ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ

ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ
ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ
	᱒᱐᱑᱐ ᱨᱮ ᱨᱮᱬᱩᱠᱟ
ᱢᱩᱬ ᱧᱩᱛᱩᱢ	रेणुका शहाणे
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	᱐᱗ ᱚᱠᱴᱳᱵᱚᱨ ᱑᱙᱖᱖; ᱢᱚᱦᱟᱨᱟᱥᱴᱨᱚ, ᱵᱷᱟᱨᱚᱛ
ᱠᱟᱹᱢᱤ	ᱟᱠᱴᱨᱮᱥ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ	᱑᱙᱙᱐ ᱠᱷᱚᱱᱟᱜ
ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫ	ᱟᱥᱩᱛᱩ ᱨᱟᱬᱟ
ᱦᱚᱯᱚᱱ	ᱥᱚᱣᱩᱨᱭᱚᱢᱚᱱ ᱨᱟᱬᱟ; ᱥᱚᱛᱭᱮᱱᱫᱨᱚ ᱨᱟᱬᱟ
ᱥᱤᱨᱯᱷᱟᱹ	᱑᱙᱙᱔ ᱨᱮ ᱢᱚᱨᱟᱴᱷᱤ ᱯᱷᱳᱞᱢ ᱟᱵᱳᱞᱤ ᱞᱟ.ᱜᱤᱱ ᱱᱟᱯᱟᱭ ᱟᱠᱴᱨᱮᱥ ᱞᱮᱠᱟᱛᱮ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱭᱟᱨ ᱟᱣᱟᱰ

ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ (᱐᱗ ᱚᱠᱴᱳᱵᱚᱨ ᱑᱙᱖᱖), ᱫᱚ ᱡᱟᱶᱟᱭᱮᱱ ᱧᱩᱛᱩᱢ ᱨᱮᱬᱩᱠᱟ ᱟᱥᱩᱛᱩᱥ ᱨᱟᱬᱟ ᱧᱩᱛᱩᱢ ᱛᱮ ᱦᱚᱸ ᱠᱚ ᱵᱟᱰᱟᱭ ᱠᱟᱫᱮᱭᱟ^[᱑] ᱾ ᱱᱩᱭ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ, ᱵᱚᱞᱤᱣᱩᱰ ᱟᱠᱴᱨᱮᱥ ᱟᱨ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱴᱮᱞᱤᱵᱤᱡᱚᱱ ᱟᱠᱴᱨᱮᱥ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱟᱨ ᱦᱚᱸ ᱫᱳᱨᱫᱚᱨᱥᱚᱱ ᱱᱤᱵᱷᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱨᱤᱭᱮᱞ ᱥᱩᱨᱚᱵᱷᱤ (᱑᱙᱙᱓–᱒᱐᱐᱑) ᱨᱮ ᱠᱟ.ᱢᱤ ᱠᱷᱟ.ᱛᱤᱨ ᱠᱚ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ^[᱒]

ᱥᱮᱫᱟᱭ ᱟᱨ ᱱᱤᱡᱮᱨ ᱡᱤᱭᱚᱱ

ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ ᱫᱚ ᱢᱤᱫ ᱢᱚᱨᱟᱴᱷᱤ ᱚᱲᱟᱜ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱱᱩᱠᱩᱣᱟᱜ ᱡᱟᱱᱟᱢ ᱟᱲᱟᱝ ᱫᱚ ᱢᱚᱨᱟᱴᱷᱤ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱵᱤᱡᱚᱭ ᱠᱩᱢᱟᱨ ᱥᱟᱦᱟᱬᱮ(Lt. Cdr. Vijay Kumar Shahane) ᱫᱚ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱫᱟᱜ ᱯᱷᱟ.ᱫᱽ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ ᱾ ᱟᱡ ᱟᱭᱚ ᱥᱟᱱᱛᱟ ᱜᱳᱠᱷᱞᱮ ᱫᱚ ᱢᱚᱨᱟᱴᱷᱤ ᱛᱷᱤᱭᱮᱴᱚᱨ ᱠᱚᱨᱮ ᱠᱟ.ᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱡᱚᱠᱷᱚᱱ ᱨᱮᱬᱩᱠᱟ ᱫᱚ ᱜᱤᱫᱽᱨᱟ.ᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱡ ᱟᱭᱚ ᱟᱨ ᱵᱟᱵᱟ ᱫᱚ ᱠᱤᱱ ᱵᱟᱯᱟᱜᱽᱻᱮᱱᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱟᱡ ᱟᱭᱚ ᱫᱚ ᱚᱨᱩᱬ ᱠᱟᱯᱩᱨ ᱧᱩᱛᱩᱢᱟᱱ ᱯᱷᱤᱞᱢ ᱢᱮᱠᱚᱨ ᱴᱷᱮᱱ ᱡᱟᱶᱟᱭ ᱟ‌.ᱨᱩ ᱞᱮᱱᱟ ᱾

ᱛᱚᱵᱮ ᱟᱡ ᱟᱭᱚᱻᱟᱜ ᱫᱚᱥᱟᱨ ᱵᱟᱯᱞᱟ ᱦᱚᱸ ᱡᱟ.ᱥᱛᱤ ᱫᱤᱱ ᱵᱟᱝ ᱴᱤᱠᱟ.ᱣ ᱞᱮᱱᱟ ᱾ ᱚᱨᱩᱬ ᱥᱟᱝ ᱦᱚᱸ ᱵᱟᱯᱞᱟ ᱥᱟᱠᱟᱢ ᱟᱨ ᱠᱮᱪᱟᱜ ᱠᱟᱛᱮ, ᱡᱮᱨᱤ ᱯᱤᱱᱴᱳ ᱧᱩᱛᱩᱢ ᱟᱱ ᱯᱷᱤᱞᱢ ᱡᱚᱱᱟᱞᱤᱥᱴ ᱥᱟᱝ ᱥᱟ.ᱜᱟ.ᱭ ᱡᱚᱲᱟᱣ ᱞᱮᱜᱻᱟ ᱾ ᱨᱮᱬᱩᱠᱟ ᱟᱨ ᱟᱡ ᱠᱚᱲᱟ ᱵᱚᱭᱦᱟ, ᱜᱤᱨᱤᱥ ᱥᱟᱦᱟᱬᱮ ᱛᱤᱠᱤᱱ ᱫᱚ ᱟᱡ ᱟᱭᱚ ᱥᱟᱝ ᱢᱩᱢᱵᱟᱭᱤ ᱨᱮ ᱠᱤᱱ ᱦᱟᱨᱟ ᱟᱠᱟᱱᱟ ᱾ ᱨᱮᱬᱩᱠᱟ ᱫᱚ ᱥᱮᱸᱴ ᱡᱟᱵᱷᱤᱭᱚᱨ ᱠᱚᱞᱮᱡᱽ ᱠᱷᱚᱱ ᱥᱟᱭᱠᱳᱞᱳᱡᱤ (Psychology) ᱨᱮ B.A. ᱯᱟᱥ ᱞᱮᱭᱟ ᱾ ᱟᱨ ᱢᱩᱢᱵᱟᱭᱤ ᱭᱩᱱᱤᱵᱷᱚᱨᱥᱤᱴᱤ ᱠᱷᱚᱱ ᱠᱞᱤᱱᱤᱠᱟᱞ ᱥᱟᱭᱠᱳᱞᱳᱡᱤ(Clinical Psychology) ᱨᱮ ᱯᱳᱥᱴ ᱜᱽᱨᱟᱡᱩᱭᱮᱥᱚᱱ ᱯᱟᱥ ᱞᱮᱜᱻᱟ ᱾

ᱟᱡ ᱫᱟᱫᱟ ᱜᱤᱨᱤᱥ ᱥᱟᱦᱟᱬᱮ ᱫᱚ ᱢᱤᱫ ᱠᱚᱱᱴᱮᱢᱯᱳᱨᱟᱨᱤ(contemporary) ᱚᱱᱚᱞᱤᱭᱟ.,ᱟᱨᱠ ᱠᱨᱤᱴᱤᱠ(art critic), ᱠᱟᱱᱟᱭ ᱾ ᱟᱨ ᱜᱤᱨᱤᱥ ᱫᱚ Scroll.in ᱥᱟᱝ ᱠᱚᱞᱚᱢᱱᱤᱥᱴ(columnist) ᱞᱮᱠᱟᱛᱮ ᱠᱟ.ᱢᱤ ᱠᱟᱱᱟᱭ ᱾ ^[᱓] ^[᱔]

ᱨᱮᱬᱩᱠᱟ ᱦᱚᱸ ᱵᱟᱨ ᱴᱷᱮᱱ ᱡᱟᱶᱟᱭ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭᱤᱡ ᱯᱩᱭᱞᱩ ᱡᱟᱶᱟᱭ ᱫᱚ ᱵᱤᱡᱚᱭ ᱠᱮᱱᱠᱟᱨᱮ ᱠᱟᱱᱟᱭ ᱾ ᱵᱤᱡᱚᱭ ᱫᱚ ᱢᱚᱨᱟᱴᱷᱤ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ ᱚᱱᱚᱞᱤᱭᱟ. ᱟᱨ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱱᱚᱶᱟ ᱵᱟᱯᱞᱟ ᱥᱟ.ᱜᱟ.ᱭ ᱫᱚ ᱡᱟ.ᱥᱛᱤ ᱫᱤᱱ ᱵᱟᱝ ᱴᱤᱠᱟ.ᱣ ᱞᱮᱱᱟ ᱟᱨ ᱥᱟᱠᱟᱢ ᱚᱲᱟᱡ ᱦᱩᱭᱟᱫ ᱠᱤᱱᱟ ᱾ ^[᱕] ᱫᱚᱥᱟᱨ ᱨᱮ ᱨᱮᱬᱩᱠᱟ ᱟᱥᱩᱛᱩᱥ ᱨᱟᱬᱟ(ᱵᱷᱤᱛᱤᱨ ᱧᱩᱛᱩᱢ ᱫᱚ ᱟᱥᱩᱛᱩᱥ ᱱᱤᱠᱷᱨᱮ ᱛᱟᱦᱮᱸᱠᱟᱱ ᱛᱟᱭᱟ) ᱴᱷᱮᱱ ᱡᱟᱶᱟᱭ ᱠᱟᱱᱟᱭ ᱾ ᱟᱥᱩᱛᱩᱥ ᱫᱚ ᱵᱚᱞᱤᱣᱩᱰ ᱟᱠᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱠᱤᱱ ᱨᱮᱱ ᱵᱟᱨᱭᱟ ᱜᱤᱫᱽᱨᱟ., ᱥᱚᱣᱩᱨᱭᱚᱢᱚᱱ ᱱᱤᱠᱷᱨᱟ ᱟᱨ ᱥᱚᱛᱭᱮᱱᱫᱽᱨᱚ ᱱᱤᱠᱷᱨᱟ ᱾

ᱠᱟ.ᱢᱤ‌ ᱡᱤᱭᱚᱱ

ᱨᱮᱬᱩᱠᱟ ᱫᱚ ᱟᱠᱴᱤᱝ ᱡᱤᱭᱚᱱ ᱢᱚᱨᱟᱴᱷᱤ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ ᱦᱟᱪ ᱥᱩᱱᱵᱟᱭᱪᱟ ᱵᱷᱟᱣᱩ ᱠᱷᱚᱱ ᱮᱦᱚᱵ ᱞᱮᱜᱻᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱦᱤᱱᱫᱤ ᱥᱩᱨᱚᱵᱷᱤ ᱥᱤᱨᱤᱭᱮᱞ ᱨᱮ ᱟᱝᱠᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟ.ᱢᱤ ᱠᱮᱭᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮ ᱠᱟ.ᱢᱤ‌ᱠᱟᱛᱮ ᱱᱩᱭ ᱱᱚᱝᱠᱟ ᱧᱩᱛᱩᱢ ᱞᱮᱱᱟᱭ ᱡᱮᱢᱚᱱ ᱑᱙᱘᱐ ᱥᱟᱞ ᱨᱮ ᱫᱳᱨᱫᱚᱨᱥᱚᱱ ᱨᱮ ᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱟᱨ ᱞᱟᱥᱮᱨ ᱦᱟᱛᱟᱝ ᱟᱠᱴᱨᱮᱥ ᱨᱮ ᱠᱚ ᱞᱮᱠᱷᱟᱭᱮ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾

᱑᱙᱙᱔ ᱨᱮ ᱥᱩᱨᱚᱵᱷᱤ ᱥᱤᱨᱤᱭᱮᱞ ᱨᱮ ᱦᱳᱥᱴᱤᱝ ᱠᱟᱱ ᱚᱠᱛᱚ ᱦᱤᱱᱫᱤ ᱯᱷᱤᱞᱢ ᱦᱚᱢ ᱟᱯᱠᱮ ᱦᱮ ᱠᱚᱱ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱟ.ᱜᱤᱱ ᱫᱟᱣ ᱧᱟᱢ ᱠᱮᱭᱟ ᱾ ^[᱖] ᱱᱚᱶᱟ ᱯᱷᱤᱞᱢ ᱨᱮ ᱨᱮᱬᱩᱠᱟ ᱫᱚ ᱟ.ᱰᱤ ᱵᱷᱟ.ᱜᱤ ᱞᱮᱠᱟᱭ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ ᱾

ᱨᱮᱬᱩᱠᱟ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱢᱚᱨᱟᱴᱷᱤ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ ᱨᱮ ᱠᱟ.ᱢᱤ ᱟᱠᱟᱫᱟᱭᱟ ᱾ ᱟᱡ ᱯᱩᱭᱞᱩ ᱨᱤᱛᱟ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ ᱨᱮ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ ᱾ ^[᱗] ᱨᱤᱛᱟ ᱨᱮ ᱫᱚ ᱡᱟᱠᱤ ᱥᱨᱟᱯᱷ, ᱯᱚᱞᱞᱚᱵᱤ ᱡᱳᱥᱤ,ᱥᱩᱦᱟᱥᱤᱱᱤ ᱢᱩᱞᱚᱭ, ᱟᱨ ᱢᱳᱦᱚᱱ ᱟᱜᱟᱥᱮ ᱮᱢᱟᱱ ᱠᱚ ᱠᱟᱢᱤ ᱞᱮᱭᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱨᱟᱢ ᱜᱳᱯᱟᱞ ᱵᱚᱨᱢᱟᱻᱟᱜ ᱰᱤᱨᱮᱠᱥᱚᱱ ᱛᱮ ᱵᱮᱱᱟᱣ ᱠᱟᱱ ᱢᱚᱱᱤ ᱯᱷᱤᱞᱢ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱜᱻᱟᱭ ᱾

ᱥᱟᱨᱠᱚᱥ ᱫᱚ ᱯᱩᱭᱞᱩ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱴᱮᱞᱤᱵᱤᱡᱚᱱ ᱥᱤᱨᱤᱡᱽ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱨᱮᱬᱩᱠᱟ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱭᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮ ᱥᱟᱦᱨᱩᱠᱷ ᱠᱷᱚᱱ ᱦᱚᱸᱭ ᱠᱟ.ᱢᱤ ᱞᱮᱫᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱟᱨ ᱦᱚᱸ ᱤᱢᱛᱤᱦᱟᱱ ᱥᱤᱨᱤᱭᱮᱞ ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱭᱟ ᱾

ᱯᱷᱤᱞᱢᱳᱜᱽᱨᱟᱯᱷᱤ

ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ

ᱦᱩᱸ ᱦᱩᱱᱥᱤ ᱦᱩᱱᱥᱤᱞᱟᱞ (᱑᱙᱙᱒)
ᱢᱚᱱᱤ (᱑᱙᱙᱓, ᱛᱮᱞᱩᱜᱩ)
ᱦᱚᱢ ᱟᱯᱠᱮ ᱦᱮ ᱠᱚᱣᱩᱱ..! (᱑᱙᱙᱔)
ᱢᱚᱱᱤ ᱢᱚᱱᱤ (᱑᱙᱙᱕, ᱛᱮᱞᱩᱜᱩ)
ᱢᱟᱥᱳᱢ(᱑᱙᱙᱖ ᱨᱮᱭᱟᱜ ᱪᱚᱞᱚᱱ ᱪᱤᱛᱟ.ᱨ) (᱑᱙᱙᱖)
ᱛᱚᱱᱱᱩ ᱠᱤ ᱛᱤᱱᱟ (᱑᱙᱙᱗)
ᱛᱩᱢ ᱡᱤᱭᱳ ᱦᱚᱡᱟᱨᱳᱸ ᱥᱟᱞ (᱒᱐᱐᱒)
ᱮᱠ ᱚᱞᱚᱜᱽ ᱢᱚᱣᱩᱥᱚᱢ (᱒᱐᱐᱓)
ᱫᱤᱞᱱᱮ ᱡᱤᱥᱮ ᱟᱯᱱᱮ ᱠᱟᱦᱟ (᱒᱐᱐᱔)
ᱨᱤᱛᱟ (᱒᱐᱐᱙, ᱢᱚᱨᱟᱴᱷᱤ)
ᱫᱩᱥᱟᱨᱤ ᱜᱳᱥᱛᱟ (᱒᱐᱑᱔, ᱢᱚᱨᱟᱴᱷᱤ)
ᱦᱟᱭᱣᱮ (᱒᱐᱑᱕)
ᱛᱮ ᱟᱭᱷ ᱫᱤᱣᱚᱥ (᱒᱐᱑᱕)
᱓ ᱥᱴᱳᱨᱤᱡᱽ (᱒᱐᱑᱘)
ᱵᱚᱠᱮᱴ ᱞᱤᱥᱴ (᱒᱐᱑᱘)
ᱛᱨᱤᱵᱷᱚᱝᱜᱟ (TBA)

ᱣᱮᱵᱽ ᱥᱤᱨᱤᱡᱽ

ᱦᱣᱟᱴ ᱫᱚ ᱯᱷᱚᱠᱥ(What the Folks)(᱒᱐᱑᱘)

ᱴᱮᱞᱤᱵᱤᱡᱚᱱ

ᱥᱮᱨᱢᱟ	ᱥᱤᱨᱤᱭᱮᱞ	ᱨᱳᱞ	ᱯᱟ.ᱨᱥᱤ	ᱪᱟᱱᱮᱞ
᱑᱙᱘᱙–᱑᱙᱙᱐	ᱥᱟᱨᱠᱚᱥ		ᱦᱤᱱᱫᱤ	ᱰᱤᱰᱤ ᱱᱮᱥᱱᱟᱞ
᱑᱙᱙᱓–᱒᱐᱐᱑	ᱥᱩᱨᱚᱵᱷᱤ	ᱦᱳᱥᱴ
᱑᱙᱙᱔	ᱤᱢᱛᱤᱦᱟᱱ
	ᱟᱥᱢᱟᱱ ᱥᱮ ᱟᱜᱮ
	ᱡᱩᱱᱳᱱ
᱑᱙᱙᱕–᱑᱙᱙᱘	ᱥᱚᱭᱲᱚᱵᱽ			ᱡᱤ ᱴᱤᱵᱷᱤ
᱑᱙᱙᱗	ᱢᱤᱥᱮᱥ ᱢᱟᱫᱷᱩᱨᱤ ᱫᱤᱠᱷᱥᱤᱛ	ᱢᱟᱫᱷᱩᱨᱤ ᱫᱤᱠᱷᱥᱤᱛ		ᱡᱤ ᱴᱤᱵᱷᱤ
᱑᱙᱙᱗-᱑᱙᱙᱘	ᱜᱷᱩᱴᱟᱱ	ᱥᱟᱢᱞᱤ		ᱰᱤᱰᱤ ᱱᱮᱥᱱᱟᱞ
᱑᱙᱙᱗-᱑᱙᱙᱘	᱙ ᱢᱟᱞᱟᱵᱟᱨ ᱦᱤᱞ			ᱡᱤ ᱴᱤᱵᱷᱤ
᱑᱙᱙᱘–᱑᱙᱙᱙	ᱠᱳᱨᱟ ᱠᱟᱜᱚᱡᱽ	ᱯᱩᱡᱟ		ᱥᱴᱟᱨ ᱯᱞᱚᱥ
᱒᱐᱐᱑	ᱠᱷᱟᱢᱳᱥᱤᱭᱟᱸ......ᱠᱚᱵᱽ ᱛᱚᱠ			ᱡᱤ ᱴᱤᱵᱷᱤ
᱒᱐᱐᱗	ᱡᱤᱛᱮ ᱦᱮᱸ ᱡᱤᱥᱠᱮ ᱞᱤᱭᱮ			ᱥᱳᱱᱤ ᱴᱤᱵᱷᱤ
᱒᱐᱑᱐–᱒᱐᱑᱑	ᱡᱷᱚᱞᱚᱠ ᱫᱤᱠᱷᱞᱟ ᱡᱟ ᱔	ᱠᱚᱱᱴᱮᱥᱴᱟᱸᱴ		ᱥᱳᱱᱤ ᱴᱤᱵᱷᱤ
᱒᱐᱑᱐–᱒᱐᱑᱑	ᱡᱤᱱᱟ ᱤᱥᱤ ᱠᱟ ᱱᱟᱢ ᱦᱮ		ᱢᱚᱨᱟᱴᱷᱤ	ᱡᱤ ᱢᱚᱨᱟᱴᱷᱤ
᱒᱐᱑᱑	ᱯᱷᱳ ᱵᱟᱭᱤ ᱯᱷᱳ	ᱡᱚᱡᱽ		ᱡᱤ ᱢᱚᱨᱟᱴᱷᱤ
	ᱟᱣᱟᱡᱽ ᱢᱚᱦᱟᱨᱟᱥᱴᱨᱚᱪᱟ	ᱦᱳᱥᱴ		ᱢᱤ‌ ᱢᱚᱨᱟᱴᱷᱤ
	ᱞᱮᱰᱤᱡᱽ ᱯᱷᱟᱥᱴ	ᱠᱳᱼᱦᱳᱥᱴ	ᱦᱤᱱᱫᱤ	ᱯᱷᱳᱰ ᱯᱷᱳᱰ
᱒᱐᱑᱔	ᱢᱮᱨᱮ ᱨᱚᱝ ᱢᱮ ᱨᱚᱝᱜᱱᱮ ᱣᱟᱞᱤ	ᱨᱮᱬᱩᱠᱟ ᱫᱮᱟᱢᱩᱠᱷ	ᱦᱤᱱᱫᱤ	ᱞᱟᱭᱤᱯᱷ ᱳᱠᱮ
᱒᱐᱑᱕	ᱠᱚᱢᱮᱰᱤ‌ᱪᱟᱭ ᱵᱩᱞᱮᱴ ᱴᱨᱮᱱ	ᱨᱮᱬᱩᱠᱟ	ᱢᱚᱨᱟᱴᱷᱤ	ᱤ ᱴᱤᱵᱷᱤ ᱢᱚᱨᱟᱴᱷᱤ
᱒᱐᱑᱕	ᱠᱚᱵᱷᱤ ᱮᱭᱥᱮ ᱜᱤᱛ ᱜᱟᱭᱟ ᱠᱚᱨᱳ	ᱚᱢᱨᱤᱛᱟ	ᱦᱤᱱᱫᱤ	ᱰᱤᱥᱱᱮ ᱪᱟᱱᱮᱞ ᱤᱱᱰᱤᱭᱟ
᱒᱐᱑᱘	ᱠᱷᱤᱪᱰᱤ	ᱵᱟᱣᱟᱥᱠᱚᱨ ᱢᱟᱰᱟᱢ	ᱦᱤᱱᱫᱤ	ᱥᱴᱟᱨ ᱯᱞᱚᱥ
᱒᱐᱑᱙	ᱦᱣᱟᱴ ᱫᱚ ᱯᱷᱚᱠᱥ, ᱫᱚᱥᱟᱨ/ᱛᱮᱥᱟᱨ ᱥᱤᱡᱚᱱ(What The Folks)

ᱥᱟ.ᱠᱷᱭᱟ.ᱛ

↑ Lua error in package.lua at line 80: module 'Module:TwitterSnowflake' not found.
↑ "Blast from the past Renuka Sahane and Siddharth Kak in Surabhi". The Hindu. 25 February 2008.
↑ "Girish Shahane". Huff Post (Huffington Post) India. Retrieved 2018-07-21.
↑ "Girish Shahane's Profile, JNAF". Jehangir Nicholson Art Foundation. Retrieved 18 September 2019.
↑ http://www.womensweb.in/2017/02/talk-to-your-boys-about-periods/
↑ Footman, Tim; Young, Mark C. (May 2001). Guinness World Records 2001. Bantam Books. p. 147. ISBN 9780553583755. Highest-grossing Indian movie Hum Aapke Hain Koun..! (India, 1994) took over $63.8 million in its first year.
↑ http://www.womensweb.in/2017/04/interview-with-renuka-shahane/

ᱵᱟ.ᱲᱛᱤ ᱡᱚᱱᱚᱲ

ᱨᱮᱬᱩᱠᱟ ᱥᱟᱦᱟᱬᱮ (ᱤᱱᱴᱚᱨᱱᱮᱴ ᱢᱩᱵᱷᱤ ᱰᱟᱴᱟᱵᱮᱥ ᱨᱮ)

[1] Lua error in package.lua at line 80: module 'Module:TwitterSnowflake' not found.

[2] "Blast from the past Renuka Sahane and Siddharth Kak in Surabhi". The Hindu. 25 February 2008.

[huffpost-3] "Girish Shahane". Huff Post (Huffington Post) India. Retrieved 2018-07-21.

[4] "Girish Shahane's Profile, JNAF". Jehangir Nicholson Art Foundation. Retrieved 18 September 2019.

[5] ttp://www.womensweb.in/2017/02/talk-to-your-boys-about-periods/

[guinness-6] Footman, Tim; Young, Mark C. (May 2001). Guinness World Records 2001. Bantam Books. p. 147. ISBN 9780553583755. Highest-grossing Indian movie Hum Aapke Hain Koun..! (India, 1994) took over $63.8 million in its first year.

[7] ttp://www.womensweb.in/2017/04/interview-with-renuka-shahane/

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