩᱱᱤ ᱫᱚ ᱡᱟᱹᱥᱛᱤ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱢᱚᱱᱮ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾[᱓]

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱚᱫᱤᱛᱤ ᱯᱩᱦᱟᱝᱠᱚᱨ ᱨᱮᱱ ᱡᱟᱱᱟᱢ ᱟᱭᱳ-ᱵᱟᱵᱟ ᱫᱚ ᱥᱩᱫᱤᱨ ᱟᱨ ᱥᱳᱵᱷᱟ ᱯᱩᱦᱟᱝᱠᱟᱨ, ᱵᱟᱱᱟᱨ ᱜᱮ ᱠᱷᱮᱞᱳᱰᱤᱭᱟᱹ ᱠᱤᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔] ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱚᱠᱛᱚ, ᱩᱱᱤ ᱫᱚ ᱮᱴᱮᱞᱮᱴᱤᱠᱥ ᱨᱮ ᱢᱚᱦᱟᱨᱟᱥᱴᱨᱚ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱟᱨ 200 ᱢᱤᱴᱟᱨ 200 ᱢᱤᱴᱟᱨ ᱨᱮᱥ ᱨᱮ ᱯᱚᱫᱚᱠ ᱮ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ ᱾[᱕]

ᱠᱟᱹᱢᱤᱡᱤᱭᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱜᱟᱭᱟᱱ ᱛᱟᱞᱟᱛᱮ ᱟᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱟ ᱟᱨ ᱠᱩᱱᱟᱥᱚᱛᱤ ᱠᱩᱱᱤᱛᱟᱨᱤ ᱨᱮ ᱟᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾[᱖][᱔] ᱥᱟᱯᱲᱟᱣᱤᱡ ᱱᱤᱥᱤᱠᱟᱱᱛ ᱠᱟᱢᱚᱛ ᱢᱩᱢᱵᱟᱭ ᱨᱮ ᱢᱮᱠᱚᱨᱟᱱᱫᱚ ᱟᱜ ᱜᱟᱭᱟᱱ ᱴᱟᱭᱚᱢ ᱵᱳᱭ ᱧᱮᱞ ᱠᱟᱛᱮ ᱩᱱᱤ ᱧᱮᱞ ᱞᱮᱫᱟᱭ, ᱡᱟᱦᱟᱸᱨᱮ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱫᱚ ᱮᱭᱟᱭ ᱥᱮᱨᱢᱟ ᱨᱮᱱ ᱜᱤᱫᱽᱨᱟᱹ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾  ᱠᱚᱢᱚᱛ ᱟᱡᱟᱜ ᱢᱟᱨᱟᱴᱷᱤ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱟᱭ ᱵᱷᱟᱲᱤ ᱾(2014) ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱪᱩᱨᱤᱛ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱨ ᱢᱟᱦᱟ ᱞᱟᱹᱜᱤᱫ ᱪᱤᱛᱟᱹᱨ ᱵᱤᱰᱟᱹᱣ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ ᱟᱨ ᱩᱱᱤᱭᱟᱜ ᱢᱚᱱᱚᱥᱩᱨᱩᱢ ᱛᱮ ᱮᱥᱮᱨ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱨᱤᱛᱮᱥ ᱫᱮᱥᱢᱩᱠᱷ ᱮᱴᱟᱜ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾ ᱯᱩᱦᱟᱱᱠᱚᱨ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟᱭ ᱡᱮ, ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱚᱠᱛᱚ, ᱠᱟᱢᱚᱛ ᱩᱱᱤ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱡᱟᱦᱟᱸ ᱠᱚ ᱠᱷᱚᱡᱼᱟ ᱚᱱᱟ ᱠᱚᱨᱟᱣ ᱨᱮᱭᱟᱜ ᱪᱷᱟᱹᱲ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱟᱨ ᱟᱡᱟᱜ ᱪᱩᱨᱤᱛ ᱨᱮ ᱥᱮᱴᱮᱨ ᱞᱟᱹᱜᱤᱫ ᱩᱱᱤ ᱫᱚ ᱟᱡ ᱫᱚ "ᱢᱤᱫ ᱵᱟᱹᱲᱤᱡ ᱦᱚᱲ" ᱞᱮᱠᱟᱛᱮ ᱧᱮᱞ ᱞᱮᱱᱟ ᱾[᱗][᱘] ᱞᱟᱭ ᱵᱷᱟᱲᱤ ᱱᱟᱯᱟᱭ ᱠᱟᱛᱷᱟ ᱛᱮ ᱵᱤᱰᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱮᱦᱚᱵ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱯᱩᱦᱟᱝᱠᱚᱨ ᱟᱜ ᱠᱷᱚᱞᱮᱱ ᱪᱩᱨᱤᱛ ᱫᱚ ᱥᱟᱨᱦᱟᱣ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱱᱚᱶᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱟᱨᱡᱟᱣ ᱟᱠᱟᱱ ᱢᱟᱨᱟᱴᱷᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱢᱩᱫᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾[᱙]

2017 ᱥᱟᱹᱦᱤᱛ ᱨᱮ, ᱯᱩᱦᱟᱝᱠᱚᱨ ᱛᱟᱢᱤᱞ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱡᱮᱢᱤᱱᱤ ᱜᱟᱱᱮᱥᱚᱱᱩᱢ ᱥᱩᱨᱩᱞᱤ ᱨᱟᱡᱚᱱᱩᱢ ᱨᱮ ᱚᱱᱛᱷᱚᱨᱵᱷᱟ ᱥᱟᱶᱛᱮ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ ᱾[᱑᱐]

᱓ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ, ᱯᱩᱦᱟᱝᱠᱚᱨ ᱱᱮᱴᱯᱷᱤᱞᱠᱥ ᱣᱮᱵᱽ ᱥᱤᱨᱤᱡᱽ 'ᱥᱤ' (2020)ᱨᱮ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ, ᱡᱟᱸᱦᱟ ᱨᱮ ᱩᱱᱤ ᱢᱤᱫᱴᱟᱝ ᱯᱩᱞᱤᱥ ᱠᱚᱱᱥᱴᱮᱵᱮᱞ ᱟᱜ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱦᱤᱭᱤᱴᱨᱮᱯ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱣᱦᱟᱨᱚᱜ ᱠᱟᱱ ᱛᱟᱸᱦᱮ [᱕]᱾ ᱨᱮᱱ ᱱᱚᱱᱫᱤᱱᱤ ᱨᱟᱢᱱᱟᱛᱷ ᱫᱚ ᱱᱚᱣᱟ ᱪᱩᱨᱤᱛ ᱨᱮ ᱯᱩᱦᱟᱝᱠᱚᱨ ᱫᱚ "ᱱᱟᱯᱟᱭ" ᱧᱮᱞ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱩᱱᱤ ᱫᱚ "ᱟᱡᱟᱜ ᱪᱩᱨᱤᱛ ᱨᱮᱭᱟᱜ ᱟᱱᱟᱴ ᱫᱚ ᱥᱤᱜᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟᱭ ᱾"[᱑᱑]

ᱛᱟᱭᱚᱢ ᱒᱐᱒᱐ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱟᱥᱨᱟᱢ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱠᱚᱲᱟ ᱨᱚᱥᱴᱞᱚᱨ ᱟᱜ ᱨᱳᱞ ᱮ ᱠᱷᱮᱞ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱥᱨᱟᱢ ᱨᱮᱭᱟᱜ ᱰᱮᱢᱚᱠᱨᱮᱥᱴᱤᱠ ᱥᱴᱮᱯ ᱛᱮ ᱦᱮᱡ ᱮᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱫᱟᱞᱤᱴ ᱠᱟᱱᱟᱭ ᱾ ᱦᱤᱱᱫᱤ ᱣᱮᱵᱽ ᱥᱤᱨᱤᱡᱽ She and Aashram (ᱵᱟᱨᱭᱟ ᱒᱐᱒᱐ ᱠᱷᱚᱱ ᱱᱤᱛ ᱫᱷᱟᱹᱵᱤᱡ) ᱨᱮ ᱟᱡᱟᱜ ᱨᱳᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱩᱱᱤ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱧᱩᱛᱩᱢ ᱮ ᱟᱢᱮᱴ ᱞᱮᱫᱼᱟ ᱾ ᱱᱚᱶᱟ ᱨᱳᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱨᱚᱥᱴᱞᱚᱨ ᱥᱚᱝᱜᱽᱨᱟᱢ ᱥᱤᱝ ᱴᱨᱮᱱᱤᱝ ᱞᱮᱫ-ᱟ ᱾ IANS ᱨᱮᱱ ᱢᱤᱫᱴᱮᱱ ᱨᱤᱵᱷᱤᱴᱟᱨ ᱫᱚᱭ ᱢᱮᱱ ᱟᱠᱟᱫᱟ, "ᱟᱫᱤᱛᱤ ᱯᱳᱦᱚᱱᱠᱚᱨ ᱟᱜ ᱡᱤᱣᱤᱵᱟᱫᱤ ᱯᱟᱢᱢᱤ ᱫᱚ ᱟᱠᱴᱨᱮᱥ ᱟᱜ ᱠᱟᱨᱠᱮᱴᱟᱨ ᱨᱮᱱᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱪᱮᱛᱟᱱ ᱨᱮᱭ ᱦᱮᱡ ᱟᱠᱟᱱᱟ᱾"

ᱢᱤᱰᱤᱭᱟ ᱨᱮ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱠᱮᱰᱵᱟᱨᱤ ᱢᱚᱱᱪ, ᱜᱳᱫᱨᱮᱡ ᱮᱹᱤᱹᱟᱨᱹ, ᱮᱨᱮᱴᱮᱞ, ᱞᱮᱱᱥᱠᱟᱨᱴ ᱟᱨ ᱥᱮᱢᱥᱟᱝ ᱥᱟᱶᱛᱮ 20 ᱜᱚᱴᱟᱝ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱵᱨᱟᱱᱰ ᱨᱮᱭᱟᱜ ᱩᱪᱷᱟᱹᱱ ᱟᱨ ᱵᱤᱵᱮᱥᱤᱠ ᱨᱮ ᱥᱮᱴᱮᱨ ᱞᱮᱱᱟᱭ, ᱡᱟᱦᱟ ᱨᱮ ᱩᱱᱤ ᱥᱩᱡᱤᱛ ᱥᱤᱚᱨᱠᱟᱨ ᱫᱟᱨᱟᱭ ᱛᱮ ᱪᱟᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾[᱑᱒]

2020 ᱥᱟᱹᱦᱤᱛ ᱨᱮ, 'ᱫᱟ ᱴᱟᱭᱚᱢᱥ ᱢᱳᱥᱴ ᱰᱤᱥᱟᱭᱨᱟᱵᱮᱞ ᱩᱭᱢᱮᱱ' ᱨᱮ 47 ᱟᱱ ᱴᱷᱟᱶ ᱨᱮᱭ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾[᱑᱓]

ᱯᱷᱤᱞᱢᱳᱜᱨᱟᱯᱷᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱮᱨᱢᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱮᱱᱮᱢ ᱯᱟᱹᱨᱥᱤ ᱱᱳᱴᱠᱚ
2014 ᱞᱟᱭ ᱵᱷᱟᱲᱤ ᱱᱚᱱᱫᱷᱤᱱᱤ ᱢᱟᱨᱟᱴᱷᱟ
2017 ᱡᱮᱢᱤᱱᱤ ᱜᱟᱱᱮᱥᱚᱱᱩᱢ ᱥᱩᱨᱩᱞᱤ ᱨᱟᱡᱚᱱᱩᱢ ᱥᱚᱨᱳᱡᱟ ᱫᱮᱵᱤ ᱛᱟᱢᱤᱞ
2023 <i id="mwig">ᱥᱴᱟᱨ</i> ᱡᱤᱢᱤᱠᱤ

ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱮᱨᱢᱟ ᱛᱟᱹᱞᱤᱠᱟ ᱮᱱᱮᱢ ᱯᱟᱹᱨᱥᱤ ᱱᱳᱴᱠᱚ
2020 ᱼ ᱱᱟᱦᱟᱜ ᱩᱱᱤ ᱫᱚ ᱵᱷᱩᱢᱤᱠᱟ "ᱵᱷᱩᱢᱤ" ᱯᱚᱨᱫᱮᱥᱤ ᱦᱤᱱᱫᱤ ᱱᱮᱴᱯᱷᱤᱞᱠ ᱥᱤᱨᱤᱡ
2020 ᱼ ᱱᱟᱦᱟᱜ ᱚᱥᱚᱨᱚᱢ ᱯᱚᱨᱢᱤᱱᱫᱚᱨ "ᱯᱟᱢᱤ" ᱞᱳᱪᱚᱱ ᱮᱢ ᱮᱠᱥ ᱯᱞᱟᱭᱟᱨ ᱥᱤᱨᱤᱡᱽ

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. "Lai Bhaari star Aaditi to make Bollywood Khans her mentors : Bollywood Helpline". Archived from the original on 2022-11-08. Retrieved 2024-02-10.
  2. Singh, Suhani (February 27, 2021). "The OTT Generation". India Today. Retrieved 2021-03-22.
  3. "Aaditi Pohankar: I want people to remember my roles". Hindustan Times. 2021-01-30. Retrieved 2021-03-22.
  4. ᱔.᱐ ᱔.᱑ Santhosh, K. (28 October 2012). "Straddling stage, screen and stadium". The Hindu. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
  5. ᱕.᱐ ᱕.᱑ Ramnath, Nandini (25 March 2020). "'I have arrived': How web series 'She' has given Aaditi Pohankar the role of a lifetime". Scroll.in. Retrieved 22 March 2021.
  6. "Aaditi to debut in Mollywood". The Times of India. Archived from the original on 4 December 2017. Retrieved 23 March 2020.
  7. "Interview : Aditi Pohankar : Vile Yet beautiful". Satarblockbuster. Archived from the original on 25 April 2017.
  8. "Review: Lai Bhaari is awesome". Rediff. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
  9. "Riteish Deshmukh would be a fantastic father: Aaditi Pohankar". 27 November 2014. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
  10. "Anandhi walks out; now, Aaditi in Atharvaa's film". The Times of India. Archived from the original on 11 October 2020. Retrieved 23 March 2020.
  11. Ramnath, Nandini. "'She' review: Profane games and limp erotic thrills in Imtiaz Ali's first web series for Netflix". Scroll.in.
  12. "When Aaditi Pohankar went fishing with the King - Sushant Singh Rajput!". Urban Asian. 6 October 2015. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
  13. "The Times Most Desirable Women of 2020". The Times of India (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Archived from the original on 8 June 2021. Retrieved 7 August 2021.