ᱢᱚᱭᱩᱨᱤ ᱠᱟᱝᱜᱳ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ
ᱢᱚᱭᱩᱨᱤ ᱠᱟᱝᱜᱳ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ  ᱟᱨ  ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶᱪᱷᱚᱛᱨᱚᱯᱚᱛᱤ ᱥᱚᱢᱵᱷᱟᱡᱤᱱᱚᱜᱚᱨ, ᱢᱚᱦᱟᱨᱟᱥᱴᱨᱚ, ᱥᱤᱧᱚᱛ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹᱥᱤᱧᱚᱛᱤᱭᱟᱹ
ᱠᱟᱹᱢᱤᱢᱟᱬᱛᱮ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ1995–2009
ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫ
ᱟᱫᱤᱛᱭᱚ ᱫᱤᱞᱞᱳᱱ (m. 2003)

ᱢᱚᱭᱩᱨᱤ ᱠᱟᱝᱜᱳ ᱢᱚᱦᱟᱨᱟᱥᱴᱨᱚ ᱨᱮᱭᱟᱜ ᱪᱚᱛᱛᱨᱚᱯᱚᱛᱤ ᱥᱚᱢᱵᱷᱟᱡᱤ ᱱᱟᱜᱟᱨ ᱨᱮᱱ ᱢᱤᱫ ᱢᱟᱨᱮᱱ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱮᱥ ᱠᱤᱪᱷᱩ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱚᱵᱷᱤᱱᱚᱭ ᱟᱠᱟᱫᱟ, ᱢᱩᱲᱩᱫ ᱞᱮᱠᱟᱛᱮ ᱵᱚᱞᱤᱭᱩᱰ ᱾ 2019 ᱥᱟᱹᱦᱤᱛ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱭᱟᱜ ᱵᱤᱨᱤᱫ ᱨᱮᱱ ᱢᱩᱲᱩᱫᱼᱟᱱᱤᱡ ᱵᱮᱯᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱜᱩᱜᱚᱞ ᱤᱱᱰᱤᱭᱟ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾[᱑]

ᱯᱟᱴᱷ ᱡᱤᱭᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱢᱩᱢᱵᱟᱭ ᱨᱮ ᱟᱡ ᱟᱭᱳ ᱥᱟᱶ ᱧᱮᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱥᱟᱭᱤᱫ ᱚᱠᱛᱟᱨ ᱢᱤᱨᱡᱟ ᱥᱟᱶ ᱡᱳᱜᱟᱡᱳᱜ ᱨᱮᱭ ᱦᱮᱡ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱᱤ ᱟᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱱᱟᱥᱤᱢ (1995ᱼᱨᱮ ᱵᱟᱵᱨᱤ ᱢᱚᱥᱡᱤᱫ ᱫᱷᱟᱥᱟᱣ ᱪᱮᱛᱟᱱ ᱴᱮᱦᱟᱴ ᱠᱟᱛᱮ ᱵᱮᱱᱟᱣ ᱢᱤᱫᱴᱟᱝ ᱵᱚᱞᱤᱭᱩᱰ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱛᱤᱨᱞᱟᱹ ᱪᱩᱨᱤᱛ ᱨᱮ ᱯᱟᱴᱷ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱾ ᱯᱳᱭᱞᱳ ᱨᱮ ᱩᱱᱤ ᱱᱚᱣᱟ ᱚᱯᱷᱟᱨ ᱫᱚ ᱵᱟᱝ ᱥᱤᱠᱟᱹᱨ ᱞᱮᱫᱟ ᱚᱡᱮ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱮᱭᱤᱪ ᱮᱥ ᱥᱤ ᱵᱳᱨᱰ ᱵᱤᱰᱟᱹᱣ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱛᱟᱭᱚᱢᱛᱮ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱥᱟᱶ ᱠᱤᱪᱷᱩ ᱵᱤᱵᱮᱫᱟ ᱛᱟᱭᱚᱢ, ᱪᱩᱨᱤᱛ ᱫᱚ ᱦᱟᱛᱟᱣ ᱠᱮᱫᱟ ᱾

ᱢᱚᱦᱮᱥ ᱵᱚᱴ ᱩᱱᱤᱭᱟᱜ ᱯᱟᱴᱷ ᱛᱮ ᱮᱥᱮᱨ ᱞᱮᱱᱟᱭ ᱟᱨ ᱩᱱᱤ ᱟᱡᱟᱜ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱪᱤᱛᱟᱹᱨ 'ᱯᱟᱱᱯᱟ ᱠᱮᱦᱛᱮ ᱦᱟᱭ' (1996) ᱨᱮ ᱢᱩᱲᱩᱫ ᱪᱩᱨᱤᱛ ᱨᱮ ᱯᱟᱴᱷ ᱨᱮᱭᱟᱜ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱾ ᱡᱩᱫᱤᱦᱚᱸ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱵᱤᱪᱷᱱᱟᱹᱣ ᱥᱮ ᱵᱮᱯᱟᱨᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱜᱤᱞ ᱵᱟᱝ ᱦᱩᱭ ᱞᱮᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤᱭᱟᱜ ᱯᱟᱴᱷ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱱᱟᱯᱟᱭ ᱵᱤᱪᱷᱚᱱᱟ ᱠᱚ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱵᱤᱛᱟᱵᱤ (1997), ᱦᱳᱜᱤ ᱯᱮᱭᱟᱨ ᱠᱤ ᱡᱤᱛ (1999) ᱟᱨ ᱵᱟᱫᱚᱞ (2000) ᱞᱮᱠᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱧᱮᱞ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱰᱚᱞᱟᱨ ᱵᱟᱦᱩ (2001) ᱟᱨ ᱠᱟᱨᱤᱥᱢᱟᱼ ᱫᱟ ᱢᱮᱨᱮᱠᱮᱞᱥ ᱚᱯᱷ ᱰᱤᱥᱴᱤᱱᱤ (2003) ᱨᱮ ᱥᱤᱮᱨᱤᱭᱟᱞ ᱨᱮ ᱯᱟᱴᱷ ᱠᱟᱛᱮ ᱴᱮᱞᱤᱵᱷᱤᱥᱚᱱ ᱨᱮᱭ ᱦᱮᱡ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱩᱱᱤ ᱠᱟᱨᱤᱥᱢᱟ ᱠᱟᱯᱩᱨ ᱨᱮᱱ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱪᱩᱨᱤᱛ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾

ᱱᱤᱡᱮᱨ ᱡᱤᱭᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱠᱟᱝᱜᱳ ᱪᱚᱛᱨᱚᱯᱚᱛᱤ ᱥᱚᱢᱵᱷᱟᱡᱤ ᱱᱟᱜᱟᱨ ᱨᱮᱱ ᱥᱮᱱᱴ ᱯᱷᱨᱮᱱᱥᱤᱥ ᱰᱮ ᱥᱮᱞᱥ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱢᱩᱪᱟᱹᱫ ᱞᱮᱫᱟᱭ ᱟᱨ ᱪᱚᱛᱨᱳᱵᱚᱛᱤ ᱥᱚᱢᱵᱷᱟᱡᱤᱱᱚᱜᱚᱨ ᱨᱮᱱ ᱫᱟᱣᱳᱜᱤᱨ ᱠᱚᱞᱮᱡᱽ ᱨᱮᱱ ᱢᱤᱫ ᱦᱚᱲ ᱯᱟᱹᱴᱷᱩᱭᱟᱹ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱟᱭᱳ ᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱴᱷᱟᱶ ᱨᱮᱱ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ, ᱡᱟᱦᱟ ᱫᱚ ᱯᱟᱴᱷ ᱨᱮ ᱩᱱᱤᱭᱟᱜ ᱥᱩᱪᱤ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱟ ᱾

2003 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ 28 ᱰᱤᱥᱮᱢᱵᱚᱨ ᱨᱮ ᱪᱚᱛᱛᱨᱚᱯᱚᱛᱤ ᱥᱚᱢᱵᱷᱟᱡᱤ ᱱᱟᱜᱟᱨ ᱨᱮ ᱟᱫᱤᱛᱭᱚ ᱫᱤᱞᱳᱱ ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫ ᱮᱱ ᱟᱨ ᱟᱭ ᱥᱟᱶᱛᱮ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ ᱾ 2011 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱠᱩᱣᱟᱜ ᱢᱤᱫ ᱠᱚᱲᱟ ᱜᱤᱫᱽᱨᱟᱹ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾

ᱯᱷᱤᱞᱢᱳᱜᱨᱟᱯᱷᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱮᱨᱢᱟ ᱛᱟᱹᱞᱤᱠᱟ ᱮᱱᱮᱢ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱱᱳᱴᱠᱚ
1995 ᱱᱟᱥᱤᱢ ᱱᱟᱥᱤᱢ ᱥᱳᱭᱤᱫ ᱚᱠᱷᱛᱟᱨ ᱢᱤᱨᱡᱟ
1996 ᱵᱟᱵᱟ ᱠᱮᱦᱴᱮ ᱦᱟᱭ ᱥᱩᱴᱤ ᱟᱱᱚᱱᱫᱚ ᱢᱚᱦᱮᱥ ᱵᱚᱴ
1997 ᱵᱤᱛᱟᱵᱤ ᱨᱮᱥᱢᱟ ᱨᱟᱡᱮᱥ ᱠᱩᱢᱟᱨ ᱥᱤᱝ
1999 ᱦᱳᱜᱤ ᱯᱮᱭᱟᱨ ᱠᱤ ᱡᱤᱛ ᱯᱨᱤᱛᱤ ᱥᱤᱝ ᱯᱤ ᱵᱟᱥᱩ
ᱢᱮᱨᱟᱭ ᱮᱯᱱᱤ ᱵᱟᱝ ᱨᱤᱞᱤᱡ
2000 ᱵᱟᱫᱚᱞ ᱥᱳᱱᱤ ᱨᱟᱡᱽ ᱠᱟᱱᱣᱟᱨ
ᱵᱟᱵᱟ ᱫᱟ ᱜᱨᱮᱴ ᱠᱮ ᱵᱟᱜᱤᱭᱟᱨᱟᱡ
ᱡᱟᱝ ᱥᱟᱱᱡᱚᱭ ᱜᱩᱯᱛᱚ ᱾ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱧᱮᱞ ᱧᱟᱢ (ᱥᱮᱹᱨᱮᱹᱧ )
ᱥᱤᱠᱟᱨᱤ ᱮᱱ ᱪᱚᱱᱫᱨᱟ ᱡᱤᱱᱤᱥ ᱥᱮᱨᱮᱧ
ᱵᱷᱟᱢᱥᱤ ᱥᱱᱮᱦᱚ ᱵᱤ ᱜᱳᱯᱟᱞ
2001 ᱡᱤᱛᱮᱝᱜᱮ ᱦᱟᱢ
2008 ᱠᱟᱥᱢᱤᱨ ᱦᱟᱢᱟᱨᱟ ᱦᱟᱭ

ᱥᱮᱨᱮᱧ ᱵᱷᱤᱰᱤᱣᱳ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱥᱮᱨᱢᱟ ᱛᱟᱹᱞᱤᱠᱟ ᱠᱟᱹᱨᱤᱜᱚᱞ Ref.
1997 ᱨᱟᱢ ᱨᱚᱛᱚᱱ ᱫᱟᱱ ᱯᱮᱣᱳ

ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  • ᱠᱟᱭᱟ ᱦᱚᱫᱥᱟ ᱠᱟᱭᱟ ᱦᱚᱠᱤᱠᱟᱛ ᱼᱠᱩᱴᱩᱢᱵ (2004) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ
  • ᱠᱟᱭᱟ ᱦᱚᱫᱥᱟ ᱠᱟᱭᱟ ᱦᱚᱠᱤᱠᱟᱛᱼᱠᱟᱭᱟᱢᱚᱛ (2004 ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ)
  • ᱠᱟᱨᱤᱥᱢᱟᱼ ᱫᱟ ᱢᱤᱨᱚᱠᱮᱞᱥ ᱚᱯᱷ ᱰᱮᱥᱴᱤᱱᱤ (2003) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ ᱢᱟᱱᱥᱤ ᱪᱩᱨᱤᱛ ᱨᱮ ᱾
  • ᱠᱟᱠᱩᱥᱩᱢ (2003) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ ᱥᱚᱠᱥᱤ ᱟᱨᱭᱟᱢᱚᱱ ᱳᱵᱮᱨᱳᱭ ᱞᱮᱠᱟᱛᱮ (ᱱᱟᱶᱟ)
  • ᱠᱤᱴᱴᱤ ᱯᱮᱨᱤᱴᱤ (2002) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ [᱒]
  • ᱨᱟᱝᱜᱳᱞᱤ (2001) [᱓]
  • ᱰᱚᱞᱟᱨ ᱵᱟᱦᱩ (2001) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ [᱔]
  • ᱛᱳᱰᱟ ᱜᱷᱟᱢ ᱛᱳᱰᱤ ᱠᱷᱩᱥᱤ (2001) ᱴᱤᱵᱷᱤ ᱥᱤᱨᱤᱡ ᱱᱮᱦᱟ ᱞᱮᱠᱟᱛᱮ ᱾
  • ᱠᱟᱦᱤᱱ ᱠᱤᱥᱤ ᱨᱳᱡᱽ ᱢᱚᱱᱤᱠᱟ ᱵᱳᱥ ᱥᱱᱮᱦᱟ ᱪᱩᱨᱤᱛ ᱨᱮ ᱥᱟᱨᱡᱟᱨᱤ ᱨᱮ ᱥᱟᱢᱟᱝ ᱨᱮ ᱾
  • ᱱᱟᱨᱜᱤᱥᱼᱰᱤᱰᱤ1

ᱜᱟᱭᱟᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  • ᱠᱩᱪ ᱛᱩᱢ ᱠᱟᱦᱳ ᱠᱩᱪ ᱦᱩᱢ ᱠᱟᱦᱮᱭ ᱹᱹᱹᱹᱹ ᱡᱟᱨᱤᱱᱟ ᱠᱷᱟᱱᱱᱟ [᱕] [᱖]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. "Mayoori Kango is now Google India industry head – agency business". The Indian Express. 3 April 2019. Archived from the original on 4 April 2019. Retrieved 4 April 2019.
  2. ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; no text was provided for refs named Wedding
  3. "Rangoli, a musical programme on film songs airing on Doordarshan, will be donning a new look after the Dheeraj Kumar promoted Creative Eye struck a deal with the national broadcaster to produce and market the programme". 6 April 2001. Archived from the original on 25 February 2019. Retrieved 24 February 2019.
  4. Jha, Subhash K, "Thank God for Neena Gupta", Screen Weekly
  5. "The Show Kango On", Screen Weekly
  6. Cine blitz, Volume 29, Issue 1, Blitz Publications, 2003