ᱜᱚ, ᱜᱚ, ᱥᱮᱠᱟᱹᱱᱰ ᱴᱟᱭᱤᱢ ᱵᱷᱟᱨᱡᱤᱱ

ᱜᱚ, ᱜᱚ, ᱥᱮᱠᱟᱹᱱᱰ ᱴᱟᱭᱤᱢ ᱵᱷᱟᱨᱡᱤᱱ
ᱜᱚ, ᱜᱚ, ᱥᱮᱠᱟᱹᱱᱰ ᱴᱟᱭᱤᱢ ᱵᱷᱟᱨᱡᱤᱱ
	ᱨᱮᱫ:Go, Go Second Time Virgin (DVD cover art).jpg Cover of the December, 2000 Region 1 DVD release
ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱡ	ᱠᱚᱡᱤ ᱣᱟᱠᱟᱢᱟᱛᱥᱩ
Produced by	ᱠᱚᱡᱤ ᱣᱟᱠᱟᱢᱟᱛᱥᱩ
ᱚᱱᱚᱞᱤᱭᱟᱹ	Masao Adachi; Izuru Deguchi; Kazuo 'Gaira' Komizu
Starring	Michio Akiyama; Mimi Kozakura
Music by	Meikyu Sekai
Cinematography	Hideo Itō
Distributed by	Wakamatsu Productions
Release date	1969
Running time	65 minutes
ᱫᱤᱥᱚᱢ	Japan
ᱯᱟᱹᱨᱥᱤ	Japanese

ᱜᱳ, ᱜᱳ, ᱥᱮᱠᱮᱱᱰ ᱴᱟᱭᱢ ᱵᱷᱮᱨᱡᱤᱱ (ゆけゆけ二度目の処女, Yuke Yuke Nidome no Shojo) ᱫᱚ ᱑᱙᱖᱙ ᱨᱮ ᱠᱚᱡᱤ ᱣᱚᱠᱟᱢᱟᱛᱥᱩ ᱦᱚᱛᱮᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱡᱟᱯᱟᱱᱤ ᱯᱷᱤᱞᱢ ᱠᱟᱱᱟ ᱾

ᱯᱞᱚᱴ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱢᱤᱫ ᱛᱤᱨᱞᱟᱹ ᱠᱩᱲᱤ, ᱯᱳᱯᱳ, ᱢᱤᱫ ᱗-ᱛᱚᱨᱮ ᱟᱵᱟᱨᱴᱢᱮᱸᱴ ᱵᱤᱞᱰᱤᱝ ᱨᱮᱱᱟᱜ ᱴᱷᱟᱶ ᱨᱮ ᱯᱩᱱᱭᱟ ᱠᱚᱲᱟ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱵᱚᱫᱚᱞ ᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱩᱱᱠᱩ ᱫᱚ ᱟᱡ ᱠᱚ ᱜᱚᱡ ᱞᱟᱹᱜᱤᱫ ᱮ ᱢᱮᱱ ᱠᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱠᱩ ᱫᱚ ᱟᱡ ᱠᱚ ᱜᱚᱡ ᱞᱮᱫᱟ ᱟᱨ ᱪᱟᱞᱟᱣ ᱮᱱᱟ. ᱛᱩᱠᱤᱭᱳ, ᱢᱤᱫ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱲᱟ ᱜᱤᱫᱽᱨᱟ. ᱢᱤᱫ ᱫᱤᱱ ᱟᱨ ᱢᱤᱫ ᱧᱤᱫᱟᱹ ᱛᱟᱭᱚᱢ, ᱯᱳᱯᱳ ᱟᱨ ᱛᱥᱩᱠᱤᱭᱳ ᱢᱤᱫ ᱥᱟᱶᱦᱮᱫ ᱮᱦᱚᱵᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱠᱩ ᱫᱚ ᱟᱠᱚᱣᱟᱜ ᱦᱩᱰᱤᱧ ᱦᱩᱰᱤᱧ ᱠᱟᱛᱷᱟ ᱠᱚ ᱢᱮᱛᱟ ᱠᱚᱣᱟ ᱟᱨ ᱟᱠᱚᱣᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱫᱷᱚᱨᱚᱢ ᱠᱚ ᱵᱟᱰᱟᱭ ᱟᱠᱚᱣᱟ ᱾ ᱯᱚᱯᱳ ᱫᱚ ᱢᱤᱫᱴᱮᱱ ᱢᱟᱲᱟᱝ ᱨᱚᱯᱚᱲ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱟ᱾ ᱛᱩᱠᱤᱭᱳ ᱫᱚ ᱟᱡᱟᱜ ᱱᱤᱡᱮ ᱱᱮᱛᱟᱨ ᱫᱤᱱ ᱨᱮ ᱢᱤᱫ ᱜᱚᱴᱟᱝ ᱜᱟᱶᱛᱟ ᱨᱤᱱᱤᱡ ᱜᱟᱶᱛᱟ ᱦᱚᱛᱮᱛᱮ ᱟᱡᱟᱜ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱ ᱡᱩᱲᱟᱹᱣ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟᱭ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱫᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱᱤ ᱜᱮ ᱡᱚᱛᱚ ᱠᱚᱭ ᱜᱚᱡ ᱞᱮᱫᱟ ᱾ ᱯᱳᱯᱳ ᱫᱚ ᱛᱥᱩᱠᱤᱭᱳ ᱟᱡ ᱫᱚᱭ ᱜᱚᱡ ᱞᱟᱹᱜᱤᱫ ᱮ ᱢᱮᱱ ᱠᱮᱜᱼᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚᱭ ᱵᱟᱹᱜᱤᱭᱟᱫᱼᱟ᱾

ᱡᱚᱠᱷᱚᱱ ᱜᱟᱶᱛᱟ ᱨᱩᱣᱟ.ᱲ ᱮᱱᱟ ᱟᱨ ᱯᱳᱯᱯᱳ ᱠᱚ ᱵᱚᱫᱚᱞ ᱠᱮᱫᱮᱭᱟ, ᱛᱥᱩᱠᱤᱭᱳ ᱫᱚ ᱩᱱᱠᱩ ᱟᱨ ᱩᱱᱠᱩ ᱨᱮᱱ ᱯᱮᱭᱟ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱠᱚᱭ ᱜᱚᱡ ᱠᱮᱫᱟ । ᱚᱱᱠᱟᱱ ᱚᱠᱛᱚ ᱨᱮ ᱜᱮ ᱯᱳᱯᱯᱳ ᱫᱚ ᱩᱱᱤᱭᱟᱜ ᱛᱟᱭᱚᱢ ᱛᱮᱭ ᱪᱟᱞᱟᱜ-ᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱮᱱᱮᱡ ᱵᱟᱰᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱩᱠᱞᱤ ᱮᱫ-ᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱜᱟᱶᱛᱟ ᱫᱚ ᱩᱱᱤ ᱜᱮᱭ ᱵᱩᱡᱷᱟ. ᱚᱱᱚᱬᱦᱮ ᱫᱚ ᱯᱳᱯᱳ ᱟᱨ ᱛᱥᱩᱠᱤᱭᱳ ᱵᱟᱱᱟᱨ ᱜᱮ ᱟᱯᱟᱨᱴᱢᱮᱸᱴ ᱪᱮᱛᱟᱱ ᱠᱷᱚᱱ ᱡᱟᱹᱯᱩᱫ ᱠᱟᱛᱮ ᱠᱚ ᱜᱚᱡ ᱮᱱᱟ ᱥᱟᱶᱛᱮ ᱢᱩᱪᱟᱹᱫᱚᱜᱼᱟ ᱾

ᱯᱟᱴ ᱠᱟᱹᱢᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱯᱮᱯᱯᱳ ᱪᱩᱨᱤᱛ ᱨᱮ ᱢᱤᱢᱤ ᱠᱳᱡᱚᱠᱩᱨᱟ ᱾
ᱥᱩᱠᱤᱳ ᱪᱩᱨᱤᱛ ᱨᱮ ᱢᱤᱥᱤᱳ ᱮᱠᱤᱭᱟᱢᱟ ᱾

ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱠᱳᱡᱤ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ 1963 ᱠᱷᱚᱱ 1965 ᱥᱟᱹᱦᱤᱛ ᱢᱩᱫᱨᱮ ᱱᱤᱠᱚᱠᱛᱩ ᱥᱴᱤᱭᱩᱫᱤᱭᱳ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟᱭ ᱟᱨ ᱚᱱᱟ ᱚᱠᱛᱮ ᱨᱮ 20 ᱜᱚᱴᱟᱝ ᱠᱷᱚᱥᱛᱟᱣᱟᱱ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱮ ᱪᱟᱪᱟᱞᱟᱣ ᱞᱮᱫᱟ ᱾ ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤᱭᱟᱜ ᱜᱚᱞᱮᱠ ᱪᱤᱛᱟᱹᱨ ' ᱥᱤᱠᱨᱮᱴᱥ ᱵᱤᱦᱤᱱᱰ ᱫᱟ ᱳᱣᱟᱞ ' (1965) ᱥᱚᱨᱠᱟᱨ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱵᱟᱝ ᱧᱟᱢ ᱞᱮᱱᱟ , ᱩᱱ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱫᱚ ᱟᱡᱟᱜ ᱯᱨᱚᱰᱚᱠᱥᱚᱱ ᱠᱳᱢᱯᱟᱱᱤ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱠᱚᱠᱛᱩ ᱮ ᱢᱩᱪᱟᱹᱫ ᱠᱮᱫᱟ 1960 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱥᱮᱫ ᱟᱭᱟᱜ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱠᱚᱫᱚ ᱟᱹᱰᱤ ᱠᱚᱢ ᱵᱟᱡᱮᱴ ᱨᱮᱭᱟᱜ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ , ᱢᱮᱱᱠᱷᱟᱱ ᱡᱟᱣᱜᱮ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱦᱳᱭᱳᱜᱼᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱨᱟᱡᱟᱹᱨᱤ ᱠᱟᱛᱷᱟ ᱥᱟᱶ ᱡᱳᱜᱳᱜ ᱟᱨ ᱟᱹᱰᱤ ᱰᱷᱮᱨ ᱦᱤᱝᱥᱟ ᱥᱟᱞᱟᱜ ᱥᱮᱞᱮᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱠᱤᱪᱷᱩ ᱜᱟᱱ ᱚᱠᱛᱟᱣᱟᱱ ᱠᱚ ᱢᱮᱱ ᱟᱠᱟᱫᱟ ᱡᱮ , ᱱᱚᱶᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱥᱮᱱᱥᱚᱨᱥᱤᱯ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱞᱤᱥ ᱠᱷᱟᱹᱛᱤᱨ ᱛᱮ ᱵᱮᱼᱵᱟᱹᱛᱤᱞ ᱩᱪᱷᱟᱹᱱ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱥᱚᱨᱠᱟᱨ ᱴᱷᱮᱱ ᱢᱤᱫᱴᱟᱝ ᱩᱭᱦᱟᱹᱨ ᱟᱱᱟᱜ ᱠᱚ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱟ ᱾ ᱯᱮᱨᱤᱠ ᱢᱮᱥᱤᱭᱟᱥᱟ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ " ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱞᱮᱠᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱ ᱚᱠᱛᱚ ᱦᱟᱹᱵᱤᱡ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱨᱟᱡᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱟᱹᱰᱤ ᱵᱟᱹᱲᱛᱤ ᱟᱨ ᱥᱳᱭᱛᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱟᱹᱰᱤ ᱡᱟᱹᱥᱛᱤ ᱯᱚᱨᱱ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾

ᱱᱚᱶᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ 10,00,000 ᱤᱭᱮᱱ (ᱯᱨᱟᱭ 5,00,000 ᱢᱟᱨᱠᱤᱱ ᱰᱚᱞᱟᱨ) ᱠᱷᱚᱱ ᱠᱚᱢ ᱜᱚᱱᱚᱝ ᱛᱮ ᱵᱮᱱᱟᱣ ᱦᱳᱭ ᱞᱮᱱᱟ , ᱡᱟᱦᱟᱸ ᱠᱷᱟᱹᱛᱤᱨ ᱛᱮ ᱴᱷᱟᱶ ᱨᱮ ᱥᱩᱴᱤᱭᱩᱢ ᱠᱚᱨᱟᱣ , ᱢᱤᱫᱼᱛᱮ ᱦᱟᱛᱟᱣ ᱟᱨ ᱥᱟᱪᱟᱨᱚᱡᱤᱛᱚ ᱮᱞᱟᱨᱟᱣ ᱥᱟᱶᱛᱮ ᱟᱹᱰᱤ ᱰᱷᱮᱨ ᱠᱷᱚᱨᱚᱪ ᱠᱚᱢ ᱨᱮᱭᱟᱜ ᱦᱚᱨᱟ ᱠᱚ ᱞᱟᱹᱠᱛᱤ ᱞᱮᱱᱟ ᱾ ᱥᱟᱫᱷᱟᱨᱚᱱᱛᱚ ᱢᱩᱲᱩᱫ ᱞᱮᱠᱟᱛᱮ ᱠᱚᱞᱚᱠ ᱟᱨ ᱥᱳᱭᱚᱴᱚ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱨᱮ ᱡᱟᱦᱟᱸ ᱚᱠᱛᱮ ᱨᱮ ᱱᱚᱣᱟ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱜᱟᱭᱟᱱ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱞᱟᱹᱜᱤᱫ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱵᱨᱟᱶ ᱵᱮᱣᱦᱟᱨ ᱦᱩᱭᱩᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱚᱠᱛᱮ ᱨᱮ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱟᱜ ᱟᱭᱢᱟ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟ ' ᱜᱳ ' ' ᱥᱮᱠᱮᱱᱰ ᱴᱟᱭᱢ ᱵᱷᱟᱨᱡᱤᱱ ' ᱡᱟᱹᱥᱛᱤ ᱜᱮ ᱢᱤᱫᱴᱟᱝ ᱴᱷᱟᱶ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟᱼ ᱢᱤᱫᱴᱟᱝ ᱮᱯᱟᱨᱴᱢᱮᱱᱴ ᱨᱮᱭᱟᱜ ᱥᱩᱨ ᱨᱮ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱠᱚᱢ ᱵᱟᱡᱮᱴ ᱥᱟᱶ ᱯᱩᱱ ᱢᱟᱦᱟ ᱢᱩᱫᱨᱮ ᱥᱩᱴᱤᱭᱩᱴ ᱠᱚᱨᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾^[᱑]

ᱥᱟᱛᱟᱢ ᱟᱨ ᱠᱟᱹᱨᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱩᱭᱦᱟᱹᱨᱤᱭᱟᱹ ᱰᱳᱱᱟᱴᱳ ᱴᱳᱴᱚᱨᱳ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ " ᱡᱳᱜᱮᱡ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱮᱴᱟᱜ ᱡᱩᱭᱟᱹᱱ ᱨᱮᱭᱟᱜ ᱩᱪᱷᱟᱹᱱ (ᱤᱨᱳᱥ ᱟᱨ ᱜᱚᱡ) " ᱢᱮᱱᱛᱮ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ ᱾^[᱑] ᱩᱱᱤ ᱟᱨᱦᱚᱸ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ ᱡᱮ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱫᱚ ᱡᱟᱣᱜᱮ ᱟᱡᱟᱜ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱚᱱᱟ ᱚᱠᱛᱚ ᱠᱚ ᱫᱚᱦᱚ ᱞᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱮᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱥᱟᱵᱟᱫᱚ ᱵᱤᱨᱤᱫ ᱠᱟᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱞᱤᱥ ᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱜᱳ ᱜᱳ ᱫᱚᱥᱟᱨ ᱚᱠᱛᱚ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱨᱮ ᱢᱤᱫ ᱚᱠᱛᱮ ᱨᱮ ᱯᱮᱯᱳ ᱫᱚ ᱥᱤᱜᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱠᱮᱢᱮᱨᱟ ᱨᱮ ᱧᱮᱞ ᱞᱮᱱᱟ ᱟᱨ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱡᱟᱦᱟᱱ ᱪᱩᱨᱤᱛ ᱫᱚ ᱵᱟᱝ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱛᱚᱛᱛᱚᱨ ᱨᱮᱱ ᱧᱮᱞᱟᱱ ᱠᱚ ᱞᱟᱹᱭ ᱞᱮᱫᱟ , " ᱤᱧᱟᱹᱜ ᱟᱭᱳ ᱫᱚ ᱜᱟᱹᱛ ᱜᱟᱹᱞ ᱞᱮᱱᱟ ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱤᱧ ᱡᱟᱱᱟᱢ ᱞᱮᱫᱮᱭᱟ ᱾ ᱜᱚᱡ ᱛᱟᱭᱚᱢ ᱟᱢ ᱵᱟᱨ ᱦᱚᱲ ᱪᱮᱫ ᱚᱱᱟ ᱫᱟᱜᱧᱩᱥ ᱠᱟᱱᱟ ᱥᱮ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱚᱱᱟ ᱫᱟᱜᱫᱩᱱᱩᱥ ᱠᱚ ᱦᱚᱭᱩᱜ ᱟ ᱾ ᱪᱮᱫ ᱞᱮᱠᱟ ᱠᱟᱪ ᱠᱟᱱᱟ ᱾ ᱪᱮᱫ ᱟᱱᱟᱴᱼᱠᱨᱤᱪ ᱤᱧ ᱛᱤᱨᱞᱟᱹ ᱫᱚ ᱵᱟᱝ ᱠᱟᱱᱟ ᱾ ᱤᱧ ᱫᱚ ᱵᱟᱝ ᱫᱚᱠᱟᱹᱭ ᱠᱟᱱᱟ , ᱵᱟᱝ ᱫᱚᱠᱦᱟ ᱵᱟᱝ ᱠᱟᱱᱟ ᱾ ᱤᱧ ᱠᱟᱧᱟᱹᱜᱼᱟ ᱵᱟᱝ ᱾ ᱤᱧ ᱪᱮᱫᱦᱚᱸ ᱵᱟᱝ ᱫᱚᱠᱷᱟᱹᱧᱚᱜᱼᱟ ᱾ ᱟᱭ , ᱟᱭᱢ , ᱪᱮᱫᱦᱚᱸ ᱵᱟᱝ ᱫᱚᱠᱲᱚᱜ ᱠᱟᱱᱟ ᱾ᱟᱢ ᱫᱚ ᱯᱷᱟᱠ ᱢᱮ ᱾ᱟᱢ ᱫᱚ ᱯᱷᱟᱠ ᱢᱮ ᱾^[᱑]

ᱯᱮᱨᱤᱠ ᱢᱮᱥᱤᱭᱟᱥ ᱮ ᱢᱮᱱ ᱟᱠᱟᱫᱟ ᱡᱮ , ᱜᱳᱣ ᱜᱳᱣ ᱫᱚᱥᱟᱨ ᱚᱠᱛᱚ ᱵᱷᱟᱨᱡᱤᱱ ᱨᱮᱭᱟᱜ ᱟᱭᱢᱟ ᱥᱟᱛᱟᱢ ᱟᱱᱟᱜ ᱨᱟᱡᱽ ᱟᱹᱨᱤ ᱟᱨ ᱥᱳᱭᱞᱤ ᱟᱱᱟᱜ ᱥᱟᱛᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱥᱟᱶ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱢᱮᱥᱟᱣ ᱟᱫᱟᱪᱤ ᱡᱩᱭᱟᱹᱱ ᱾ ᱢᱮᱥᱤᱭᱟᱥ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ ᱱᱚᱣᱟ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟ " ᱱᱤᱛᱦᱚᱸ ᱮᱴᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱢᱤᱫ ᱠᱟᱛᱮ " ᱰᱤᱥᱡᱟᱝᱠᱴᱤᱵᱷ ᱱᱟᱶᱟ ᱳᱣᱮᱵᱷ ᱥᱳᱭᱤᱞ " , ᱮᱥᱴᱮᱱᱴᱮᱞᱤᱥᱴ ᱰᱨᱮᱰ " ᱥᱮᱰᱤᱥᱚᱢ " ᱟᱨ ᱜᱳᱨᱮ " , ᱥᱟᱱᱟᱢᱟᱜ ᱜᱮ ᱢᱤᱫᱴᱟᱝ ᱠᱷᱚᱥᱴᱟᱵᱽᱫᱚ ᱞᱮᱠᱟᱛᱮ ᱥᱩᱥᱴᱨᱤᱝ ᱵᱟᱡᱮᱴ ᱨᱮ ᱾

ᱰᱮᱵᱤᱰ ᱰᱮᱥᱟᱨ ᱵᱟᱨᱭᱟᱼᱥᱟᱠᱷᱟᱹᱭ ᱥᱟᱞᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱫᱚ ᱥᱤᱱᱡᱩ (ᱵᱳᱱᱨᱟᱠᱩ ᱟᱨ ᱠᱟᱵᱩᱠᱤ ᱞᱮᱠᱟᱱ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱡᱚᱯᱚᱱᱤᱥ ᱜᱟᱭᱟᱱ ᱨᱩᱯ ᱨᱮ ᱜᱟᱛᱮᱭᱟᱜ ᱟᱡᱜᱩᱭᱟᱹ) ᱥᱟᱞᱟᱜ ᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱛᱷᱤᱭᱴᱟᱨ ᱨᱮ ᱯᱳᱯᱳ ᱟᱨ ᱥᱩᱠᱤᱳ ᱟᱜ ᱵᱟᱝᱼᱥᱟᱠᱷᱟᱹᱛᱮ ᱟᱡ ᱜᱚᱡ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱦᱤᱸᱥ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱢᱤᱥᱤᱭᱩᱠᱤ ᱼᱛᱮᱼᱡᱟᱠᱟᱱᱟᱜᱼᱠᱟᱵᱛᱤᱠ ᱢᱩᱪᱟᱹᱫ ᱥᱟᱸᱜᱷᱟᱨᱼ ᱥᱟᱞᱟᱜ ᱾^[᱒] ᱰᱮᱥᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱱᱟᱯᱟᱭ ᱵᱮᱣᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱦᱚᱸ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱫᱟ ᱾ ᱢᱤᱫ ᱚᱠᱛᱮ ᱥᱩᱠᱤᱣ ᱫᱚ ᱟᱡ ᱟᱭᱳ ᱴᱷᱮᱱ ᱢᱤᱫᱴᱟᱝ ᱥᱮᱨᱮᱧ ᱮ ᱥᱮᱨᱮᱧ ᱞᱮᱫᱟ ᱾ ᱜᱟᱨᱥᱩᱭᱤᱱ ᱟᱜ ' ᱥᱟᱢᱟᱨᱴᱟᱭᱚᱢ ' ᱟᱨ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱫᱷᱚᱨᱚᱢ ᱟᱱᱟᱜ ' ᱠᱤᱪᱷᱩ ᱚᱠᱛᱮ ᱤᱧ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱮ ᱜᱤᱫᱽᱨᱟᱹ ᱞᱮᱠᱟ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ' ᱟᱨ ᱚᱱᱟ ᱥᱟᱶᱛᱮ ᱯᱮᱴᱤ ᱳᱭᱟᱴᱟᱨᱥ ᱟᱜ ' ᱵᱞᱟᱠ ᱤᱡᱽ ᱫᱟ ᱠᱚᱞᱟᱨ ᱚᱯᱷ ᱤᱧᱟᱹᱜ ᱴᱩᱨᱮ ᱞᱟᱵᱷᱥ ᱦᱟᱨ ' ᱨᱮᱭᱟᱜ ᱮᱵᱷᱮᱱᱴᱼᱜᱟᱨᱰ ᱡᱮᱡᱽ ᱦᱚᱨᱟ ᱫᱚ ᱥᱱᱰᱨᱟᱠ ᱨᱮ ᱥᱮᱨᱮᱧ ᱠᱚ ᱥᱮᱨᱮᱧᱼᱟ ᱾^[᱓]

ᱢᱚᱱᱳᱡᱳᱜᱽ ᱵᱤᱵᱮᱥᱤᱠ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨᱼᱠᱨᱤᱴᱤᱠ / theorist Pieter - Jan Van Haeckeʼ ᱱᱚᱶᱟ ᱫᱚ " ᱥᱟᱶᱛᱟ ᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱪᱤᱱᱦᱟᱹ " ᱞᱮᱠᱟᱛᱮ ᱧᱮᱞ ᱟᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱪᱤᱱᱦᱟᱹ ᱟᱱᱟᱜ ᱴᱷᱟᱶ ᱠᱟᱱᱟ , ᱡᱟᱦᱟᱫᱚ ᱡᱩᱭᱟᱹᱱ ᱠᱚᱣᱟᱜ ᱜᱷᱟᱹᱞᱟᱱ ᱥᱟᱛᱟᱢ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱚᱨᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱞᱮᱠᱟᱛᱮ , ᱢᱮᱱᱠᱷᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱵᱟᱝ ᱥᱤᱜᱤᱞᱟᱱ ᱾^[᱔] ᱩᱱᱤ ᱫᱚ ᱡᱩᱠᱛᱤ ᱞᱮᱫᱟᱭ ᱡᱮ ᱱᱚᱶᱟ ᱨᱩᱯ ᱛᱮ ᱜᱮ ᱜᱳ ᱜᱳ ᱫᱚᱥᱟᱨ ᱚᱠᱛᱚ ᱵᱷᱟᱨᱡᱤᱱ ᱱᱚᱶᱟ ᱠᱟᱛᱷᱟ ᱪᱮᱛᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱥᱟᱶᱛᱟᱟᱹᱨᱤ ᱵᱤᱪᱷᱱᱟᱶ ᱨᱮ ᱵᱮᱱᱟᱣ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱡᱮ ᱡᱚᱯᱚᱱᱤᱥ ᱥᱟᱶᱛᱟ ᱫᱚ ᱜᱷᱟᱹᱞ ᱟᱠᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮ ᱠᱚᱢ ᱵᱟᱹᱲᱤᱡ ᱰᱟᱦᱟᱨ ᱯᱟᱸᱡᱟ ᱧᱟᱢ ᱨᱮ ᱜᱚᱲᱚ ᱞᱟᱹᱜᱤᱫ ᱮ ᱵᱟᱝ ᱥᱤᱜᱤᱞ ᱟᱠᱟᱱᱟ ᱾

ᱠᱨᱤᱴᱤᱠᱟᱞ ᱨᱤᱥᱮᱯᱥᱟᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱡᱚᱯᱚᱱ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱥᱮᱫ ᱨᱮ ᱟᱭᱢᱟ ᱫᱤᱱ ᱠᱷᱚᱱ ᱵᱟᱝ ᱵᱟᱰᱟᱭ ᱞᱮᱱ ᱨᱮᱦᱚᱸ ᱠᱳᱡᱤ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱫᱚ ' ᱜᱚᱞᱮᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱥᱚᱨᱮᱥ ᱥᱚᱨᱮᱥ ᱥᱟᱯᱲᱟᱣᱤᱡ ' ᱟᱨ 1960 ᱜᱮᱞᱟᱝ ᱨᱮ ᱡᱚᱯᱚᱱ ᱨᱮᱱ ᱢᱩᱲᱩᱫ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱠᱚ ᱢᱩᱫᱽᱨᱮ ᱢᱤᱫ ᱦᱚᱲ ' ᱢᱮᱱᱛᱮ ᱠᱚ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ ᱾^[᱕]^[᱖] ᱜᱳᱣᱳ ᱥᱮᱠᱤᱱᱰ ᱴᱟᱭᱢ ᱵᱷᱟᱨᱡᱤᱱ ᱳᱣᱟᱠᱟᱢᱚᱛᱥᱩ ᱟᱜ ᱥᱚᱨᱮᱥ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ , ᱢᱮᱱᱠᱷᱟᱱ ᱤᱝᱨᱮᱡᱤ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱡᱮᱜᱮᱫ ᱨᱮ ᱟᱭᱢᱟ ᱫᱤᱱ ᱠᱷᱚᱱ ᱵᱟᱝ ᱧᱟᱢᱚᱜ ᱠᱷᱟᱹᱛᱤᱨ ᱛᱮ ᱤᱝᱨᱮᱡᱤ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱱᱚᱣᱟ ᱵᱤᱵᱮᱫᱟ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾^[᱗]

ᱱᱳᱴᱠᱚ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

↑ ^᱑.᱐ ^᱑.᱑ ^᱑.᱒ Totaro, Donato (May 31, 2003). "Koji Wakamatsu's Go, Go Second Time Virgin". Roman Porno Revisited. Retrieved 2007-05-14.
↑ Desser, p.105.
↑ Desser, p.104.
↑ pvhaecke (2019-04-17). "Go, Go Second Time Virgin (1969) review". psycho-cinematography (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-07-06.
↑ "Go, Go Second Time Virgin (DVD review)". mondo-digital.com. Retrieved 2007-05-14. Not for everyone, obviously, but this is a good place to start to learn more about a director who remains almost entirely unknown in the West.
↑ Desser, p.99.
↑ "Go Go Second Time Virgin (Yuke yuke nidome no shojo - Japan, 1969)". www.sarudama.com/. Retrieved 2007-05-14. This is a well-known film by controversial director Koji Wakamatsu, in which he again lives up to his reputation as "Master of the Pink Movie".

[Totaro-1] ᱑.᱐ ^᱑.᱑ ^᱑.᱒ Totaro, Donato (May 31, 2003). "Koji Wakamatsu's Go, Go Second Time Virgin". Roman Porno Revisited. Retrieved 2007-05-14.

[2] Desser, p.105.

[Desser-104-3] Desser, p.104.

[4] vhaecke (2019-04-17). "Go, Go Second Time Virgin (1969) review". psycho-cinematography (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-07-06.

[mondo-digital-5] "Go, Go Second Time Virgin (DVD review)". mondo-digital.com. Retrieved 2007-05-14. Not for everyone, obviously, but this is a good place to start to learn more about a director who remains almost entirely unknown in the West.

[6] Desser, p.99.

[7] "Go Go Second Time Virgin (Yuke yuke nidome no shojo - Japan, 1969)". www.sarudama.com/. Retrieved 2007-05-14. This is a well-known film by controversial director Koji Wakamatsu, in which he again lives up to his reputation as "Master of the Pink Movie".

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