Jump to content

ᱠᱟᱞᱠᱤ ᱠᱮᱠᱞᱟᱸ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

ᱠᱟᱞᱠᱤ ᱠᱮᱠᱞᱟᱸ
Koechlin smiling at the camera
᱒᱐᱑᱔ ᱨᱮ ᱠᱟᱞᱠᱤ ᱠᱮᱠᱞᱟᱸ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ  ᱟᱨ  ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ᱑᱐ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱑᱙᱘᱔ (1984-01-10) (᱔᱐ ᱥᱮᱨᱢᱟ)
ᱯᱚᱱᱰᱤᱪᱮᱨᱤ, ᱵᱷᱟᱨᱚᱛ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹᱯᱷᱨᱮᱸᱪ
ᱥᱮᱪᱮᱫ ᱟᱠᱷᱲᱟᱞᱚᱱᱰᱚᱱ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟ.ᱜᱟᱲ
ᱠᱟᱹᱢᱤᱟᱠᱴᱨᱮᱥ, ᱚᱱᱚᱞᱤᱭᱟ.
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ᱒᱐᱐᱘ ᱠᱷᱚᱱᱟᱜ
ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫ
(m. invalid year; div. invalid year)
ᱜᱟᱛᱮᱜᱮᱭ ᱦᱚᱨᱥᱵᱚᱨᱜᱽ (᱒᱐᱑᱘–)
ᱦᱚᱯᱚᱱ
ᱯᱮᱲᱟ ᱥᱟᱹᱜᱟᱹᱭᱟᱱᱠᱚᱱᱚᱶᱟ ᱧᱮᱞᱢᱮ ᱠᱮᱠᱞᱟᱸ ᱜᱷᱟᱨᱚᱸᱡᱽ

ᱠᱟᱞᱠᱤ ᱠᱮᱠᱞᱟᱸ ( /ˈkʌlki kˈklæ̃/; ᱡᱟᱱᱟᱢ ᱑᱐ ᱡᱟᱱᱩᱭᱟᱨᱤ ᱑᱙᱘᱔) ᱫᱚ ᱢᱤᱫ ᱟᱠᱴᱨᱮᱥ ᱟᱨ ᱥᱟᱶᱛᱮ ᱚᱱᱚᱞᱤᱭᱟ. ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱯᱷᱨᱮᱸᱪ ᱦᱚᱲ ᱠᱟᱱᱟ ᱨᱮᱦᱚᱸ, ᱡᱟ.ᱥᱛᱤ ᱫᱚ ᱥᱤᱧᱚᱛ ᱫᱤᱥᱚᱢ ᱨᱮ ᱜᱮ ᱛᱟᱦᱮᱸᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱵᱚᱞᱤᱣᱩᱰ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱚᱥᱴᱨᱤ ᱨᱮ ᱟᱡᱟᱜ ᱵᱮ-ᱵᱟ.ᱲᱤᱡ ᱥᱮ ᱟᱨ ᱵᱟᱝ ᱵᱮ-ᱟ.ᱱᱟ.ᱨᱤ ᱟᱠᱴᱤᱝ ᱠᱷᱟ.ᱛᱤᱨ ᱵᱟᱰᱟᱭ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱢᱤᱫ ᱱᱮᱥᱱᱟᱞ ᱯᱷᱤᱞᱢ ᱟᱣᱟᱨᱰ, ᱢᱤᱫ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱭᱟᱨ, ᱟᱨ ᱵᱟᱨᱭᱟ ᱥᱠᱨᱤᱱ ᱟᱣᱟᱨᱰ ᱧᱟᱢ ᱟᱠᱟᱫᱟᱭ ᱾

ᱯᱚᱱᱰᱤᱪᱮᱨᱤ ᱨᱮ ᱡᱟᱱᱟᱢ ᱠᱟᱱ ᱠᱟᱞᱠᱤ ᱨᱮᱱ ᱟᱭᱚ ᱵᱟᱵᱟ ᱫᱚ ᱯᱷᱨᱮᱸᱪ ᱠᱟᱱᱟ ᱠᱤᱱ | ᱱᱩᱭ ᱫᱚ ᱵᱟᱞᱮ ᱩᱢᱮᱨ ᱨᱮᱜᱮ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱛᱮ ᱠᱚ ᱟᱹᱜᱩ ᱞᱮᱫᱮᱭᱟ | ᱱᱩᱭ ᱫᱚ ᱜᱳᱞᱰᱥᱢᱤᱛᱷᱥ, ᱞᱚᱱᱰᱚᱱ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱞᱮᱱᱟᱭ ᱚᱱᱟ ᱥᱟᱝ ᱛᱮ ᱥᱩᱨ ᱨᱮᱭᱟᱜ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱨᱮ ᱦᱚᱸᱭ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ | ᱥᱤᱧᱚᱛ ᱫᱤᱥᱚᱢ ᱛᱮ ᱨᱩᱣᱟᱹᱲ ᱦᱮᱡ ᱠᱟᱛᱮ ᱱᱩᱭ ᱫᱚ, ᱒᱐᱐᱙ ᱨᱮ Dev.D ᱨᱮᱭᱟᱜ ᱪᱚᱱᱫᱟ ᱨᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱼᱟ | ᱚᱱᱟ ᱞᱟᱹᱜᱤᱱ ᱱᱩᱭ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱭᱟᱨ ᱯᱷᱚᱨ ᱵᱮᱥᱴ ᱥᱚᱯᱳᱨᱴᱤᱝ ᱟᱠᱴᱨᱮᱥ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱞᱮᱫᱼᱟ | ᱚᱱᱟ ᱫᱚᱥᱟᱨ ᱱᱩᱭ ᱠᱚᱢᱮᱰᱤ ᱰᱨᱟᱢᱟ Subsequently, she starred in two of the highest-grossing films of their respective release years–the comedy dramas ᱡᱤᱱᱫᱮᱜᱤ ᱱᱟ ᱢᱤᱞᱮᱜᱤ ᱫᱳᱵᱟᱨᱟ (᱒᱐᱑᱑) ᱟᱨ ᱭᱮ ᱡᱚᱣᱟᱤ ᱦᱮ ᱫᱤᱣᱟᱱᱤ (᱒᱐᱑᱓) ᱨᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱼᱟ , ᱛᱚᱵᱮ ᱱᱚᱶᱟ ᱞᱟᱹᱜᱤᱱ ᱱᱩᱭ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱭᱟᱨ ᱯᱷᱚᱨ ᱵᱮᱥᱴ ᱥᱚᱯᱳᱨᱴᱤᱝ ᱟᱠᱴᱨᱮᱥ ᱢᱮᱱᱛᱮ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟᱭ | ᱠᱟᱞᱠᱤ ᱫᱚ ᱟᱡᱟᱜ ᱚᱱᱚᱞ ᱡᱤᱭᱚᱱ ᱮᱦᱚᱵ ᱠᱮᱫᱼᱟᱭ, ᱫᱟᱴ ᱜᱟᱨᱞ ᱤᱱ ᱭᱮᱞᱳ ᱵᱳᱴᱥ ᱠᱷᱚᱱᱟᱜ, ᱚᱱᱟ ᱨᱮ ᱫᱚ ᱱᱩᱭ ᱞᱤᱰ ᱨᱳᱞ ᱨᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ |

ᱠᱟᱞᱠᱤ ᱫᱚ ᱞᱮᱛᱟᱲ ᱜᱮ ᱠᱟᱹᱣᱰᱤ ᱠᱷᱟᱢᱟᱣᱮᱫ ᱯᱷᱤᱞᱢ ᱠᱚᱨᱮ ᱠᱟ,ᱢᱤ ᱤᱫᱤ ᱠᱮᱫᱟᱭ | ᱡᱮᱢᱚᱱ ᱮᱠ ᱛᱷᱤ ᱫᱚᱭᱟᱸ (᱒᱐᱑᱓) ᱟᱨ ᱥᱮᱨᱨᱮᱧ ᱰᱨᱟᱢᱟ ᱜᱩᱞᱞᱭ ᱵᱚᱭ (᱒᱐᱑᱙) ᱮᱢᱟᱱ ᱠᱚ ᱨᱮ | ᱱᱩᱭ ᱫᱚ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱱ ᱫᱚᱢᱮ ᱠᱚ ᱥᱟᱨᱦᱟᱣᱮ ᱛᱟᱦᱮᱫ | ᱡᱮᱢᱚᱱ, ᱣᱮᱴᱤᱝ (᱒᱐᱑᱕) ᱟᱨ ᱥᱞᱟᱭᱤᱥ ᱚᱯᱷ ᱞᱟᱭᱤᱯᱷ ᱯᱷᱤᱞᱢ ᱨᱤᱵᱚᱱ (᱒᱐᱑᱗) ᱠᱚᱨᱮ | ᱢᱚᱨᱜᱚᱨᱤᱴᱟ ᱣᱤᱛᱷ ᱮ ᱥᱴᱨᱚ (᱒᱐᱑᱔) ᱨᱮᱭᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱮ ᱥᱮᱨᱤᱵᱽᱨᱟᱞ ᱯᱟᱞᱥᱤ ᱟᱠᱴᱤᱝ ᱠᱷᱟᱹᱛᱤᱨ ᱱᱮᱥᱱᱟᱞ ᱯᱷᱤᱞᱢ ᱟᱣᱟᱨᱰ ᱧᱟᱢ ᱞᱮᱼᱟ | ᱒᱐᱑᱐ ᱨᱮᱭᱟᱜ ᱮᱦᱚᱵ ᱨᱮ ᱠᱟᱞᱠᱤ ᱫᱚ ᱣᱮᱵᱽ ᱥᱤᱨᱤᱡᱽ ᱨᱮ ᱠᱟᱹᱢᱤ ᱵᱤᱰᱟᱹᱣ ᱞᱮᱫᱼᱟ | Beginning in late 2010s, Koechlin made a transition to web content and appeared in a spate of successful web series. She drew particular praise for her portrayal of a lonely socialite in Prime Video's ᱢᱮᱰ ᱤᱱ ᱦᱮᱵᱮᱱ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱷᱟᱹᱛᱤᱨ ᱟᱭᱢᱟ ᱥᱟᱨᱦᱟᱣ ᱠᱚᱭ ᱧᱟᱢ ᱞᱮᱫᱟ | ᱟᱨ ᱦᱚᱸ ᱱᱮᱴᱯᱷᱞᱤᱠᱥ ᱨᱮᱭᱟᱜ ᱣᱮᱵᱽ ᱥᱤᱨᱤᱡᱽ ᱥᱟᱠᱨᱮᱰᱰ ᱜᱮᱢᱥ ᱨᱮᱱᱟᱜ ᱦᱚᱸ ᱟᱭᱢᱟ ᱦᱤᱴ ᱞᱮᱱᱟ | (ᱵᱟᱱᱟᱨ ᱜᱮ ᱒᱐᱑᱙ ᱨᱮᱭᱟᱜ ᱠᱟᱱᱟ)

ᱠᱟᱞᱠᱤ ᱫᱚ ᱱᱤᱡᱮᱨ ᱛᱮ ᱚᱞ ᱠᱟᱛᱮ ᱟᱭᱢᱮ ᱜᱟᱱ ᱥᱴᱮᱡᱽ ᱨᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱫᱟᱭ | ᱱᱚᱶᱟ ᱠᱚᱫᱚ ᱟᱡ ᱜᱮ ᱯᱨᱚᱰᱭᱩᱥ ᱛᱟᱦᱮᱸᱫ | ᱥᱠᱮᱞᱤᱴᱚᱱ ᱣᱤᱢᱮᱱ (᱒᱐᱐᱙) ᱫᱚ ᱟᱡ ᱜᱚᱜᱽᱲᱚ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱞᱮᱠᱟᱭ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟ | ᱱᱚᱶᱟ ᱫᱚ ᱫᱤ ᱢᱮᱴᱨᱳᱯᱞᱚᱥ ᱯᱞᱮ ᱨᱟᱭᱤᱴ ᱟᱣᱟᱨᱰ ᱧᱟᱢ ᱞᱮᱫᱟ | ᱟᱨ ᱟᱡᱟᱜ ᱥᱴᱮᱡᱽ ᱨᱮᱭᱟᱜ ᱯᱩᱭᱞᱩ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱠᱟᱹᱢᱤ ᱫᱚ ᱛᱟᱭ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱴᱨᱟᱡᱤᱠ ᱰᱨᱟᱢᱟ ᱞᱤᱵᱷᱤᱝ ᱨᱳᱢ (᱒᱐᱑᱕) ᱠᱟᱱᱟ |