ᱦᱟᱨᱰᱠᱚᱨ ᱯᱟᱱᱠ

ᱣᱤᱠᱤᱯᱤᱰᱤᱭᱟ, ᱨᱟᱲᱟ ᱜᱮᱭᱟᱱ ᱯᱩᱛᱷᱤ ᱠᱷᱚᱱ

ᱦᱟᱨᱰᱠᱳᱨ ᱯᱚᱸᱠ (ᱦᱟᱨᱰᱠᱳᱨ ᱦᱚᱸ ᱠᱚ ᱢᱮᱛᱟᱜᱼᱟ) ᱫᱚ ᱢᱤᱫ ᱯᱚᱸᱠ ᱨᱚᱠ ᱥᱮᱨᱮᱧ ᱡᱚᱱ ᱟᱨ ᱥᱟᱵᱠᱚᱞᱪᱚᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱑᱙᱗᱐ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱯᱚᱸᱠ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱦᱚᱨᱟ ᱠᱚ ᱠᱷᱚᱱᱟᱜ ᱵᱟᱹᱲᱛᱤ ᱩᱥᱟᱹᱨᱟ, ᱟᱹᱰᱤ ᱦᱟᱨᱠᱮᱛ ᱟᱨ ᱟᱹᱰᱤ ᱟᱥᱚᱞ ᱜᱮᱭᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮᱱᱟᱜ ᱨᱟᱡᱽ ᱫᱚ ᱥᱟᱱ ᱯᱷᱨᱟᱱᱥᱤᱥᱠᱳ ᱟᱨ ᱥᱟᱢᱟᱝ ᱠᱮᱞᱤᱯᱷᱳᱨᱱᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱯᱚᱸᱠ ᱥᱠᱮᱱ ᱠᱷᱚᱱ ᱧᱟᱢᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱦᱤᱯᱤ ᱟᱹᱨᱤᱪᱟᱹᱞᱤ ᱨᱮᱱᱟᱜ ᱨᱟᱹᱥᱠᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱦᱮᱡ ᱞᱮᱱᱟ ᱾ ᱣᱮᱥᱴᱚᱱ ᱰᱤ.ᱥᱤ. ᱟᱨ ᱱᱤᱭᱩ ᱭᱚᱨᱠ ᱯᱚᱸᱠ ᱨᱚᱠ ᱟᱨ ᱯᱨᱳᱴᱚ-ᱯᱚᱸᱠ ᱠᱷᱚᱱ ᱦᱚᱸ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱫ ᱥᱟᱱ ᱯᱷᱨᱮᱱᱥᱤᱠᱳ ᱟᱨ ᱫᱚᱠᱷᱤᱱ ᱠᱮᱞᱯᱷᱟᱨᱱᱤᱭᱟ ᱨᱮ ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱯᱮᱝᱠ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱧᱟᱢ ᱟᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱩᱱ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱱᱤᱛᱦᱚᱸ ᱢᱩᱲᱩᱫ ᱦᱤᱯᱤ ᱞᱟᱠᱪᱟᱨ ᱵᱤᱨᱤᱫ ᱵᱤᱨᱩᱫᱷ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱴᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱳᱣᱟᱥᱴᱤᱝᱴᱚᱱ ᱰᱤᱥᱤ ᱟᱨ ᱱᱤᱭᱩᱨᱠ ᱯᱟᱱᱠ ᱨᱚᱠ ᱟᱨ ᱯᱳᱭᱞᱳ ᱮᱛᱚᱦᱚᱵᱼᱯᱟᱱᱠ ᱫᱟᱨᱟᱭ ᱛᱮ ᱦᱚᱸ ᱮᱥᱮᱨ ᱞᱮᱱᱟ ᱾ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱟᱱᱠ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱵᱤᱨᱤᱫ ᱟᱨ " ᱢᱩᱲᱩᱫ ᱰᱟᱦᱟᱨ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱞᱮᱠᱟ ᱪᱮᱫ ᱦᱚᱸ ᱵᱟᱝ ᱟᱨ ᱡᱟᱣᱜᱮ ᱥᱟᱶᱛᱟ ᱟᱨ ᱨᱟᱡᱽ ᱟᱹᱨᱤ ᱥᱟᱛᱟᱢ ᱠᱚ ᱢᱤᱫ ᱥᱟᱶᱛᱮ " ᱞᱟᱹᱲᱦᱟᱹᱭ " ᱨᱟᱡᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱪᱟᱨᱪᱟᱨ ᱟᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱥᱟᱞᱟᱜ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨᱼᱟ ᱾[᱑᱓]

ᱦᱚᱨᱰᱠᱳᱨ ᱫᱚ 1980 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱫ ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮ ᱚᱛ ᱞᱟᱛᱟᱨ ᱨᱮ ᱧᱮᱞ ᱧᱟᱢ ᱞᱮᱱᱟ , ᱵᱤᱥᱮᱥ ᱠᱟᱭᱛᱮ ᱞᱟᱥ ᱮᱱᱡᱮᱞᱥ , ᱥᱟᱱ ᱯᱷᱨᱮᱱᱥᱤᱠᱳ , ᱳᱣᱟᱥᱴᱤᱝᱴᱚᱱ , ᱰᱤ ᱥᱤ , ᱵᱳᱥᱴᱚᱱ ᱟᱨ ᱱᱤᱭᱳᱣᱚᱨᱠ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱠᱟᱱᱟᱰᱟ ᱟᱨ ᱡᱩᱠᱛᱚ ᱯᱚᱱᱚᱛ ᱨᱮ ᱾ ᱦᱚᱨᱰᱠᱳᱨ ᱫᱚ ᱥᱚᱨᱟᱥᱚᱨᱤ ᱪᱟᱞᱟᱣᱟᱱ ᱟᱨ ᱚᱱᱟ ᱥᱟᱶᱛᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱩᱯᱼᱞᱟᱣᱟᱱ ᱦᱚᱨᱰᱞᱟᱭᱮᱱ ᱟᱨ ᱡᱩᱭᱟᱹᱱ ᱜᱟᱫᱮᱞ ᱠᱚ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱾ ᱦᱚᱨᱰᱠᱳᱨ ᱫᱚ 1980 ᱨᱮᱭᱟᱜ ᱜᱮᱞᱟᱝ ᱨᱮ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱨᱤᱠᱟᱣᱰ ᱞᱮᱵᱮᱞ ᱨᱮᱭᱟᱜ ᱩᱛᱱᱟᱹᱣ ᱟᱨ ᱚᱱᱛᱨᱚᱝᱜᱤ ᱨᱮᱱᱟᱜ ᱧᱮᱞᱟᱱ ᱨᱮ ᱰᱤ ᱟᱭ ᱳᱭ ᱱᱤᱠᱚᱥ ᱥᱟᱞᱟᱜ ᱟᱹᱰᱤ ᱵᱟᱹᱲᱛᱤ ᱥᱮᱞᱮᱫ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱜᱨᱚᱝᱡ ᱟᱨ ᱛᱷᱨᱟᱥ ᱢᱮᱴᱟᱞ ᱥᱟᱶᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱨᱤ ᱠᱚ ᱮᱥᱮᱨ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱹᱰᱤ ᱰᱷᱮᱨ ᱵᱮᱯᱟᱨᱤᱭᱟᱹ ᱥᱤᱜᱤᱞᱮ ᱦᱟᱢᱮᱴ ᱟᱠᱟᱫᱟ ᱾

ᱪᱩᱨᱤᱛ ᱨᱮᱭᱟᱜ ᱪᱩᱨᱤᱛ ᱾[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱵᱮᱰ ᱵᱨᱮᱱᱥ ᱮᱴ 9:30 ᱠᱞᱵ ᱳᱣᱟᱥᱴᱤᱝᱴᱚᱱ ᱰᱤ ᱥᱤ 1983

ᱦᱚᱨᱰᱠᱳᱨ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱥᱴᱤᱵᱷᱮᱱ ᱵᱞᱟᱥ ' ᱢᱚᱭᱤᱱᱟᱨ ᱛᱷᱨᱮᱴ ' ᱼ ᱨᱮᱭᱟᱜ ᱟᱭᱟᱱ ᱢᱮᱠᱟᱭᱮ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ' ᱰᱟᱭᱤᱼᱦᱟᱨᱰ ' ᱢᱚᱱᱚᱥᱚᱴᱚᱠ ᱮᱛᱚᱦᱚᱵ ᱞᱟᱹᱜᱤᱫ ᱥᱤᱜᱤᱞᱮ ᱮᱢ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱱᱟᱦᱟᱜ ᱟᱢ ᱦᱟᱨᱰᱠᱳᱨ ' ᱼ ᱧᱩᱛᱩᱢ ᱛᱮ ᱞᱟᱹᱭᱚᱜ ᱠᱟᱱ ᱥᱟᱱᱟᱢᱟᱜ ᱜᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱫᱮᱭᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱥᱮᱨᱮᱧ ᱵᱤᱨᱩᱫᱟᱱ ᱵᱤᱨᱤᱫ ᱟᱨ ᱨᱩᱠ ᱵᱤᱨᱩᱫᱟᱱ ᱥᱴᱟᱨ ᱾[᱑᱔] ᱰᱨᱟᱣᱩᱱᱰ ᱤᱱ ᱥᱩᱱᱰ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱚᱱᱚᱞ ᱨᱮ ᱡᱩᱠᱛᱤ ᱮᱢ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱡᱮ ᱑᱙᱗᱐ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱥᱮᱫ ᱨᱮᱭᱟᱜ ᱦᱰᱠᱳᱨ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱯᱟᱱᱠᱼᱨᱮᱱᱟᱜ ᱫᱚ ᱜᱚᱴᱟᱵᱩᱴᱟᱹ ᱚᱡᱮ ᱫᱚ " ᱥᱟᱱᱟᱢ ᱵᱷᱚᱥᱟᱨ ᱟᱨ ᱯᱷᱮᱥᱮᱱᱤᱥᱛᱟ ᱠᱚ ᱱᱟᱶᱟ ᱨᱳᱢᱮᱱᱴᱤᱠ ᱦᱚᱭᱟᱨᱠᱟᱴ ᱥᱟᱶᱛᱮ ᱥᱠᱤᱱᱱᱤ ᱜᱚᱞᱮᱠ ᱴᱟᱭ ᱨᱮᱭᱟᱜ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱴᱮᱨᱮᱱᱰ ᱨᱮ ᱠᱚ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ [᱑᱕] ᱮᱴᱟᱜ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱠᱚ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱟᱨ ᱢᱮᱞᱳᱣᱟᱨ ᱩᱯᱚᱼᱥᱚᱝᱜᱟᱹᱨ ᱵᱤᱨᱩᱫᱷᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱛᱚᱱᱟ ᱞᱟᱹᱜᱤᱫ ᱦᱰᱠᱳᱨ ᱠᱚ ᱫᱟᱭᱮᱫ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱟᱝᱠ ᱫᱚ ᱯᱮᱥᱴᱼᱯᱟᱱᱠ ᱟᱨ ᱱᱟᱶᱟ ᱳᱣᱮᱵᱷ ᱞᱮᱠᱟ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾[᱑᱖] ᱦᱚᱨᱰᱠᱳᱨ ᱯᱟᱱᱠ ᱫᱚ ᱚᱰᱮᱠᱷᱟᱱ ᱢᱩᱲᱩᱫ ᱯᱟᱱᱠ ᱨᱚᱠ ᱥᱮᱹᱨᱮᱹᱧ ᱨᱮᱭᱟᱜ ᱦᱚᱨᱟ ᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱢ ᱢᱩᱲᱩᱫ ᱥᱳᱭᱛᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱵᱟᱛᱟᱣᱟᱜ ᱾ ᱵᱤᱞᱵᱳᱨᱰ ᱢᱮᱜᱟᱡᱤᱱ ᱮᱞᱤ ᱮᱱᱤᱥ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ , ᱦᱚᱨᱰᱠᱳᱨ ᱥᱳ ᱠᱚ ᱦᱤᱝᱥᱟ ᱟᱱᱟᱜ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭ ᱟᱠᱟᱱᱟ ᱾ 2002 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱟᱨᱰᱳᱣᱚᱨ ᱫᱟᱰ ᱠᱮᱱᱱᱰᱤ ᱨᱮᱱ ᱥᱮᱨᱮᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱡᱮᱞᱞᱳ ᱵᱤᱭᱟᱯᱷᱨᱟ ᱥᱟᱶ ᱢᱤᱫ ᱵᱤᱪᱷᱱᱟᱣ ᱚᱠᱛᱮ ᱩᱱᱤ ᱫᱚ ᱯᱳᱭᱞᱳ ᱦᱚᱨᱰᱠᱳᱨ ᱨᱤᱠᱟᱨᱰ ᱢᱮᱱᱛᱮᱠᱚ ᱢᱚᱱᱮ ᱞᱮᱫᱟᱠᱚ ᱢᱮᱱ ᱠᱟᱛᱮ ᱢᱮᱱ ᱞᱮᱫᱟᱭ " " 60 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱥᱮᱫ ᱦᱳᱞᱮᱱᱰ ᱨᱮ ᱥᱩᱝᱞ ᱚᱯᱷ ᱤᱢᱠᱟᱨ ᱴᱨᱮᱱ ᱚᱯᱷ ᱰᱩᱢᱥᱰᱮ ᱾ ' 60 ᱨᱮᱭᱟᱜ ᱜᱮᱞᱟᱝ ᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱥᱩᱢᱩᱝ ᱥᱟᱡᱚᱥᱟᱱ ᱨᱩᱠᱳᱰ ᱤᱧ ᱵᱟᱰᱟᱭ ᱟᱠᱟᱱᱟ ᱾[᱑᱗]

ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱾[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱵᱚᱨᱱᱚᱱ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ " ᱵᱮᱼᱥᱩᱢᱟᱹᱱ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱨᱥ ᱯᱟᱱᱠ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱯ ᱾[᱑᱘] ᱦᱚᱨᱰᱠᱳᱨ ᱫᱚ ᱯᱮᱝᱠ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱞᱚᱜᱚᱱ ᱢᱚᱱᱟᱨ ᱡᱳᱱᱚᱨ ᱠᱚ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱛᱟᱞᱢᱟ ᱞᱮᱠᱟᱛᱮ ᱜᱚᱛᱤ ᱟᱨ ᱡᱟᱨᱯᱟ ᱥᱟᱶᱛᱮ ᱟᱨᱦᱚᱸ ᱮᱛᱚᱦᱚᱵ ᱟᱨ ᱞᱚᱜᱚᱱ ᱦᱩᱭᱩᱜ ᱨᱮᱭᱟᱜ ᱵᱤᱨᱩᱫᱷᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱟᱹᱰᱤ ᱜᱟᱹᱛᱤᱞ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾[᱑᱔]

ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱠ ᱨᱚᱠ ᱨᱮᱭᱟᱜ ᱥᱱᱟᱭᱩ ᱨᱮ ᱡᱟᱹᱥᱛᱤ ᱜᱟᱱ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱟᱱᱠ ᱵᱮᱱᱰ ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ / guitar/bass/drum ᱯᱷᱚᱨᱢᱮᱴ ᱠᱚ ᱯᱟᱞᱟᱣ ᱟᱠᱟᱫᱟ ᱾ ᱥᱮᱨᱮᱧ ᱚᱞ ᱨᱮ ᱨᱩᱛᱤ ᱠᱷᱚᱱ ᱦᱚᱸ ᱛᱟᱞ ᱪᱮᱛᱟᱱ ᱨᱮ ᱡᱟᱹᱥᱛᱤ ᱡᱳᱨ ᱮᱢ ᱦᱳᱭᱳᱜᱼᱟ ᱾ ᱵᱞᱟᱥ ᱚᱞ ᱟᱠᱟᱫᱟ , " ᱥᱤᱠᱚᱥ ᱯᱮᱥᱴᱚᱞ ᱠᱚᱫᱚ ᱱᱤᱛᱦᱚᱸ ᱨᱚᱠ ' ᱮᱱ ' ᱨᱳᱞ ᱞᱮᱠᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱪᱚᱠ ᱵᱮᱨᱤᱭᱟᱜ ᱠᱷᱮᱹᱞᱳᱰ ᱟᱱᱟᱜ ᱨᱩᱯ ᱞᱮᱠᱟ ᱾ ᱦᱚᱨᱰᱠᱳᱨ ᱚᱱᱟ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱫᱤᱠᱮᱞ ᱮ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱠᱷᱼᱠᱨᱳᱥ ᱫᱷᱤᱨᱤ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱥᱮᱨᱮᱧ ᱚᱞ ᱪᱮᱫ ᱞᱮᱠᱟ ᱚᱱᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱦᱟᱱ ᱩᱭᱦᱟᱹᱨ ᱵᱟᱝᱮ ᱪᱷᱟᱹᱲ ᱞᱮᱫᱮᱭᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱟᱡᱟᱜ ᱨᱩᱯ ᱾[᱑᱙] آلᱢᱩᱥᱤᱠ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱨᱰᱠᱳᱨ ᱞᱟᱹᱜᱤᱫ ᱜᱩᱴ ᱵᱚᱞᱩᱯᱨᱤᱱᱴ ᱟᱨᱦᱚᱸ ᱟᱹᱰᱤ ᱜᱟᱹᱨᱛᱮ ᱟᱨ ᱞᱚᱜᱚᱱ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾[᱒᱐] ᱦᱚᱨᱰᱠᱳᱨ ᱫᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱱᱟᱶᱟ ᱳᱣᱟᱵᱷ ᱥᱮᱹᱨᱮᱹᱧ ᱨᱮᱭᱟᱜ ᱡᱮᱜᱮᱫ ᱡᱟᱠᱟᱛ ᱠᱟᱹᱨᱤᱼᱥᱩᱠᱩᱞ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱴᱟᱹ ᱾[᱒᱑] ᱦᱚᱨᱰᱠᱳᱨ " ᱮᱥᱪᱮᱣᱮᱰ " ᱱᱱᱤᱭᱮᱱᱥ " ᱴᱤᱠ [ ᱟᱨ ] ᱚᱵᱷᱟᱝᱴᱼᱜᱟᱨᱰᱮ ᱟᱨ ᱚᱱᱟ ᱵᱚᱫᱚᱞ ᱛᱮ ᱚᱱᱩᱢᱤᱫ ᱥᱮᱨᱮᱧ ᱨᱩᱯ ᱟᱨ ᱞᱚᱜᱚᱱ ᱴᱮᱢᱯᱳ ᱵᱚᱱᱚᱫᱚᱞ ᱵᱮᱣᱦᱟᱨ ᱠᱟᱛᱮ " ᱜᱚᱛᱤ ᱟᱨ ᱛᱟᱞᱠᱟᱹ ᱨᱮᱭᱟᱜ ᱜᱚᱛᱤ " ᱪᱮᱛᱟᱱ ᱡᱳᱨ ᱮᱢ ᱞᱮᱫᱟ ᱾[᱒᱑]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ[ᱥᱟᱯᱲᱟᱣ | ᱯᱷᱮᱰᱟᱛ ᱥᱟᱯᱲᱟᱣ]

  1. ᱑.᱐ ᱑.᱑ Leblanc, Lauraine (1999). Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture. Rutgers University Press. p. 49. ISBN 9780813526515.
  2. Ellis, Iain (2008). Rebels Wit Attitude: Subversive Rock Humorists. Counterpoint Press. p. 172. ISBN 978-1593762063.
  3. Thompson, Stacy (February 1, 2012). Punk Productions: Unfinished Business. SUNY Press. p. 71. ISBN 978-0791484609.
  4. James F. Short, Lorine A. Hughes (January 1, 2006). Studying Youth Gangs. Rowman Altamira. p. 149. ISBN 978-0759109391.
  5. Moore, Ryan (December 1, 2009). Sells like Teen Spirit: Music, Youth Culture, and Social Crisis. NYU Press. p. 50. ISBN 978-0814796030.
  6. Waksman, Steve (January 5, 2009). This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk. University of California Press. p. 210. ISBN 978-0520943889.
  7. ᱗.᱐ ᱗.᱑ ᱗.᱒ Chapman, Roger (2010). Culture Wars. M.E. Sharpe. p. 449. ISBN 978-0765622501.
  8. ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; no text was provided for refs named blush296
  9. Weisbard, Eric, ed. (2012). Pop When the World Falls Apart: Music in the Shadow of Doubt. Duke University Press. p. 279. ISBN 978-0822351085.
  10. Phillips, William & Cogan, Brian (2009). Encyclopedia of heavy metal music. Greenwood Press. pp. 109, 234. ISBN 978-0313348006.
  11. Von Havoc, Felix (January 1, 1984). "Rise of Crust". Profane Existence. Archived from the original on June 15, 2008. Retrieved June 16, 2008.
  12. Hans Verbeke (2019). H8000 Documentary — Anger & Distortion; 1989–1999 (in ᱰᱚᱪ).
  13. Campbell, Michael.
  14. ᱑᱔.᱐ ᱑᱔.᱑ Blush, Steven (March 2, 2016). "WHAT IS HARDCORE?". greenroom-radio.com. Archived from the original on August 9, 2017. Retrieved July 1, 2017. ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; name "auto" defined multiple times with different content
  15. Symonds, Rene (August 16, 2007). "Features – Soul Brothers: DiS meets Bad Brains". Drowned in Sound. Archived from the original on October 11, 2008. Retrieved February 12, 2010.
  16. Westhoff, Ben (October 15, 2013). "What Does 'Hardcore' Mean In Different Music Genres?". Laweekly.com. LA Weekly. Archived from the original on August 17, 2017. Retrieved June 13, 2017.
  17. "Nardwuar Vs. Jello Biafra: New Introduction by Kristen K.: Originally ran in Razorcake #08, 2002 By Nardwuar – Razorcake" (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2023-04-20.
  18. The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company.
  19. Blush, Steven (January 2007). "Move Over My Chemical Romance: The Dynamic Beginnings of US Punk". Uncut.
  20. Pop/Rock – Punk/New Wave – Hardcore Punk. "Hardcore Punk | Significant Albums, Artists and Songs". AllMusic. Archived from the original on June 5, 2014. Retrieved August 20, 2014.
  21. ᱒᱑.᱐ ᱒᱑.᱑ Williams, Sarah.