ᱢᱳᱱᱟ ᱫᱟ ᱵᱷᱟᱨᱡᱤᱱ ᱱᱤᱢᱯᱷ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

ᱢᱳᱱᱟ (ᱢᱳᱱᱟ ᱫᱟ ᱵᱷᱟᱨᱡᱤᱱ ᱱᱤᱱᱯᱷᱚ ᱧᱩᱛᱩᱢᱛᱮ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱ) ᱑᱙᱗᱐ ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱠᱤᱱ ᱯᱷᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱤᱞ ᱳᱥᱠᱳᱣ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱟᱯᱲᱟᱣ ᱟᱨ ᱡᱩᱰᱤ ᱮᱱᱡᱮᱞ ᱡᱮᱨᱟᱰ ᱵᱨᱟᱣᱞᱟᱨᱰ ᱳᱨᱤᱱ ᱱᱚᱨᱛᱷ ᱥᱩᱥᱚᱱ ᱥᱴᱤᱣᱟᱨᱴ ᱟᱨ ᱯᱷᱤᱯᱷᱤ ᱳᱭᱟᱴᱥᱚᱱ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ ᱾ ᱟᱹᱱ ᱨᱮᱭᱟᱜ ᱚᱡᱮᱛᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱨᱮᱰᱤᱴ ᱵᱮᱜᱚᱨ ᱜᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾[᱑] ᱮᱱᱰᱤ ᱳᱣᱟᱨᱦᱳᱞ ᱟᱜ ᱵᱞᱩ ᱢᱩᱵᱷᱤ (᱑᱙᱖᱙) ᱛᱟᱭᱚᱢ ᱱᱚᱶᱟ ᱫᱚ ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱛᱚᱛᱛᱚᱨ ᱨᱮ ᱪᱷᱟᱹᱲ ᱧᱟᱢ ᱫᱚᱥᱟᱨ ᱡᱳᱜᱟᱹᱣᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱢᱮᱱᱛᱮ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱮᱱᱛᱮ ᱨᱮᱦᱚᱸ ' ᱵᱞᱩ ᱢᱩᱵᱷᱤ ' (ᱡᱟᱦᱟᱫᱚ ᱪᱤᱛᱟᱹᱨ ᱚᱞ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱨᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ) ᱞᱮᱠᱟ ' ᱢᱳᱱᱟ ' ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱪᱤᱛᱟᱹᱨ ᱛᱟᱹᱞᱤᱠᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ , ᱮᱱᱛᱮ ᱨᱮᱦᱚᱸ ᱮᱠᱥᱚᱱ ᱪᱮᱛᱟᱱ ᱨᱮ ᱡᱟᱹᱥᱛᱤ ᱡᱳᱨ ᱮᱢ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾[᱒]

ᱢᱳᱱᱟ ᱵᱟᱝ ᱥᱤᱢᱩᱞᱤᱴ ᱡᱳᱜᱟᱹᱣ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ (ᱯᱮᱱᱤᱴᱮᱨᱮᱴᱤᱵᱷ ᱟᱨ ᱵᱟᱝ ᱯᱮᱱᱤᱴᱮᱨᱮᱴ ᱵᱟᱱᱟᱨ) ᱥᱟᱶ ᱮᱴᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱰᱟᱦᱟᱨ ᱵᱮᱱᱟᱣ ᱨᱮ ᱜᱚᱲᱚ ᱞᱮᱫᱮᱭᱟ ᱡᱟᱦᱟᱸ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱛᱮ ᱯᱳᱨᱱ ᱨᱮᱭᱟᱜ ᱥᱳᱱᱟ ᱢᱟᱦᱟ ᱚᱠᱛᱮ (1969ᱼ1984) ᱨᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱟᱝ ᱮᱥᱮᱨ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾ ᱰᱤᱯ ᱛᱷᱨᱳᱴ (1972), ᱫᱟᱹᱭᱠᱟᱹ ᱞᱮᱠᱟᱛᱮ , ᱢᱳᱱᱟ ᱟᱜ ᱪᱚᱞᱚᱠ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱠᱚ ᱨᱤᱱ ᱛᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱾[᱓]

᱑᱙᱗᱔ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ' ᱯᱷᱞᱮᱥ ᱜᱳᱨᱰᱚᱱ ' ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱠᱚᱣᱟᱜ ᱠᱟᱹᱣᱰᱤ ᱜᱚᱲᱚ ᱞᱟᱹᱜᱤᱫ 2 ᱠᱳᱴᱤ ᱰᱚᱞᱟᱨ ᱨᱮᱭᱟᱜ ᱟᱨᱡᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱢᱮᱱᱛᱮ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱜᱟᱫᱮᱞ ᱫᱚ ᱦᱟᱨᱞᱳᱴ (1971) ᱪᱤᱛᱟᱹᱨ ᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱟᱨ ᱳᱥᱠᱳ ᱛᱟᱭᱚᱢᱛᱮ ᱚᱱᱟ ᱞᱮᱠᱟ ᱩᱫᱩᱜᱥᱚᱫᱚᱨ ᱮᱞᱤᱥ ᱤᱱ ᱳᱣᱟᱱᱰᱟᱨᱞᱮᱱᱰ (1976) ᱪᱤᱛᱟᱹᱨ ᱮ ᱥᱟᱯᱲᱟᱣ ᱞᱮᱫᱟ ᱾

ᱯᱞᱚᱴ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱢᱳᱱᱟ (ᱯᱷᱤᱯᱤ ᱣᱚᱴᱥᱚᱱ) ᱟᱨ ᱟᱡᱤᱡ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱡᱤᱢ (ᱳᱨᱨᱤᱱ ᱱᱚᱨᱛᱷ) ᱢᱤᱫ ᱯᱤᱠᱱᱤᱠ ᱠᱚᱨᱟᱣ ᱮᱫᱟ, ᱟᱨ ᱩᱱᱠᱩ ᱵᱟᱱᱟᱨ ᱜᱮ ᱡᱚᱡᱚᱢ ᱠᱟᱛᱮ ᱠᱚ ᱨᱚᱯᱚᱲ ᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱢᱟᱢ (ᱡᱩᱰᱤ ᱮᱸᱡᱮᱞ) ᱥᱟᱞᱟᱜ ᱥᱟᱹᱜᱟᱹᱭ ᱵᱟᱭ ᱦᱟᱛᱟᱣ ᱟᱫᱮᱭᱟ ᱢᱮᱱᱛᱮᱭ ᱵᱚᱸᱜᱟ ᱛᱟᱞᱟ ᱮᱱᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱩᱱᱤ ᱡᱤᱢ ᱨᱮ ᱟᱞᱜᱟ ᱛᱮ ᱯᱷᱮᱞᱮᱥᱤᱭᱚ ᱮᱢᱟᱭᱮᱱᱟ ᱾ ᱩᱱᱤ ᱚᱲᱟᱜ ᱛᱮᱭ ᱨᱩᱣᱟ.ᱞ ᱞᱮᱱ ᱠᱷᱟᱱ ᱟᱡ ᱟᱭᱳ ᱫᱚ ᱟᱡᱟᱜ ᱦᱩᱫᱤᱥ ᱟᱨ ᱟᱭᱳ ᱦᱚᱸ ᱟᱡ ᱵᱟᱵᱟ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱢᱟᱬᱟᱝ ᱨᱮ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱤᱫ ᱱᱟᱯᱟᱭ ᱦᱚᱲ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱛᱟᱭᱚᱢ ᱢᱳᱱᱟ ᱫᱚ ᱟᱡ ᱵᱟᱵᱟ (ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱦᱤᱯ ᱠᱷᱚᱱ ᱞᱟᱛᱟᱨ ᱦᱟᱹᱵᱤᱡ ᱜᱮ ᱧᱮᱞᱚᱜ-ᱟ) ᱥᱟᱶ ᱠᱷᱮᱞ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱩᱥᱤᱭᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱᱤ ᱟᱡ ᱨᱮ ᱯᱷᱮᱞᱮᱥᱴᱤᱳ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱩᱥᱤᱭᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱛᱟᱭᱚᱢ ᱫᱚ ᱵᱟᱦᱮᱨ ᱮᱱᱟᱭ ᱟᱨ ᱢᱤᱫ ᱵᱟᱰᱟᱭ ᱦᱚᱲ ᱴᱷᱮᱱ ᱛᱮᱭᱟᱨ ᱞᱮᱫᱟᱭ ᱾ ᱛᱟᱭᱚᱢ, ᱢᱤᱫ ᱠᱩᱲᱤ (ᱥᱩᱥᱟᱱ ᱥᱴᱣᱟᱨᱴ) ᱫᱚ ᱟᱡ ᱨᱮ ᱠᱚᱱᱱᱤᱞᱤᱝᱜᱩᱥ (cunnilingus) ᱮᱢᱟᱭ ᱾ ᱛᱟᱭᱚᱢᱛᱮ ᱢᱤᱫ ᱦᱚᱲ ᱵᱷᱩᱥᱚᱠ (ᱥᱩᱥᱟᱱ ᱥᱴᱤᱣᱟᱨᱴ) ᱩᱱᱤ ᱪᱮᱛᱟᱱ ᱨᱮ ᱠᱚᱱᱱᱤᱞᱤᱝᱜᱟᱥ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱮᱴᱟᱜ ᱥᱮᱫ ᱡᱤᱢᱟ ᱢᱳᱱᱟ ᱚᱲᱟᱜ ᱨᱮ ᱛᱟᱦᱮᱱ ᱟᱨ ᱟᱡ ᱟᱭᱳ ᱥᱟᱶ ᱡᱳᱜᱟᱡᱳᱜ ᱠᱚᱨᱟᱣ ᱞᱮᱫᱟᱭ ᱾ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱢᱳᱱᱟ ᱥᱩᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱠᱚᱲᱟ ᱪᱚᱛᱩᱨᱚᱠ (ᱡᱮᱨᱟᱰ ᱵᱨᱟᱣᱞᱟᱨᱰ) ᱪᱮᱛᱟᱱ ᱨᱮ ᱟᱡᱛᱮ ᱟᱡᱛᱮ ᱟᱡᱼᱵᱩᱴᱟᱹ ᱠᱟᱛᱮ ᱟᱨ ᱜᱟᱛᱮ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱯᱟᱴᱷ ᱟᱠᱟᱫᱟᱭ ᱾ ᱡᱤᱢ ᱩᱱᱠᱩ ᱠᱚ ᱦᱟᱢᱮᱴ ᱠᱮᱫᱟ ᱟᱨ ᱩᱱᱤ ᱮ ᱢᱮᱱ ᱠᱮᱫᱟ ᱡᱮ ᱩᱱᱤ ᱡᱟᱦᱟᱸᱭ ᱠᱚ ᱥᱟᱶ ᱳᱣᱟᱨᱮᱞ ᱥᱤᱠᱮᱥ ᱠᱚᱨᱟᱣ ᱞᱮᱫᱟᱭ ᱩᱱᱠᱩ ᱥᱟᱱᱟᱢ ᱦᱚᱲ ᱠᱚ ᱯᱷᱳᱱ ᱠᱟᱛᱮ ᱩᱱᱤ ᱫᱚ ᱥᱟᱨᱦᱟᱶ ᱮ ᱮᱢᱼᱟ ᱾ ᱡᱤᱢ ᱢᱳᱱᱟ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱵᱮᱰ ᱥᱟᱞᱟᱜ ᱮ ᱵᱚᱱᱫᱷᱟᱹᱭᱼᱟ ᱟᱨ ᱟᱡ ᱨᱮᱱ ᱢᱟᱲᱟᱝ ᱨᱮᱱ ᱥᱟᱱᱟᱢ ᱜᱟᱛᱮ ᱩᱱᱤ ᱠᱚ ᱜᱷᱟᱹᱨᱰᱩ ᱠᱟᱛᱮ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱟᱹᱰᱤ ᱡᱮᱞᱮᱧ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱡᱳᱨ ᱟᱱ ᱳᱣᱟᱨᱮᱞ ᱥᱮᱠᱚᱥ ᱯᱮᱨᱤᱴᱤ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱢᱳᱱᱟ ᱟᱨ ᱩᱱᱤ ᱟᱭᱳ ᱵᱟᱱᱟᱨ ᱜᱮ ᱩᱱᱠᱩᱣᱟᱜ ᱡᱳᱜᱟᱹᱣ ᱤᱫᱤ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱥᱤᱠᱟᱹᱨ ᱞᱮᱫᱟ ᱾

ᱯᱟᱴ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  • ᱡᱩᱰᱤ ᱮᱱᱡᱮᱞ (ᱢᱳᱱᱟ ᱨᱮᱱ ᱟᱭᱳ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱝ ᱥᱤᱜᱤᱞ ᱟᱠᱟᱱᱟ)
  • ᱡᱮᱨᱟᱰ ᱵᱨᱟᱣᱞᱟᱨᱰ (ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱛᱚᱛᱛᱚᱨ ᱨᱮᱱ ᱯᱚᱨᱚᱥᱚᱠ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱝ ᱥᱤᱜᱤᱞ)
  • ᱳᱨᱤᱱ ᱩᱛᱛᱚᱨ (ᱵᱟᱝ ᱥᱤᱜᱤᱞ) ᱡᱤᱢ ᱞᱮᱠᱟᱛᱮ
  • ᱥᱩᱥᱟᱱ ᱥᱴᱤᱣᱟᱨᱴ (ᱵᱟᱝ ᱥᱤᱠᱟᱹᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱷᱚᱥᱴᱟ ᱞᱮᱠᱟᱛᱮ)
  • ᱯᱷᱤᱯᱷᱤ ᱳᱭᱟᱴᱥᱚᱱ (ᱢᱳᱱᱟ ᱧᱩᱛᱩᱢ ᱛᱮ ᱵᱟᱝ ᱩᱯᱨᱩᱢ ᱟᱠᱟᱱᱟ)

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. "Flesh Gordon Interview 3". PicPal.com. Archived from the original on August 28, 2008. Retrieved July 16, 2013.
  2. "Pornography". Pornography Girl. Archived from the original on May 6, 2008. Retrieved July 16, 2013. The first explicitly pornographic film with a plot that received a general theatrical release in the U.S. is generally considered to be Mona (Mona the Virgin Nymph)...
  3. "Sex in Cinema: 1970 Greatest and Most Influential Erotic / Sexual Films and Scenes". Film Site. p. 21. Retrieved January 16, 2012. This film's storyline was borrowed, to some degree, by Gerard Damiano's Deep Throat (1972).