ᱰᱟᱭᱱᱟ ᱟᱞᱼᱦᱚᱫᱤᱫ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

ᱰᱟᱭᱱᱟ ᱟᱞᱼᱦᱚᱫᱤᱫ (ᱡᱟᱱᱟᱢ ᱑᱙᱘᱑) ᱢᱤᱫ ᱥᱤᱨᱤᱭᱟ ᱨᱮ ᱡᱟᱱᱟᱢ ᱟᱠᱟᱱ ᱟᱢᱮᱨᱤᱠᱟᱠᱟᱱ ᱱᱟᱦᱟᱜ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱭᱢᱟ ᱛᱟᱞᱢᱟ ᱵᱮᱣᱦᱟᱨ ᱠᱟᱛᱮ ᱫᱷᱤᱨᱤᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱱᱤᱭᱳᱣᱚᱨᱠ ᱨᱮᱭᱟᱜ ᱵᱨᱚᱠᱞᱤᱱ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱟᱨ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟᱭ ᱾

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱟᱞᱼᱦᱚᱫᱤᱫ ᱥᱤᱨᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱮᱞᱤᱯᱳ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ [᱑][᱒] ᱩᱱᱤ ᱡᱚᱠᱷᱚᱱ ᱢᱚᱬᱮ ᱥᱮᱨᱢᱟ ᱨᱮᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱩᱱᱫᱚ ᱩᱱᱤᱭᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱫᱚ ᱳᱦᱟᱭᱳ ᱨᱮᱭᱟᱜ ᱠᱞᱤᱵᱷᱟᱞᱮᱱᱰ ᱨᱮ ᱦᱮᱡ ᱮᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱡᱟᱹᱥᱛᱤᱜᱮ ᱳᱦᱟᱭᱳ ᱨᱮ ᱩᱛᱛᱚᱨ ᱠᱮᱱᱴᱚᱱ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾[᱓] ᱩᱱᱤ ᱢᱤᱫᱴᱟᱝ ᱤᱥᱞᱟᱢᱤ ᱚᱲᱟᱜ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾[᱒] ᱟᱞᱼᱦᱚᱫᱤᱫ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱜᱚᱴᱟ ᱞᱮᱫᱟᱭ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱦᱩᱭᱩᱜ ᱠᱷᱚᱡ ᱠᱟᱱᱟ ᱾[᱔][᱕] ᱩᱱᱤ ᱫᱚ ᱢᱚᱫᱚᱞ ᱯᱩᱨᱵᱚ ᱨᱮ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱭᱟᱜ ᱪᱷᱩᱴᱤ, ᱞᱮᱵᱟᱱᱚᱱ ᱨᱮᱭᱟᱜ ᱡᱤᱛᱟ ᱜᱨᱳᱴᱳ ᱧᱮᱞ ᱟᱨ ᱤᱥᱞᱟᱢᱤ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱥᱟᱹᱵᱩᱫ ᱧᱟᱢ ᱛᱟᱞᱟᱛᱮᱭ ᱩᱫᱜᱟᱹᱣ ᱞᱮᱱᱟ ᱾


᱒᱐᱐᱓ ᱥᱟᱹᱦᱤᱛ , ᱟᱞᱼᱦᱚᱫᱤᱫ ᱳᱦᱟᱭᱳ ᱨᱮᱭᱟᱜ ᱠᱮᱱᱴ ᱯᱚᱱᱚᱛ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱠᱷᱚᱱ ᱠᱟᱹᱨᱤ ᱱᱟᱜᱟᱢ ᱨᱮ ᱵᱤ ᱮ ᱫᱷᱤᱨᱤ ᱨᱮ ᱵᱤ ᱮᱯᱷ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱖] 2005 ᱥᱟᱹᱦᱤᱛ , ᱩᱱᱤ ᱫᱚ ᱨᱤᱪᱢᱚᱱᱰ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱨᱡᱤᱱᱤᱭᱟ ᱠᱚᱢᱚᱱᱳᱭᱮᱞᱴ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱠᱷᱚᱱ ᱫᱷᱤᱨᱤ ᱨᱮ ᱮᱢ ᱮᱯᱷ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱖] ᱒᱐᱐᱗ ᱥᱟᱹᱦᱤᱛ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱥᱠᱳᱦᱮᱜᱟᱱ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ, [᱗] ᱚᱱᱟ ᱥᱮᱨᱢᱟ ᱜᱮ ᱩᱱᱤ ᱟᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱢᱤᱫ ᱦᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾

ᱠᱟᱹᱢᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱫᱩᱨᱤᱵ ᱠᱷᱚᱱ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣᱼᱟ ᱡᱮᱞᱮᱠᱟ ᱥᱴᱤᱤᱞ, ᱯᱷᱟᱭᱵᱟᱨᱜᱞᱟᱥ, ᱠᱟᱴ, ᱮᱞᱤᱭᱩᱢᱤᱱᱤᱭᱟᱢ,ᱵᱨᱳᱧᱡ, ᱠᱟᱨᱰᱵᱳᱨᱰ, ᱯᱟᱥᱱᱟᱣ ᱯᱳᱞᱤᱥᱴᱟᱭᱨᱤᱱ, ᱨᱤᱦᱚᱯᱚᱱᱥᱚᱯᱚᱞᱤᱢᱟᱨ ᱡᱤᱯᱥᱟᱢ ᱟᱨ ᱢᱳᱢ ᱾[᱘][᱙] ᱩᱱᱤ ᱫᱚ ᱡᱟᱣᱜᱮ ᱢᱟᱨᱟᱝ ᱯᱚᱨᱤᱢᱟᱱ ᱨᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟᱭ, ᱔ ᱢᱤᱴᱟᱨ ᱩᱥᱩᱞ ᱦᱟᱹᱵᱤᱡ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟᱭ, ᱰᱩᱵᱟᱹᱛᱮᱱᱟᱜ ᱨᱩᱯ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱥᱳᱯᱨᱳᱱᱟ ᱞᱮᱠᱟ ᱥᱮ ᱵᱷᱩᱛᱟᱱ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟᱭ ᱾

ᱟᱞᱼᱦᱚᱫᱤᱫ ᱟᱜ ᱟᱭᱢᱟ ᱜᱟᱱ ᱫᱷᱤᱨᱤ ᱠᱟᱹᱨᱤ, ᱥᱚᱨᱚᱼᱨᱟᱭᱞᱤᱡᱚᱢ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱨᱤ ᱫᱟᱨᱟᱭ ᱛᱮ ᱮᱥᱮᱨ ᱟᱠᱟᱱᱟ ᱾ ᱟᱞᱼᱦᱚᱫᱤᱫ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱚᱞ ᱫᱚᱦᱚ ᱟᱠᱟᱫᱟ ᱡᱮᱞᱮᱠᱟ ᱥᱟᱫᱳᱣᱚᱨ ᱫᱟᱞᱤ ᱵᱮᱱᱟᱣ ᱚᱲᱟᱜ ᱥᱟᱜᱨᱟᱫᱟ ᱯᱷᱟᱢᱤᱞᱤᱭᱟ, ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱨᱤᱥᱴᱤᱭᱟᱱ ᱱᱚᱨᱵᱟᱨᱜᱼᱥᱠᱩᱞᱡ, ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱤᱥᱞᱟᱢ ᱟᱨ ᱜᱳᱛᱤᱠ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱨᱤ ᱧᱟᱢᱚᱜ ᱠᱟᱱ ᱜᱩᱛᱚᱱᱛᱤ ᱟᱨ ᱥᱳᱯᱨᱳᱫᱽ ᱾[᱑᱐] ᱟᱞᱼᱦᱚᱫᱤᱫ ᱞᱟᱹᱜᱤᱫ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱩᱛᱛᱚᱨ ᱨᱮᱱᱮᱥᱟᱱᱥ ᱪᱤᱛᱟᱹᱨ, ᱢᱮᱱᱱᱮᱨᱤᱥᱴ ᱪᱤᱛᱟᱹᱨ, ᱯᱤᱴᱟᱨ ᱵᱨᱩᱜᱮᱞ, ᱥᱟᱭ ᱴᱳᱢᱵᱞᱤ ᱟᱨ ᱯᱷᱚᱞᱳᱴᱤ ᱟᱠᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱥᱮᱞᱮᱫ ᱾ ᱩᱱᱤᱭᱟᱜ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱷᱟ ᱠᱚ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱱᱟ "ᱤᱥᱞᱟᱢᱤ ᱫᱷᱚᱨᱚᱢ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱨᱮ ᱵᱟᱭ ᱵᱟᱫᱷᱟᱹ ᱟᱠᱟᱫᱟ, ᱟᱨ ᱱᱚᱶᱟ ᱠᱤᱪᱷᱩ ᱡᱟᱦᱟᱸ ᱫᱚ ᱤᱧ ᱞᱟᱹᱭ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱱᱟ ᱾[᱑᱑]

ᱮᱴᱟᱜ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟᱠᱚ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  • ᱵᱤᱥᱤᱤᱭᱩ ᱨᱮ ᱤᱱᱥᱴᱤᱭᱩᱴ ᱯᱷᱚᱨ ᱠᱳᱢᱯᱛᱚᱨᱤ ᱟᱨᱴ, ᱯᱚᱨᱟᱢᱚᱥᱚᱠ ᱵᱳᱨᱰ ᱨᱮᱱ ᱨᱟᱹᱥᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ [᱑᱒]

ᱥᱟᱧᱪᱟᱣ ᱟᱨ ᱥᱤᱨᱯᱟᱹ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

᱒᱐᱐᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮ , ᱩᱱᱤ ᱫᱚ ᱤᱭᱩ ᱮᱥ ᱮ ᱨᱚᱠᱯᱷᱮᱞᱟᱨ ᱯᱷᱮᱞᱳ ᱟᱨ ᱱᱤᱭᱩ ᱭᱚᱨᱠ ᱯᱷᱟᱣᱩᱱᱰᱮᱥᱚᱱ ᱯᱷᱚᱨ ᱫᱟ ᱟᱨᱴᱥ ᱯᱷᱮᱞᱳ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾[᱑᱓] [᱑᱔]2007 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱯᱳᱞᱚᱠᱼᱠᱨᱟᱥᱱᱟᱨ ᱯᱷᱟᱣᱩᱱᱰᱮᱥᱚᱱ ᱜᱨᱟᱱᱴ ᱮ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ, ᱒᱐᱑᱑ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱡᱟᱣᱚᱱ ᱢᱤᱥᱮᱞ ᱯᱷᱟᱣᱩᱱᱰᱮᱥᱚᱱ ᱜᱨᱟᱱᱴ ᱮ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾ ᱒᱐᱒᱐ ᱥᱟᱹᱦᱤᱛ, ᱩᱱᱤ ᱫᱚ ᱮᱠᱟᱫᱮᱢᱤ ᱚᱯᱷ ᱟᱨᱴᱥ ᱮᱱᱰ ᱞᱮᱴᱟᱨᱥ ᱟᱨᱴ ᱥᱤᱨᱯᱟᱹᱭ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱑᱕]

ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱫᱚᱦᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱭᱩᱡᱤᱭᱚᱢ [᱑᱖] ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱰᱤᱠᱳᱨᱰᱳᱵᱷᱟ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱮᱱᱰ ᱥᱠᱚᱞᱯᱪᱟᱨ ᱯᱟᱨᱠ, [᱑᱗] ᱩᱭᱴᱤᱱᱤ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱚᱯᱷ ᱟᱢᱤᱠᱟᱨᱮᱱ ᱟᱨᱴ, ᱟᱨ ᱵᱷᱟᱨᱡᱤᱱᱤᱭᱟ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱚᱯᱷ ᱯᱷᱟᱭᱤᱱ ᱟᱨᱴᱥ,[᱑᱘] ᱟᱞᱼᱦᱚᱫᱤᱫ ᱳᱥᱴᱨᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱱᱤᱭᱟ ᱨᱮ ᱥᱮᱥᱮᱥᱚᱱ ᱨᱮ ᱠᱟᱹᱢᱤ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱫᱟ ᱾[᱑᱙]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. ↑ "Diana al-Hadid". Art 21 | New York Close Up.
  2. ↑ ᱒.᱐ ᱒.᱑ Jungerberg, Tom; Smith, Anna; Borsh, Colleen (November 2012). "Diana Al-Hadid: Identity and Heritage". Art Education. 65 (6): 25–32. doi:10.1080/00043125.2012.11519197. ISSN 0004-3125.
  3. ↑ Litt, Steven (27 November 2013). "The Akron Art Museum salutes Diana Al-Hadid, a Kent State grad in search of art world success - on her own terms". The Plain Dealer. Cleveland.com. Retrieved 16 February 2015.
  4. ↑ Cashdan, Marina (September 2014). "Austria Bound". Surface (111): 60.
  5. ↑ Reisenfeld, Robin. “The Labyrinth in the Tower: A Conversation with Diana Al-Hadid.” Sculpture 28, no. 2 (April 2009): 24–31.
  6. ↑ ᱖.᱐ ᱖.᱑ Litt, Steven (27 November 2013). "The Akron Art Museum salutes Diana Al-Hadid, a Kent State grad in search of art world success - on her own terms". The Plain Dealer. Cleveland.com. Retrieved 16 February 2015.
  7. ↑ Pollack, Barbara (14 November 2012). "Diana Al-Hadid Makes a Sculpture". ARTnews.
  8. ↑ "Artist: Diana Al-Hadid". Saatchi Gallery. Archived from the original on 19 September 2022. Retrieved 28 October 2015.
  9. ↑ Reisenfeld, Robin. “The Labyrinth in the Tower: A Conversation with Diana Al-Hadid.” Sculpture 28, no. 2 (April 2009): 24–31.
  10. ↑ Amy, Michael. “Ghosts of Things: A Conversation with Diana Al-Hadid.” SCULPTURE -WASHINGTON-, January 1, 2013.
  11. ↑ Reisenfeld, Robin. “The Labyrinth in the Tower: A Conversation with Diana Al-Hadid.” Sculpture 28, no. 2 (April 2009): 24–31.
  12. ↑ Maximilíano Durón (March 2019), ICA VCU Adds Adam Pendleton, Adrienne Edwards to Advisory Board Institute for Contemporary Art at VCU.
  13. ↑ Siese, April (18 November 2015). "9 Syrian Americans Who Have Changed The World & Will Help You Rethink The Refugee Crisis". Bustle (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 7 April 2021.
  14. ↑ "CV - Diana Al-Hadid". www.dianaalhadid.com (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2023-02-23.
  15. ↑ Letters, American Academy of Arts and (2020-03-03). "The American Academy of Arts and Letters Presents the 2020 Invitational Exhibition of Visual Arts". Hyperallergic (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2021-04-07.
  16. ↑ La Forge, Thessaly (10 September 2014). "Artist Diana Al-Hadid on Fate, Form, and Freud—and Her New Exhibition at the Secession in Vienna". Vogue. CondeNast. Archived from the original on 13 January 2017. Retrieved 17 February 2015.
  17. ↑ "Blind Bust 1". The Trustees of Reservations (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-10-27.
  18. ↑ "Diana Al-Hadid". Whitney Museum of American Art (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-10-27.
  19. ↑ "Woven City (Primary Title)". Virginia Museum of Fine Arts (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-10-27.
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