ᱱᱟᱪᱱᱤ
ᱮᱛᱚᱢ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱱᱟᱪᱱᱤ ᱢᱮᱱᱮᱛ ᱠᱩᱲᱤ ᱱᱟᱪᱚᱱᱤᱭᱟᱹ᱾ ᱡᱷᱟᱨᱠᱷᱚᱸᱰ, ᱯᱚᱪᱷᱤᱢ ᱵᱟᱝᱞᱟ ᱟᱨ ᱳᱰᱤᱥᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱢᱟᱝᱼᱛᱟᱞᱟ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱚᱱᱚᱛ ᱨᱮ ᱱᱟᱪᱱᱤ ᱟᱹᱲᱟᱹ ᱫᱚ ᱱᱚᱝᱠᱟᱱ ᱛᱤᱨᱞᱟᱹ ᱱᱟᱪᱚᱱᱤᱭᱟᱹ ᱠᱚ ᱵᱩᱡᱷᱟᱹᱜᱼᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱠᱟᱹᱣᱰᱤ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱲᱟᱜ ᱟᱜ ᱰᱷᱳᱞᱟᱠ ᱟᱨ ᱱᱟᱜᱽᱨᱟ ᱨᱮᱭᱟᱜ ᱨᱟᱦᱟ ᱛᱮ ᱥᱮᱨᱮᱧᱟ ᱟᱨ ᱠᱚ ᱮᱱᱮᱡᱟ᱾[᱑][᱒]
ᱡᱟᱦᱟᱸᱭ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱱᱟᱪᱱᱤ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱠᱟᱹᱢᱤᱭᱟ ᱩᱱᱠᱩ ᱫᱚ "ᱨᱟᱠᱷᱟ ᱫᱚᱦᱚ ᱛᱤᱨᱞᱟᱹ" ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱞᱮᱠᱷᱟᱜᱼᱟ᱾[᱓][᱔] ᱱᱚᱣᱟ ᱡᱩᱲᱟᱹᱣ ᱨᱮ, ᱱᱟᱪᱱᱤ ᱫᱚ ᱫᱮᱵᱤ ᱨᱟᱫᱷᱟ ᱟᱜ ᱨᱩᱯ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱢᱚᱱᱮᱭᱟ ᱟᱨ ᱠᱚᱲᱟ ᱫᱚ ᱠᱨᱤᱥᱱᱟ ᱟᱜ ᱨᱩᱯ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱱᱟ᱾ ᱮᱱᱮᱡ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱫᱚ ᱡᱟᱹᱛ ᱯᱟᱹᱨᱤᱥ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱝ ᱠᱚ ᱧᱮᱞ ᱠᱚᱣᱟ ᱟᱨ ᱜᱷᱟᱱᱮ ᱜᱮ "ᱢᱮᱱᱮᱞᱟ ᱠᱚᱲᱟ" ᱞᱮᱠᱟ ᱦᱟᱺᱰᱤ, ᱯᱩᱸᱜᱤ ᱧᱩ ᱨᱮ ᱡᱚᱯᱲᱟᱣ ᱠᱚ ᱛᱟᱦᱮᱱᱟ᱾[᱕][᱖] ᱱᱚᱣᱟ ᱞᱮᱠᱟᱱᱟᱜ ᱯᱟᱨᱯᱷᱳᱨᱢᱟᱱᱥ ᱫᱚ ᱵᱟᱹᱭ ᱵᱟᱹᱭ ᱛᱮ ᱟᱫᱚᱜ ᱠᱟᱱᱟ᱾[᱗]
ᱵᱟᱨᱦᱮ ᱡᱚᱱᱚᱲ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]
- ↑ Babiracki, Carol M. (2008), "Between Life History and Performance: Sundari Devi and the Art of Allusion", Ethnomusicology, 52:1: 1–5
- ↑ Citron, Marcia J. (2005), "Women's Voices across Musical Worlds (review)", Music and Letters, 86: 508–512, doi:10.1093/ml/gci090
- ↑ Feldman & Gordon (2006). The courtesan's arts: cross-cultural perspectives. New York: Oxford University Press. p. 118. ISBN 9780195170290.
- ↑ Babiracki, Carol M. (2008), "Between Life History and Performance: Sundari Devi and the Art of Allusion", Ethnomusicology, 52:1: 3–6
- ↑ Soren, Ragnhild (1999), Gendered Images of Music and Musicians (PDF)
- ↑ Babiracki, Carol M. (2008), "Between Life History and Performance: Sundari Devi and the Art of Allusion", Ethnomusicology, 52:1: 5–6
- ↑ Feliciano, Rita (2006), "Kathak at the Crossroads: Innovation Within Tradition", Dance View Times, 4:35