ᱢᱟᱢᱛᱟ ᱥᱚᱝᱠᱚᱨ
ᱢᱟᱢᱛᱟ ᱥᱟᱝᱠᱚᱨ (ᱡᱟᱱᱟᱢ 7 ᱡᱟᱱᱩᱭᱟᱹᱨᱤ 1955) ᱢᱤᱫ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱟᱨ ᱮᱱᱮᱡ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱟᱝᱞᱟ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱟᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ ᱞᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱚᱛᱛᱚᱡᱤᱛ ᱨᱟᱭ, ᱢᱨᱤᱱᱟᱞ ᱥᱮᱱ,ᱨᱤᱴᱩᱯᱚᱨᱱᱳ ᱜᱳᱥ, ᱵᱳᱫᱽᱫᱷᱫᱮᱵ ᱫᱟᱥ ᱜᱩᱯᱛᱚ ᱟᱨ ᱜᱳᱣᱛᱚᱢ ᱜᱳᱥ ᱥᱟᱶᱛᱮ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱠᱚᱣᱟᱜ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱯᱟᱴᱷ ᱟᱠᱟᱫᱟ ᱾ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫᱦᱚᱲ ᱮᱱᱮᱡ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱟᱨ ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱟᱨ[᱑] ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱮᱨᱮᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱯᱟᱱᱰᱤᱛ ᱨᱚᱵᱤᱥᱚᱝᱠᱚᱨ ᱨᱮᱱ ᱵᱷᱟᱹᱱᱛᱤ ᱮ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱵᱚᱭᱦᱟ ᱟᱱᱚᱱᱫᱚ ᱥᱟᱝᱠᱚᱨ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱢᱤᱫ ᱦᱚᱲ ᱤᱱᱰᱳᱼᱵᱷᱮᱥᱴᱟᱨᱱ ᱯᱷᱤᱭᱩᱡᱚᱱ ᱥᱮᱹᱨᱮᱹᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱾
ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]1955 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱡᱟᱱᱩᱭᱟᱹᱨᱤ ᱨᱮ ᱮᱱᱮᱡ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱚᱫᱽᱩᱫᱚᱭ ᱥᱟᱝᱠᱚᱨ ᱟᱨ ᱚᱢᱟᱞᱟ ᱥᱟᱝᱠᱚᱨ ᱨᱮᱱ ᱚᱲᱟᱜ ᱨᱮᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱢᱟᱢᱛᱟ ᱥᱟᱝᱠᱚᱨ [᱒] ᱩᱱᱤ ᱚᱢᱟᱞᱟ ᱥᱟᱝᱠᱚᱨ ᱟᱜ ᱟᱜᱶᱛᱟ ᱨᱮ ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮᱭᱟᱜ ᱩᱫᱟᱭ ᱥᱟᱝᱠᱚᱨ ᱤᱱᱰᱤᱭᱟ ᱞᱟᱠᱪᱟᱨ ᱛᱟᱞᱢᱟ ᱨᱮ ᱮᱱᱮᱡ ᱟᱨ ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱤ ᱨᱮ ᱥᱮᱪᱮᱫᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱓]
ᱠᱟᱹᱢᱤᱡᱤᱭᱚᱱ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]ᱥᱝᱜᱚᱨ 1976 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱢᱨᱤᱱᱟᱞ ᱥᱮᱱ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱟᱯᱲᱟᱣ 'ᱢᱨᱤᱜᱚᱭ' ᱛᱟᱞᱟᱛᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱚᱱᱟ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱮᱥ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱥᱤᱨᱯᱟᱹᱭ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾
ᱥᱟᱝᱠᱚᱨ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟᱭ ᱟᱨ 1986 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱ ᱚᱫᱽᱭᱟᱱᱼᱢᱚᱢᱛᱟ ᱥᱟᱝᱠᱚᱨ ᱮᱱᱮᱡ ᱠᱳᱢᱯᱟᱱᱤ ᱮ ᱪᱟᱪᱟᱞᱟᱣ ᱞᱮᱫ ᱛᱟᱦᱮᱸ ᱟᱨ 'ᱢᱟᱢᱛᱟ ᱥᱟᱝᱠᱚᱨ ᱵᱮᱞᱮᱴ ᱴᱨᱚᱯ' ᱥᱟᱶ ᱡᱮᱜᱮᱫ ᱨᱮ ᱟᱹᱰᱤ ᱜᱟᱱ ᱥᱟᱸᱜᱷᱟᱨ ᱞᱮᱫᱟᱭ ᱾ ᱜᱟᱫᱮᱞ 1978 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱱᱟ ᱟᱨ 1979 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱨᱚᱵᱤᱱᱫᱨᱚᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱟᱜ ᱠᱟᱹᱢᱤ, ᱪᱚᱱᱫᱟᱞᱤᱠᱟ ᱪᱮᱛᱟᱱ ᱴᱮᱦᱟᱴ ᱠᱟᱛᱮ ᱟᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱥᱟᱯᱲᱟᱣ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱛᱟᱭᱚᱢ ᱦᱮᱡ ᱮᱱᱟ ᱦᱳᱨᱤᱠᱷᱮᱞᱟ, ᱟᱡᱠᱚᱨ ᱮᱠᱞᱟᱵᱚ,ᱢᱤᱞᱚᱯ,ᱥᱤᱠᱟᱨ, ᱢᱟᱨᱮ ᱚᱛᱤᱢ, ᱚᱢᱨᱤᱛᱥᱚᱯᱩᱛᱛᱨᱚ ᱟᱨ ᱥᱟᱵᱟᱨᱤ [᱔]
ᱱᱤᱡᱮᱨ ᱡᱤᱭᱚᱱ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]ᱢᱟᱢᱛᱟ ᱥᱟᱝᱠᱚᱨ ᱪᱚᱱᱫᱨᱳᱫᱮ ᱥᱟᱝᱠᱚᱨ ᱥᱟᱶᱛᱮ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟᱭ ᱾ ᱵᱟᱨ ᱦᱚᱲ ᱨᱮᱱ ᱵᱟᱨᱭᱟ ᱠᱚᱲᱟ ᱜᱤᱫᱽᱨᱟᱹ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ, ᱨᱚᱛᱩᱞ ᱥᱟᱝᱠᱚᱨ ᱟᱨ ᱨᱟᱡᱤᱛ ᱥᱟᱝᱠᱚᱨ ᱾ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱢᱮᱛᱷᱩᱱ ᱪᱚᱠᱨᱚᱵᱚᱨᱤ ᱥᱟᱶᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱹᱰᱤ ᱜᱟᱛᱮᱭ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ ᱾
ᱥᱤᱨᱯᱟᱹ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]- 1992: ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱥᱤᱨᱯᱟᱹ ᱼ ᱠᱷᱟᱥ ᱡᱩᱨᱤ ᱥᱤᱨᱯᱟᱹ (ᱯᱷᱤᱪᱟᱨ ᱯᱷᱤᱞᱢ) ᱼ ᱟᱜᱟᱱᱛᱩᱠ
- 1993ᱼ "ᱥᱟᱠᱷᱟ ᱯᱨᱚᱥᱚᱠᱷᱟ" ᱞᱟᱹᱜᱤᱫ ᱵᱤ ᱮᱯᱷ ᱡᱮ ᱮ ᱥᱤᱨᱯᱟᱹ ᱼ ᱥᱚᱨᱮᱥ ᱜᱟᱛᱮ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱥᱤᱨᱯᱟᱹ ᱾
- 2000: ᱵᱤ ᱮᱯᱷ ᱡᱮ ᱮ ᱥᱤᱨᱯᱟᱹ ᱼ "ᱟᱯᱚᱥᱚᱵ" ᱞᱟᱹᱜᱤᱫ ᱥᱚᱨᱮᱥ ᱜᱚᱲᱚ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱥᱤᱨᱯᱟᱹ ᱾
ᱯᱷᱤᱞᱢᱳᱜᱨᱟᱯᱷᱤ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]- ᱢᱨᱤᱜᱟᱭᱟ (ᱫᱚ ᱨᱚᱭᱮᱞ ᱦᱟᱱᱴ, ᱑᱙᱗᱖)
- ᱳᱠᱟ ᱚᱣᱨᱤ ᱠᱟᱛᱷᱟ (ᱫᱤ ᱢᱟᱨᱜᱤᱱᱟᱞ ᱳᱱᱥ ᱟᱨᱵᱟᱝ ᱚᱣᱴᱥᱟᱭᱰᱟᱨᱥ, ᱑᱙᱗᱗)
ᱫᱩᱨᱟᱴᱣᱟ ᱟᱠ.ᱟ.ᱰᱤ.ᱮᱥ. (᱑᱙᱗᱘)
- Ek Din Pratidin (And Quiet Rolls the Dawn or One Day Like Another (USA), ᱑᱙᱗᱙)
- Kharij (The Case Is Closed, 1982)
- ᱜᱤᱨᱤᱦᱟᱡᱩᱫᱷᱫᱷᱟ (ᱠᱨᱚᱥᱨᱚᱰᱥ, ᱑᱙᱘᱒)
- ᱰᱷᱟᱠᱟᱞ (ᱫᱤ ᱚᱠᱭᱩᱯᱮᱥᱚᱱ, ᱑᱙᱘᱒)
- ᱜᱚᱱᱚᱥᱚᱛᱨᱩ (An Enemy of the People, 1989)
- ᱥᱟᱠᱷᱟ ᱯᱨᱚᱥᱚᱠᱷᱚ (ᱫᱤ ᱵᱽᱨᱮᱪᱥ ᱚᱯᱷ ᱫᱽ ᱴᱨᱤ ᱟᱨᱵᱟᱝ Les Branches de L'arbre, ᱑᱙᱙᱑)
- Agantuk (The Stranger aka Le Visiteur, 1991)
- ᱥᱩᱱᱤᱭᱟ ᱛᱷᱮᱠᱮ ᱥᱩᱨᱩ (ᱮ ᱨᱤᱴᱚᱨᱱᱴ ᱴᱩ ᱡᱮᱨᱳ, ᱑᱙᱙᱓)
- ᱯᱨᱚᱡᱟᱯᱚᱛᱤ (᱑᱙᱙᱓)
- ᱥᱳᱯᱟᱱ (᱑᱙᱙᱔)
- ᱫᱟᱦᱟᱱ (ᱠᱨᱚᱥᱯᱭᱟᱨ, ᱑᱙᱙᱗)
- ᱩᱛᱥᱚᱵᱽ (ᱫᱤ ᱯᱷᱮᱥᱴᱤᱵᱟᱞ, ᱒᱐᱐᱐)
- ᱵᱳᱝ ᱠᱚᱱᱮᱠᱥᱚᱱ, (᱒᱐᱐᱖)
- ᱥᱟᱢᱩᱫᱽᱨᱟ ᱥᱟᱠᱥᱤ, (᱒᱐᱐᱖)
- ᱵᱟᱞᱤᱜᱚᱸᱡᱽ ᱠᱳᱨᱴ, (᱒᱐᱐᱗)
- ᱰᱨᱤᱥᱴᱤ ᱯᱨᱚᱫᱤᱯ (᱒᱐᱐᱘)
- ᱟᱵᱷᱳᱦᱳᱢᱟᱱ (ᱫᱤ ᱮᱴᱚᱨᱱᱚᱞ, ᱒᱐᱑᱐)
- ᱡᱚᱬᱤ ᱫᱭᱟᱠᱟ ᱦᱚᱵᱮ (᱒᱐᱑᱑)
- ᱨᱚᱱᱡᱟᱱᱟ ᱟᱢᱤ ᱟᱨ ᱟᱥᱵᱳᱱᱟ (᱒᱐᱑᱑)
- ᱡᱟᱛᱤᱥᱣᱚᱨ (᱒᱐᱑᱔)
- ᱚᱜᱚᱱᱛᱩᱠᱤᱨ ᱯᱳᱨᱮ (᱒᱐᱑᱕)
- ᱯᱚᱸᱡᱟᱵᱽ (᱒᱐᱑᱖)
- ᱢᱚᱪᱟᱨ ᱡᱷᱳᱞ (᱒᱐᱑᱗)
- ᱯᱷᱞᱮᱴ ᱮᱞ ᱖᱐᱙ (᱒᱐᱑᱘)
- ᱥᱟᱦ ᱡᱚᱦᱟᱱ ᱨᱤᱜᱮᱱᱥᱤ (᱒᱐᱑᱙)
- ᱥᱮᱥᱚᱨ ᱜᱳᱞᱯᱳ (᱒᱐᱑᱙)
- ᱟᱱᱴᱟᱨᱫᱷᱟᱱ (᱒᱐᱒᱑)
- ᱵᱷᱳᱴᱵᱷᱳᱴᱤ (᱒᱐᱒᱒)
- ᱟᱱᱴᱟᱨᱞᱤᱱ
- ᱯᱷᱞᱮᱴ ᱱᱟ. 609
- ᱯᱨᱳᱡᱟᱯᱳᱛᱤ (᱒᱐᱒᱒)
- ᱥᱤᱵᱽᱯᱩᱨ (᱒᱐᱒᱓)
- ᱯᱟᱞᱟᱱ (᱒᱐᱒᱓)
- ᱵᱤᱡᱳᱭᱟᱨ ᱯᱳᱨᱮ (᱒᱐᱒᱓)
- ᱯᱨᱚᱫᱷᱟᱱ (᱒᱐᱒᱓)
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ
[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]- ↑ Chakraborty, Shamayita (25 July 2020). "Ma's dance moves had a message: Mamata Shankar | Kolkata News". The Times of India (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 15 January 2022.
- ↑ She was the niece of musician Pandit Ravi Shankar. Her brother, Ananda Shankar, was an Indo-Western fusion musician.
- ↑ Milestones Official biography.
- ↑ She enjoys the reputation of a classic ‘modern’ dancer The Tribune, 27 March 2006.
- ↑ Quoting , Jennifer Dunnings of New York Times :- "A vibrant theatrical experience. What distinguished the work was its way of telling a story so that the most jaded dance goers in the audience were lulled into rapt absorption." This was in 1983 , while she reviewed ; "Aajker Ekalabya" ; a ballet on the theme of Guru-Disciple relationship as prevalent in the present day society.
- ↑ "SNA: Events 2001-2002::". sangeetnatak.gov.in. Archived from the original on 2 April 2015. Retrieved 1 September 2015.
- ↑ "Mamata Shankar". mamatashankardancecompany.org. Retrieved 1 September 2015.