ᱫᱤᱥ ᱤᱡᱽ ᱦᱟᱨᱰᱠᱚᱨ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ


ᱫᱟᱹᱥ ᱤᱡᱽ ᱦᱟᱨᱰᱠᱚᱨ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱤᱝᱨᱮᱡᱤ ᱵᱮᱱᱰ ᱯᱚᱞᱯ ᱟᱜ ᱛᱩᱨᱩᱭ ᱟᱱᱟᱜ ᱮᱞᱵᱟᱢ ᱾ 1998 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱪ ᱪᱟᱸᱫᱳ ᱨᱮ ᱪᱷᱟᱹᱲ ᱧᱟᱢ ᱠᱟᱛᱮ , ᱱᱚᱶᱟ ᱫᱚ ᱩᱱᱠᱩᱣᱟᱜ ᱥᱤᱜᱤᱞ ᱮᱞᱵᱟᱢ ' ᱰᱤᱯᱷᱟᱨᱮᱱᱴ ᱠᱞᱟᱥ ' ᱨᱮᱭᱟᱜ ᱯᱮ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ ᱦᱮᱡ ᱞᱮᱱᱟ ᱟᱨ ᱚᱵᱷᱟᱵᱽ ᱥᱟᱞᱟᱜ ᱚᱱᱟ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱞᱮᱫᱟ ᱾

ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱟᱨ ᱪᱷᱟᱹᱲ ᱾[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱰᱤᱯᱷᱟᱨᱮᱱᱴ ᱠᱞᱟᱥ ᱨᱮᱭᱟᱜ ᱟᱹᱰᱤ ᱜᱟᱱ ᱥᱤᱜᱤᱞ ᱛᱟᱭᱚᱢ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ ᱥᱮᱨᱢᱟ ᱨᱮ ᱵᱮᱱᱰ ᱨᱮ ᱜᱷᱟᱹᱞ ᱮ ᱵᱟᱹᱲᱛᱤ ᱞᱮᱱᱟ ᱾ ᱜᱤᱭᱴᱟᱨᱥᱴ ᱟᱨ ᱵᱷᱚᱭᱞᱤᱱᱤᱡ ᱨᱚᱥᱮᱞ ᱥᱤᱱᱤᱭᱟᱨ ᱠᱳᱠᱟᱨ ᱧᱩᱛᱩᱢᱟᱱ ᱞᱮᱠᱟᱛᱮ ᱪᱟᱞᱟᱣ ᱠᱟᱛᱮ ᱵᱮᱱᱰ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱦᱤᱸᱥ ᱠᱷᱚᱱ ᱵᱷᱮᱜᱟᱨ ᱠᱟᱛᱮ ᱚᱞ ᱟᱨ ᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱞᱮᱠᱟᱱ ᱱᱤᱭᱳᱨᱠ ᱮ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾[᱑]

ᱵᱮᱱᱰ ᱨᱮᱭᱟᱜ ᱞᱟᱦᱟ ᱮᱞᱵᱚᱢ ' ᱫᱟᱤᱥ ᱤᱡᱽ ᱦᱟᱨᱰᱠᱳᱨ ' ᱤᱭᱩᱠᱮ ᱮᱞᱵᱚᱢ ᱪᱟᱨᱴ ᱨᱮ 1 ᱟᱱᱟᱜ ᱴᱷᱟᱣ ᱨᱮᱭ ᱥᱮᱴᱮᱨ ᱞᱮᱱᱟ ᱢᱮᱱᱠᱷᱟᱱ ᱟᱹᱰᱤ ᱠᱚᱢ ᱟᱹᱠᱷᱨᱤᱧ ᱠᱟᱛᱮ ᱟᱨ ᱵᱤᱪᱷᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱱᱟᱯᱟᱭ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣ ᱞᱮᱫᱟ ' ᱟᱨ ' ᱯᱩᱞᱯ ' ᱫᱚ 1998 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱠᱩᱨᱤ ᱥᱤᱨᱯᱟᱹ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱥᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱱᱟᱣ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱒][᱓]

ᱱᱚᱶᱟ ᱫᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱯᱮᱴᱟᱨ ᱥᱮᱵᱷᱤᱞ ᱟᱨ ᱢᱟᱨᱠᱤᱱ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣᱤᱡ ᱡᱚᱱ ᱠᱩᱨᱤᱱ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱟᱯᱲᱟᱣ ᱟᱠᱟᱱ ᱠᱟᱹᱨᱤ , ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱹᱰᱤ ᱵᱟᱹᱲᱛᱤ ᱛᱤᱨᱞᱟᱹ ᱨᱩᱯ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱟᱱᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ ᱞᱮᱱᱟᱭ ᱾ ᱪᱤᱛᱟᱹᱨ ᱦᱟᱛᱟᱣᱤᱡ ᱢᱚᱰᱮᱞ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱠᱮᱥᱮᱱᱤᱭᱟ ᱥᱳᱵᱪᱚᱠ[᱔] ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱫᱚ ᱟᱨᱦᱚᱸ ᱰᱤᱡᱴᱤᱞᱤ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱨᱰ ᱳᱣᱟᱠᱯᱷᱤᱞᱰ ᱫᱟᱨᱟᱭ ᱛᱮ ᱵᱮᱣᱦᱟᱨ ᱦᱩᱭ ᱞᱮᱱᱟ , ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱮᱞᱵᱟᱢ ᱫᱚ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟᱭ ᱾[᱕] ᱠᱩᱨᱤᱱ ᱟᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ' ᱫᱟ ᱱᱮᱵᱷᱟᱨ ᱮᱱᱰᱤᱝ ᱥᱴᱳᱨᱤ ' ᱪᱮᱛᱟᱱ ᱴᱮᱦᱟᱴ ' ᱦᱮᱞᱯ ᱫᱟ ᱮᱡᱮᱰ ' ᱵᱷᱤᱰᱤᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱨᱤ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱮ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ ᱾ ᱞᱚᱱᱰᱚᱱ ᱚᱱᱴᱨᱚᱱᱰ ᱵᱚᱱᱫᱮᱡ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱ ᱮᱞᱵᱟᱢ ᱨᱮᱭᱟᱜ ᱠᱚᱵᱷᱟᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱩᱪᱷᱟᱹᱱ ᱯᱮᱥᱴᱟᱨ ᱠᱚ ᱜᱨᱟᱯᱷᱛᱤ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚ ᱫᱟᱨᱟᱭ ᱛᱮ " ᱱᱚᱶᱟ ᱫᱚ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱚᱯᱷᱮᱱᱰ ᱟᱠᱟᱫᱟ " ᱟᱨ " ᱱᱚᱶᱟ ᱫᱚ ᱥᱮᱠᱥᱤᱥᱴᱚ ᱥᱮ " ᱱᱚᱶᱟ ᱫᱚ ᱰᱤᱢᱮᱱᱤᱝ " ᱞᱮᱠᱟᱱ ᱥᱳᱞᱜᱟᱱ ᱥᱟᱞᱟᱜ ᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾[᱖][᱗]

ᱱᱚᱶᱟ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱢᱤᱣᱡᱤᱠ ᱵᱷᱤᱰᱤᱭᱳ ᱫᱚ ᱰᱚᱜᱽ ᱱᱤᱠᱚᱞ (Doug Nichol) ᱦᱚᱛᱮᱛᱮ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱟᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ NME ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱔᱗ ᱟᱱᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱵᱷᱤᱰᱤᱭᱳ ᱞᱮᱠᱟᱛᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱑᱙᱙᱘ ᱥᱮᱨᱢᱟ ᱨᱮ "This Is Glastonbury" ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫ ᱵᱚᱱᱩᱥ ᱞᱟᱭᱤᱵᱽ ᱥᱤᱰᱤ ᱦᱚᱸ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ᱾ ᱑᱑ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱐᱖ ᱨᱮ ᱱᱚᱶᱟ ᱦᱟᱨᱰᱠᱳᱨ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱰᱤᱞᱚᱠᱥ ᱮᱰᱤᱥᱚᱱ ᱵᱮᱵᱦᱟᱨ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮ ᱫᱚᱥᱟᱨ ᱰᱤᱥᱠ ᱨᱮᱱᱟᱜ ᱵᱤ-ᱥᱟᱭᱰ, ᱰᱮᱢᱳ ᱟᱨ ᱨᱟᱨᱤᱴᱤ ᱢᱮᱱᱟᱜᱼᱟ ᱾

ᱵᱮᱯᱟᱨᱤᱭᱟᱹ ᱠᱟᱹᱢᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱱᱚᱶᱟ ᱮᱞᱵᱚᱢ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱨᱮ ᱕᱐,᱐᱐᱐ ᱜᱟᱱ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱰᱤᱯᱷᱮᱨᱮᱱᱴ ᱠᱞᱟᱥ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱨᱮ ᱑᱓᱓,᱐᱐᱐ ᱜᱟᱱ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱘] ᱮᱞᱵᱟᱢ ᱫᱚ 1998 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱮᱯᱨᱤᱞ ᱨᱮ 1,00,000 ᱴᱟᱠᱟ ᱟᱹᱠᱷᱨᱤᱧ ᱞᱟᱹᱜᱤᱫ ᱵᱤᱯᱤ ᱟᱭ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱳᱱᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱹᱵᱩᱫ ᱮᱢ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱱᱤᱞᱥᱮᱱ ᱥᱩᱱᱰᱥᱠᱟᱱ ᱞᱮᱠᱟᱛᱮ 2008 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱞᱮᱠᱷᱟ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮ 86,000 ᱠᱚᱯᱤ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱠᱚ ᱟᱹᱠᱷᱨᱤᱧ ᱟᱠᱟᱫᱟ ᱾

ᱢᱟᱱᱟᱣ ᱟᱨ ᱵᱤᱨᱟᱹᱫᱟᱹᱞᱤ ᱾[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱯᱤᱱ ᱨᱮ ᱚᱞ ᱠᱟᱛᱮ ᱱᱤᱠ ᱦᱳᱨᱱᱵᱤ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟᱭ ᱡᱮ ᱮᱞᱵᱟᱢ ᱨᱮ " ᱤᱱᱞᱮᱱᱰ ᱨᱮᱱ ᱵᱮᱼᱯᱷᱟᱹᱛᱤᱞ ᱠᱟᱵᱤ ᱡᱤᱛᱠᱟᱹᱨ ᱡᱟᱨᱵᱷᱤᱥ ᱠᱳᱠᱟᱨ ᱟᱭᱟᱜ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱠᱟᱶᱰᱤ ᱫᱚ ᱱᱟᱯᱟᱭ ᱠᱚᱨᱟᱣ ᱟᱠᱟᱫᱟ ᱾ ᱨᱳᱞᱤᱝ ᱥᱴᱳᱱ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ ᱡᱮ , ' ᱫᱟᱡᱽ ᱦᱟᱨᱰᱠᱳᱨ ' ᱱᱚᱣᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱠᱷᱚᱱ ᱦᱚᱸ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱟᱨ ᱱᱟᱯᱟᱭ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ , ᱢᱮᱱᱠᱷᱟᱱ ' ᱟᱨᱦᱚᱸ ᱰᱷᱮᱨ ᱫᱟᱨᱤ ᱟᱨ ᱜᱚᱴᱟ ᱞᱮᱠᱟᱛᱮ ᱢᱚᱱᱮ ᱦᱩᱭ ᱞᱮᱱᱟ ' ᱢᱮᱱᱛᱮ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱨᱦᱟᱣ ᱞᱮᱫᱟᱭ , ᱢᱮᱱ ᱠᱟᱛᱮ ' ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟ ᱠᱷᱮᱞᱳᱰ ᱟᱠᱟᱫᱟᱭ ' , ᱢᱤᱫᱴᱟᱝ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱵᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱧᱮᱞ ᱧᱟᱢ ᱟᱠᱟᱱᱟ ' ᱟᱨ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ ᱡᱮ ' ᱱᱚᱶᱟ ᱫᱚ ᱜᱚᱴᱟ ᱞᱮᱠᱟᱛᱮ ᱯᱳᱭᱞᱳ ᱦᱚᱲ ᱮᱞᱵᱚᱢ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱟᱱᱟᱢ ᱞᱮᱠᱟᱛᱮ ' ᱞᱚᱝ ' ᱥᱚᱞᱳ ᱯᱷᱮᱰ ' ᱱᱚᱣᱟ ᱫᱚ ' ᱢᱤᱫᱴᱟᱝ ᱵᱚᱞᱰ ᱪᱚᱵ ' ᱢᱮᱱᱛᱮ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱪᱮᱫᱟᱜ ᱥᱮ ᱱᱚᱶᱟ ᱫᱚ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱮᱱ ᱥᱮᱨᱮᱧ ᱚᱞ ᱨᱮᱭᱟᱜ ᱵᱟᱰᱩ ᱠᱚ ᱢᱩᱪᱟᱹᱫ ᱟᱠᱟᱫᱟ ' ᱾ ᱵᱤᱵᱮᱹᱧ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱞᱟᱹᱭ ᱟᱠᱟᱱᱟ , " ᱛᱟᱞᱟ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱚᱵᱚᱞᱵᱤᱣᱚᱱ ᱨᱮ ᱯᱩᱞᱯ ᱢᱤᱫᱴᱟᱝ ᱚᱵᱷᱤᱱᱟᱱ ᱞᱮᱠᱟᱱ ᱪᱷᱟᱹᱲ ᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ ᱵᱟᱹᱲᱤᱡ ᱫᱚ ᱛᱤᱥᱦᱚᱸ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱵᱟᱝ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱ ᱛᱟᱭᱟ ᱾ ᱯᱚᱱᱚᱛ ᱠᱚ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱵᱤᱪᱷᱱᱟᱣ ᱠᱚ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱠᱟᱛᱷᱟ ᱠᱚ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ , ᱡᱟᱦᱟᱸ ᱨᱮ ᱥᱤᱠᱟᱜᱳ ᱴᱨᱤᱵᱤᱭᱩᱱᱼᱞᱟᱥ ᱮᱱᱡᱮᱞᱥ ᱴᱟᱭᱟᱢᱥ ᱟᱨ ᱯᱤᱴᱥᱵᱟᱨᱜ ᱯᱮᱥᱴᱼᱜᱮᱡᱮᱴ ᱫᱚ ᱯᱳᱱ ᱠᱷᱚᱱ ᱯᱮ ᱟᱨ ᱯᱮ ᱥᱴᱟᱨ ᱠᱚ ᱮᱢ ᱞᱮᱫᱟ ᱾[᱙] ᱫᱟ ᱴᱨᱤᱵᱤᱭᱩᱱ ᱫᱚ ᱱᱚᱣᱟ ᱫᱚ " ᱛᱟᱞᱟ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱟᱱᱟᱴ ᱤᱫᱤ ᱠᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱥᱚᱢᱮᱥᱤᱝ ᱮᱞᱵᱟᱢ " ᱞᱮᱠᱟᱛᱮ ᱥᱟᱨᱦᱟᱣ ᱞᱮᱫᱮᱭᱟ ᱟᱨ ᱧᱮᱞ ᱞᱮᱫᱟᱭ ᱡᱮ " ᱥᱮᱨᱮᱧ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱞᱟᱣᱩᱱᱡᱼᱞᱤᱡᱟᱨᱰ ᱨᱚᱠ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱴᱨᱤᱝ ᱟᱨ ᱞᱟᱹᱞᱤᱥ ᱵᱚᱱᱫᱷᱩᱠ ᱫᱟᱨᱟᱭ ᱛᱮ ᱵᱟᱹᱲᱛᱤ ᱟᱠᱟᱱᱟᱼ ' 90 ' ᱼ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱠ ' ᱠᱮᱪᱤ ' ' 70 ' ᱼ ᱨᱮᱱᱟᱜ ᱵᱳᱭᱤ / ᱢᱳᱴ / ᱨᱳᱥᱤ ᱜᱚᱞᱟᱢ ᱨᱚᱠ ᱥᱟᱞᱟᱜ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱨᱮ ᱾

ᱮᱞᱵᱟᱢ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱵᱤᱰᱟᱹᱣ ᱨᱮ ᱢᱮᱛᱷᱤᱭᱩ ᱦᱟᱨᱴᱚᱱ ᱮᱱ ᱮᱢ ᱤ ᱨᱮ ᱚᱞ ᱞᱮᱫᱟᱭ ᱡᱮ " ᱟᱡ ᱴᱷᱮᱱᱮ ᱟᱡ ᱴᱷᱮᱱᱮ ᱦᱮᱡ ᱠᱟᱛᱮ " , " ᱚᱱᱩᱢᱟᱹᱱ ᱟᱨ ᱜᱚᱭᱟᱨᱚᱱ ᱨᱮᱭᱟᱜ ᱚᱱᱩᱢᱟᱹᱱ ᱛᱮ " , ᱱᱚᱣᱟ ᱚᱠᱛᱚ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱴᱤᱼᱴᱤᱼᱴᱤᱼᱴᱤᱨᱮᱭ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾ " ᱦᱳ ᱯᱟᱞᱯᱥ ᱫᱟᱹᱥ ᱤᱡᱽ ᱦᱟᱨᱰᱠᱳᱨ ᱵᱨᱟᱶ ᱵᱨᱤᱴᱯᱳᱯ ᱴᱩ ᱮ ᱦᱚᱞᱴ " ᱧᱩᱛᱩᱢᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱚᱱᱚᱞ ᱨᱮ ᱦᱳᱨᱴᱚᱱ ᱮ ᱢᱮᱱ ᱟᱠᱟᱫᱟ ᱡᱮ ᱱᱚᱶᱟ ᱫᱚ " ᱵᱨᱤᱴᱯᱚᱯ ᱢᱟᱱᱥᱴᱟᱨ " ᱨᱮᱭᱟᱜ ᱵᱟᱝ ᱥᱤᱜᱤᱞᱟᱱ ᱫᱚ ᱵᱟᱝ ᱥᱤᱜᱤᱞ ᱟᱠᱟᱱ ᱫᱚ ᱵᱟᱝ ᱥᱤᱠᱟᱹᱨ ᱟᱠᱟᱱ ᱫᱚ ᱠᱟᱱᱟ ᱾[᱑᱐] ᱩᱱᱤ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ , " ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱪᱟᱹᱫ , ᱢᱤᱫᱴᱟᱝ ᱵᱮᱱᱰ ᱟᱜ ᱡᱳᱭᱮᱱᱴ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱟᱹᱰᱤ ᱜᱟᱱ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱪᱤᱱᱦᱟᱹ ᱟᱨ ᱢᱤᱫ ᱵᱟᱨ ᱥᱮᱨᱢᱟ ᱢᱟᱲᱟᱝ ᱠᱷᱚᱱ ᱜᱮ ᱢᱤᱫᱴᱟᱝ ᱱᱟᱯᱟᱭ ᱡᱟᱢᱯᱼᱳᱯᱷ پوائنٹ , ᱠᱚᱢ ᱠᱷᱚᱱ ᱠᱚᱢ ᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱾ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱵᱤᱰᱟᱹᱣ ᱨᱮ ᱥᱚᱢᱳᱠᱤ ᱨᱩᱯᱤᱱᱥᱚᱱ ᱟᱜ ' ᱴᱨᱟᱠ ᱚᱯᱷ ᱢᱮᱭ ᱴᱤᱭᱟᱨᱥ ' ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱵᱚᱞᱩᱯᱨᱤᱱᱴ ᱠᱷᱚᱱ " " " " ' " " " ᱢᱤᱫᱴᱟᱝ ᱞᱤᱴᱤᱞ ᱥᱳᱞ " " " ᱫᱚ " " " ᱠᱳᱠᱟᱨ ᱟᱜ ᱡᱚᱛᱚᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱪᱤᱛᱟᱹᱨ " " ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱟᱠᱟᱱᱟ ᱾[᱑᱑]

This is Hardcore ᱫᱚ 1001 Albums You Must Hear Before You Die ᱯᱚᱛᱚᱵ ᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱒᱐᱑᱓ ᱥᱟᱞᱮ ᱨᱮ, ᱮᱱ. ᱮᱢ. ᱮ. ᱫᱚ ᱕᱐ ᱜᱨᱮᱴᱮᱥᱴ ᱟᱞᱵᱚᱢ ᱚᱯᱷ ᱚᱞ ᱴᱟᱭᱤᱢ ᱨᱮ ᱑᱖᱖ ᱟᱱᱟᱜ ᱴᱷᱟᱶ ᱮ ᱟᱢᱮᱴ ᱞᱮᱫᱼᱟ ᱾[᱑᱒] 2014 ᱥᱟᱹᱦᱤᱛᱨᱮ ᱢᱟᱨᱠᱤᱱ ᱮᱞᱡᱤᱵᱤᱴᱤ ᱢᱮᱜᱟᱡᱤᱱ ᱢᱮᱴᱨᱳ ᱩᱭᱠᱞᱤ " 90ᱼ0ᱼ0ᱼ10ᱼ0ᱼ90ᱼ0ᱼ50 ᱥᱚᱨᱮᱥ ᱮᱴᱟᱜ ᱞᱮᱠᱟᱱ ᱮᱞᱵᱟᱢ " ᱨᱮᱭᱟᱜ ᱥᱩᱪᱤ ᱨᱮ ᱮᱞᱵᱟᱢ ᱫᱚ 46 ᱟᱱ ᱮᱞᱵᱟᱨᱢ ᱨᱮ ᱫᱚᱦᱚ ᱞᱮᱫᱟ ᱾ 2017 ᱥᱟᱹᱦᱤᱛ ᱨᱮ , ' ᱫᱟ 50 ᱥᱟᱨᱴᱟ ᱵᱨᱤᱴᱯᱳᱯ ᱮᱞᱵᱟᱢ ' ᱨᱮ , ' ᱯᱤᱪᱯᱷᱳᱨᱠ ' ᱱᱚᱶᱟ ᱫᱚ ᱮᱭᱟᱭ ᱟᱱᱟᱜ ᱴᱷᱟᱶᱮ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾[᱑᱓]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

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  6. Anon 'PULP – ACRYLIC AFTERNOONS – This Is Hardcore Retrieved 8 July 2008.
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  13. "The 50 Best Britpop Albums". Pitchfork. 29 March 2017. p. 5. Retrieved 30 May 2017.