ᱥᱟᱨᱠᱟᱞ ᱮᱱᱮᱡ

ᱥᱟᱨᱠᱮᱞ ᱮᱱᱮᱡ ᱪᱤᱱ ᱮᱱᱮᱡ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱢᱤᱫ ᱠᱟᱹᱨᱤ ᱟᱱᱟᱜ ᱥᱟᱶᱛᱟ ᱨᱮᱭᱟᱜ ᱮᱱᱮᱡ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱠᱛ, ᱥᱮᱪᱚᱠ ᱥᱮ ᱢᱤᱫᱴᱟᱝ ᱵᱷᱟᱠᱲ ᱨᱮ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱥᱟᱸᱶᱛᱮ ᱠᱚᱨᱟᱣ ᱦᱳᱭᱳᱜᱼᱟ, ᱡᱮᱞᱮᱠᱟ ᱛᱟᱞᱼᱵᱩᱫᱟᱹ ᱟᱨ ᱥᱮᱨᱮᱧ, ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱮᱱᱮᱡ ᱡᱟᱦᱟᱸ ᱨᱮ ᱡᱟᱦᱟᱸᱭ ᱜᱮ ᱜᱟᱛᱮ ᱠᱚᱣᱟᱜ ᱞᱟᱹᱠᱛᱤ ᱵᱮᱜᱚᱨ ᱥᱮᱞᱮᱫ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱞᱤᱱᱟᱜ ᱮᱱᱮᱡ ᱠᱷᱚᱱ ᱮᱴᱟᱜ, ᱥᱟᱨᱠᱮᱞ ᱮᱱᱮᱡ ᱠᱚ ᱢᱤᱫ ᱵᱟᱨ ᱥᱟᱶ ᱢᱤᱫ ᱦᱚᱲ ᱥᱟᱶ ᱢᱤᱫ ᱦᱚᱲ ᱥᱟᱶᱛᱮ ᱡᱳᱜᱟᱡᱳᱜ ᱛᱟᱦᱮᱸᱱᱟᱼ ᱡᱳᱜᱟᱡᱩᱠ ᱫᱚ ᱛᱤᱼᱛᱮᱼᱦᱚ, ᱛᱤᱼᱛᱮᱼᱦᱟᱝ ᱥᱮ ᱛᱤᱼᱛᱮᱼᱥᱩᱝᱜᱤ ᱛᱟᱞᱟᱛᱮ ᱵᱮᱱᱟᱣ ᱦᱳᱭᱳᱜᱼᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱩᱱᱠᱩ ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱚᱛᱨᱮ ᱟᱹᱭᱩᱨ ᱠᱚ ᱯᱟᱞᱟᱣᱼᱟ ᱾ ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱩᱛᱱᱟᱹᱣ ᱟᱱ ᱜᱟᱫᱮᱞ ᱨᱮᱭᱟᱜ ᱵᱩᱡᱩᱱ ᱥᱮ ᱢᱤᱫᱴᱟᱝ ᱩᱭᱦᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾

ᱦᱩᱭᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱢᱟᱨᱮᱱ ᱠᱷᱚᱱ ᱢᱟᱨᱮᱱ ᱮᱱᱮᱡ ᱵᱮᱱᱟᱣ ᱠᱷᱟᱹᱛᱤᱨ, ᱥᱟᱨᱠᱮᱞ ᱮᱱᱮᱡ ᱫᱚ ᱟᱭᱢᱟ ᱞᱟᱠᱪᱟᱨ ᱨᱮ ᱟᱹᱰᱤ ᱜᱟᱱ ᱟᱠᱷᱲᱟ, ᱟᱠᱷᱲᱟ, ᱜᱟᱛᱟᱠ ᱠᱚ ᱫᱟᱲᱮ ᱟᱨ ᱢᱤᱫ ᱥᱟᱶᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱮᱱ ᱥᱮᱨᱣᱟ ᱠᱟᱱᱟ ᱾ ᱥᱟᱨᱠᱮᱞ ᱮᱱᱮᱡ ᱥᱮᱨᱮᱧ ᱟᱨ ᱛᱟᱞ ᱨᱮᱭᱟᱜ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱦᱚᱨᱟᱛᱮ ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱤᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱱᱟᱦᱟᱜ ᱨᱩᱠᱮᱞ ᱮᱱᱮᱡ ᱨᱮ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱦᱚᱲ ᱮᱱᱮᱡ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱩᱬᱩᱫ ᱞᱮᱠᱟᱛᱮ ᱤᱭᱩᱨᱳᱯᱤᱭᱟᱱ ᱥᱮ ᱥᱩᱨ ᱯᱩᱨᱵᱚ ᱯᱷᱮᱰᱟᱛ ᱠᱷᱚᱱ, ᱱᱟᱦᱟᱜ ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱷᱟᱨ ᱟᱠᱟᱱ ᱥᱟᱶ ᱢᱟᱨᱮᱱ ᱟᱨ ᱱᱟᱦᱟᱜ ᱵᱟᱱᱟᱨ ᱥᱮᱨᱮᱧ ᱨᱮ ᱾ ᱥᱟᱥᱛᱚᱨ ᱥᱮᱨᱮᱧ ᱩᱱᱚᱠᱛᱚ ᱥᱮᱨᱮᱧ ᱨᱮ ᱱᱟᱶᱟ ᱨᱩᱠᱮᱞ ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱵᱟᱹᱲᱛᱤ ᱟᱱ ᱨᱩᱴᱮᱨ ᱢᱮᱱᱟᱜᱼᱟ ᱾^[᱑]

ᱦᱟᱹᱴᱤᱧ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱱᱟᱜᱟᱢ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱵᱚᱞᱠᱟᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

12 ᱥᱚᱛᱟᱵᱫᱤ ᱢᱩᱪᱟᱹᱫ ᱠᱷᱚᱱ 16 ᱥᱚᱛᱟᱵᱫᱤ ᱫᱷᱟᱹᱵᱤᱡ ᱵᱳᱥᱱᱤᱭᱟ ᱟᱨ ᱦᱟᱨᱥᱮᱜᱳᱵᱷᱤᱱᱟ ᱨᱮ ""ᱥᱴᱤᱠᱤ"" (ᱢᱤᱫ ᱞᱮᱠᱟᱱ "ᱥᱴᱮᱠᱟᱠ") ᱧᱩᱛᱩᱢ ᱛᱮ ᱧᱩᱛᱩᱢ ᱟᱠᱟᱱ ᱛᱟᱞᱟ ᱢᱟᱦᱟ ᱨᱮᱭᱟᱜ ᱴᱟᱢᱵᱥᱴᱳᱱ ᱨᱮ ᱥᱤᱞᱟᱞᱤᱯᱤ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱢᱮᱱᱟᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱢᱤᱫᱴᱟᱝ ᱪᱤᱱᱨᱮ ᱮᱱᱮᱡ ᱠᱚ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ ᱾ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱠᱷᱚᱞᱟᱹ ᱨᱮ ᱛᱤ ᱤᱫᱤ ᱠᱟᱛᱮ ᱢᱤᱫ ᱥᱟᱶᱛᱮ ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱡᱟᱦᱟᱸ ᱚᱠᱛᱮ ᱜᱟᱫᱮᱞ ᱠᱚ ᱥᱩᱢᱩᱝ ᱢᱤᱫᱴᱟᱝ ᱜᱮᱝᱥᱮᱨ ᱠᱚ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾^[᱒]^[᱓]

ᱢᱮᱠᱫᱮᱱᱤᱭᱟ, ᱡᱮᱞᱮᱴᱳᱵᱷᱳ ᱥᱟᱦᱟᱨ ᱴᱷᱮᱱ, ᱞᱮᱥᱱᱳᱵᱷᱳ ᱟᱜ ᱢᱟᱱᱥᱴᱨᱤ ᱨᱮ (ᱞᱮᱥᱱᱳᱵᱷᱟ ᱢᱟᱱᱟᱥᱴᱤᱨ) 14 ᱥᱚᱛᱟᱵᱫᱤ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱢᱤᱫ ᱜᱟᱫᱮᱞ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱚ ᱢᱤᱫᱴᱟᱝ ᱜᱳᱞ ᱱᱟᱪᱚᱱ ᱨᱮ ᱛᱤᱼᱵᱩᱴᱟᱹ ᱥᱮᱞᱮᱫ ᱠᱟᱛᱮ ᱠᱚ ᱩᱫᱩᱜᱟ ᱾^[᱔] 1344 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱱᱟᱜᱟᱢ ᱨᱮ ᱡᱮᱫᱟᱨ ᱥᱟᱦᱟᱨ ᱨᱮᱱ ᱦᱚᱲᱠᱚ ᱢᱤᱫᱴᱟᱝ ᱯᱚᱨᱚᱵᱽ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱨᱮᱧ ᱟᱨ ᱨᱩᱠᱮᱞ ᱮᱱᱮᱡ ᱞᱟᱹᱜᱤᱫ ᱮ ᱱᱮᱦᱚᱨ ᱡᱮᱫᱟᱨ ᱨᱮᱦᱚᱸ, ᱜᱮᱞ ᱜᱮᱞ ᱥᱚᱛᱟᱵᱫᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱫᱷᱚᱨᱚᱢ ᱠᱟᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱚᱞᱼᱫᱩᱠᱛᱚ ᱨᱮ ᱵᱚᱞᱜᱮᱨᱤᱭᱟ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱛᱷᱟ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱪᱤᱱ ᱮᱱᱮᱡ ᱫᱚ "ᱥᱚᱛᱤᱥ ᱟᱨ ᱵᱟᱹᱲᱤᱡ" ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱱ ᱟᱠᱟᱫᱟ ᱾^[᱕]

ᱢᱮᱴᱮᱨᱮᱱᱤᱭᱟᱱᱟᱜ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱚᱛᱟᱵᱫᱤ ᱨᱮ, ᱡᱳᱵᱷᱟᱱᱤ ᱵᱳᱠᱠᱟᱥᱤᱳ ᱠᱚᱲᱟ ᱟᱨ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱩᱱᱠᱩᱣᱟᱜ ᱥᱮᱨᱮᱧ ᱥᱮ ᱥᱮᱨᱮᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚ ᱥᱟᱶᱛᱮ ᱨᱩᱠᱮᱞ ᱱᱟᱪ ᱨᱮᱭᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱞᱮᱫᱟᱭ ᱾^[᱖] 1338-1340 ᱚᱞ ᱟᱢᱵᱨᱳᱡᱤᱳ ᱞᱳᱨᱮᱱᱡᱮᱴᱤᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱯᱷᱨᱮᱥᱠᱳ ᱨᱮ ᱢᱤᱫ ᱜᱟᱫᱮᱞ ᱛᱤᱨᱞᱟᱹ ᱢᱤᱫᱴᱟᱝ "ᱵᱨᱤᱡ" ᱪᱤᱛᱟᱹᱨ ᱠᱚᱨᱟᱣ ᱧᱮᱞ ᱟᱠᱟᱱᱟ ᱟᱨ ᱩᱱᱤ ᱥᱟᱶᱛᱮ ᱟᱨ ᱢᱤᱫ ᱛᱤᱨᱞᱟᱹ ᱴᱟᱢᱵᱳᱨᱤᱱ ᱠᱷᱮᱞᱳᱰ ᱟᱠᱟᱫᱟᱭ ᱾^[᱗]

ᱳᱴᱟᱢᱚᱱ ᱥᱟᱢᱨᱟᱡᱡᱚ ᱨᱮᱭᱟᱜ ᱨᱟᱡᱽᱜᱟᱲ ᱠᱚᱱᱥᱴᱟᱱᱴᱤᱱᱯᱳᱞ ᱨᱮ ᱵᱟᱨ ᱦᱚᱲ ᱯᱚᱪᱷᱤᱢ ᱤᱭᱩᱨᱳᱯᱤᱭᱚ ᱥᱟᱸᱜᱷᱟᱨᱤᱭᱟᱹ ᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱢᱮᱱᱟᱜᱼᱟ ᱾ 1577 ᱥᱟᱹᱦᱤᱛ, ᱥᱟᱞᱳᱢᱚᱱ ᱥᱩᱭᱤᱜᱜᱟᱨ ᱜᱨᱤᱠ ᱵᱟᱯᱞᱟ ᱨᱮᱭᱟᱜ ᱜᱷᱚᱴᱱᱟ ᱠᱚ ᱵᱚᱨᱱᱚᱱ ᱟᱠᱟᱫᱟ ᱾^[᱘]

ᱥᱠᱮᱱᱰᱤᱱᱮᱵᱷᱤᱭᱟ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱱᱟᱦᱟᱜ ᱮᱱᱮᱡ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱯᱩᱨᱵᱚ ᱤᱭᱩᱨᱳᱯ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱦᱳᱨᱟ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

↑ {{cite book}}: Empty citation (help)
↑ Alojz Benac "Chapter XIII: Medieval Tombstones (Stećci)" in {{cite book}}: Empty citation (help)
↑ {{cite book}}: Empty citation (help)
↑ "Historical view on the Lesnovo monastery". Ilija Velev (University of Skopje). Archived from the original on 6 July 2011. Retrieved 15 November 2010.
↑ {{cite book}}: Empty citation (help)
↑ Nosow, Robert (1985). "Dancing the Righoletto". Journal of Musicology. 24 (3): 407–446. doi:10.1525/jm.2007.24.3.407.
↑ {{cite book}}: Empty citation (help)
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[gilbert-1] {{cite book}}: Empty citation (help)

[2] Alojz Benac "Chapter XIII: Medieval Tombstones (Stećci)" in {{cite book}}: Empty citation (help)

[3] {{cite book}}: Empty citation (help)

[4] "Historical view on the Lesnovo monastery". Ilija Velev (University of Skopje). Archived from the original on 6 July 2011. Retrieved 15 November 2010.

[5] {{cite book}}: Empty citation (help)

[6] Nosow, Robert (1985). "Dancing the Righoletto". Journal of Musicology. 24 (3): 407–446. doi:10.1525/jm.2007.24.3.407.

[bragaglia-7] {{cite book}}: Empty citation (help)

[Schweigger_1964-8] {{cite book}}: Empty citation (help)

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