ᱮᱞᱤᱥ ᱮᱰᱟᱢᱥ (ᱠᱟᱹᱨᱤᱜᱚᱞ)

ᱮᱞᱤᱥ ᱮᱰᱟᱢᱥ (ᱠᱟᱹᱨᱤᱜᱚᱞ)
ᱮᱞᱤᱥ ᱮᱰᱟᱢᱥ (ᱠᱟᱹᱨᱤᱜᱚᱞ)
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱑᱖, ᱑᱙᱓᱐ (᱙᱓ ᱥᱮᱨᱢᱟ); ᱱᱤᱣ ᱭᱚᱨᱠ ᱥᱚᱦᱚᱨ, ᱟᱢᱮᱨᱤᱠᱟ
ᱥᱮᱪᱮᱫ	ᱠᱚᱞᱚᱢᱵᱤᱭᱟ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ, L'Ecole Nationale d'Art Decoratif
ᱧᱩᱢᱱᱟᱢ	ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱴᱮᱯᱥᱴᱨᱤ,ᱫᱷᱤᱨᱤ ᱨᱮ ᱪᱤᱛᱟᱹᱨ, ᱦᱚᱲ ᱥᱟᱢᱟᱝ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ
ᱥᱤᱨᱯᱷᱟᱹ	ᱜᱩᱜᱮᱱᱦᱮᱢ ᱯᱷᱮᱞᱳᱥᱤᱯᱷ, ᱱᱮᱥᱱᱟᱞ ᱮᱠᱟᱰᱮᱢᱤ ᱚᱯᱷ ᱟᱨᱴᱥ ᱮᱱᱰ ᱞᱮᱴᱚᱨᱥ ᱥᱤᱨᱯᱷᱟᱹ ᱥᱠᱩᱞᱯᱴᱩᱨ ᱨᱮ

ᱮᱞᱤᱥ ᱮᱰᱟᱢᱥ (ᱡᱟᱱᱟᱢ 16 ᱱᱚᱵᱷᱮᱢᱵᱚᱨ, 1930)^[᱑] ᱢᱤᱫ ᱢᱟᱨᱠᱤᱱ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱡᱟᱦᱟᱸᱭ ᱫᱚ 1970 ᱜᱮᱞᱟᱝ ᱨᱮ ᱟᱡᱟᱜ ᱫᱷᱤᱨᱤ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ^[᱒] ᱟᱨ ᱴᱷᱟᱶᱼᱠᱷᱚᱭᱤ ᱚᱛ ᱠᱟᱹᱨᱤ ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ ᱞᱮᱱᱟᱭ ᱟᱨ 1986 ᱥᱟᱹᱦᱤᱛ ᱠᱷᱚᱱ ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮ ᱴᱨᱟᱱᱡᱤᱴ ᱥᱤᱥᱴᱮᱢ,ᱩᱰᱟᱹᱱ ᱟᱰᱟ, ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱛᱟᱞᱢᱟ ᱟᱨ ᱮᱴᱟᱜ ᱥᱟᱦᱟᱨ ᱴᱚᱴᱷᱟ ᱨᱮ ᱟᱡᱟᱜ ᱢᱩᱬᱩᱫ ᱦᱚᱲ ᱠᱟᱹᱨᱤ ᱯᱟᱱᱛᱷᱟ ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ ᱞᱮᱱᱟᱭ ᱾ ^[᱓] ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱴᱮᱯᱮᱥᱴᱨᱤ ᱟᱨ ᱵᱤᱱ ᱨᱩᱯ ᱨᱮ ᱢᱟᱨᱠᱤᱱ ᱯᱷᱟᱭᱵᱟᱨ ᱠᱟᱹᱨᱤ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱨᱮ ᱞᱟᱹᱠᱛᱤᱭᱟᱱ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾^[᱔]

ᱡᱤᱭᱚᱱᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱮᱰᱟᱢᱥ ᱫᱚ ᱱᱤᱭᱳᱣᱚᱨᱠ ᱨᱮᱭᱟᱜ ᱡᱟᱢᱟᱭᱠᱟ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱟᱨ 1953 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱠᱳᱢᱵᱤᱭᱟ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱠᱷᱚᱱ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱨᱤ ᱨᱮ ᱵᱤ ᱮᱯᱷ ᱮ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾ ᱜᱚᱡᱤᱭᱮᱥᱚᱱ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱫᱚ ᱮᱞ 'ᱮᱠᱳᱞ ᱱᱮᱥᱱᱮᱞ ᱰ' ᱟᱨᱴ ᱰᱤᱠᱳᱨᱟᱴᱤᱯᱷ ᱨᱮ ᱴᱮᱯᱮᱥᱴᱨᱤ ᱵᱳᱭᱱᱟ ᱟᱨ ᱰᱤᱡᱟᱭᱱ ᱥᱮᱪᱮᱫ ᱞᱟᱹᱜᱤᱫ ᱯᱷᱮᱨᱟᱱᱥ ᱨᱮᱭᱟᱜ ᱚᱵᱩᱥᱚᱱ ᱨᱮᱭ ᱥᱮᱱ ᱞᱮᱱᱟ ᱾ ᱯᱷᱮᱨᱟᱱᱥ ᱨᱮ ᱵᱟᱨ ᱥᱮᱨᱢᱟ ᱚᱠᱛᱚ ᱵᱮᱜᱚᱨ, ᱮᱰᱟᱢᱥ ᱱᱤᱭᱳᱨᱠ ᱥᱟᱦᱟᱨ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱ ᱛᱟᱭᱟ,ᱟᱢᱮᱨᱤᱠᱟ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱟᱨ ᱵᱤᱞᱟᱹᱛ ᱨᱮ ᱦᱚᱲ ᱠᱟᱹᱨᱤ ᱯᱟᱱᱛᱷᱟ ᱨᱮ ᱡᱳᱜᱟᱡᱳᱜ ᱟᱨ ᱯᱚᱨᱟᱢᱚᱥ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱸᱜᱷᱟᱨ ᱟᱠᱟᱫᱟᱭ ᱾ ᱩᱱᱤᱭᱟᱜ ᱵᱟᱪᱷᱱᱟᱣ ᱡᱤᱭᱚᱱ ᱨᱮ ᱟᱭᱢᱟ ᱴᱷᱟᱶ ᱢᱮᱱᱟᱜᱼᱟ ᱾

ᱠᱟᱹᱢᱤᱡᱤᱭᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱴᱮᱯᱮᱥᱴᱨᱤ ᱟᱨ ᱵᱤᱱ ᱨᱩᱯ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱚᱵᱩᱥᱚᱱ ᱯᱟᱲᱦᱟᱣ ᱢᱩᱪᱟᱹᱫ ᱛᱟᱭᱚᱢ ᱮᱰᱟᱢᱥ 1956 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱳᱣᱚᱨᱠ ᱨᱮᱭ ᱨᱩᱣᱟᱹᱲ ᱦᱮᱡ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡ ᱨᱮᱭᱟᱜ ᱱᱚᱠᱥᱟ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱚᱵᱩᱥᱚᱱ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱝ ᱴᱮᱯᱮᱥᱴᱨᱤ ᱞᱩᱢ ᱮ ᱟᱹᱜᱩ ᱞᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱴᱮᱯᱮᱥᱴᱟᱨᱤ ᱠᱟᱹᱨᱤ ᱠᱷᱚᱱ ᱮ ᱵᱚᱫᱚᱞ ᱞᱮᱱᱟ ᱾ ᱥᱮᱨᱣᱟ᱾ ᱴᱮᱯᱮᱥᱴᱨᱤ ᱨᱮᱭᱟᱜ ᱛᱟᱭᱚᱢ ᱥᱮᱫ ᱪᱮᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱚᱱᱟ ᱪᱮᱛᱟᱱ ᱠᱟᱹᱢᱤ ᱠᱟᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱤᱪᱷᱚᱱᱟᱭ ᱩᱛᱱᱟᱹᱣ ᱞᱮᱫᱟ ᱟᱨ ᱨᱟᱥᱚ,ᱥᱤᱥᱟᱞ ᱛᱩᱞᱟᱝ ᱞᱮᱠᱟᱱ ᱩᱯᱟᱹᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱫᱟ ᱟᱨ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱳᱞ ᱟᱨ ᱠᱩᱛᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱡᱤᱱᱤᱥ ᱠᱚ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾^[᱕] ᱩᱱᱤ ᱟᱨ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱱᱟᱶᱟᱱ ᱠᱚ, ᱡᱮᱞᱮᱠᱟ ᱞᱮᱱᱳᱨ ᱴᱟᱣᱱᱤ, ᱠᱞᱮᱭᱟᱨ ᱡᱮᱥᱞᱟᱨ ᱟᱨ ᱥᱤᱞᱟ ᱦᱤᱠᱥ, ᱛᱩᱛ ᱠᱷᱚᱱ ᱟᱨ ᱯᱮᱼᱢᱤᱪᱟᱹᱨᱤ ᱨᱩᱯ ᱨᱮᱭᱟᱜ ᱴᱚᱴᱷᱟ ᱨᱮ ᱵᱳᱭᱥᱮᱫ ᱮ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ 1963 ᱥᱟᱹᱦᱤᱛ ᱢᱩᱭᱚᱡᱤᱭᱩᱢ ᱚᱯᱷ ᱠᱳᱢᱯᱚᱴᱳᱢᱤᱨᱤ ᱠᱨᱟᱯᱷᱴᱥ ᱨᱮ ᱮᱥᱮᱨᱟᱱ "ᱳᱵᱷᱮᱱ ᱯᱷᱚᱨᱢᱥ" ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾^[᱖]

ᱫᱷᱤᱨᱤ ᱪᱤᱛᱟᱹᱨ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

1968 ᱥᱟᱹᱦᱤᱛ ᱛᱟᱭᱚᱢ ᱮᱰᱟᱢᱥ ᱟᱜ ᱫᱷᱤᱨᱤᱪᱤᱱ ᱠᱚᱫᱚ ᱫᱟᱹᱨᱟᱹ, ᱠᱳᱱᱟ,ᱠᱚᱞᱟᱢ ᱟᱨ ᱵᱷᱳᱞᱴ ᱨᱮᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥᱠᱚ ᱛᱚᱞᱟᱥ ᱞᱮᱫᱟ ᱾ ᱞᱮᱯᱮᱹᱞᱮᱹᱵᱤᱠ ᱢᱮᱴᱮᱨᱮᱞ ᱵᱮᱣᱦᱟᱨ ᱪᱟᱞᱟᱣ ᱠᱟᱛᱮ, ᱩᱱᱤ ᱟᱡᱟᱜ ᱥᱴᱤᱭᱩᱫᱤᱭᱳ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱮᱱ ᱯᱞᱟᱥᱴᱟᱨ ᱳᱣᱤᱞ ᱨᱮ ᱞᱮᱴᱮᱠᱥ ᱨᱮᱭᱟᱜ ᱯᱚᱨᱫᱟ ᱠᱚ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱫᱟ, ᱚᱱᱟ ᱠᱚ ᱵᱚᱱᱚᱫᱚᱞ ᱞᱮᱫᱟ ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱳᱣᱤᱞ ᱪᱮᱛᱟᱱ ᱨᱮ ᱵᱟᱨᱼᱵᱚᱭᱼ4 ᱯᱷᱨᱟᱢᱵᱷᱚᱠ ᱪᱮᱛᱟᱱ ᱨᱮ ᱠᱚᱥᱴ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱟᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ ᱫᱚ ᱦᱚᱲ ᱠᱚ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱩᱯᱨᱩᱢ ᱴᱷᱟᱶ ᱠᱚ ᱥᱮᱫ ᱠᱚ ᱤᱫᱤ ᱞᱮᱫ ᱠᱚ ᱧᱮᱞ ᱞᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱛᱟᱭᱚᱢ ᱛᱮ ᱚᱱᱟ ᱫᱚ ᱱᱟᱶᱟ ᱞᱮᱠᱟᱛᱮ ᱧᱮᱞ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱵᱮᱼᱯᱷᱟᱹᱛᱤᱞ ᱦᱟᱹᱴᱤᱧ, ᱠᱚᱞᱟᱢ ᱟᱨ ᱵᱷᱳᱞᱴ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱞᱚᱫᱚᱢ, ᱠᱟᱴᱟᱣ ᱥᱮ ᱦᱤᱸᱥ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱴᱟᱣ ᱯᱷᱨᱟᱢᱵᱷᱚᱠ ᱞᱮᱠᱟ ᱩᱯᱨᱩᱢᱟᱱ ᱵᱮᱱᱟᱣ ᱫᱩᱨᱤᱵ ᱠᱚ ᱵᱮᱣᱦᱟᱨ ᱞᱮᱫᱟ ᱾^[᱗] ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ 1969 ᱟᱨ 1971 ᱥᱟᱹᱦᱤᱛ ᱨᱮ 55 ᱢᱟᱨᱥᱟᱨ ᱜᱮᱞᱟᱨᱤ ᱟᱨ ᱩᱭᱴᱤᱱᱤ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱮᱱᱤᱣᱚᱞᱥ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾

1977 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱵᱟᱛᱟᱨᱮ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱨᱤ ᱵᱮᱣᱦᱟᱨ ᱠᱟᱛᱮ ᱟᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱵᱤᱨ ᱠᱟᱹᱢᱤ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱫᱚ ᱢᱟᱨᱟᱝ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱥᱞᱮᱵ ᱟᱨ ᱛᱩᱲᱟᱹ ᱟᱨ ᱞᱮᱢᱤᱱᱮᱴᱰ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱫᱟᱹᱨᱦᱟ ᱥᱟᱞᱟᱜ ᱠᱟᱹᱢᱤ ᱮᱦᱚᱵ ᱠᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱵᱟᱝ ᱦᱩᱭ ᱠᱟᱛᱮ ᱨᱮᱦᱚᱸ ᱢᱟᱨᱟᱝ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱮᱢ ᱞᱮᱫᱟ ᱾ "ᱮᱰᱟᱢᱥᱟᱜ ᱠᱟᱹᱪ ᱠᱚᱫᱚ ᱡᱚᱛᱚ ᱚᱠᱛᱚ ᱜᱮ ᱠᱤᱪᱷᱩ ᱢᱟᱨᱟᱝ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱮᱢᱼᱟ ᱾ ᱰᱳᱨᱳᱭᱮ ᱫᱚ ᱢᱟᱨᱟᱝ ᱡᱮᱜᱮᱫ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱮᱢᱚᱜ ᱠᱟᱱᱟ ᱟᱨ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱴᱷᱟᱶ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱜᱩᱴ ᱩᱭᱦᱟᱹᱨ ᱨᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾"^[᱘] ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱥᱟᱞᱟᱜ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱠᱟᱹᱪᱴᱤ ᱫᱚ 1979 ᱟᱨ 1981 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱳᱨᱠ ᱨᱮᱭᱟᱜ ᱦᱚᱞ ᱵᱨᱚᱢ ᱜᱮᱞᱟᱨᱤ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱟᱨ 1984 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱩᱨᱠ ᱨᱮᱭᱟᱜ ᱢᱩᱭᱡᱤᱭᱟᱢ ᱚᱯᱷ ᱢᱳᱰᱟᱨᱚᱱ ᱟᱨᱴ ᱨᱮ "ᱟᱱ ᱤᱱᱴᱟᱨᱱᱮᱥᱱᱮᱞ ᱥᱟᱨᱵᱷᱮ ᱚᱯᱷ ᱯᱮᱱᱴᱤᱝ ᱮᱱᱰ ᱥᱠᱚᱞᱯᱪᱟᱨ" ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾

ᱠᱟᱹᱢᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱫᱟ ᱨᱩᱱᱰᱟᱭᱳᱴ 1992 ^[᱙]
ᱚᱯᱷᱨᱤᱠᱟ ᱜᱟᱨᱰᱮᱱ 1994 ^[᱑᱐]
ᱵᱤᱰ ᱥᱟᱨᱠᱮᱞ ᱠᱨᱟᱥᱤᱝ 1994 ^[᱑᱑]
ᱥᱴᱳᱱ ᱮᱱᱰ ᱜᱞᱟᱥ ᱜᱟᱨᱰᱮᱱ 2003 ^[᱑᱒]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

↑ Zimmer, William. "Scale Models of Projects that Grace Cities," The New York Times, Sunday, April 9, 2000: 16.
↑ Lippard, Lucy. "The Abstract Realism of Alice Adams," Art in America, September 1979.
↑ Boettger, Suzaan (November 2008). "Excavating Land Art by Women in the 1970s". Sculpture. 27: 38–45.
↑ Auther, Elissa. "Fiber Art and the Hierarchy of Art and Craft," The Journal of Modern Craft, Berg Publishers, Vol. 1, Number 1, March 2008: 13-33. Retrieved on 2009-8-10.
↑ Finn, Gloria. "Alice Adams: The Fiber as Pattern," Craft Horizons, Vol. XX, No.3, May–June 1962: 16-20 and cover.
↑ Slivka, Rose. "The New Tapestry," Craft Horizons, Vol. XXIII, No. 2, March–April 1963: 10-11
↑ Schjeldahl, Peter. "A Journey Well Worth Making," The New York Times, January 20, 1974
↑ Zimmer, William. "Adams' Eaves," The Soho News, April 15, 1981.
↑ "The Roundabout". Retrieved 2009-09-25.
↑ "African Garden". Archived from the original on December 2, 2008. Retrieved 2008-10-26.
↑ "Beaded Circle Crossing". Archived from the original on January 13, 2010. Retrieved 2009-09-25.
↑ "Stone and Glass Gardens". Archived from the original on March 20, 2012. Retrieved 2011-08-14.

[1] Zimmer, William. "Scale Models of Projects that Grace Cities," The New York Times, Sunday, April 9, 2000: 16.

[2] Lippard, Lucy. "The Abstract Realism of Alice Adams," Art in America, September 1979.

[3] Boettger, Suzaan (November 2008). "Excavating Land Art by Women in the 1970s". Sculpture. 27: 38–45.

[4] Auther, Elissa. "Fiber Art and the Hierarchy of Art and Craft," The Journal of Modern Craft, Berg Publishers, Vol. 1, Number 1, March 2008: 13-33. Retrieved on 2009-8-10.

[5] Finn, Gloria. "Alice Adams: The Fiber as Pattern," Craft Horizons, Vol. XX, No.3, May–June 1962: 16-20 and cover.

[6] Slivka, Rose. "The New Tapestry," Craft Horizons, Vol. XXIII, No. 2, March–April 1963: 10-11

[7] Schjeldahl, Peter. "A Journey Well Worth Making," The New York Times, January 20, 1974

[8] Zimmer, William. "Adams' Eaves," The Soho News, April 15, 1981.

[9] "The Roundabout". Retrieved 2009-09-25.

[10] "African Garden". Archived from the original on December 2, 2008. Retrieved 2008-10-26.

[11] "Beaded Circle Crossing". Archived from the original on January 13, 2010. Retrieved 2009-09-25.

[12] "Stone and Glass Gardens". Archived from the original on March 20, 2012. Retrieved 2011-08-14.

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