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ᱴᱤᱱᱤᱠᱞᱤᱝ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

 

ᱴᱤᱱᱤᱠᱞᱤᱝ
ᱯᱷᱤᱞᱤᱯᱟᱭᱤᱱ ᱠᱞᱟᱥᱴᱚᱨᱟᱞ ᱰᱮᱱᱥᱚᱨᱥ ᱜᱨᱩᱯ ᱦᱚᱛᱮᱛᱮ ᱴᱤᱱᱤᱠᱞᱤᱝ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱮᱱᱮᱡ
Genreᱦᱚᱲ ᱮᱱᱮᱡ
Instrument(s)ᱢᱟᱛ ᱰᱟᱝ
Originᱯᱷᱤᱞᱤᱯᱤᱱᱥ

ᱴᱤᱱᱤᱠᱞᱤᱝ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱢᱤᱫᱴᱟᱝ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱯᱞᱤᱯᱤᱱᱥ ᱦᱚᱲ ᱮᱱᱮᱡ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱯᱟᱱᱤᱥ ᱵᱤᱨᱟᱹᱫᱟᱹᱞᱤ ᱚᱠᱛᱚ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱᱟ ᱾[᱑] ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱨᱮ ᱠᱚᱢ ᱠᱷᱚᱱ ᱠᱚᱢ ᱵᱟᱨ ᱦᱚᱲ ᱚᱛ ᱨᱮ ᱟᱨ ᱢᱤᱫ ᱵᱟᱨ ᱦᱚᱲ ᱮᱴᱟᱜ ᱦᱚᱲ ᱵᱤᱨᱩᱫᱷ ᱨᱮ ᱢᱤᱫ ᱥᱮ ᱢᱤᱫ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱦᱚᱲ ᱮᱱᱮᱡ ᱠᱚ ᱥᱟᱶ ᱢᱤᱫᱛᱮ ᱵᱚᱱᱥᱚ ᱨᱮᱭᱟᱜ ᱛᱩᱛᱟᱹ ᱠᱚ ᱜᱷᱟᱹᱞ, ᱴᱮᱯ ᱟᱨ ᱥᱞᱟᱭᱰᱤᱝ ᱠᱚ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱫᱟ ᱾ ᱱᱚᱶᱟ ᱥᱮᱨᱣᱟ ᱞᱮᱠᱟᱛᱮ ᱨᱩᱱᱰᱟᱞᱞᱟ ᱥᱮᱹᱨᱮᱱᱟᱰ ᱥᱮᱨᱮᱧ ᱨᱮ ᱮᱱᱮᱡ ᱦᱩᱭᱩᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱟᱞᱟᱼᱡᱚᱜᱨᱮ ᱥᱯᱮᱱ ᱨᱮ ᱮᱛᱚᱦᱚᱵ ᱟᱠᱟᱱ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱥᱨᱤᱱᱟᱰ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱛᱤᱛᱲᱤ ᱟᱱ ᱨᱩᱡᱚᱠ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱮᱨᱮᱧ ᱦᱩᱭᱩᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱨᱮ ᱵᱮᱣᱦᱟᱨᱚᱜ ᱞᱳᱢᱳᱠᱳᱢᱚᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱪᱟᱞᱟᱣᱟᱱ ᱠᱚᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱦᱚᱯ, ᱦᱟᱢᱯᱤᱝ ᱟᱨ ᱴᱟᱨᱱᱝ ᱾

ᱮᱛᱚᱦᱚᱵ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱵᱚᱠᱼᱵᱮᱹᱱᱰ ᱨᱮᱞ (ᱜᱮᱞᱤᱨᱟᱞᱚᱥ ᱯᱷᱤᱞᱤᱯᱮᱱᱤᱥᱤᱥ), ᱯᱷᱞᱤᱯᱤᱱᱥ ᱨᱮ ᱛᱷᱟᱹᱱᱤᱛ ᱞᱮᱠᱟᱛᱮ ᱴᱤᱱᱤᱠᱞᱤᱝ ᱧᱩᱛᱩᱢ ᱛᱮ ᱩᱯᱨᱩᱢᱟᱱ ᱪᱮᱬᱮ ᱠᱚ ᱢᱩᱫᱨᱮ ᱢᱤᱫᱴᱟᱝ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱪᱟᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱚᱱᱩᱢᱟᱹᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾

ᱴᱤᱱᱤᱠᱞᱤᱝ ᱧᱩᱛᱩᱢ ᱫᱚ ᱴᱤᱠᱞᱤᱝ ᱧᱩᱛᱩᱢ ᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ ᱠᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱯᱟᱹᱴᱷᱩᱣᱟᱹ ᱨᱮᱱᱟᱜ ᱧᱩᱛᱩᱢ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱹᱰᱤ ᱜᱟᱱ ᱨᱮᱞ ᱡᱟᱹᱛ ᱨᱮᱱᱟᱜ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱵᱟᱹᱲᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱥᱞᱮᱴᱤ-ᱵᱨᱤᱥᱴᱮᱰ ᱨᱮᱞ (Gallirallus striatus), ᱵᱷᱚᱯ-ᱵᱮᱱᱰ ᱨᱮᱞ (Gallirallus philippensis), ᱟᱨ ᱵᱟᱨᱮᱰ ᱨᱮᱞ (Gallirallus torquatus) ᱮᱢᱟᱱ ᱠᱚ ᱢᱮᱛᱟᱜ ᱠᱟᱱᱟ ᱾ ᱴᱤᱱᱤᱠᱞᱤᱝ ᱨᱮᱭᱟᱜ ᱢᱮᱱᱮᱛ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ "ᱡᱟᱦᱟᱸᱭ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱠᱩᱞᱤ ᱞᱮᱠᱟᱭ ᱪᱟᱵᱟᱭᱟ" ᱾

ᱴᱤᱱᱤᱠᱞᱤᱝ ᱧᱩᱛᱩᱢ ᱴᱚᱴᱷᱟ ᱞᱮᱠᱟᱛᱮ ᱴᱤᱠᱤᱞᱝ ᱧᱩᱛᱩᱢ ᱛᱮ ᱩᱯᱨᱩᱢᱟᱱ ᱪᱮᱬᱮ ᱠᱚᱣᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱭᱢᱟ ᱨᱮᱞ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱟᱨᱦᱚᱸ ᱥᱚᱨᱟᱥᱚᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱥᱞᱮᱴᱤᱼᱵᱮᱥᱴᱰ ᱨᱮᱞ (ᱜᱮᱞᱤᱨᱟᱞᱚᱥ ᱥᱴᱨᱤᱭᱟᱴᱟᱥ) ᱵᱟᱯᱷᱼᱵᱮᱮᱱᱰ ᱨᱮᱞ (ᱜᱮᱞᱨᱤᱞᱟᱥ ᱯᱷᱤᱞᱤᱯᱮᱱᱥᱤ) ᱟᱨ ᱵᱟᱨᱰ ᱨᱮᱞ (ᱜᱮᱞᱤᱨᱟᱞᱟᱥ ᱴᱳᱨᱠᱩᱭᱟᱴᱟᱥ) ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨᱼᱟ ᱾ ᱴᱤᱱᱤᱠᱞᱤᱝ ᱥᱟᱵᱟᱫ ᱨᱮᱭᱟᱜ ᱥᱟᱵᱟᱫᱤᱛᱚ ᱢᱮᱱᱮᱫ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ "ᱱᱚᱶᱟ ᱫᱚ ᱴᱩᱠᱞᱤ ᱞᱮᱠᱟ ᱠᱚᱨᱟᱣ" ᱾ᱴᱩᱠᱞᱤ ᱞᱮᱠᱟ ᱾ "[᱒]

ᱦᱟᱛᱟᱣ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱮᱱᱮᱡ ᱜᱟᱫᱮᱞ ᱞᱟᱠᱪᱟᱨ ᱥᱳ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱚᱠᱛᱚ, ᱴᱤᱱᱤᱠᱞᱤᱝ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ "ᱨᱩᱨᱟᱞ ᱥᱩᱭᱮᱴ" ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱯᱷᱤᱞᱯᱤᱱᱳ ᱠᱷᱤᱥᱴᱟᱱ ᱠᱚᱣᱟᱜ ᱮᱛᱚᱦᱚᱵᱟᱱ ᱮᱱᱮᱡ ᱡᱟᱦᱟᱸᱠᱚ ᱡᱟᱹᱥᱛᱤ "ᱯᱷᱳᱞᱠᱤ" ᱪᱩᱨᱤᱛ ᱢᱮᱱᱟᱜᱼᱟ ᱾[᱓] ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱠᱚᱫᱚ ᱡᱟᱹᱥᱛᱤ ᱵᱤᱥᱟᱭᱟᱥ ᱟᱨ ᱞᱩᱡᱚᱱ ᱰᱷᱤᱯ ᱠᱷᱚᱱ ᱮᱛᱚᱦᱚᱵ ᱟᱠᱟᱱᱟ ᱟᱨ ᱥᱯᱟᱱᱤᱥ ᱚᱠᱛᱚ ᱨᱮ ᱚᱱᱟ ᱴᱚᱴᱷᱟ ᱨᱮ ᱜᱤᱨᱟᱹᱵᱟᱥᱤ ᱟᱠᱟᱱ ᱯᱷᱤᱞᱯᱤᱱᱳ ᱟᱛᱳ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱥᱟᱫᱷᱟᱨᱚᱱᱛᱚ ᱟᱨ ᱨᱟᱹᱥᱠᱟᱹ ᱠᱚ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱱᱚᱶᱟ ᱛᱷᱚᱱᱚᱛ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱯᱷᱞᱤᱯᱤᱱᱳ ᱦᱚᱲ ᱮᱱᱮᱡ ᱠᱚ ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱥᱟᱣᱟ ᱥᱟ ᱵᱟᱝᱠᱳ, ᱢᱮᱜᱟᱞᱟᱞᱚᱛᱤᱠ ᱟᱨ ᱯᱟᱱᱰᱟᱝᱜᱳ ᱥᱟ ᱤᱞᱳ ᱾[᱔]

ᱮᱱᱮᱡ ᱨᱮᱭᱟᱜ ᱴᱚᱴᱷᱟ ᱟᱱᱟᱜ ᱦᱟᱹᱴᱤᱧ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱱᱚᱶᱟ ᱴᱚᱴᱷᱟ ᱨᱮ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱥᱩᱨ ᱡᱮᱱᱮᱴᱤᱠ ᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱥᱟᱹᱜᱟᱹᱭ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱠᱟᱛᱮ ᱥᱟᱱᱟᱢ ᱮᱥᱤᱭᱟ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱮᱱᱮᱡ ᱧᱟᱢᱚᱜᱼᱟ ᱾ ᱛᱚᱭᱟᱱ ᱨᱮ ᱟᱢᱤ ᱟᱨ ᱯᱩᱭᱩᱢᱟ ᱵᱚᱱᱥᱚ ᱮᱱᱮᱡ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱫᱚᱠᱷᱤᱱᱼᱯᱩᱨᱩᱵ ᱮᱥᱤᱭᱟ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱮᱱᱮᱡ ᱡᱮᱞᱮᱠᱟ ᱢᱚᱱᱜᱚᱨᱟᱭ ᱨᱮᱱ ᱨᱟᱝᱠᱩ ᱟᱞᱩ ᱟᱨ ᱤᱱᱰᱤᱭᱟᱥᱤᱭᱟ ᱨᱮᱱ ᱟᱢᱵᱳᱱᱤᱡᱽ ᱠᱚᱣᱟᱜ ᱜᱚᱵᱟᱼᱜᱟᱵᱟ, ᱵᱷᱤᱛᱮᱱᱟᱢ ᱠᱷᱚᱱ ᱢᱩᱭᱟ ᱥᱟᱯ, ᱛᱚᱭᱟᱞᱮᱱᱰ ᱠᱷᱚᱱ ᱞᱟᱣ ᱠᱨᱟ ᱴᱳᱯ ᱢᱮᱭ, ᱠᱟᱢᱵᱳᱰᱤᱭᱟ ᱠᱷᱚᱱ ᱨᱳᱵᱟᱢ ᱠᱳᱢ ᱟᱨᱮᱠ, ᱠᱷᱚᱱ ᱠᱮᱨᱮᱱ ᱥᱮ ᱪᱤᱱ ᱵᱚᱱᱵᱩ ᱮᱱᱮᱡ, ᱵᱨᱩᱱᱮ ᱨᱮ ᱟᱞᱟᱭ ᱥᱮᱠᱟᱯ ᱟᱨ ᱵᱳᱨᱱᱤᱣ ᱨᱮᱱ ᱢᱩᱨᱩᱴ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱢᱮᱜᱩᱱᱟᱴᱤᱯ ᱾ ᱩᱛᱛᱚᱨᱼᱯᱩᱨᱵᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱢᱤᱡᱳᱨᱟᱢ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚ ᱪᱮᱨᱟᱣ ᱮᱱᱮᱡ ᱞᱮᱠᱟ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱟᱱᱩ ᱮᱱᱮᱡ ᱟᱨ ᱠᱩᱠᱤ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱵᱚᱱᱩ ᱮᱱᱮᱡ ᱞᱮᱠᱟ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱱᱟᱜᱟ ᱫᱚᱞ ᱱᱤᱛᱦᱚᱸ ᱥᱟᱯᱲᱟᱣ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱫᱚᱠᱷᱤᱱ ᱪᱤᱱ ᱨᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱟᱱᱩ ᱮᱱᱮᱡ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱡᱩᱭᱟᱝ, ᱞᱤ (ᱡᱟᱦᱟᱸ ᱫᱚ ᱫᱟ ᱪᱚᱭᱚ ᱤᱭᱟᱣ ᱠᱚ ᱢᱮᱱᱚᱜᱼᱟ) ᱾

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. Valdeavilla, Ronica (June 21, 2018). "Tinikling: The National Dance of The Philippines with Bamboo Poles". theculturetrip.com. The Culture Trip Ltd. Retrieved January 7, 2021.
  2. "Researchers probe the possible origin of "tinikling" folk dance in Leyte". Philippine Information Agency. August 8, 2006. Retrieved January 15, 2008.
  3. Farnell, Brenda (2015). "The Pangalay Dance in the Construction of Filipino Heritage". The Journal for the Anthropological Study of Human Movement. 22 (1).
  4. "Samahang Pilipino". samahangpilipinoatucla.com. Archived from the original on April 13, 2016. Retrieved April 18, 2016.