ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ

ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ
ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ
	ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ 2023 ᱥᱟᱹᱦᱤᱛ ᱨᱮ
ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ	ᱵᱷᱳᱯᱟᱞ
ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ	ᱵᱷᱟᱨᱚᱛᱤᱭᱚ
ᱠᱟᱹᱢᱤ	ᱠᱟᱹᱨᱤᱜᱚᱞ
ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ	ᱵᱷᱤᱡᱩᱞ ᱟᱨᱴᱥ, ᱥᱩᱱᱰ ᱟᱨᱴ
ᱧᱩᱛᱩᱢᱟᱱ ᱠᱟᱹᱢᱤ	ᱰᱟᱭᱟᱨᱤ ᱮᱱᱴᱨᱤ (2020ᱼ2020ᱼ2014ᱼ2018ᱼ18ᱼ18) ᱥᱟᱭᱞᱮᱱ ᱴᱤᱱᱟᱨ, ᱦᱤᱥᱯᱮᱨᱤᱝ ᱩᱭᱤᱱᱰᱥ (ID1) ᱵᱟᱨᱰᱵᱟᱠᱥ (2016)

ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱭᱟᱜ ᱱᱟᱶᱟ ᱫᱤᱞᱞᱤ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱚᱲ ᱟᱡᱛᱮ ᱥᱮᱪᱮᱫᱟᱱ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱾ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱛᱟᱞᱟᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱧᱩᱛᱩᱢ ᱵᱟᱝ ᱵᱟᱰᱟᱭ ᱾ᱦᱚᱲᱟᱜ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱨᱮᱭᱟᱜ ᱥᱟᱛᱟᱢ ᱠᱚ ᱛᱚᱞᱟᱥ ᱞᱟᱹᱜᱤᱫ ᱮ ᱨᱤᱠᱟᱹ ᱞᱮᱫᱟ ᱡᱮ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱧᱩᱛᱩᱢ ᱵᱟᱝ ᱵᱟᱰᱟᱭ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱟᱝ ᱠᱚᱨᱱᱥᱚᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟᱭ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱢᱚᱱᱮ ᱠᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱦᱚᱭᱦᱩᱫᱤᱥ ᱵᱮᱱᱟᱣ ᱪᱮᱛᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱥᱚᱱᱛᱚᱨᱚᱱ ᱛᱟᱞᱢᱟ ᱛᱟᱞᱟᱛᱮ ᱵᱟᱹᱛᱤᱞ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱨᱮ ᱢᱮᱱᱟᱜ ᱵᱟᱝ ᱞᱟᱹᱭ ᱟᱠᱟᱱ ᱠᱟᱹᱦᱱᱤ ᱠᱚ ᱥᱟᱹᱠᱷᱤ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱧᱮᱞᱟᱱ ᱠᱚ ᱱᱩᱛᱚᱱᱟ ᱞᱮᱫᱮᱭᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱛᱟᱞᱢᱟ ᱠᱚ ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱮᱠᱨᱤᱞᱤᱠ ᱯᱮᱱᱴ, ᱥᱳᱭᱱᱰ, ᱵᱷᱤᱰᱤᱣ, ᱞᱟᱭᱚᱴ, ᱮᱢᱵᱨᱳᱭᱟᱨᱤ, ᱜᱮᱞᱵᱷᱟᱱᱤᱡᱽᱰ ᱟᱭᱨᱚᱱ, ᱨᱮᱡᱤᱱ ᱛᱷᱟᱯᱚᱱ ᱾ ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱫᱚ ᱢᱤᱫ ᱦᱚᱲ ᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱨ ᱡᱳᱜᱟᱡᱳᱜ ᱟᱱᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱨᱮ ᱥᱚᱫᱚᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾ ᱢᱩᱫᱽᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱢᱩᱲᱩᱫ ᱠᱟᱹᱨᱤ ᱜᱮᱞ ᱟᱨ ᱢᱩᱭᱚᱡᱚ ᱚᱲᱟᱜ ᱡᱮᱞᱮᱠᱟ ᱢᱩᱢᱵᱟᱭ ᱪᱚᱛᱛᱨᱚᱯᱚᱛᱤ ᱥᱤᱵᱟᱡᱤ ᱢᱟᱦᱟᱨᱟᱡᱽ ᱵᱷᱟᱥᱴᱩ ᱥᱟᱝᱜᱨᱟᱦᱟᱞᱮᱭᱟ ᱟᱨ ᱡᱟᱦᱟᱝᱜᱤᱨ ᱱᱤᱠᱚᱞᱥᱚᱱ ᱟᱨᱴ ᱯᱷᱟᱣᱩᱱᱰᱮᱥᱚᱱ,ᱟᱦᱚᱢᱮᱫᱟᱵᱟᱫ ᱨᱮ ᱠᱚᱱᱯᱷᱞᱤᱠᱴᱳᱨᱤᱭᱚᱢ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ,ᱠᱳᱢᱵᱳ ᱨᱮ ᱠᱳᱢᱵᱚᱞᱳᱥᱠᱳᱯ, ᱤᱱᱰᱤᱭᱟ ᱟᱨᱴ ᱢᱮᱭᱟᱨ, ᱟᱨᱴ ᱰᱩᱭᱤ, ᱟᱨᱴ ᱥᱤᱝᱜᱚᱯᱳᱨ, ᱴᱳᱠᱤᱭᱳ ᱤᱭᱩᱱᱤᱵᱷᱤᱥᱴᱟᱨᱤ ᱚᱯᱷ ᱟᱨᱴᱥ ᱨᱮ ᱪᱤᱱᱴᱨᱮᱴᱥᱩᱠᱟᱱ ᱜᱮᱞᱟᱨᱤ ᱟᱨ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱴᱷᱟᱶ ᱾^[᱑]^[᱒]^[᱓]

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱵᱟᱨᱟᱱ ᱫᱚ ᱢᱚᱫᱽᱫᱷᱚᱯᱨᱚᱫᱮᱥ ᱨᱮᱭᱟᱜ ᱵᱷᱳᱯᱟᱞ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱟᱨ ᱮ ᱚᱱᱰᱮ ᱜᱮ ᱦᱟᱨᱟ ᱞᱮᱱᱟᱭ ᱾ ^[᱔] ^[᱕] ᱩᱱᱤ ᱫᱚ ᱤᱝᱨᱮᱡᱤ ᱥᱟᱶᱦᱮᱫ ᱨᱮ ᱢᱟᱨᱴᱮᱹᱥ ᱮ ᱠᱚᱨᱟᱣ ᱞᱮᱫᱟ ᱟᱨ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱷᱚᱱ ᱜᱮ ᱢᱤᱫᱦᱚᱲ ᱠᱷᱮᱹᱞᱟᱱ ᱯᱟᱲᱦᱟᱣᱤᱡ ᱮ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾ ᱟᱡ ᱵᱚᱭᱦᱟ ᱢᱩᱱᱤᱥ ᱤᱡᱚᱞᱟᱞ (ᱢᱤᱫ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱟᱨ ᱢᱤᱫ ᱠᱟᱹᱨᱤᱜᱚᱞ) ᱥᱟᱶ ᱟᱡᱟᱜ ᱟᱭᱢᱟ ᱱᱚᱠᱥᱟ ᱟᱨ ᱠᱟᱹᱨᱤ ᱠᱟᱹᱢᱤ ᱨᱮ ᱟᱹᱰᱤ ᱥᱩᱨ ᱨᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟᱭ ᱾^[᱖]^[᱗]

ᱠᱟᱹᱢᱤ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱵᱟᱨᱟᱱ ᱤᱡᱚᱞᱟᱞ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ ᱥᱮᱨᱢᱟ ᱟᱭᱢᱟ ᱩᱯᱟᱹᱭ ᱥᱟᱞᱟᱜ ᱵᱤᱰᱟᱹᱣ ᱟᱠᱟᱫᱟᱭ ᱾ ᱯᱳᱭᱞᱳ ᱢᱟᱨᱟᱝ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ, 'ᱨᱮᱴᱮᱞᱤᱝᱥ' ᱧᱩᱛᱩᱢ ᱛᱮ, ᱩᱱᱤᱭᱟᱜ ᱵᱟᱨᱭᱟ ᱥᱤᱨᱤᱡᱽ, 'ᱥᱴᱤᱪᱰ ᱩᱭᱝᱥ' ᱟᱨ 'ᱴᱩ ᱵᱤ ᱠᱚᱱᱴᱤᱭᱩᱱᱰ' ᱠᱷᱚᱱ ᱟᱭᱟᱜ ᱯᱮᱥᱤ ᱜᱚᱴᱟᱝ ᱢᱩᱲᱩᱫ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾^[᱘] ᱚᱯᱷ ᱠᱚᱢᱚᱱᱥ (2010) ᱠᱷᱚᱱ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱ ᱮᱞᱢᱤᱨᱟᱠᱚ ᱥᱮᱞᱮᱫ ᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱡᱟᱦᱟᱸᱠᱚ "ᱚᱱᱛᱟᱨᱮ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱨᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱠᱚ ᱢᱩᱫᱨᱮ ᱜᱚᱴᱟᱵᱩᱴᱟᱹ ᱚᱛ ᱨᱮᱭᱟᱜ ᱚᱛᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟᱠᱚ ᱚᱲᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱩᱭᱦᱟᱹᱨ ᱦᱳᱭ ᱞᱮᱱᱟ ᱡᱟᱦᱟᱸᱠᱚ ᱫᱚ" ᱥᱟᱫᱷᱟᱨᱚᱱ ᱦᱚᱲ "ᱠᱚᱣᱟᱜ ᱦᱚᱲᱟᱱ ᱟᱨ ᱥᱩᱨ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱫᱟᱲᱮᱹᱭᱟᱜᱼᱟ ᱾^[᱙]

ᱦᱩᱴᱟᱭᱤᱞ ᱩᱭᱴᱤᱱᱥ (2014 ᱼᱨᱱᱤᱛ ) ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱢᱤᱫᱴᱟᱝ ᱵᱟᱝᱼᱵᱟᱹᱲᱤᱡ ᱵᱚᱨᱱᱚᱱ ᱨᱮᱭᱟᱜ ᱪᱟᱞᱟᱣᱟᱱ ᱥᱤᱨᱤᱡ ᱾^[᱑᱐] ᱱᱚᱶᱟ ᱫᱚ "ᱟᱹᱰᱤ ᱰᱷᱮᱨ ᱦᱤᱝᱥᱟ ᱨᱮᱭᱟᱜ ᱜᱚᱱᱚᱝ ᱛᱮ ᱵᱟᱝ ᱧᱮᱞᱟᱱ ᱦᱚᱲ ᱟᱨ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱡᱚᱥᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱦᱟᱹᱵᱤᱡ ᱪᱟᱞᱟᱣᱟᱱ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ ᱠᱚ ᱛᱚᱞᱟᱥ ᱞᱮᱫᱟ ᱾" ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱳᱯᱟᱞ, ᱫᱤᱞᱞᱤ, ᱠᱚᱞᱠᱟᱛᱟ, ᱞᱚᱠᱱᱟᱣ, ᱢᱩᱢᱵᱟᱭ ᱟᱨ ᱵᱟᱨᱟᱱᱥᱤ ᱨᱮᱭᱟᱜ ᱜᱚᱴᱟᱵᱩᱴᱟᱹ ᱴᱷᱟᱶ ᱠᱚ ᱥᱩᱨ ᱨᱮ 2014 ᱠᱷᱚᱱ 2019 ᱥᱟᱹᱦᱤᱛ ᱢᱩᱫᱨᱮ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱠᱚ ᱥᱮᱨᱮᱧ ᱠᱟᱛᱮ ᱟᱨ ᱠᱮᱱᱵᱷᱟᱥ ᱨᱮ ᱵᱚᱨᱱᱚᱱ ᱠᱚ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱛᱮ ᱡᱩᱭᱟᱹᱱ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱟᱱᱟᱜ ᱚᱞᱠᱟᱲᱟ ᱟᱨᱦᱚᱸ ᱩᱛᱱᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱨᱟᱱ ᱢᱩᱱᱤᱥ ᱤᱡᱚᱞᱟᱞ ᱥᱟᱶ ᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱢᱩᱱᱤᱥ ᱱᱚᱶᱟ ᱥᱤᱨᱤᱡᱽ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱫᱷᱤᱨᱤ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟᱭ ᱾^[᱑᱑] ᱦᱤᱫᱤᱡᱟᱱ ᱥᱟᱹᱠᱠᱷᱤ ᱫᱚ ᱵᱟᱝ ᱜᱮ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱟᱨ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱜᱷᱚᱴᱱᱟ ᱥᱟᱶ ᱩᱱᱠᱩᱭᱟᱜ ᱥᱮᱞᱮᱫ ᱨᱮᱭᱟᱜ ᱡᱩᱭᱟᱹᱱ ᱱᱚᱛᱷᱤ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱥᱟᱼᱵᱩᱛᱚᱱ ᱵᱚᱨᱱᱚᱱ ᱥᱟᱶ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱦᱚᱲ ᱠᱚ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾ ^[᱑᱒] ^[᱑᱓]

ᱨᱩᱢ (2018 ᱼᱱᱤᱛ) ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱥᱟᱸᱜᱷᱟᱨ ᱥᱳᱭᱩᱱᱰ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱠᱩᱭᱟᱜ ᱵᱚᱛᱚᱨ, ᱵᱚᱛᱚᱨ, ᱠᱷᱚᱡ ᱟᱨ ᱞᱟᱹᱭ, ᱥᱳᱭᱱᱟ ᱟᱨ ᱥᱟᱹᱠᱷᱤ ᱛᱟᱞᱟᱛᱮ ᱧᱮᱞ ᱧᱟᱢ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱫᱟ ^[᱑᱔]᱾ ᱩᱭᱦᱟᱹᱨᱟᱱ ᱠᱟᱹᱨᱤ ᱠᱟᱛᱮ ᱡᱮ, "ᱱᱚᱣᱟ ᱥᱟᱩᱰ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱚᱵᱤᱪ ᱪᱮᱱᱮᱞ ᱞᱮᱠᱟᱛᱮ ᱩᱭᱦᱟᱹᱨ ᱟᱱᱟᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱫᱚ ᱥᱟᱹᱠᱷᱤ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱦᱱᱤ ᱠᱚ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ ᱾ ᱡᱟᱦᱟᱸᱭ ᱠᱚ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚ ᱥᱟᱶ ᱥᱟᱹᱠᱷᱤ ᱞᱮᱠᱟᱛᱮ ᱩᱱᱠᱩᱭᱟᱜ ᱠᱟᱹᱦᱱᱤ ᱠᱚ ᱚᱞ ᱟᱠᱟᱫᱟ, ᱩᱱᱠᱩ ᱢᱩᱫᱨᱮ ᱢᱮᱱᱟᱜ ᱟᱠᱟᱫᱟ ᱥᱮᱪᱮᱫᱤᱭᱟᱹ, ᱞᱚᱭᱚᱢ, ᱦᱚᱭᱦᱩᱫᱤᱥ ᱨᱮᱱ ᱥᱟᱡᱚᱠ ᱟᱨ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱨᱮ ᱥᱟᱡᱚᱠ ᱠᱚ, ᱠᱤᱪᱷᱩ ᱧᱩᱛᱩᱢᱟᱱ ᱾ ᱧᱮᱞᱟᱱ ᱠᱚ ᱢᱟᱲᱟᱝ ᱨᱮᱠᱳᱨᱰ ᱟᱠᱟᱱ ᱠᱟᱛᱷᱟᱼᱵᱟᱹᱲᱤᱡ ᱥᱟᱶᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱚᱲᱟᱜ ᱨᱮᱭ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾ ᱩᱱᱠᱩ ᱩᱱᱫᱚ ᱩᱱᱠᱩᱭᱟᱜ ᱟᱡᱟᱜ ᱨᱮᱯᱷᱞᱤᱠᱥᱚᱱ ᱠᱚ ᱚᱞ ᱫᱚᱦᱚ ᱞᱟᱹᱜᱤᱫ ᱮ ᱵᱟᱪᱷᱱᱟᱣ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱚᱰᱤᱣᱳ ᱪᱟᱞᱟᱣᱚᱜ ᱟ ᱾ ᱚᱱᱟᱛᱮ, ᱛᱷᱟᱯᱚᱱ ᱫᱚ ᱥᱟᱭᱤᱴ ᱨᱮ ᱵᱟᱹᱲᱛᱤ ᱞᱮᱱᱟ ᱾ ^[᱑᱕] ^[᱑᱖]^[᱑᱗] " ᱱᱚᱶᱟ ᱫᱚ ᱪᱮᱱᱡᱽ ᱨᱩᱢ ᱟᱨᱮᱵᱷᱥ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱮᱜᱮᱫ ᱨᱮᱭᱟᱜ ᱪᱮᱱᱡᱽ ᱨᱩᱢ ᱟᱨᱴ ᱤᱱᱥᱴᱟᱞᱮᱥᱮᱱᱥ ᱨᱮ, ᱚᱵᱤᱪ ᱞᱮᱠᱟᱛᱮ, ᱚᱞ ᱫᱚᱦᱚ ᱟᱠᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱚ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱪᱮᱧᱡ ᱨᱩᱢ 2018 ᱥᱟᱹᱦᱤᱛ ᱠᱷᱚᱱ ᱞᱟᱭᱵᱷ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾^[᱑᱘]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

[1] ttps://indiaartfair.in/recording-silence-baaraan-ijlal

[2] "Listening for change: Baaraan Ijlal's practice of collecting stories". www.4a.com.au (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). 2021-12-16. Archived from the original on 2023-09-26. Retrieved 2023-09-26.

[:0-3] ttps://www.shrineempiregallery.com/artist/baaraan-ijlal/

[4] ttps://www.cnbctv18.com/buzz/a-broadening-canvas-of-cultures-and-conversations-2172311.htm

[5] ttps://openthemagazine.com/art-culture/the-grief-of-ruins/

[:1-6] ttps://www.vogue.in/culture-and-living/content/through-hostile-witness-artist-baaraan-ijlal-is-resisting-erasure-before-the-seas-drown-us

[:2-7] ttps://lifestyle.livemint.com/how-to-lounge/art-culture/baaraan-ijlal-s-work-stands-witness-to-everyday-erasures-111638514207905.html

[8] ttps://www.tribuneindia.com/2010/20101010/spectrum/main9.htm

[:02-9] ttps://www.shrineempiregallery.com/artist/baaraan-ijlal/

[:12-10] ttps://www.vogue.in/culture-and-living/content/through-hostile-witness-artist-baaraan-ijlal-is-resisting-erasure-before-the-seas-drown-us

[11] ttps://www.stirworld.com/see-features-of-witnessing-and-listening-baaraan-ijlal-s-art-accepts-the-past-to-bequeath-empathy

[:22-12] ttps://lifestyle.livemint.com/how-to-lounge/art-culture/baaraan-ijlal-s-work-stands-witness-to-everyday-erasures-111638514207905.html

[13] ttps://indianexpress.com/article/lifestyle/art-and-culture/artists-baaraan-ijlal-and-moonis-ijlals-layered-works-share-untold-stories-7656983/

[14] ttps://changeroomarchives.art/change-room/

[:13-15] ttps://www.vogue.in/culture-and-living/content/through-hostile-witness-artist-baaraan-ijlal-is-resisting-erasure-before-the-seas-drown-us

[16] ttps://thewire.in/the-arts/baaraan-ijlal-interview-change-room

[17] ttps://changeroomarchives.art/

[18] ttps://www.lemonde.fr/idees/article/2019/04/05/la-change-room-de-l-artiste-baaraan-ijlal-sonde-les-peurs-des-indiens_5446033_3232.html

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