ᱯᱷᱨᱮᱰ ᱦᱟᱞᱥᱴᱮᱰ

ᱯᱷᱨᱮᱰ ᱦᱟᱞᱥᱴᱮᱰ
ᱯᱷᱨᱮᱰ ᱦᱟᱞᱥᱴᱮᱰ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	ᱡᱩᱞᱟᱭ ᱑᱗, ᱑᱙᱔᱑; Long Beach, California, US
ᱜᱩᱨ	᱐᱙ ᱢᱮ ᱑᱙᱘᱙ (᱔᱗ ᱵᱚᱭᱚᱥ); Dana Point, California, US
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱟᱢᱨᱤᱠᱟ
ᱠᱟᱹᱢᱤ	ᱜᱮᱭ ᱯᱚᱨᱱᱚᱜᱽᱨᱟᱳᱷᱤᱠ ᱯᱟᱯᱟᱴᱤᱭᱟᱹ film director, actor, escort, publisher, sex club owner

ᱯᱷᱨᱮᱰ ᱪᱟᱨᱞᱥ ᱦᱮᱞᱥᱴᱮᱰ (ᱡᱩᱞᱟᱭ ᱒᱐, ᱑᱙᱔᱑ ᱼ ᱢᱮ ᱙, ᱑᱙᱘᱙) ᱫᱚ ᱢᱤᱫ ᱟᱢᱮᱨᱤᱠᱟᱱ ᱜᱟᱭ ᱯᱚᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱰᱤᱨᱮᱠᱴᱚᱨ, ᱟᱠᱴᱚᱨ, ᱮᱥᱠᱳᱨᱴ, ᱯᱚᱵᱞᱤᱥᱚᱨ ᱟᱨ ᱥᱤᱠᱥ ᱠᱞᱚᱵᱽ ᱨᱤᱱᱤᱡ ᱟᱠᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱾^[᱑] ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱠᱚᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ Sex Garage ᱟᱨ L.A. ᱒᱓ ᱮᱯᱨᱤᱞ ᱑᱙᱗᱔ ᱥᱟᱞᱮ ᱨᱮ ᱢᱳᱰᱚᱨᱱ ᱟᱨᱴ ᱢᱩᱡᱤᱭᱚᱢ ᱨᱮᱱᱟᱜ ᱯᱚᱨᱢᱟᱱᱴᱮᱱᱴ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱨᱮ ᱯᱨᱳᱱᱳᱜᱽᱨᱚᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱠᱚᱨᱮ ᱯᱨᱳᱱᱳᱜᱽᱨᱚᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱜᱮ ᱯᱨᱳᱱᱳᱜᱽᱨᱚᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱠᱟᱱᱟ ᱾^[᱒] L.A. ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱠᱨᱤᱱᱤᱝ ᱒᱘ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱒᱐᱑᱓ ᱥᱟᱞᱮ ᱨᱮ ᱥᱟᱱ ᱯᱷᱨᱟᱱᱥᱤᱥᱠᱳ ᱢᱤᱣᱡᱤᱭᱚᱢ ᱚᱯᱷ ᱢᱚᱰᱚᱨᱱ ᱟᱨᱴ (San Francisco Museum of Modern Art) ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱯᱞᱮᱭᱥ ᱮᱥ ᱮᱯᱷ ᱮᱱᱮᱡ (Plays Itself) ᱦᱩᱭ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱓] ᱟᱨ ᱢᱤᱫᱴᱮᱱ ᱯᱞᱮᱭᱥ ᱑᱖ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱒᱐᱑᱑ ᱥᱟᱞᱮ ᱨᱮ ᱞᱚᱥ ᱮᱱᱡᱮᱞᱥ ᱨᱮ ᱦᱮᱢᱟᱱ ᱨᱤᱥᱚᱨᱥ (Human Resources) ᱨᱮ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾^[᱓] ᱱᱮᱛᱟᱨᱞᱮᱱᱰ ᱯᱷᱤᱞᱢ ᱢᱤᱣᱡᱤᱭᱚᱢ ᱨᱮ ᱟᱨ ᱰᱳᱵᱷᱤᱞ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱥᱴᱤᱵᱷᱮᱞ ᱨᱮ ᱦᱚᱸ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱠᱚ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾^[᱔]

"ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱜᱟᱭ ᱥᱠᱩᱞ ᱟᱨᱴ ᱟᱨ ᱮᱠᱥᱯᱮᱨᱤᱢᱮᱱᱴᱮᱥᱚᱱ ᱨᱮᱭᱟᱜ ᱡᱮᱜᱮᱛ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ᱾ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱟᱡᱟᱜ ᱟᱨ ᱟᱡᱟᱜ ᱮᱰᱥ ᱛᱮ ᱵᱚᱫᱚᱞ ᱦᱩᱭ ᱞᱮᱱᱟᱭ, ᱜᱟᱭᱤ ᱥᱠᱩᱞ ᱴᱮᱥᱴ ᱟᱨ ᱟᱫᱷᱤᱠᱟᱨᱤ ᱨᱮᱭᱟᱜ ᱫᱟᱲᱮ ᱛᱮ ᱾" 6]

ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱢᱤᱫ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱮᱨᱳᱴᱤᱠᱥ ᱫᱚ ᱦᱟᱨᱟ ᱵᱩᱨᱩ ᱟᱨ ᱥᱟᱠᱨᱟᱢᱮᱱᱴᱟᱞ ᱠᱟᱱᱟ ᱢᱮᱱᱛᱮᱭ ᱢᱮᱱ ᱠᱮᱫᱼᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱦᱟᱨᱟ ᱵᱩᱨᱩ ᱛᱮᱜᱮ ᱦᱩᱭᱩᱜᱼᱟ ᱟᱨ ᱟᱫᱷᱤᱠᱟᱨᱤ ᱠᱟᱹᱢᱤ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱭ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱩᱱᱤ ᱢᱤᱫ ᱫᱷᱟᱣ ᱪᱮᱛᱟᱱ ᱨᱮᱭ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ, "ᱥᱮᱠᱥ ᱫᱚ 'ᱵᱟᱨᱦᱮ' ᱵᱟᱝ ᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱚᱨᱮᱥ ᱥᱤᱠᱷᱱᱟᱹᱛ ᱠᱟᱱᱟ।" "ᱤᱧᱟᱜ ᱫᱚ ᱯᱚᱨᱥᱚᱱᱟᱞ ᱥᱤᱱᱮᱢᱟ ᱠᱟᱱᱟ ᱾ ᱤᱧ ᱫᱚ ᱤᱧᱟᱜ ᱨᱚᱝ ᱞᱟᱹᱜᱤᱫ ᱤᱧ ᱵᱟᱭ ᱡᱩᱲᱟ. ᱤᱧ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱥᱤᱱᱮᱢᱟ ᱨᱮ, ᱤᱧ ᱵᱟᱹᱧ ᱦᱤᱡᱩᱜᱼᱟ ᱾ ᱤᱧ ᱦᱤᱡᱩᱜ ᱥᱮᱱᱚᱜ ᱨᱮ ᱵᱟᱹᱱᱩᱜ-ᱟ᱾ ᱤᱧ ᱫᱚ ᱤᱧᱟᱜ ᱢᱚᱱᱮ ᱠᱷᱚᱱ, ᱤᱧᱟᱜ ᱟᱸᱡᱚᱢ ᱠᱷᱚᱱ ᱦᱮᱡ ᱚᱪᱚᱭ ᱨᱮ ᱦᱚᱨᱚᱜ ᱠᱟᱱᱟ ᱤᱧ"᱾^[᱕]

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱑᱙᱔᱑ ᱨᱮ ᱞᱚᱝ ᱵᱤᱪ, ᱠᱚᱞᱤᱯᱷᱚᱨᱱᱤᱭᱟ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱟᱡ ᱵᱟᱵᱟ, ᱢᱤᱞᱴᱚᱱ ᱣᱤᱞᱤᱭᱟᱢ ᱦᱮᱞᱥᱴᱮᱰ, ᱵᱮᱱᱟᱣ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ, ᱟᱨ ᱟᱡ ᱟᱭᱳ, ᱞᱤᱞᱤᱭᱟᱱ ᱦᱮᱞᱥᱴᱮᱰ (ᱱᱟᱭᱤ ᱥᱟᱢᱳᱭᱞᱚᱯᱷ), ᱢᱤᱫ ᱰᱩᱠᱳᱵᱚᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟᱭ ᱟᱨ ᱟᱹᱛᱩ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱑] ᱢᱤᱞᱴᱚᱱ ᱫᱚ ᱯᱮ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱯᱷᱨᱮᱰ ᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱵᱚᱫᱚᱞ ᱠᱮᱫᱟ ᱾[᱑] [᱙] ᱟᱡᱤᱡ ᱟᱭᱚ ᱫᱚ ᱡᱚᱱ ᱱᱟᱭᱴ ᱥᱟᱶ ᱮ ᱨᱩᱭᱟᱹᱲ ᱞᱮᱱᱟ, [᱑᱐] ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱯᱷᱨᱮᱰ ᱘ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱵᱚᱞᱚ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱩᱱᱤ ᱫᱚ " ᱟᱡᱟᱜ ᱠᱩᱲᱤ ᱦᱚᱯᱚᱱ ᱨᱮ ᱢᱤᱫ ᱵᱚᱸᱜᱟ ᱵᱩᱨᱩ ᱞᱮᱠᱟᱛᱮ ᱵᱩᱡᱷᱟᱹᱣ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾" ᱩᱱᱤ ᱫᱚ ᱵᱮᱠᱚᱨᱥᱯᱷᱤᱞᱰ, ᱠᱮᱞᱤᱯᱷᱳᱨᱱᱤᱭᱟ ᱟᱨ ᱥᱟᱱ ᱡᱳᱥᱮ, ᱠᱮᱞᱤᱯᱷᱳᱨᱱᱤᱭᱟ ᱨᱮ ᱟᱥᱲᱟ ᱥᱮᱪᱮᱫ ᱞᱮᱱᱟᱭ ᱾ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱟᱡᱤᱡ ᱢᱤᱫ ᱯᱚᱲᱦᱚᱱᱤᱭᱟᱹ ᱨᱟᱡᱽᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮᱭ ᱵᱩᱡᱷᱟᱹᱣ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱡᱟᱜ ᱡᱚᱛᱚ ᱠᱞᱟᱥ ᱨᱮ ᱵᱟᱭ ᱥᱮᱪᱮᱫ ᱞᱮᱱᱟ ᱾[᱑] ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱠᱟᱞ ᱥᱴᱮᱴ ᱞᱚᱥ ᱮ ᱨᱮ ᱵᱳᱴᱟᱱᱤᱠᱥ ᱯᱟᱲᱦᱟᱣ ᱞᱮᱱᱟᱭ ᱾[᱑᱔] ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱢᱤᱫ ᱜᱷᱚᱨᱰᱮᱱᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫ-ᱟ ᱾[᱑᱕] ᱟᱨ ᱱᱤᱨᱵᱟᱪᱚᱱ ᱡᱤᱱᱤᱥ ᱵᱮᱯᱟᱨ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱖] ᱩᱱᱤ ᱫᱚ ᱮᱞ ᱢᱳᱱᱴᱮ, ᱠᱮᱞᱤᱯᱷᱳᱨᱱᱤᱭᱟ ᱨᱮ ᱢᱤᱫ ᱢᱩᱴᱷᱟᱹᱱ ᱱᱤᱨᱵᱟᱪᱚᱱ ᱵᱮᱯᱟᱨᱤᱭᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱗] [᱑][᱒] ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱫᱤᱱ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱜᱚᱰᱮᱛ ᱞᱮᱠᱟᱛᱮ ᱥᱮᱨᱢᱟ ᱠᱚ ᱧᱮᱞ ᱞᱮᱫᱟᱭ ᱾[᱓] [᱑᱙] ᱩᱱᱤ ᱫᱚ ᱵᱟᱭ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱱ ᱟᱨ ᱵᱟᱭ ᱥᱟᱥᱚᱱᱤᱠ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱮᱱᱮᱢ ᱦᱚᱸᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱐] ᱑᱕] ᱟᱡᱟᱜ ᱟᱹᱰᱤ ᱫᱤᱱ ᱫᱷᱟᱹᱵᱤᱡ ᱥᱟᱹᱜᱟᱹᱭᱤᱡ (ᱵᱟᱝᱠᱷᱟᱱ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ) ᱫᱚ ᱡᱳᱥᱮᱯᱷ ᱭᱟᱱᱚᱥᱠᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱮ "ᱡᱳ ᱭᱮᱞ" ᱧᱩᱛᱩᱢ ᱛᱮ ᱧᱮᱞᱚᱜᱼᱟ ᱾ ᱩᱱᱠᱩ ᱫᱚ "ᱥᱟᱰᱳᱢᱚᱡᱳᱠᱤᱥᱢ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱦᱟᱨᱟ ᱵᱩᱨᱩ ᱠᱚᱲᱟ" ᱠᱚ ᱢᱮᱛᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾[᱑᱔] ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱟᱡᱟᱜ ᱯᱨᱚᱢᱤᱥᱠᱩᱣᱮᱴ ᱜᱮ ᱥᱠᱩᱞ ᱡᱤᱭᱚᱱ ᱵᱟᱵᱚᱫ ᱛᱮ ᱚᱴᱳᱵᱭᱚᱵᱭᱚᱜᱨᱯᱤᱭᱟᱨᱤᱠᱟᱞ ᱯᱤᱴᱥ ᱚᱞ ᱞᱮᱫᱼᱟ ᱾^[᱖]

ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱠᱮᱱᱮᱛᱷ ᱮᱸᱜᱚᱨ ᱟᱜ ᱢᱤᱫ ᱱᱟᱯᱟᱭ ᱜᱟᱛᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱥᱠᱳᱨᱯᱤᱭᱳ ᱨᱟᱭᱡᱤᱝ (Scorpio Rising) ᱦᱚᱸᱭ ᱵᱷᱟᱹᱜᱤ ᱜᱮᱭᱟ ᱾ ᱒᱒] ᱩᱱᱤ ᱢᱮᱱ ᱠᱮᱫᱟ "ᱤᱧ ᱫᱚ ᱤᱬᱤᱡ ᱯᱩᱭᱞᱩ ᱨᱮ ᱢᱤᱫ ᱯᱚᱨᱵᱷᱮᱴ ᱟᱨ ᱛᱟᱭᱚᱢ ᱨᱮ ᱢᱤᱫ ᱦᱳᱭᱥᱮᱥᱣᱮᱞ ᱢᱮᱱᱛᱮ ᱵᱩᱡᱷᱟᱹᱣᱜᱼᱟ ᱾" ᱒᱓] ᱟᱨᱦᱚᱸ, ᱩᱱᱤ ᱫᱚ "ᱥᱟᱫᱤᱢ... ᱦᱳᱢᱚᱥᱠᱩᱣᱟᱞᱤᱴᱤ ᱠᱷᱚᱱ ᱵᱟᱹᱲᱛᱤ ᱢᱩᱬᱩᱛ ᱤᱧᱟᱜ ᱦᱚᱲᱢᱚ ᱨᱮ" ᱢᱮᱱᱟᱭᱟ ᱾

ᱢᱟᱜᱟᱡᱤᱱ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

᱑᱙᱗᱖ ᱟᱨ ᱑᱙᱗᱗ ᱥᱮᱨᱢᱟ ᱨᱮ ᱦᱚᱞᱥᱴᱮᱰ ᱫᱚ ᱢᱤᱫ ᱢᱮᱜᱟᱡᱤᱱ, ᱯᱮᱠᱮᱡᱽ, "ᱮ ᱡᱚᱨᱱᱚᱞ ᱚᱯᱷ ᱢᱮᱱ, ᱯᱷᱮᱠᱴ ᱮᱱᱰ ᱚᱯᱷᱤᱭᱚᱱ" ᱮ ᱢᱮᱰᱤᱴ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱟᱡᱟᱜ ᱠᱷᱟᱴᱚ ᱠᱟᱛᱷᱟ ᱞᱮᱠᱟᱛᱮ ᱥᱠᱮᱥ ᱱᱭᱩᱡᱽ, ᱠᱚᱱᱴᱟᱠᱴ ᱮᱰᱥ ᱟᱨ ᱦᱚᱞᱥᱴᱮᱰ ᱟᱜ ᱮᱨᱳᱴᱤᱠ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱔᱓] ᱱᱚᱶᱟ ᱚᱱᱚᱞ ᱫᱚ ᱖ ᱜᱚᱴᱟᱝ ᱥᱟᱦᱴᱟ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾

ᱥᱴᱨᱮᱴ ᱯᱞᱮ ᱟᱨ ᱢᱩᱵᱷᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱡᱚᱥᱯᱷ ᱮᱥ. ᱴᱮᱱᱮᱥᱤ ᱞᱟᱹᱜᱤᱫ ᱠᱷᱚᱵᱚᱨ ᱨᱮ ᱢᱤᱫ ᱦᱩᱞᱜᱟᱹᱨᱤᱭᱟᱹ ᱮ ᱠᱷᱮᱞ ᱞᱮᱫᱼᱟ ᱾ ᱠᱚᱨᱩᱥᱳ, ᱑᱙᱗᱘ ᱨᱮ ᱞᱚᱥ ᱟᱱᱡᱮᱞᱮᱥ ᱨᱮ ᱯᱟᱭᱞᱚᱴ ᱛᱷᱤᱭᱮᱴᱟᱨ ᱨᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾ ᱟᱡᱤᱡ ᱦᱚᱯᱚᱱ ᱡᱳᱥᱮᱯᱷ ᱭᱟᱱᱳᱥᱠᱟ ᱦᱚᱸ ᱢᱤᱫᱴᱟᱝ ᱦᱩᱞ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱦᱮᱞᱥᱴᱮᱰ ᱫᱚ ᱑᱙᱗᱙ ᱯᱷᱤᱞᱢ ᱰᱨᱤᱵᱽᱞ ᱨᱮ ᱢᱤᱫ ᱠᱮᱢᱮᱭᱳ ᱨᱳᱞ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ (ᱛᱟᱭᱚᱢ ᱛᱮ ᱥᱠᱳᱨᱤᱝ ᱞᱮᱠᱟᱛᱮ ᱨᱤᱞᱤᱡᱽ ᱞᱮᱱᱟ) ᱾^[᱗]^[᱘]^[᱙]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

↑ "Sound Recordings of Museum-Related Events in The Museum of Modern Art" Archived ᱒᱐᱑᱕-᱐᱑-᱑᱐ at the Wayback Machine., consulted 11/21/1974.
↑ William E. Jones, Halsted Plays Himself, Los Angeles, Semiotext(e) (distributed by The MIT Press), 2011, ISBN 9781584351078, pp. 13 & 55. An interview of Jones in which the book is referred to may be found at Bradford Nordeel, "William E. Jones on Finished", Slant Magazine, February 22, 2011, http://www.slantmagazine.com/house/article/william-e-jones-on-finished Archived ᱒᱐᱑᱕-᱐᱙-᱒᱔ at the Wayback Machine., retrieved July 20, 2015.
↑ Statement on the box cover of Pieces of Eight, reproduced in Jones, p. 102.
↑ Patrick Moore, Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality, Beacon Press, 2004, ISBN 080707957X, p. 58.
↑ Jones, pp. 61-64.
↑ Jeffrey Escoffier, review of William A. Jones, Halsted Plays Himself, Lambdaliterary, December 18, 2011, http://www.lambdaliterary.org/reviews/12/18/halsted-plays-himself-by-william-e-jones/#sthash.6IgzHTxu.dpuf Archived ᱒᱐᱑᱕-᱐᱑-᱒᱑ at the Wayback Machine., retrieved 1/20/2015.
↑ ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; no text was provided for refs named autogenerated9
↑ [᱑] Archived ᱒᱐᱒᱑-᱐᱗-᱐᱔ at the Wayback Machine., consulted 1/3/2015.
↑ [᱒] Archived ᱒᱐᱒᱑-᱐᱗-᱐᱔ at the Wayback Machine., consulted 1/5/2015.

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

Fred Halsted (ᱤᱱᱴᱚᱨᱱᱮᱴ ᱢᱩᱵᱷᱤ ᱰᱟᱴᱟᱵᱮᱥ ᱨᱮ)
* ᱪᱷᱟᱸᱪ:Iafd name
Fred Halsted's directing credits at the Adult Film Database
* Halsted Plays Himself
L.A. Plays Itself Archived ᱒᱐᱑᱕-᱐᱑-᱐᱖ at the Wayback Machine.
* William E. Jones on Fred Halsted
'Halsted Plays Himself' by William E. Jones
* Private Rituals Made Public: The Lost Erotica of Fred Halsted

[1] "Sound Recordings of Museum-Related Events in The Museum of Modern Art" Archived ᱒᱐᱑᱕-᱐᱑-᱑᱐ at the Wayback Machine., consulted 11/21/1974.

[2] William E. Jones, Halsted Plays Himself, Los Angeles, Semiotext(e) (distributed by The MIT Press), 2011, ISBN 9781584351078, pp. 13 & 55. An interview of Jones in which the book is referred to may be found at Bradford Nordeel, "William E. Jones on Finished", Slant Magazine, February 22, 2011, http://www.slantmagazine.com/house/article/william-e-jones-on-finished Archived ᱒᱐᱑᱕-᱐᱙-᱒᱔ at the Wayback Machine., retrieved July 20, 2015.

[3] Statement on the box cover of Pieces of Eight, reproduced in Jones, p. 102.

[4] Patrick Moore, Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality, Beacon Press, 2004, ISBN 080707957X, p. 58.

[5] Jones, pp. 61-64.

[6] Jeffrey Escoffier, review of William A. Jones, Halsted Plays Himself, Lambdaliterary, December 18, 2011, http://www.lambdaliterary.org/reviews/12/18/halsted-plays-himself-by-william-e-jones/#sthash.6IgzHTxu.dpuf Archived ᱒᱐᱑᱕-᱐᱑-᱒᱑ at the Wayback Machine., retrieved 1/20/2015.

[autogenerated9-7] ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; no text was provided for refs named autogenerated9

[8] [᱑] Archived ᱒᱐᱒᱑-᱐᱗-᱐᱔ at the Wayback Machine., consulted 1/3/2015.

[9] [᱒] Archived ᱒᱐᱒᱑-᱐᱗-᱐᱔ at the Wayback Machine., consulted 1/5/2015.

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