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ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
ᱢᱩᱬ ᱧᱩᱛᱩᱢগগনেন্দ্রনাথ ঠাকুর
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ  ᱟᱨ  ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ᱑᱗ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑᱘᱖᱗
ᱠᱚᱞᱠᱟᱛᱟ, ᱵᱮᱝᱜᱚᱞ ᱯᱨᱮᱥᱤᱰᱮᱱᱥᱤ, ᱵᱽᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ
ᱜᱩᱨ᱑᱔ ᱯᱷᱮᱵᱽᱨᱩᱭᱟᱨᱤ ᱑᱙᱓᱘
ᱫᱤᱥᱚᱢᱤᱭᱟᱹᱥᱤᱧᱚᱛ ᱨᱤᱱᱤᱡ
ᱧᱩᱢᱱᱟᱢᱯᱮᱱᱴᱚᱨ, ᱠᱟᱨᱴᱳᱱ ᱵᱮᱱᱟᱣᱤᱡ
ᱨᱟᱡᱽᱟᱹᱨᱤ ᱞᱟᱲᱟᱣᱱᱟᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ (᱑᱗ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑᱘᱖᱗ - ᱑᱔ ᱯᱷᱮᱵᱽᱨᱩᱭᱟᱨᱤ ᱑᱙᱓᱘)[᱑] ᱫᱚ ᱫᱤᱧᱚᱛ ᱫᱤᱥᱚᱢ ᱨᱤᱱᱤᱡ ᱯᱮᱱᱴᱚᱨ ᱟᱨ ᱠᱟᱨᱴᱳᱱ ᱵᱮᱱᱟᱣᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱨᱤᱱᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱟᱨ ᱟᱡ ᱵᱚᱭᱦᱟ ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱵᱟᱱᱟ ᱦᱚᱲ ᱜᱮ ᱥᱮᱫᱟᱭ ᱨᱤᱱᱤᱡ ᱯᱮᱱᱴᱚᱨ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣ ᱵᱟᱛᱟᱣ ᱠᱩᱱᱟ ᱾ ᱱᱩᱠᱤᱱ ᱵᱟᱨ ᱵᱚᱭᱦᱟ ᱜᱮ ᱢᱚᱰᱚᱨᱱ ᱟᱨᱴ ᱫᱚ ᱠᱤᱱ ᱞᱟᱦᱟᱜ ᱞᱟ.ᱜᱤᱱ ᱠᱤᱱ ᱠᱤᱨᱩᱢᱩᱴᱩ ᱟ.ᱜᱩ ᱞᱮᱫ-ᱟ ᱾

ᱡᱤᱭᱚᱱ ᱠᱟᱛᱷᱟ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱡᱳᱨᱟᱥᱟᱱᱠᱳ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱵᱮᱝᱜᱚᱞᱤ ᱞᱟᱠᱪᱟᱨ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟᱭ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱜᱩᱬᱮᱱᱫᱽᱨᱚᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ-ᱤᱡ ᱢᱟᱨᱟᱝ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ ᱟᱨ ᱨᱟᱡᱽ ᱫᱽᱣᱟᱨᱚᱠᱟᱱᱟᱛᱷ ᱴᱟᱜᱯᱨ-ᱤᱡ ᱜᱚᱲᱚᱢ ᱠᱚᱲᱟ-ᱤᱡ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡ ᱵᱚᱠᱚᱛ ᱠᱚᱲᱟ ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱦᱚᱸ ᱢᱤᱫ ᱯᱮᱱᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱟᱨ ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱨᱮ ᱢᱟᱨᱟᱝ ᱠᱟ.ᱢᱤ ᱠᱚᱭ ᱛᱚᱨᱚᱣ ᱤᱫᱤ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱟᱨ ᱦᱚᱸ ᱨᱚᱵᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷᱟ ᱴᱟᱜᱳᱨ-ᱤᱡ ᱵᱷᱟ.ᱜᱽᱱᱟ. ᱠᱚᱲᱟ ᱠᱟᱱᱟᱭ ᱾ ᱥᱚᱨᱢᱤᱲᱟ ᱴᱟᱜᱳᱨ ᱦᱚᱸ ᱚᱡ ᱢᱟᱢᱚ ᱚᱲᱟᱜ ᱥᱮᱫ ᱞᱮᱠᱟ ᱛᱮ ᱯᱮᱲᱟ ᱜᱮᱭᱟᱠᱚ ᱾

ᱯᱨᱚᱛᱤᱢᱟ ᱵᱤᱥᱚᱨᱡᱚᱱ-ᱟᱜ ᱣᱟᱴᱚᱨ ᱠᱚᱞᱚᱨ ᱑᱙᱑᱕ ᱨᱮ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱫᱚ ᱟᱥᱲᱟ ᱠᱚᱨᱮ ᱵᱟᱭ ᱚᱞ ᱵᱟᱲᱟ ᱟᱠᱟᱫᱟ, ᱛᱚᱵᱮ ᱦᱚᱨᱤᱱᱟᱨᱟᱭᱚᱬ ᱵᱚᱱᱫᱳᱯᱟᱫᱷᱭᱟᱭ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱣᱟᱴᱚᱨ ᱠᱚᱞᱚᱨ ᱠᱟ.ᱢᱤ ᱥᱮᱬᱟᱦᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱑᱙᱗᱐ ᱨᱮ, ᱟᱡ ᱵᱚᱠᱚᱛ ᱠᱚᱲᱟ ᱥᱟᱶ ᱱᱩᱠᱤᱱ ᱫᱚ ᱤᱱᱰᱤᱭᱟᱱ ᱥᱳᱥᱟᱭᱤᱴᱤ ᱚᱯᱷ ᱳᱨᱤᱭᱮᱱᱴᱟᱞ ᱟᱨᱴ ᱠᱤᱱ ᱵᱮᱨᱮᱫ ᱞᱮᱫ-ᱟ ᱾ ᱱᱚᱶᱟ ᱜᱮ ᱛᱟᱭᱟᱢ ᱵᱤᱫᱟ.ᱞ ᱨᱩᱯᱚᱢ ᱵᱮᱣᱨᱟ ᱥᱟᱠᱟᱢ ᱮ ᱯᱚᱵᱽᱞᱤᱥ ᱞᱮᱫ-ᱟ ᱾ ᱑᱙᱐᱖ ᱟᱨ ᱑᱙᱑᱐ ᱛᱟᱞᱟᱨᱮ ᱱᱩᱭ ᱫᱚ ᱡᱟᱯᱟᱱᱤᱡᱽ ᱵᱽᱨᱚᱥ ᱴᱮᱠᱱᱤᱠ ᱮ ᱥᱮᱬᱟ ᱞᱮᱫ-ᱟ ᱟᱨ ᱟᱨ ᱨᱚᱵᱤᱱᱫᱽᱨᱚᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ-ᱟᱜ ᱡᱤᱭᱚᱱ ᱠᱟ.ᱦᱱᱤ ᱡᱤᱵᱚᱱᱥᱢᱨᱤᱛᱤ (᱑᱙᱑᱒) ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱪᱚᱭᱛᱚᱱᱭᱚ ᱟᱨ ᱯᱤᱞᱜᱽᱨᱟᱢ ᱥᱤᱨᱤᱡᱽ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟ.ᱢᱤ ᱫᱮᱠᱷᱟᱣ ᱞᱟ.ᱜᱤᱱ ᱥᱮᱱ ᱞᱮᱱᱟᱭ ᱾ ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱵᱮᱝᱜᱚᱞ ᱥᱠᱩᱞ ᱟᱥᱲᱟ ᱨᱮᱭᱟᱜ ᱠᱟ.ᱢᱤ ᱵᱟ.ᱜᱤ ᱠᱟᱛᱮ ᱵᱽᱭᱚᱝᱜᱚ ᱪᱤᱛᱟ.ᱨ ᱵᱮᱱᱟᱣ ᱮ ᱪᱷᱩᱴᱟ.ᱣ ᱞᱮᱱᱟ ᱾ ᱑᱙᱑᱗ ᱨᱮ ᱢᱚᱰᱚᱱ ᱨᱤᱵᱷᱭᱩ(Modern Review) ᱱᱩᱭᱟᱜ ᱠᱟᱴᱳᱱ ᱠᱚ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫ-ᱟ ᱾ ᱑᱙᱑᱗ ᱛᱟᱭᱚᱢ ᱠᱷᱚᱱ ᱯᱞᱮᱭ ᱚᱯᱷ ᱚᱯᱚᱡᱤᱴ(Play of Opposites) ᱨᱤᱭᱮᱞᱢ ᱚᱯᱷ ᱫᱤ ᱟᱵᱽᱥᱚᱨᱰ(Realm of the Absurd) ᱟᱨ ᱨᱤᱯᱷᱚᱨᱢ ᱥᱠᱨᱤᱢᱥ(Reform Screams) ᱮᱢᱟᱱ ᱯᱚᱛᱚᱵ ᱠᱚᱨᱮ ᱱᱩᱭᱟᱜ ᱠᱟᱨᱴᱳᱱ ᱠᱚ ᱪᱷᱟᱯᱟ ᱥᱚᱫᱚᱨ ᱞᱮᱫ-ᱟ ᱾[᱒]

᱑᱙᱒᱐ ᱟᱨ ᱑᱙᱒᱕ ᱛᱟᱞᱟᱨᱮ ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱱᱟᱦᱟᱜᱟᱜ ᱯᱮᱱᱴᱤᱝ ᱨᱮ ᱠᱟ.ᱢᱤ ᱮᱦᱚᱵ ᱵᱤᱰᱟ.ᱣ ᱞᱮᱫ-ᱟ ᱾[᱓] ᱞᱮᱠᱟᱛᱮ ᱱᱩᱭ ᱫᱚ "ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟ. ᱯᱮᱱᱴᱚᱨ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱡᱟᱜ ᱯᱮᱱᱴᱤᱝ ᱞᱮᱠᱟᱛᱮ ᱨᱚᱲ ᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱠᱚᱭ ᱵᱮᱱᱟᱣ ᱥᱟ.ᱨᱤᱛ ᱞᱮᱫ-ᱟ ᱾"[᱔] ᱑᱙᱒᱕ ᱛᱟᱭᱚᱢ ᱠᱷᱟᱱ ᱱᱩᱭ ᱫᱟ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱯᱳᱥᱴ ᱠᱭᱩᱵᱤᱥᱴ(complex post-cubist) ᱵᱮᱨᱮᱫ ᱞᱮᱫ-ᱟ ᱾

ᱱᱩᱭ ᱫᱚ ᱚᱱᱚᱞᱤᱭᱟ. ᱞᱮᱠᱟᱛᱮ ᱠᱟ.ᱢᱤ ᱟᱠᱟᱫᱟ ᱾ ᱠᱤᱪᱷᱩᱜᱟᱱ ᱜᱤᱫᱽᱨᱟ. ᱯᱚᱛᱚᱵ ᱠᱚᱭ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾ [᱕]

ᱥᱟ.ᱠᱷᱭᱟ.ᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. Sengupta, Subodhchandra; Bose, Anjali, eds. (2010). Sansad Bangali Charitabhidhan (5th ed.). Calcutta: Sahitya Samsad. ISBN 9788185626659.
  2. Terracciano, Emilia. "Biographical Notes". Bengal School Painting from the Collection of L.T.P Manjusri (1902-82). Oliver Forge Brendan Lynch.
  3. ᱠᱚᱥᱛᱩᱨᱵᱷᱟᱭᱤ ᱞᱟᱞᱵᱷᱟᱭᱤ ᱢᱭᱩᱡᱤᱭᱚᱢ, ᱚᱦᱚᱢᱚᱫᱟᱵᱟᱫᱽ
  4. Partha Mitter (2007). The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947. Reaktion Books. p. 18. ISBN 978-1-86189-318-5.
  5. "Gaganendranath Tagore". Grove Art Encyclopaedia, Oxford University Press.

ᱵᱟ.ᱲᱛᱤ ᱡᱚᱱᱚᱲ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]