ᱱᱟᱜᱽᱜᱟᱥ ᱨᱮᱣᱷᱮᱧᱡᱽ

ᱱᱟᱜᱽᱜᱟᱥ ᱨᱮᱣᱷᱮᱧᱡᱽ
ᱨᱮᱫ:Niggas-revenge-the-poster.jpg DVD released by Dick Wadd Fetish
ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱡ	Dick Wadd
Produced by	Dick Wadd
Starring	Chane Adams Bobby Blake Chris Blake Flex-Deon Blake Dallas Chalmers Bud Cockerham Eric Top Stud
Production company	Dick Wadd Fetish
Distributed by	Dick Wadd Fetish
Release date	᱒᱐᱐᱑ (2001) (United States)
Running time	113 minutes
ᱫᱤᱥᱚᱢ	United States
ᱯᱟᱹᱨᱥᱤ	English

ᱰᱤᱠ ᱣᱟᱰᱰ ᱦᱚᱛᱮ ᱛᱮ ᱥᱟᱯᱲᱟᱣ ᱟᱨ ᱵᱟᱱᱟᱣ ᱟᱠᱟ ᱒᱐᱐᱑ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱜᱮᱭ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ 'ᱨᱤᱵᱷᱮᱱᱡᱽ' ᱟᱨ ᱵᱚᱵᱤ ᱵᱽᱞᱮᱠ ᱟᱨ ᱯᱷᱮᱞᱮᱠᱥᱼᱰᱤᱣᱚᱱ ᱵᱽᱞᱮᱠ ᱫᱚ ᱢᱤᱫ ᱥᱟᱶᱛᱮ ᱢᱩᱪᱟᱹᱫ ᱯᱷᱤᱞᱢ ᱨᱮ ᱯᱟᱴᱷ\ ᱞᱮᱫᱟᱭ ᱾ ᱟᱭᱟᱜ ᱡᱤᱭᱚᱱᱼᱵᱚᱭᱤ ' ᱢᱮᱭ ᱞᱟᱭᱤᱯᱷ ᱤᱱ ᱯᱳᱨᱱ ' ᱼᱨᱮ ᱵᱵᱮᱠ ᱟᱭᱟᱜ ᱠᱤᱪᱷᱩ ᱢᱚᱱᱳᱠᱷᱤᱭ ᱵᱚᱨᱱᱚᱱ ᱠᱟᱛᱮ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ " ᱢᱤᱫᱴᱟᱝ ᱠᱷᱚᱨᱚᱪᱟᱱ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱟᱨ ᱤᱧᱟᱹᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱫᱟᱲᱮ ᱟᱱ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ " ᱞᱮᱠᱟᱛᱮ ᱵᱚᱨᱱᱚᱱ ᱠᱟᱛᱮ ᱢᱤᱫ ᱥᱟᱱᱟᱢ ᱦᱤᱸᱥ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱮ ᱫᱚᱦᱚ ᱠᱮᱫᱟ ᱾ " ᱱᱚᱶᱟ ᱫᱚ ᱱᱚᱶᱟ ᱦᱟᱹᱵᱤᱡ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱰᱷᱮᱨ ᱵᱤᱪᱷᱚᱱᱟᱣᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱢᱩᱫᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱱᱟ ᱟᱨ ᱚᱱᱟ ᱜᱮ ᱤᱧ ᱱᱚᱶᱟ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱷᱚᱡ ᱞᱮᱫᱟᱼ ᱤᱧ ᱜᱚᱴᱟ ᱞᱮᱫᱟ ᱡᱮ ᱱᱚᱶᱟ ᱫᱚ ᱤᱧᱟᱹᱜ ᱢᱩᱪᱟᱹᱫ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱟᱨ ᱤᱧ ᱱᱚᱶᱟ ᱫᱚ ᱢᱩᱪᱟᱹᱫ ᱦᱟᱹᱵᱤᱡ ᱤᱫᱤ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱷᱚᱡ ᱞᱮᱱᱟ ᱾

ᱥᱚᱨᱟᱥᱚᱨᱤ

ᱯᱮ ᱦᱚᱲ ᱱᱟᱶᱟᱼᱱᱟᱡᱤ ᱢᱟᱨᱟᱝᱚᱥᱤᱛ (ᱰᱟᱞᱞᱟᱥ ᱪᱚᱞᱢᱟᱨᱥ ᱟᱨ ᱩᱱᱤᱭᱟᱜ ᱜᱚᱭᱮᱴ ᱪᱳᱯᱚᱥᱮᱥᱮ ᱥᱮᱱ ᱮᱰᱟᱢᱥ ᱟᱨ ᱵᱟᱫ ᱠᱳᱠᱟᱨᱦᱟᱢ ᱵᱞᱮᱠᱥ ᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱭ ᱥᱮᱱ ᱞᱮᱱᱟ (ᱵᱚᱵᱤ ᱵᱞᱮᱠ ᱟᱨ ᱩᱱᱤ ᱨᱮᱱ ᱵᱚᱭᱦᱟ ᱠᱨᱤᱥ ᱵᱞᱮᱠ ᱟᱨᱦᱚᱸ ᱯᱷᱞᱮᱠᱥᱼᱰᱤᱣᱚᱱ ᱵᱞᱮᱠ) ᱟᱨ ᱩᱱᱠᱩ ᱫᱚ ᱥᱳᱨᱥᱳᱯᱳᱨ ᱠᱷᱚᱱ ᱠᱚ ᱪᱟᱞᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱩᱱᱠᱩ ᱠᱚ ᱦᱟᱹᱱᱛᱤ ᱟᱨ ᱠᱚᱡᱟᱹᱭ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱵᱤᱨᱤᱫ ᱞᱟᱹᱞᱤᱥ ᱠᱚ ᱞᱟᱹᱭ ᱞᱮᱫᱟ ᱾ ᱮᱱᱛᱮ ᱨᱮᱦᱚᱸ , ᱢᱩᱪᱟᱹᱫ ᱦᱟᱹᱵᱤᱡ, ᱠᱟᱥᱢᱟᱪᱚᱠ ᱠᱟᱞᱟᱝ ᱥᱳᱨᱥᱳᱯᱳᱨ ᱠᱚ ᱟᱭᱢᱟ ᱠᱚ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱟᱨ ᱜᱚᱭᱚᱴᱚ ᱦᱟᱹᱱᱤᱭᱟᱹ ᱠᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱩᱱᱠᱩᱭᱟᱜ ᱨᱟᱹᱲ ᱠᱚ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱠᱩ ᱫᱚ ᱩᱱᱠᱩ ᱠᱚ ᱠᱚ ᱠᱚ ᱠᱚ ᱦᱟᱛᱟᱣ ᱠᱮᱫᱟ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱠᱷᱟᱫᱟᱨᱮ ᱠᱚ ᱫᱚᱦᱚ ᱠᱮᱫᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱠᱩ ᱫᱚ ᱩᱱᱠᱩ ᱠᱩᱲᱤ ᱠᱚᱭ ᱜᱚᱡ ᱠᱚᱣᱟ, ᱩᱱᱠᱩ ᱨᱮ ᱠᱚ ᱦᱮᱡ ᱠᱚᱣᱟ ᱟᱨ ᱩᱱᱠᱩ ᱠᱩᱲᱤ ᱠᱚ ᱥᱟᱝ ᱡᱩᱲᱟᱹᱭ ᱠᱟᱛᱮ ᱠᱚ ᱵᱚᱫᱚᱞ ᱠᱚᱣᱟ ᱟᱨ ᱩᱱᱠᱩ ᱫᱚ ᱩᱱᱠᱩ ᱠᱩᱲᱤ ᱠᱚ ᱥᱟᱝ ᱡᱩᱲᱟᱹᱭ ᱠᱟᱛᱮ ᱠᱚ ᱵᱚᱫᱚᱞ ᱠᱚᱣᱟ ᱟᱨ ᱩᱱᱠᱩ ᱠᱩᱲᱤ ᱠᱩᱲᱤ ᱠᱚᱣᱟᱜ ᱵᱚᱸᱜᱟ ᱵᱳᱨᱳ ᱠᱚᱣᱟᱜ ᱵᱚᱫᱚᱞ ᱨᱮ ᱠᱚ ᱥᱮᱞᱮᱫ ᱠᱚᱣᱟ ᱾ ᱵᱞᱮᱠ ᱫᱚ ᱱᱤᱭᱳ-ᱱᱟᱡᱤ ᱠᱚ ᱵᱚᱫᱚᱞ ᱨᱮ ᱥᱮᱞᱮᱫᱚᱜ ᱞᱟᱹᱜᱤᱫ ᱮᱨᱤᱠ ᱴᱚᱯ ᱥᱴᱩᱰ (Eric Top Stud), ᱢᱤᱫ ᱦᱟᱞᱟ ᱪᱮᱬᱮ ᱯᱚᱨᱴᱳ ᱨᱤᱠᱟᱱ ᱥᱴᱩᱰ (light-skinned Puerto Rican stud) ᱦᱚᱸᱭ ᱵᱚᱞᱚᱭᱮᱱᱟ ᱾ ᱠᱨᱤᱥ ᱟᱨ ᱵᱚᱵᱤ ᱵᱞᱮᱭᱠ ᱛᱟᱞᱟ ᱨᱮ ᱠᱨᱤᱥ ᱫᱚ ᱯᱷᱤᱞᱢ ᱨᱮᱱ ᱢᱤᱫᱴᱮᱱ ᱦᱩᱲᱟᱹᱜ ᱠᱩᱲᱤ ᱠᱟᱱᱟᱭ᱾

ᱯᱟᱴ ᱠᱟᱹᱢᱤ

ᱪᱮᱛᱟᱱ ᱨᱮ

• ᱵᱟᱵᱤ ᱵᱽᱞᱮᱠ
• ᱯᱷᱮᱞᱮᱠᱥᱼᱰᱤᱣᱳᱱ ᱵᱞᱮᱠ
• ᱮᱨᱤᱠ ᱴᱚᱯ ᱮᱥᱴᱰ (ᱞᱚᱛᱤᱱᱟᱣ)

ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ

ᱵᱚᱵᱤ ᱵᱽᱞᱮᱠ ᱫᱚ ᱢᱤᱫ ᱦᱚᱲ ᱜᱚᱭᱮ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱥᱴᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱡᱮᱞᱮᱧ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱠᱷᱚᱱ ᱡᱤᱨᱟᱹᱣ ᱦᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱮ ᱜᱚᱴᱟ ᱞᱮᱫᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱩᱱᱤ ᱫᱚ ᱟᱭᱟᱜ ᱢᱟᱨᱮᱱ ᱜᱟᱛᱮ ᱯᱷᱮᱞᱮᱠᱥᱼᱰᱤᱣᱚᱱ ᱵᱽᱞᱮᱠ ᱥᱟᱶᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱪᱟᱹᱫ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱯᱟᱴᱷ ᱞᱟᱹᱜᱤᱫ ᱰᱤᱠ ᱳᱭᱟᱰ ᱫᱚ ᱮ ᱵᱟᱰᱟᱭ ᱞᱮᱫᱮᱭᱟ, ᱡᱟᱸᱦᱟ ᱨᱮ ᱩᱱᱤ ᱡᱟᱦᱟᱸ ᱠᱟᱹᱢᱤ ᱠᱚ ᱠᱷᱚᱡᱼᱟ ᱥᱮ ᱢᱚᱱᱮᱭᱼᱟ, ᱚᱱᱟ ᱠᱚᱨᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱩᱱᱤ ᱪᱮᱛᱟᱱ ᱨᱮ ᱫᱟᱲᱮᱭ ᱮᱢᱼᱟ ᱾ ᱞᱟᱹᱭ ᱟᱠᱟᱱᱟ ᱡᱮ, ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱡᱟᱹᱥᱛᱤ ᱦᱤᱸᱥ ᱜᱮ ᱚᱞ ᱵᱟᱝ ᱫᱚᱦᱚ ᱠᱟᱛᱮ ᱟᱨ ᱥᱟᱱᱟᱢᱟᱜ ᱛᱮ ᱵᱚᱵᱤ ᱵᱽᱞᱮᱠ ᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱞᱮᱠᱟᱛᱮ ᱫᱚᱦᱚ ᱦᱳᱭ ᱞᱮᱱᱟ , ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱯᱮᱭᱟ ᱟᱠᱷᱟᱲᱟ ᱪᱩᱨᱤᱛ ᱟᱨ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱥᱟᱶᱛᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱪᱩᱨᱤᱛ ᱠᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱚᱵᱷᱟᱵᱽ ᱟᱨ ᱵᱚᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱠᱚ ᱫᱚᱦᱚ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱷᱚᱡ ᱞᱮᱫᱟ ᱾ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱚᱠᱛᱚ ᱵᱟᱨ ᱦᱚᱲ ᱜᱳᱭᱟᱴ ᱚᱵᱷᱤᱱᱮᱛᱟ ᱥᱮᱴ ᱨᱮ ᱜᱷᱟᱹᱞ ᱞᱮᱱᱟ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭ ᱟᱠᱟᱱᱟ , ᱚᱡᱮ ᱫᱚ ᱟᱹᱰᱤ ᱜᱷᱟᱹᱞ ᱞᱮᱱᱟ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱵᱚᱱᱫᱮᱡ ᱦᱳᱭ ᱞᱮᱱᱟ ᱚᱡᱮ ᱫᱚ ᱵᱟᱨ ᱦᱚᱲ ᱫᱚ ᱱᱟᱯᱟᱭ ᱫᱟᱜ ᱛᱮ ᱤᱫᱤ ᱠᱟᱛᱮ ᱠᱚ ᱤᱫᱤ ᱞᱮᱫ ᱠᱚᱣᱟ ᱾

ᱵᱚᱵᱤ ᱵᱽᱞᱮᱠ ᱟᱭᱟᱜ ᱡᱤᱭᱚᱱᱤ 'ᱢᱮᱭ ᱞᱟᱭᱤᱯᱷ ᱤᱱ ᱯᱳᱨᱱ ᱼ ᱫᱟ ᱵᱚᱵᱤ ᱵᱮᱞᱮᱠ ᱥᱴᱳᱨᱤ' ᱨᱮ ᱱᱟᱜᱽᱜᱟᱥ ᱟᱜ 'ᱨᱤᱵᱷᱮᱱᱡ' ᱼ ᱨᱮ ᱵᱚᱨᱱᱚᱱ ᱟᱠᱟᱫᱟᱭ ᱾

“ I have to commend the guys who played the neo-nazis – Bud, Dallas Chalmers, and Chane Adams – because they took a genuine beating. It wasn't a fake movie; from the whipping with the belt, to the breaking of two-by-four over their asses, the slapping, the spitting, the making them drink piss, all of that was totally real.

All the time I wanted to do just one film that was totally extreme. I did it and that was it. I was liberated from something. I had done what I needed. I retired from porn and went on with my life.

”

ᱢᱮᱱᱠᱷᱟᱱ ᱵᱚᱵᱤ ᱵᱞᱮᱠ ᱱᱚᱣᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱱ ᱯᱮ ᱦᱚᱲ ᱜᱚᱭᱮᱴ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱠᱚ ᱥᱟᱨᱦᱟᱶ ᱞᱮᱫᱟᱭ , ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱵᱟᱝ ᱜᱮ ᱴᱮᱠᱟᱣ ᱠᱟᱛᱮ ᱪᱟᱞᱟᱣ ᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱾ In My Life in Porn ᱩᱱᱤ ᱫᱚ ᱥᱤᱜᱤᱞᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾

“ This was the only movie in my entire career where I fucked without condoms. All the time I was making movies, and since my retirement from the adult entertainment industry, I've done a lot of work supporting HIV/AIDS awareness issues, so what did I think I was doing in that particular instance. The only honest answer I can give is: we all make mistakes. And that was a mistake I made. I was caught up in the extreme mentality and an extreme situation, and I didn't exercise proper control over myself. But what I would say to anybody, and in particular young people today, is don't let somebody else's mistake be your mistake. Don't use what I did as an excuse to do something you know isn't wise. Practice safer sex. ”

ᱵᱚᱵᱤ ᱵᱞᱮᱠ ᱫᱚ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱵᱟᱝ ᱨᱩᱠᱷᱟᱹᱭᱟᱹ ᱡᱳᱜᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱮ ᱥᱤᱠᱟᱹᱨ ᱞᱮᱫᱟ ᱾

ᱧᱟᱢ ᱟᱠᱷᱟᱲᱟ

ᱵᱤᱪᱷᱚᱱᱟ ᱟᱱᱟᱜ ᱨᱩᱴᱟᱹ

ᱜᱮᱭ ᱵᱷᱤ ᱮᱱ ᱨᱮᱱ ᱨᱚᱯᱟᱨᱴ ᱯᱷᱟᱝᱠᱞᱤᱱ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱦᱩᱭᱫᱟᱲᱮᱭᱟᱜ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱠᱷᱚᱱ ᱯᱮᱭᱟ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱟᱨ ᱚᱞ ᱞᱮᱫᱟᱭ ᱡᱮ , " ᱱᱚᱶᱟ ᱫᱚ ᱜᱚᱴᱟᱜᱮ ᱠᱷᱟᱢ ᱫᱚ ᱫᱟᱯᱨᱟᱢ ᱠᱟᱛᱮ ᱟᱨ " ᱱᱚᱶᱟ ᱫᱚ ᱴᱷᱟᱹᱣᱠᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱝ ᱠᱚ ᱞᱟᱹᱜᱤᱫᱼᱟ ᱾

“ When you watch Flex and Chris Blake in that film, you can tell the difference between the way I handled the other [submissive] guys, and the way they did. Flex and Chris just didn't have it in them to really dominate a situation in the way I did. In fact they were weak. Especially Chris. He was hired to be a top beside me and Flex, but it was no surprise that he ended up in the pillory with me fucking his ass as well as the white guys' asses. ”

ᱥᱤᱠᱣᱟᱞ

᱒᱐᱐᱙ ᱥᱟᱞ ᱨᱮ, ᱰᱤᱠ ᱣᱮᱰ ᱫᱚ ᱱᱤᱜᱽᱜᱟᱥ' ᱨᱮᱵᱷᱮᱸᱡᱽ ᱒ ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫ ᱥᱤᱠᱣᱮᱞ ᱯᱷᱤᱞᱢ ᱯᱷᱤᱞᱢ ᱞᱮᱫᱟᱭ ᱟᱨ ᱨᱤᱞᱤᱡᱽ ᱠᱮᱫᱟᱭ ᱾ ᱯᱩᱭᱞᱩ ᱯᱷᱤᱞᱢ ᱨᱮᱱ ᱢᱤᱫᱴᱮᱱ ᱦᱚᱸ ᱟᱠᱴᱚᱨ ᱫᱚ ᱵᱟᱠᱚ ᱨᱩᱣᱟ.ᱞ ᱞᱮᱱᱟ, ᱩᱱᱠᱩ ᱨᱮᱱ ᱱᱟᱣᱟ ᱟᱠᱴᱚᱨ ᱠᱚᱫᱚ ᱢᱩᱬᱩᱛ ᱵᱞᱮᱠ ᱟᱨ ᱱᱤᱭᱳ-ᱱᱟᱡᱤ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ । ᱯᱩᱱᱭᱟ. ᱠᱚᱲᱟ (ᱵᱩᱪ ᱵᱞᱮᱠᱢᱳᱨ, ᱡᱮ ᱰᱩᱯᱨᱤ, ᱡᱮ ᱥᱤ, ᱟᱨ ᱨᱳ) ᱢᱤᱫ ᱫᱩᱯᱩᱞᱟᱹᱲ ᱨᱮᱸᱪ ᱨᱮ ᱱᱤᱭᱳ-ᱱᱟᱡᱤ ᱜᱟᱶᱛᱟ (ᱨᱤᱪ ᱣᱨᱟᱸᱜᱽᱞᱚᱨ, ᱵᱚᱭ ᱯᱷᱤᱞᱢᱳᱨ, ᱡᱮᱠ ᱣᱮᱴᱢᱳᱨ ᱟᱨ ᱠᱨᱤᱥ ᱠᱳᱦᱞ) ᱦᱚᱛᱮᱛᱮ ᱟᱠᱚᱣᱟᱜ ᱛᱤᱱᱟᱹᱜ ᱜᱟᱱ ᱩᱠᱤᱞ ᱠᱚ ᱧᱟᱢ ᱟᱠᱟᱜᱼᱟ ᱾ ᱚᱱᱟᱛᱮ ᱠᱚᱲᱟ ᱠᱚ ᱦᱤᱡᱩᱜ ᱥᱮᱱᱚᱜᱼᱟ ᱟᱨ ᱱᱤᱭᱳ-ᱱᱟᱡᱤ ᱠᱚ ᱢᱤᱫ ᱢᱤᱫ ᱠᱟᱛᱮ ᱠᱚ ᱦᱟᱛᱟᱣᱼᱟ ᱟᱨ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱱ ᱠᱚᱲᱟ ᱠᱚ ᱫᱚ ᱠᱚ ᱵᱷᱮᱡᱟᱭᱟ ᱾ ᱲ ᱨᱮᱠᱚ ᱫᱚᱦᱚ ᱠᱮᱫ ᱛᱟᱭᱚᱢ, ᱠᱚᱲᱟ ᱠᱚ ᱫᱚ ᱟᱠᱚᱣᱟᱜ ᱯᱩᱭᱞᱩ ᱫᱩᱯᱩᱲᱩᱵ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱨᱚᱯᱚᱲ ᱞᱮᱠᱟᱛᱮ ᱟᱠᱚᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚ ᱜᱚᱡ ᱠᱚᱣᱟ, ᱟᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱨᱚᱲᱟ ᱟᱨ ᱟᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱨᱚᱲᱟ ᱾ᱢᱤᱫ ᱫᱷᱟᱣ ᱠᱚᱵᱩᱴᱟᱹ ᱨᱮ ᱫᱚᱦᱚ ᱛᱟᱭᱚᱢ , ᱩᱱᱠᱚ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱞᱟᱹᱞᱤᱥ ᱨᱮᱭᱟᱜ ᱯᱚᱨᱟᱢᱚᱥ ᱞᱮᱠᱟᱛᱮ , ᱩᱱᱠᱚᱭᱟᱜ ᱜᱳᱭᱟᱛ ᱠᱚ ᱵᱟᱛᱟᱣᱟᱜ ᱠᱚ ᱯᱮᱥᱤ ᱠᱟᱛᱮ ᱟᱨ ᱠᱟᱛᱷᱟ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱞᱟᱹᱞᱤᱥ ᱞᱮᱫᱟ ᱾ ᱱᱟᱶᱟᱼᱱᱟᱡᱤᱥ ᱠᱚ ᱩᱱᱠᱩᱭᱟᱜ ᱠᱚᱞᱚᱠ ᱠᱚ ᱵᱟᱫᱷᱚᱠ ᱠᱚ ᱵᱤᱨᱩᱫᱷ ᱨᱮ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱟᱨ ᱵᱤᱨᱤᱫ ᱞᱟᱹᱞᱤᱥ ᱠᱚ ᱞᱟᱹᱭ ᱞᱮᱫᱟ , ᱢᱮᱱᱠᱷᱟᱱ ᱢᱩᱪᱟᱹᱫ ᱫᱷᱟᱹᱵᱤᱡ ᱩᱱᱠᱩ ᱫᱚ ᱫᱟᱲᱮ ᱵᱟᱝ ᱠᱚ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱚᱡᱮ ᱫᱚ ᱩᱱᱠᱩ ᱪᱮᱛᱟᱱ ᱨᱮ ᱛᱩᱪᱟᱹᱣ ᱠᱟᱛᱮ ᱟᱨ ᱫᱟᱲᱮ ᱟᱱ ᱠᱟᱞᱚᱠ ᱠᱚᱣᱟᱜ ᱡᱩᱴ ᱨᱮᱭᱟᱜ ᱞᱟᱛᱟᱨ ᱨᱮ ᱠᱚ ᱯᱮᱥᱤ ᱞᱮᱫᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱠᱩ ᱫᱚ ᱢᱤᱫ ᱛᱟᱭᱚᱢ ᱢᱤᱫ ᱜᱚᱭᱚᱴ ᱦᱚᱲ ᱠᱚ ᱚᱪᱚᱜ ᱠᱟᱛᱮ ᱩᱱᱠᱩ ᱡᱳᱜᱟᱹᱣ ᱞᱮᱠᱟᱛᱮ ᱠᱚᱢ ᱠᱚ ᱧᱮᱞᱼᱟ ᱾ ᱩᱱᱠᱩ ᱱᱟᱶᱟᱼᱱᱟᱡᱤᱥ ᱠᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱦᱚᱨ ᱟᱨ ᱜᱟᱹᱨᱫᱷᱤᱭ ᱠᱚ ᱪᱟᱞᱟᱣ ᱮᱫᱟ ᱡᱚᱠᱷᱚᱱ ᱩᱱᱠᱩ ᱫᱚ ᱵᱟᱝ ᱠᱚ ᱜᱷᱟᱹᱞ ᱞᱮᱱᱟ ᱟᱨ ᱩᱱᱠᱩ ᱫᱚ ᱩᱱᱠᱩᱭᱟᱜ ᱠᱚᱞᱚᱠ ᱢᱩᱲᱩᱫ ᱠᱚᱣᱟᱜ ᱫᱟᱲᱮ ᱴᱷᱮᱱ ᱠᱚ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾ ᱢᱤᱥᱴᱟᱨ ᱮᱭᱤᱪ ᱫᱚ ᱢᱤᱫ ᱧᱮᱞ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱜᱳᱭᱟᱴ ᱠᱚᱲᱟ ᱠᱚ ᱫᱚ ᱵᱟᱝ ᱮ ᱞᱟᱹᱭ ᱞᱮᱫᱟ , ᱚᱡᱮ ᱫᱚ ᱩᱱᱠᱩ ᱥᱟᱶ ᱥᱳᱰᱳᱢᱟ ᱠᱚᱨᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾